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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE849 it is the complementary color #2417B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE849. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE849 shade: #E0E844, #F1FA57, #FFFF6A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE849. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE849 shade: #DBE849, #CAD636, #B9C423, #A8B210 and #97A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE849 shade: #DBE849, #E8CA49, #E89F49, #E87449 and #E84949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE849 shade: #DBE849, #B0E849, #85E849, #5AE849 and #49E862

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE849 shade matches the following richer shades: #DBE849 and #E9F938

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE849 shade: #DBE849, #CDD859, #BFC76A, #B2B77A and #A4A68B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE849 shade: #E89E49, #E8C849, #DDE849, #B3E849 and #89E849

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE849 shade: #B8C618, #D4E424, #DBE849, #E2ED6E and #E9F192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE849 shade: #DBE849, #49E873 and #B349E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE849 shade: #DBE849, #49DDE8 and #E849DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE849 shade: #DBE849, #49E873, #5449E8 and #E849BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE849 shade: #DBE849, #49E8A3, #5449E8 and #E8498E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 69 / 9

HEX #DBE849

RGB 219 232 73

HSL 64.91, 0.78%, 0.6%

LAB 88.57, -23.55, 71.93

 

Complementary color

CMYK 80 / 87 / 0 / 29

HEX #2417B6

RGB 36 23 182

HSL 244.91, 0.78%, 0.4%

LAB 24.84, 55.81, -78.11

 

CMYK 3 / 0 / 71 / 9

HEX #E0E844

RGB 224 232 68

HSL 62.93, 0.78%, 0.59%

LAB 88.91, -21.77, 74.14

 

CMYK 4 / 0 / 65 / 2

HEX #F1FA57

RGB 241 250 87

HSL 63.31, 0.94%, 0.66%

LAB 95.06, -22.53, 73.85

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 6 / 0 / 69 / 9

HEX #DBE849

RGB 219 232 73

HSL 64.91, 0.78%, 0.6%

LAB 88.57, -23.55, 71.93

 

CMYK 6 / 0 / 75 / 16

HEX #CAD636

RGB 202 214 54

HSL 64.5, 0.66%, 0.53%

LAB 82.33, -22.74, 71.92

 

CMYK 6 / 0 / 82 / 23

HEX #B9C423

RGB 185 196 35

HSL 64.1, 0.7%, 0.45%

LAB 76.02, -21.77, 71.16

 

CMYK 6 / 0 / 91 / 30

HEX #A8B210

RGB 168 178 16

HSL 63.7, 0.84%, 0.38%

LAB 69.61, -20.6, 69.22

 

CMYK 6 / 0 / 100 / 37

HEX #97A000

RGB 151 160 0

HSL 63.38, 1%, 0.31%

LAB 63.11, -19.22, 65.81

 

CMYK 6 / 0 / 69 / 9

HEX #DBE849

RGB 219 232 73

HSL 64.91, 0.78%, 0.6%

LAB 88.57, -23.55, 71.93

 

CMYK 0 / 13 / 69 / 9

HEX #E8CA49

RGB 232 202 73

HSL 48.68, 0.78%, 0.6%

LAB 81.77, -3.26, 65.44

 

CMYK 0 / 31 / 69 / 9

HEX #E89F49

RGB 232 159 73

HSL 32.45, 0.78%, 0.6%

LAB 71.17, 19.32, 54.34

 

CMYK 0 / 50 / 69 / 9

HEX #E87449

RGB 232 116 73

HSL 16.23, 0.78%, 0.6%

LAB 61.76, 41.76, 43.93

 

CMYK 0 / 69 / 69 / 9

HEX #E84949

RGB 232 73 73

HSL 0, 0.78%, 0.6%

LAB 54.45, 60.97, 35.38

 

CMYK 6 / 0 / 69 / 9

HEX #DBE849

RGB 219 232 73

HSL 64.91, 0.78%, 0.6%

LAB 88.57, -23.55, 71.93

 

CMYK 24 / 0 / 69 / 9

HEX #B0E849

RGB 176 232 73

HSL 81.13, 0.78%, 0.6%

LAB 85.72, -40.37, 68.13

 

CMYK 43 / 0 / 69 / 9

HEX #85E849

RGB 133 232 73

HSL 97.36, 0.78%, 0.6%

LAB 83.54, -55.18, 65.19

 

CMYK 61 / 0 / 69 / 9

HEX #5AE849

RGB 90 232 73

HSL 113.58, 0.78%, 0.6%

LAB 82.04, -66.68, 63.16

 

CMYK 69 / 0 / 58 / 9

HEX #49E862

RGB 73 232 98

HSL 129.43, 0.78%, 0.6%

LAB 81.84, -67.47, 52.49

 

CMYK 6 / 0 / 69 / 9

HEX #DBE849

RGB 219 232 73

HSL 64.91, 0.78%, 0.6%

LAB 88.57, -23.55, 71.93

 

CMYK 6 / 0 / 78 / 2

HEX #E9F938

RGB 233 249 56

HSL 64.97, 0.94%, 0.6%

LAB 94.04, -26.69, 82.83

 

CMYK 6 / 0 / 69 / 9

HEX #DBE849

RGB 219 232 73

HSL 64.91, 0.78%, 0.6%

LAB 88.57, -23.55, 71.93

 

CMYK 5 / 0 / 59 / 15

HEX #CDD859

RGB 205 216 89

HSL 65.2, 0.62%, 0.6%

LAB 83.34, -20.49, 59.8

 

CMYK 4 / 0 / 47 / 22

HEX #BFC76A

RGB 191 199 106

HSL 65.16, 0.45%, 0.6%

LAB 77.85, -16.26, 45.33

 

CMYK 3 / 0 / 33 / 28

HEX #B2B77A

RGB 178 183 122

HSL 64.92, 0.3%, 0.6%

LAB 72.72, -11.48, 30.49

 

CMYK 1 / 0 / 16 / 35

HEX #A4A68B

RGB 164 166 139

HSL 64.44, 0.13%, 0.6%

LAB 67.3, -5.49, 13.76

 

CMYK 0 / 32 / 69 / 9

HEX #E89E49

RGB 232 158 73

HSL 32.08, 0.78%, 0.6%

LAB 70.93, 19.86, 54.09

 

CMYK 0 / 14 / 69 / 9

HEX #E8C849

RGB 232 200 73

HSL 47.92, 0.78%, 0.6%

LAB 81.26, -2.23, 64.92

 

CMYK 5 / 0 / 69 / 9

HEX #DDE849

RGB 221 232 73

HSL 64.15, 0.78%, 0.6%

LAB 88.72, -22.74, 72.12

 

CMYK 23 / 0 / 69 / 9

HEX #B3E849

RGB 179 232 73

HSL 80, 0.78%, 0.6%

LAB 85.9, -39.24, 68.37

 

CMYK 41 / 0 / 69 / 9

HEX #89E849

RGB 137 232 73

HSL 95.85, 0.78%, 0.6%

LAB 83.71, -53.93, 65.43

 

CMYK 7 / 0 / 88 / 22

HEX #B8C618

RGB 184 198 24

HSL 64.83, 0.78%, 0.44%

LAB 76.46, -23.46, 73.86

 

CMYK 7 / 0 / 84 / 11

HEX #D4E424

RGB 212 228 36

HSL 65, 0.78%, 0.52%

LAB 86.81, -25.93, 80.84

 

CMYK 6 / 0 / 69 / 9

HEX #DBE849

RGB 219 232 73

HSL 64.91, 0.78%, 0.6%

LAB 88.57, -23.55, 71.93

 

CMYK 5 / 0 / 54 / 7

HEX #E2ED6E

RGB 226 237 110

HSL 65.2, 0.78%, 0.68%

LAB 90.72, -20.69, 59.31

 

CMYK 3 / 0 / 39 / 5

HEX #E9F192

RGB 233 241 146

HSL 65.05, 0.77%, 0.76%

LAB 92.71, -16.52, 44.94

 

CMYK 6 / 0 / 69 / 9

HEX #DBE849

RGB 219 232 73

HSL 64.91, 0.78%, 0.6%

LAB 88.57, -23.55, 71.93

 

CMYK 69 / 0 / 50 / 9

HEX #49E873

RGB 73 232 115

HSL 135.85, 0.78%, 0.6%

LAB 82.04, -65.22, 44.88

 

CMYK 23 / 69 / 0 / 9

HEX #B349E8

RGB 179 73 232

HSL 280, 0.78%, 0.6%

LAB 52.03, 66.96, -61.93

 

CMYK 6 / 0 / 69 / 9

HEX #DBE849

RGB 219 232 73

HSL 64.91, 0.78%, 0.6%

LAB 88.57, -23.55, 71.93

 

CMYK 69 / 5 / 0 / 9

HEX #49DDE8

RGB 73 221 232

HSL 184.15, 0.78%, 0.6%

LAB 81.27, -34.91, -16.78

 

CMYK 0 / 69 / 5 / 9

HEX #E849DD

RGB 232 73 221

HSL 304.15, 0.78%, 0.6%

LAB 59.1, 76.4, -44

 

CMYK 6 / 0 / 69 / 9

HEX #DBE849

RGB 219 232 73

HSL 64.91, 0.78%, 0.6%

LAB 88.57, -23.55, 71.93

 

CMYK 69 / 0 / 50 / 9

HEX #49E873

RGB 73 232 115

HSL 135.85, 0.78%, 0.6%

LAB 82.04, -65.22, 44.88

 

CMYK 64 / 69 / 0 / 9

HEX #5449E8

RGB 84 73 232

HSL 244.15, 0.78%, 0.6%

LAB 41.96, 50.52, -78.76

 

CMYK 0 / 69 / 18 / 9

HEX #E849BE

RGB 232 73 190

HSL 315.85, 0.78%, 0.6%

LAB 57.69, 71.93, -28.56

 

CMYK 6 / 0 / 69 / 9

HEX #DBE849

RGB 219 232 73

HSL 64.91, 0.78%, 0.6%

LAB 88.57, -23.55, 71.93

 

CMYK 69 / 0 / 30 / 9

HEX #49E8A3

RGB 73 232 163

HSL 153.96, 0.78%, 0.6%

LAB 82.79, -56.8, 21.85

 

CMYK 64 / 69 / 0 / 9

HEX #5449E8

RGB 84 73 232

HSL 244.15, 0.78%, 0.6%

LAB 41.96, 50.52, -78.76

 

CMYK 0 / 69 / 39 / 9

HEX #E8498E

RGB 232 73 142

HSL 333.96, 0.78%, 0.6%

LAB 55.96, 66.21, -3.21

 

Description

Color code: HEX #DBE849 | qconv.com Color code: HEX #DBE849 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 232 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 232 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 69 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 69% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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