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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE33F it is the complementary color #241CC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE33F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE33F shade: #E0E33A, #F1F54D, #FFFF60, #FFFF73 and #FFFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE33F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE33F shade: #DBE33F, #CAD12C, #B9BF19, #A8AD06 and #979B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE33F shade: #DBE33F, #E3BF3F, #E3923F, #E3663F and #E33F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE33F shade: #DBE33F, #AFE33F, #82E33F, #56E33F and #3FE354

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE33F shade matches the following richer shades: #DBE33F and #EBF52D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE33F shade: #DBE33F, #CBD150, #BBC062, #ABAE74 and #9B9C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE33F shade: #E3913F, #E3BD3F, #DEE33F, #B2E33F and #86E33F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE33F shade: #AEB61A, #D1DA1F, #DBE33F, #E2E863 and #E8ED87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE33F shade: #DBE33F, #3FE365 and #A73FE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE33F shade: #DBE33F, #3FDEE3 and #E33FDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE33F shade: #DBE33F, #3FE365, #443FE3 and #E33FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE33F shade: #DBE33F, #3FE396, #443FE3 and #E33F8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 72 / 11

HEX #DBE33F

RGB 219 227 63

HSL 62.93, 0.75%, 0.57%

LAB 87.17, -21.63, 74.02

 

Complementary color

CMYK 81 / 85 / 0 / 25

HEX #241CC0

RGB 36 28 192

HSL 242.93, 0.75%, 0.43%

LAB 26.77, 56.76, -80.85

 

CMYK 1 / 0 / 74 / 11

HEX #E0E33A

RGB 224 227 58

HSL 61.07, 0.75%, 0.56%

LAB 87.53, -19.79, 76.09

 

CMYK 2 / 0 / 69 / 4

HEX #F1F54D

RGB 241 245 77

HSL 61.43, 0.89%, 0.63%

LAB 93.69, -20.67, 76.12

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 4 / 0 / 72 / 11

HEX #DBE33F

RGB 219 227 63

HSL 62.93, 0.75%, 0.57%

LAB 87.17, -21.63, 74.02

 

CMYK 3 / 0 / 79 / 18

HEX #CAD12C

RGB 202 209 44

HSL 62.55, 0.65%, 0.5%

LAB 80.93, -20.69, 73.59

 

CMYK 3 / 0 / 87 / 25

HEX #B9BF19

RGB 185 191 25

HSL 62.17, 0.77%, 0.42%

LAB 74.6, -19.57, 72.2

 

CMYK 3 / 0 / 97 / 32

HEX #A8AD06

RGB 168 173 6

HSL 61.8, 0.93%, 0.35%

LAB 68.19, -18.24, 69.42

 

CMYK 3 / 0 / 100 / 39

HEX #979B00

RGB 151 155 0

HSL 61.55, 1%, 0.3%

LAB 61.67, -16.66, 64.75

 

CMYK 4 / 0 / 72 / 11

HEX #DBE33F

RGB 219 227 63

HSL 62.93, 0.75%, 0.57%

LAB 87.17, -21.63, 74.02

 

CMYK 0 / 16 / 72 / 11

HEX #E3BF3F

RGB 227 191 63

HSL 46.83, 0.75%, 0.57%

LAB 78.43, -0.19, 65.83

 

CMYK 0 / 36 / 72 / 11

HEX #E3923F

RGB 227 146 63

HSL 30.37, 0.75%, 0.57%

LAB 67.46, 23.65, 54.78

 

CMYK 0 / 55 / 72 / 11

HEX #E3663F

RGB 227 102 63

HSL 14.27, 0.75%, 0.57%

LAB 58.22, 46.24, 44.93

 

CMYK 0 / 72 / 72 / 11

HEX #E33F3F

RGB 227 63 63

HSL 0, 0.75%, 0.57%

LAB 52.11, 62.57, 38.09

 

CMYK 4 / 0 / 72 / 11

HEX #DBE33F

RGB 219 227 63

HSL 62.93, 0.75%, 0.57%

LAB 87.17, -21.63, 74.02

 

CMYK 23 / 0 / 72 / 11

HEX #AFE33F

RGB 175 227 63

HSL 79.02, 0.75%, 0.57%

LAB 84.18, -39.11, 70.1

 

CMYK 43 / 0 / 72 / 11

HEX #82E33F

RGB 130 227 63

HSL 95.49, 0.75%, 0.57%

LAB 81.86, -54.86, 67.04

 

CMYK 62 / 0 / 72 / 11

HEX #56E33F

RGB 86 227 63

HSL 111.59, 0.75%, 0.57%

LAB 80.33, -66.66, 65

 

CMYK 72 / 0 / 63 / 11

HEX #3FE354

RGB 63 227 84

HSL 127.68, 0.75%, 0.57%

LAB 79.97, -69.07, 56.36

 

CMYK 4 / 0 / 72 / 11

HEX #DBE33F

RGB 219 227 63

HSL 62.93, 0.75%, 0.57%

LAB 87.17, -21.63, 74.02

 

CMYK 4 / 0 / 82 / 4

HEX #EBF52D

RGB 235 245 45

HSL 63, 0.91%, 0.57%

LAB 93.08, -24.34, 84.82

 

CMYK 4 / 0 / 72 / 11

HEX #DBE33F

RGB 219 227 63

HSL 62.93, 0.75%, 0.57%

LAB 87.17, -21.63, 74.02

 

CMYK 3 / 0 / 62 / 18

HEX #CBD150

RGB 203 209 80

HSL 62.79, 0.58%, 0.57%

LAB 81.22, -18.49, 61.26

 

CMYK 3 / 0 / 49 / 25

HEX #BBC062

RGB 187 192 98

HSL 63.19, 0.43%, 0.57%

LAB 75.54, -15.11, 46.36

 

CMYK 2 / 0 / 33 / 32

HEX #ABAE74

RGB 171 174 116

HSL 63.1, 0.26%, 0.57%

LAB 69.61, -10.32, 29.47

 

CMYK 1 / 0 / 14 / 39

HEX #9B9C86

RGB 155 156 134

HSL 62.73, 0.1%, 0.57%

LAB 63.73, -4.32, 11.41

 

CMYK 0 / 36 / 72 / 11

HEX #E3913F

RGB 227 145 63

HSL 30, 0.75%, 0.57%

LAB 67.23, 24.19, 54.54

 

CMYK 0 / 17 / 72 / 11

HEX #E3BD3F

RGB 227 189 63

HSL 46.1, 0.75%, 0.57%

LAB 77.93, 0.85, 65.33

 

CMYK 2 / 0 / 72 / 11

HEX #DEE33F

RGB 222 227 63

HSL 61.83, 0.75%, 0.57%

LAB 87.4, -20.4, 74.32

 

CMYK 22 / 0 / 72 / 11

HEX #B2E33F

RGB 178 227 63

HSL 77.93, 0.75%, 0.57%

LAB 84.36, -37.97, 70.34

 

CMYK 41 / 0 / 72 / 11

HEX #86E33F

RGB 134 227 63

HSL 94.02, 0.75%, 0.57%

LAB 82.04, -53.59, 67.27

 

CMYK 4 / 0 / 86 / 29

HEX #AEB61A

RGB 174 182 26

HSL 63.08, 0.75%, 0.41%

LAB 71.23, -19.79, 68.88

 

CMYK 4 / 0 / 86 / 15

HEX #D1DA1F

RGB 209 218 31

HSL 62.89, 0.75%, 0.49%

LAB 83.86, -22.51, 79.34

 

CMYK 4 / 0 / 72 / 11

HEX #DBE33F

RGB 219 227 63

HSL 62.93, 0.75%, 0.57%

LAB 87.17, -21.63, 74.02

 

CMYK 3 / 0 / 57 / 9

HEX #E2E863

RGB 226 232 99

HSL 62.71, 0.74%, 0.65%

LAB 89.29, -19.11, 62.52

 

CMYK 2 / 0 / 43 / 7

HEX #E8ED87

RGB 232 237 135

HSL 62.94, 0.74%, 0.73%

LAB 91.45, -16.09, 48.67

 

CMYK 4 / 0 / 72 / 11

HEX #DBE33F

RGB 219 227 63

HSL 62.93, 0.75%, 0.57%

LAB 87.17, -21.63, 74.02

 

CMYK 72 / 0 / 56 / 11

HEX #3FE365

RGB 63 227 101

HSL 133.9, 0.75%, 0.57%

LAB 80.14, -67.05, 49.08

 

CMYK 26 / 72 / 0 / 11

HEX #A73FE3

RGB 167 63 227

HSL 278.05, 0.75%, 0.57%

LAB 48.66, 67.61, -64.64

 

CMYK 4 / 0 / 72 / 11

HEX #DBE33F

RGB 219 227 63

HSL 62.93, 0.75%, 0.57%

LAB 87.17, -21.63, 74.02

 

CMYK 72 / 2 / 0 / 11

HEX #3FDEE3

RGB 63 222 227

HSL 181.83, 0.75%, 0.57%

LAB 81.21, -38.05, -14.23

 

CMYK 0 / 72 / 2 / 11

HEX #E33FDE

RGB 227 63 222

HSL 301.83, 0.75%, 0.57%

LAB 57.23, 78.73, -47.58

 

CMYK 4 / 0 / 72 / 11

HEX #DBE33F

RGB 219 227 63

HSL 62.93, 0.75%, 0.57%

LAB 87.17, -21.63, 74.02

 

CMYK 72 / 0 / 56 / 11

HEX #3FE365

RGB 63 227 101

HSL 133.9, 0.75%, 0.57%

LAB 80.14, -67.05, 49.08

 

CMYK 70 / 72 / 0 / 11

HEX #443FE3

RGB 68 63 227

HSL 241.83, 0.75%, 0.57%

LAB 38.43, 52.67, -81.77

 

CMYK 0 / 72 / 17 / 11

HEX #E33FBD

RGB 227 63 189

HSL 313.9, 0.75%, 0.57%

LAB 55.64, 73.95, -31.23

 

CMYK 4 / 0 / 72 / 11

HEX #DBE33F

RGB 219 227 63

HSL 62.93, 0.75%, 0.57%

LAB 87.17, -21.63, 74.02

 

CMYK 72 / 0 / 34 / 11

HEX #3FE396

RGB 63 227 150

HSL 151.83, 0.75%, 0.57%

LAB 80.85, -58.98, 25.87

 

CMYK 70 / 72 / 0 / 11

HEX #443FE3

RGB 68 63 227

HSL 241.83, 0.75%, 0.57%

LAB 38.43, 52.67, -81.77

 

CMYK 0 / 72 / 39 / 11

HEX #E33F8B

RGB 227 63 139

HSL 332.2, 0.75%, 0.57%

LAB 53.76, 68.02, -4.77

 

Description

Color code: HEX #DBE33F | qconv.com Color code: HEX #DBE33F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 227 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 227 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 72 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 72% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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