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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBEBB7 it is the complementary color #241448. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBEBB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBEBB7 shade: #E0EBB2, #F1FDC5, #FFFFD8, #FFFFEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBEBB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBEBB7 shade: #DBEBB7, #CAD9A4, #B9C791, #A8B57E and #97A36B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBEBB7 shade: #DBEBB6, #E9EBB6, #EBDFB6, #EBD1B6 and #EBC2B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBEBB7 shade: #DBEBB6, #CDEBB6, #BEEBB6, #B6EBBD and #B6EBCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBEBB7 shade matches the following richer shades: #DBEBB6, #DEF2AF and #E0FAA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBEBB7 shade: #DBEBB6, #D8E3BE, #D5DCC5, #D2D4CD and #CFCDD4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBEBB7 shade: #EBDFB6, #E9EBB6, #DBEBB6, #CDEBB6 and #BFEBB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBEBB7 shade: #BAD976, #CBE296, #DBEBB6, #EBF4D7 and #FBFDF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBEBB7 shade: #DBEBB7, #B6EBD1 and #E6B6EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBEBB7 shade: #DBEBB7, #B6DBEB and #EBB6DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBEBB7 shade: #DBEBB7, #B6EBD1, #C6B6EB and #EBB6D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBEBB7 shade: #DBEBB7, #B6EBE0, #C6B6EB and #EBB6C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 22 / 8

HEX #DBEBB7

RGB 219 235 183

HSL 78.46, 0.57%, 0.82%

LAB 90.73, -14.03, 23.51

 

Complementary color

CMYK 50 / 72 / 0 / 72

HEX #241448

RGB 36 20 72

HSL 258.46, 0.57%, 0.18%

LAB 11.57, 22.49, -29.72

 

CMYK 5 / 0 / 24 / 8

HEX #E0EBB2

RGB 224 235 178

HSL 71.58, 0.59%, 0.81%

LAB 91, -12.95, 26.5

 

CMYK 5 / 0 / 22 / 1

HEX #F1FDC5

RGB 241 253 197

HSL 72.86, 0.93%, 0.88%

LAB 97.22, -13.04, 25.54

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 7 / 0 / 22 / 8

HEX #DBEBB7

RGB 219 235 183

HSL 78.46, 0.57%, 0.82%

LAB 90.73, -14.03, 23.51

 

CMYK 7 / 0 / 24 / 15

HEX #CAD9A4

RGB 202 217 164

HSL 76.98, 0.41%, 0.75%

LAB 84.41, -13.97, 24.49

 

CMYK 7 / 0 / 27 / 22

HEX #B9C791

RGB 185 199 145

HSL 75.56, 0.33%, 0.67%

LAB 78, -13.9, 25.51

 

CMYK 7 / 0 / 30 / 29

HEX #A8B57E

RGB 168 181 126

HSL 74.18, 0.27%, 0.6%

LAB 71.47, -13.81, 26.58

 

CMYK 7 / 0 / 34 / 36

HEX #97A36B

RGB 151 163 107

HSL 72.86, 0.23%, 0.53%

LAB 64.83, -13.7, 27.72

 

CMYK 7 / 0 / 23 / 8

HEX #DBEBB6

RGB 219 235 182

HSL 78.11, 0.57%, 0.82%

LAB 90.71, -14.18, 24

 

CMYK 1 / 0 / 23 / 8

HEX #E9EBB6

RGB 233 235 182

HSL 62.26, 0.57%, 0.82%

LAB 91.74, -9.11, 25.57

 

CMYK 0 / 5 / 23 / 8

HEX #EBDFB6

RGB 235 223 182

HSL 46.42, 0.57%, 0.82%

LAB 88.83, -2.3, 21.6

 

CMYK 0 / 11 / 23 / 8

HEX #EBD1B6

RGB 235 209 182

HSL 30.57, 0.57%, 0.82%

LAB 85.32, 4.92, 16.71

 

CMYK 0 / 17 / 23 / 8

HEX #EBC2B6

RGB 235 194 182

HSL 13.58, 0.57%, 0.82%

LAB 81.63, 12.79, 11.51

 

CMYK 7 / 0 / 23 / 8

HEX #DBEBB6

RGB 219 235 182

HSL 78.11, 0.57%, 0.82%

LAB 90.71, -14.18, 24

 

CMYK 13 / 0 / 23 / 8

HEX #CDEBB6

RGB 205 235 182

HSL 93.96, 0.57%, 0.82%

LAB 89.75, -19.13, 22.53

 

CMYK 19 / 0 / 23 / 8

HEX #BEEBB6

RGB 190 235 182

HSL 110.94, 0.57%, 0.82%

LAB 88.8, -24.27, 21.06

 

CMYK 23 / 0 / 20 / 8

HEX #B6EBBD

RGB 182 235 189

HSL 127.92, 0.57%, 0.82%

LAB 88.46, -25.73, 16.9

 

CMYK 23 / 0 / 14 / 8

HEX #B6EBCB

RGB 182 235 203

HSL 143.77, 0.57%, 0.82%

LAB 88.77, -23.19, 10.04

 

CMYK 7 / 0 / 23 / 8

HEX #DBEBB6

RGB 219 235 182

HSL 78.11, 0.57%, 0.82%

LAB 90.71, -14.18, 24

 

CMYK 8 / 0 / 28 / 5

HEX #DEF2AF

RGB 222 242 175

HSL 77.91, 0.72%, 0.82%

LAB 92.63, -17.54, 30.23

 

CMYK 10 / 0 / 33 / 2

HEX #E0FAA8

RGB 224 250 168

HSL 79.02, 0.89%, 0.82%

LAB 94.76, -21.62, 36.61

 

CMYK 7 / 0 / 23 / 8

HEX #DBEBB6

RGB 219 235 182

HSL 78.11, 0.57%, 0.82%

LAB 90.71, -14.18, 24

 

CMYK 5 / 0 / 16 / 11

HEX #D8E3BE

RGB 216 227 190

HSL 77.84, 0.4%, 0.82%

LAB 88.57, -10.03, 16.85

 

CMYK 3 / 0 / 10 / 14

HEX #D5DCC5

RGB 213 220 197

HSL 78.26, 0.25%, 0.82%

LAB 86.68, -6.39, 10.49

 

CMYK 1 / 0 / 3 / 17

HEX #D2D4CD

RGB 210 212 205

HSL 77.14, 0.08%, 0.82%

LAB 84.58, -1.93, 3.21

 

CMYK 2 / 3 / 0 / 17

HEX #CFCDD4

RGB 207 205 212

HSL 257.14, 0.08%, 0.82%

LAB 82.74, 1.98, -3.23

 

CMYK 0 / 5 / 23 / 8

HEX #EBDFB6

RGB 235 223 182

HSL 46.42, 0.57%, 0.82%

LAB 88.83, -2.3, 21.6

 

CMYK 1 / 0 / 23 / 8

HEX #E9EBB6

RGB 233 235 182

HSL 62.26, 0.57%, 0.82%

LAB 91.74, -9.11, 25.57

 

CMYK 7 / 0 / 23 / 8

HEX #DBEBB6

RGB 219 235 182

HSL 78.11, 0.57%, 0.82%

LAB 90.71, -14.18, 24

 

CMYK 13 / 0 / 23 / 8

HEX #CDEBB6

RGB 205 235 182

HSL 93.96, 0.57%, 0.82%

LAB 89.75, -19.13, 22.53

 

CMYK 19 / 0 / 23 / 8

HEX #BFEBB6

RGB 191 235 182

HSL 109.81, 0.57%, 0.82%

LAB 88.86, -23.94, 21.16

 

CMYK 14 / 0 / 46 / 15

HEX #BAD976

RGB 186 217 118

HSL 78.79, 0.57%, 0.66%

LAB 82.58, -25.82, 45.19

 

CMYK 10 / 0 / 34 / 11

HEX #CBE296

RGB 203 226 150

HSL 78.16, 0.57%, 0.74%

LAB 86.65, -19.99, 34.69

 

CMYK 7 / 0 / 23 / 8

HEX #DBEBB6

RGB 219 235 182

HSL 78.11, 0.57%, 0.82%

LAB 90.71, -14.18, 24

 

CMYK 4 / 0 / 12 / 4

HEX #EBF4D7

RGB 235 244 215

HSL 78.62, 0.57%, 0.9%

LAB 94.85, -7.95, 12.96

 

CMYK 1 / 0 / 2 / 1

HEX #FBFDF7

RGB 251 253 247

HSL 80, 0.6%, 0.98%

LAB 99.02, -1.7, 2.62

 

CMYK 7 / 0 / 22 / 8

HEX #DBEBB7

RGB 219 235 183

HSL 78.46, 0.57%, 0.82%

LAB 90.73, -14.03, 23.51

 

CMYK 23 / 0 / 11 / 8

HEX #B6EBD1

RGB 182 235 209

HSL 150.57, 0.57%, 0.82%

LAB 88.91, -22.06, 7.11

 

CMYK 2 / 23 / 0 / 8

HEX #E6B6EB

RGB 230 182 235

HSL 294.34, 0.57%, 0.82%

LAB 79.77, 26.25, -19.8

 

CMYK 7 / 0 / 22 / 8

HEX #DBEBB7

RGB 219 235 183

HSL 78.46, 0.57%, 0.82%

LAB 90.73, -14.03, 23.51

 

CMYK 23 / 7 / 0 / 8

HEX #B6DBEB

RGB 182 219 235

HSL 198.11, 0.57%, 0.82%

LAB 85.3, -8.65, -11.85

 

CMYK 0 / 23 / 7 / 8

HEX #EBB6DB

RGB 235 182 219

HSL 318.11, 0.57%, 0.82%

LAB 79.75, 25.03, -11.17

 

CMYK 7 / 0 / 22 / 8

HEX #DBEBB7

RGB 219 235 183

HSL 78.46, 0.57%, 0.82%

LAB 90.73, -14.03, 23.51

 

CMYK 23 / 0 / 11 / 8

HEX #B6EBD1

RGB 182 235 209

HSL 150.57, 0.57%, 0.82%

LAB 88.91, -22.06, 7.11

 

CMYK 16 / 23 / 0 / 8

HEX #C6B6EB

RGB 198 182 235

HSL 258.11, 0.57%, 0.82%

LAB 76.96, 16.01, -24.34

 

CMYK 0 / 23 / 11 / 8

HEX #EBB6D1

RGB 235 182 209

HSL 329.43, 0.57%, 0.82%

LAB 79.46, 23.34, -6.19

 

CMYK 7 / 0 / 22 / 8

HEX #DBEBB7

RGB 219 235 183

HSL 78.46, 0.57%, 0.82%

LAB 90.73, -14.03, 23.51

 

CMYK 23 / 0 / 5 / 8

HEX #B6EBE0

RGB 182 235 224

HSL 167.55, 0.57%, 0.82%

LAB 89.27, -19.07, -0.2

 

CMYK 16 / 23 / 0 / 8

HEX #C6B6EB

RGB 198 182 235

HSL 258.11, 0.57%, 0.82%

LAB 76.96, 16.01, -24.34

 

CMYK 0 / 23 / 18 / 8

HEX #EBB6C1

RGB 235 182 193

HSL 347.55, 0.57%, 0.82%

LAB 79.02, 20.8, 1.83

 

Description

Color code: HEX #DBEBB7 | qconv.com Color code: HEX #DBEBB7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 235 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 235 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 22 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 22% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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