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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBEE11 it is the complementary color #2411EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBEE11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBEE11 shade: #E0EE0C, #F1FF1F, #FFFF32, #FFFF45 and #FFFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBEE11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBEE11 shade: #DBEE11, #CADC00, #B9CA00, #A8B800 and #97A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBEE11 shade: #DBEE10, #EEC510, #EE8910, #EE4E10 and #EE1210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBEE11 shade: #DBEE10, #9FEE10, #63EE10, #27EE10 and #10EE35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBEE11 shade matches the following richer shades: #DBEE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBEE11 shade: #DBEE10, #CAD925, #B9C539, #A8B04E and #979B63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBEE11 shade: #EE8A10, #EEC510, #DBEE10, #A0EE10 and #65EE10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBEE11 shade: #94A10B, #B7C70D, #DBEE10, #E1F137 and #E6F35D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBEE11 shade: #DBEE11, #10EE4F and #A810EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBEE11 shade: #DBEE11, #10DBEE and #EE10DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBEE11 shade: #DBEE11, #10EE4F, #2310EE and #EE10AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBEE11 shade: #DBEE11, #10EE91, #2310EE and #EE106D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 93 / 7

HEX #DBEE11

RGB 219 238 17

HSL 65.16, 0.87%, 0.5%

LAB 89.98, -28.14, 86.58

 

Complementary color

CMYK 85 / 93 / 0 / 7

HEX #2411EE

RGB 36 17 238

HSL 245.16, 0.87%, 0.5%

LAB 31.69, 72.57, -99.27

 

CMYK 6 / 0 / 95 / 7

HEX #E0EE0C

RGB 224 238 12

HSL 63.72, 0.9%, 0.49%

LAB 90.33, -26.14, 87.5

 

CMYK 5 / 0 / 88 / 0

HEX #F1FF1F

RGB 241 255 31

HSL 63.75, 1%, 0.56%

LAB 96.13, -26.93, 90.22

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF32

RGB 255 255 50

HSL 60, 1%, 0.6%

LAB 97.23, -20.8, 87.78

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF45

RGB 255 255 69

HSL 60, 1%, 0.64%

LAB 97.31, -20.15, 82.62

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE11

RGB 219 238 17

HSL 65.16, 0.87%, 0.5%

LAB 89.98, -28.14, 86.58

 

CMYK 8 / 0 / 100 / 14

HEX #CADC00

RGB 202 220 0

HSL 64.91, 1%, 0.43%

LAB 83.83, -26.82, 82.89

 

CMYK 8 / 0 / 100 / 21

HEX #B9CA00

RGB 185 202 0

HSL 65.05, 1%, 0.4%

LAB 77.61, -25.31, 77.71

 

CMYK 9 / 0 / 100 / 28

HEX #A8B800

RGB 168 184 0

HSL 65.22, 1%, 0.36%

LAB 71.29, -23.79, 72.45

 

CMYK 9 / 0 / 100 / 35

HEX #97A600

RGB 151 166 0

HSL 65.42, 1%, 0.33%

LAB 64.84, -22.24, 67.09

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE10

RGB 219 238 16

HSL 65.14, 0.87%, 0.5%

LAB 89.97, -28.15, 86.69

 

CMYK 0 / 17 / 93 / 7

HEX #EEC510

RGB 238 197 16

HSL 48.92, 0.87%, 0.5%

LAB 80.82, 0.13, 80.47

 

CMYK 0 / 42 / 93 / 7

HEX #EE8910

RGB 238 137 16

HSL 32.7, 0.87%, 0.5%

LAB 66.6, 31.63, 70.21

 

CMYK 0 / 67 / 93 / 7

HEX #EE4E10

RGB 238 78 16

HSL 16.76, 0.87%, 0.5%

LAB 55.75, 59.33, 62.96

 

CMYK 0 / 92 / 93 / 7

HEX #EE1210

RGB 238 18 16

HSL 0.54, 0.87%, 0.5%

LAB 50.27, 74.66, 59.67

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE10

RGB 219 238 16

HSL 65.14, 0.87%, 0.5%

LAB 89.97, -28.15, 86.69

 

CMYK 33 / 0 / 93 / 7

HEX #9FEE10

RGB 159 238 16

HSL 81.35, 0.87%, 0.5%

LAB 86.28, -51.28, 82.22

 

CMYK 58 / 0 / 93 / 7

HEX #63EE10

RGB 99 238 16

HSL 97.57, 0.87%, 0.5%

LAB 83.88, -69.39, 79.27

 

CMYK 84 / 0 / 93 / 7

HEX #27EE10

RGB 39 238 16

HSL 113.78, 0.87%, 0.5%

LAB 82.71, -79.44, 77.83

 

CMYK 93 / 0 / 78 / 7

HEX #10EE35

RGB 16 238 53

HSL 130, 0.87%, 0.5%

LAB 82.66, -79.48, 70.16

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE10

RGB 219 238 16

HSL 65.14, 0.87%, 0.5%

LAB 89.97, -28.15, 86.69

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE10

RGB 219 238 16

HSL 65.14, 0.87%, 0.5%

LAB 89.97, -28.15, 86.69

 

CMYK 7 / 0 / 83 / 15

HEX #CAD925

RGB 202 217 37

HSL 65, 0.71%, 0.5%

LAB 83.08, -24.79, 77.21

 

CMYK 6 / 0 / 71 / 23

HEX #B9C539

RGB 185 197 57

HSL 65.14, 0.55%, 0.5%

LAB 76.4, -21.37, 64.83

 

CMYK 5 / 0 / 56 / 31

HEX #A8B04E

RGB 168 176 78

HSL 64.9, 0.39%, 0.5%

LAB 69.42, -16.58, 48.35

 

CMYK 3 / 0 / 36 / 39

HEX #979B63

RGB 151 155 99

HSL 64.29, 0.22%, 0.5%

LAB 62.44, -10.5, 28.91

 

CMYK 0 / 42 / 93 / 7

HEX #EE8A10

RGB 238 138 16

HSL 32.97, 0.87%, 0.5%

LAB 66.82, 31.11, 70.36

 

CMYK 0 / 17 / 93 / 7

HEX #EEC510

RGB 238 197 16

HSL 48.92, 0.87%, 0.5%

LAB 80.82, 0.13, 80.47

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE10

RGB 219 238 16

HSL 65.14, 0.87%, 0.5%

LAB 89.97, -28.15, 86.69

 

CMYK 33 / 0 / 93 / 7

HEX #A0EE10

RGB 160 238 16

HSL 81.08, 0.87%, 0.5%

LAB 86.34, -50.93, 82.28

 

CMYK 58 / 0 / 93 / 7

HEX #65EE10

RGB 101 238 16

HSL 97.03, 0.87%, 0.5%

LAB 83.94, -68.9, 79.35

 

CMYK 8 / 0 / 93 / 37

HEX #94A10B

RGB 148 161 11

HSL 65.2, 0.87%, 0.34%

LAB 63.19, -20.88, 64.25

 

CMYK 8 / 0 / 93 / 22

HEX #B7C70D

RGB 183 199 13

HSL 65.16, 0.88%, 0.42%

LAB 76.64, -24.56, 75.6

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE10

RGB 219 238 16

HSL 65.14, 0.87%, 0.5%

LAB 89.97, -28.15, 86.69

 

CMYK 7 / 0 / 77 / 5

HEX #E1F137

RGB 225 241 55

HSL 65.16, 0.87%, 0.58%

LAB 91.32, -26.19, 80.45

 

CMYK 5 / 0 / 62 / 5

HEX #E6F35D

RGB 230 243 93

HSL 65.2, 0.86%, 0.66%

LAB 92.45, -23.22, 68.54

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE11

RGB 219 238 17

HSL 65.16, 0.87%, 0.5%

LAB 89.98, -28.14, 86.58

 

CMYK 93 / 0 / 67 / 7

HEX #10EE4F

RGB 16 238 79

HSL 137.03, 0.87%, 0.5%

LAB 82.82, -77.39, 61.36

 

CMYK 29 / 93 / 0 / 7

HEX #A810EE

RGB 168 16 238

HSL 281.08, 0.87%, 0.5%

LAB 45.45, 82.1, -76.07

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE11

RGB 219 238 17

HSL 65.16, 0.87%, 0.5%

LAB 89.98, -28.14, 86.58

 

CMYK 93 / 8 / 0 / 7

HEX #10DBEE

RGB 16 219 238

HSL 185.14, 0.87%, 0.5%

LAB 80.15, -36.71, -21.73

 

CMYK 0 / 93 / 8 / 7

HEX #EE10DB

RGB 238 16 219

HSL 305.14, 0.87%, 0.5%

LAB 55.75, 89.55, -48.12

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE11

RGB 219 238 17

HSL 65.16, 0.87%, 0.5%

LAB 89.98, -28.14, 86.58

 

CMYK 93 / 0 / 67 / 7

HEX #10EE4F

RGB 16 238 79

HSL 137.03, 0.87%, 0.5%

LAB 82.82, -77.39, 61.36

 

CMYK 85 / 93 / 0 / 7

HEX #2310EE

RGB 35 16 238

HSL 245.14, 0.87%, 0.5%

LAB 31.58, 72.77, -99.45

 

CMYK 0 / 93 / 26 / 7

HEX #EE10AF

RGB 238 16 175

HSL 317.03, 0.87%, 0.5%

LAB 53.65, 84.18, -26.04

 

CMYK 8 / 0 / 93 / 7

HEX #DBEE11

RGB 219 238 17

HSL 65.16, 0.87%, 0.5%

LAB 89.98, -28.14, 86.58

 

CMYK 93 / 0 / 39 / 7

HEX #10EE91

RGB 16 238 145

HSL 154.86, 0.87%, 0.5%

LAB 83.6, -67.89, 32.02

 

CMYK 85 / 93 / 0 / 7

HEX #2310EE

RGB 35 16 238

HSL 245.14, 0.87%, 0.5%

LAB 31.58, 72.77, -99.45

 

CMYK 0 / 93 / 54 / 7

HEX #EE106D

RGB 238 16 109

HSL 334.86, 0.87%, 0.5%

LAB 51.44, 78.31, 10.2

 

Description

Color code: HEX #DBEE11 | qconv.com Color code: HEX #DBEE11 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 238 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 238 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 93 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 93% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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