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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBF519 it is the complementary color #240AE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBF519. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBF519 shade: #E0F514, #F1FF27, #FFFF3A, #FFFF4D and #FFFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBF519. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBF519 shade: #DBF519, #CAE306, #B9D100, #A8BF00 and #97AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBF519 shade: #DBF518, #F5D418, #F59818, #F55D18 and #F52118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBF519 shade: #DBF518, #9FF518, #64F518, #28F518 and #18F544

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBF519 shade matches the following richer shades: #DBF518

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBF519 shade: #DBF518, #CCE22C, #BDCE3F, #AEBB53 and #A0A766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBF519 shade: #F59918, #F5D418, #DBF518, #A0F518 and #66F518

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBF519 shade: #9FB407, #C2DB09, #DBF518, #E1F740 and #E7F868

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBF519 shade: #DBF519, #18F55E and #B618F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBF519 shade: #DBF519, #18DBF5 and #F518DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBF519 shade: #DBF519, #18F55E, #3218F5 and #F518AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBF519 shade: #DBF519, #18F5A0, #3218F5 and #F5186D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 90 / 4

HEX #DBF519

RGB 219 245 25

HSL 67.09, 0.92%, 0.53%

LAB 91.88, -31.27, 87.08

 

Complementary color

CMYK 84 / 96 / 0 / 10

HEX #240AE6

RGB 36 10 230

HSL 247.09, 0.92%, 0.47%

LAB 30.17, 71.91, -97.25

 

CMYK 9 / 0 / 92 / 4

HEX #E0F514

RGB 224 245 20

HSL 65.6, 0.92%, 0.52%

LAB 92.22, -29.33, 88.14

 

CMYK 5 / 0 / 85 / 0

HEX #F1FF27

RGB 241 255 39

HSL 63.89, 1%, 0.58%

LAB 96.15, -26.76, 88.83

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3A

RGB 255 255 58

HSL 60, 1%, 0.61%

LAB 97.26, -20.55, 85.78

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 11 / 0 / 90 / 4

HEX #DBF519

RGB 219 245 25

HSL 67.09, 0.92%, 0.53%

LAB 91.88, -31.27, 87.08

 

CMYK 11 / 0 / 97 / 11

HEX #CAE306

RGB 202 227 6

HSL 66.79, 0.95%, 0.46%

LAB 85.76, -30.05, 83.82

 

CMYK 11 / 0 / 100 / 18

HEX #B9D100

RGB 185 209 0

HSL 66.89, 1%, 0.41%

LAB 79.57, -28.66, 79.17

 

CMYK 12 / 0 / 100 / 25

HEX #A8BF00

RGB 168 191 0

HSL 67.23, 1%, 0.37%

LAB 73.28, -27.18, 73.93

 

CMYK 13 / 0 / 100 / 32

HEX #97AD00

RGB 151 173 0

HSL 67.63, 1%, 0.34%

LAB 66.87, -25.69, 68.61

 

CMYK 11 / 0 / 90 / 4

HEX #DBF518

RGB 219 245 24

HSL 67.06, 0.92%, 0.53%

LAB 91.88, -31.29, 87.21

 

CMYK 0 / 13 / 90 / 4

HEX #F5D418

RGB 245 212 24

HSL 51.04, 0.92%, 0.53%

LAB 85.28, -4.42, 82.98

 

CMYK 0 / 38 / 90 / 4

HEX #F59818

RGB 245 152 24

HSL 34.75, 0.92%, 0.53%

LAB 70.83, 26.8, 72.05

 

CMYK 0 / 62 / 90 / 4

HEX #F55D18

RGB 245 93 24

HSL 18.73, 0.92%, 0.53%

LAB 59.26, 55.65, 63.63

 

CMYK 0 / 87 / 90 / 4

HEX #F52118

RGB 245 33 24

HSL 2.44, 0.92%, 0.53%

LAB 52.47, 74.38, 58.94

 

CMYK 11 / 0 / 90 / 4

HEX #DBF518

RGB 219 245 24

HSL 67.06, 0.92%, 0.53%

LAB 91.88, -31.29, 87.21

 

CMYK 35 / 0 / 90 / 4

HEX #9FF518

RGB 159 245 24

HSL 83.35, 0.92%, 0.53%

LAB 88.32, -53.96, 82.87

 

CMYK 59 / 0 / 90 / 4

HEX #64F518

RGB 100 245 24

HSL 99.37, 0.92%, 0.53%

LAB 86.05, -71.28, 80.06

 

CMYK 84 / 0 / 90 / 4

HEX #28F518

RGB 40 245 24

HSL 115.66, 0.92%, 0.53%

LAB 84.91, -81.08, 78.64

 

CMYK 90 / 0 / 72 / 4

HEX #18F544

RGB 24 245 68

HSL 131.95, 0.92%, 0.53%

LAB 84.95, -79.96, 67.65

 

CMYK 11 / 0 / 90 / 4

HEX #DBF518

RGB 219 245 24

HSL 67.06, 0.92%, 0.53%

LAB 91.88, -31.29, 87.21

 

CMYK 11 / 0 / 90 / 4

HEX #DBF518

RGB 219 245 24

HSL 67.06, 0.92%, 0.53%

LAB 91.88, -31.29, 87.21

 

CMYK 10 / 0 / 81 / 11

HEX #CCE22C

RGB 204 226 44

HSL 67.25, 0.76%, 0.53%

LAB 85.71, -28.03, 77.84

 

CMYK 8 / 0 / 69 / 19

HEX #BDCE3F

RGB 189 206 63

HSL 67.13, 0.59%, 0.53%

LAB 79.23, -23.8, 65.54

 

CMYK 7 / 0 / 56 / 27

HEX #AEBB53

RGB 174 187 83

HSL 67.5, 0.43%, 0.53%

LAB 73, -19.24, 50.24

 

CMYK 4 / 0 / 39 / 35

HEX #A0A766

RGB 160 167 102

HSL 66.46, 0.27%, 0.53%

LAB 66.57, -12.81, 32.78

 

CMYK 0 / 38 / 90 / 4

HEX #F59918

RGB 245 153 24

HSL 35.02, 0.92%, 0.53%

LAB 71.05, 26.28, 72.21

 

CMYK 0 / 13 / 90 / 4

HEX #F5D418

RGB 245 212 24

HSL 51.04, 0.92%, 0.53%

LAB 85.28, -4.42, 82.98

 

CMYK 11 / 0 / 90 / 4

HEX #DBF518

RGB 219 245 24

HSL 67.06, 0.92%, 0.53%

LAB 91.88, -31.29, 87.21

 

CMYK 35 / 0 / 90 / 4

HEX #A0F518

RGB 160 245 24

HSL 83.08, 0.92%, 0.53%

LAB 88.37, -53.62, 82.93

 

CMYK 58 / 0 / 90 / 4

HEX #66F518

RGB 102 245 24

HSL 98.82, 0.92%, 0.53%

LAB 86.1, -70.81, 80.13

 

CMYK 12 / 0 / 96 / 29

HEX #9FB407

RGB 159 180 7

HSL 67.28, 0.93%, 0.37%

LAB 69.49, -25.59, 69.99

 

CMYK 11 / 0 / 96 / 14

HEX #C2DB09

RGB 194 219 9

HSL 67.14, 0.92%, 0.45%

LAB 82.99, -29.56, 81.22

 

CMYK 11 / 0 / 90 / 4

HEX #DBF518

RGB 219 245 24

HSL 67.06, 0.92%, 0.53%

LAB 91.88, -31.29, 87.21

 

CMYK 9 / 0 / 74 / 3

HEX #E1F740

RGB 225 247 64

HSL 67.21, 0.92%, 0.61%

LAB 92.97, -28.65, 79.32

 

CMYK 7 / 0 / 58 / 3

HEX #E7F868

RGB 231 248 104

HSL 67.08, 0.91%, 0.69%

LAB 93.94, -24.44, 65.64

 

CMYK 11 / 0 / 90 / 4

HEX #DBF519

RGB 219 245 25

HSL 67.09, 0.92%, 0.53%

LAB 91.88, -31.27, 87.08

 

CMYK 90 / 0 / 62 / 4

HEX #18F55E

RGB 24 245 94

HSL 139, 0.92%, 0.53%

LAB 85.15, -77.45, 57.86

 

CMYK 26 / 90 / 0 / 4

HEX #B618F5

RGB 182 24 245

HSL 282.9, 0.92%, 0.53%

LAB 48.5, 84.08, -74.95

 

CMYK 11 / 0 / 90 / 4

HEX #DBF519

RGB 219 245 25

HSL 67.09, 0.92%, 0.53%

LAB 91.88, -31.27, 87.08

 

CMYK 90 / 11 / 0 / 4

HEX #18DBF5

RGB 24 219 245

HSL 187.06, 0.92%, 0.53%

LAB 80.43, -34.24, -25.02

 

CMYK 0 / 90 / 11 / 4

HEX #F518DB

RGB 245 24 219

HSL 307.06, 0.92%, 0.53%

LAB 57.25, 89.95, -45.66

 

CMYK 11 / 0 / 90 / 4

HEX #DBF519

RGB 219 245 25

HSL 67.09, 0.92%, 0.53%

LAB 91.88, -31.27, 87.08

 

CMYK 90 / 0 / 62 / 4

HEX #18F55E

RGB 24 245 94

HSL 139, 0.92%, 0.53%

LAB 85.15, -77.45, 57.86

 

CMYK 80 / 90 / 0 / 4

HEX #3218F5

RGB 50 24 245

HSL 247.06, 0.92%, 0.53%

LAB 33.82, 73.03, -99.66

 

CMYK 0 / 90 / 29 / 4

HEX #F518AF

RGB 245 24 175

HSL 319, 0.92%, 0.53%

LAB 55.24, 84.71, -23.48

 

CMYK 11 / 0 / 90 / 4

HEX #DBF519

RGB 219 245 25

HSL 67.09, 0.92%, 0.53%

LAB 91.88, -31.27, 87.08

 

CMYK 90 / 0 / 35 / 4

HEX #18F5A0

RGB 24 245 160

HSL 156.92, 0.92%, 0.53%

LAB 86.02, -67.03, 27.69

 

CMYK 80 / 90 / 0 / 4

HEX #3218F5

RGB 50 24 245

HSL 247.06, 0.92%, 0.53%

LAB 33.82, 73.03, -99.66

 

CMYK 0 / 90 / 56 / 4

HEX #F5186D

RGB 245 24 109

HSL 336.92, 0.92%, 0.53%

LAB 53.13, 79.01, 12.77

 

Description

Color code: HEX #DBF519 | qconv.com Color code: HEX #DBF519 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 245 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 245 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 90 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 90% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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