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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBF031 it is the complementary color #240FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBF031. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBF031 shade: #E0F02C, #F1FF3F, #FFFF52, #FFFF65 and #FFFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBF031. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBF031 shade: #DBF031, #CADE1E, #B9CC0B, #A8BA00 and #97A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBF031 shade: #DAEF33, #EFD133, #EF9E33, #EF6B33 and #EF3833

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBF031 shade: #DAEF33, #A8EF33, #75EF33, #42EF33 and #33EF56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBF031 shade matches the following richer shades: #DAEF33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBF031 shade: #DAEF33, #CDDD44, #BFCC56, #B1BA68 and #A3A87A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBF031 shade: #EF9D33, #EFD033, #DCEF33, #AAEF33 and #78EF33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBF031 shade: #ADC10E, #D0E711, #DAEF33, #E1F259 and #E8F57F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBF031 shade: #DBF031, #33EF6B and #B733EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBF031 shade: #DBF031, #33DCEF and #EF33DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBF031 shade: #DBF031, #33EF6B, #4533EF and #EF33B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBF031 shade: #DBF031, #33EFA4, #4533EF and #EF337E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 80 / 6

HEX #DBF031

RGB 219 240 49

HSL 66.6, 0.86%, 0.57%

LAB 90.6, -28.36, 81.25

 

Complementary color

CMYK 83 / 93 / 0 / 19

HEX #240FCE

RGB 36 15 206

HSL 246.6, 0.86%, 0.43%

LAB 27.22, 64.8, -88.31

 

CMYK 7 / 0 / 82 / 6

HEX #E0F02C

RGB 224 240 44

HSL 64.9, 0.87%, 0.56%

LAB 90.94, -26.49, 82.91

 

CMYK 5 / 0 / 75 / 0

HEX #F1FF3F

RGB 241 255 63

HSL 64.38, 1%, 0.62%

LAB 96.24, -26.03, 83.05

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 9 / 0 / 80 / 6

HEX #DBF031

RGB 219 240 49

HSL 66.6, 0.86%, 0.57%

LAB 90.6, -28.36, 81.25

 

CMYK 9 / 0 / 86 / 13

HEX #CADE1E

RGB 202 222 30

HSL 66.25, 0.76%, 0.49%

LAB 84.43, -27.35, 79.78

 

CMYK 9 / 0 / 95 / 20

HEX #B9CC0B

RGB 185 204 11

HSL 65.91, 0.9%, 0.42%

LAB 78.18, -26.15, 77.07

 

CMYK 10 / 0 / 100 / 27

HEX #A8BA00

RGB 168 186 0

HSL 65.81, 1%, 0.36%

LAB 71.85, -24.77, 72.87

 

CMYK 10 / 0 / 100 / 34

HEX #97A800

RGB 151 168 0

HSL 66.07, 1%, 0.33%

LAB 65.42, -23.24, 67.52

 

CMYK 9 / 0 / 79 / 6

HEX #DAEF33

RGB 218 239 51

HSL 66.7, 0.85%, 0.57%

LAB 90.27, -28.22, 80.41

 

CMYK 0 / 13 / 79 / 6

HEX #EFD133

RGB 239 209 51

HSL 50.43, 0.85%, 0.57%

LAB 84.06, -4.81, 75.55

 

CMYK 0 / 34 / 79 / 6

HEX #EF9E33

RGB 239 158 51

HSL 34.15, 0.85%, 0.57%

LAB 71.58, 21.81, 64.25

 

CMYK 0 / 55 / 79 / 6

HEX #EF6B33

RGB 239 107 51

HSL 17.87, 0.85%, 0.57%

LAB 60.87, 47.82, 54.12

 

CMYK 0 / 77 / 79 / 6

HEX #EF3833

RGB 239 56 51

HSL 1.6, 0.85%, 0.57%

LAB 53.4, 67.92, 46.71

 

CMYK 9 / 0 / 79 / 6

HEX #DAEF33

RGB 218 239 51

HSL 66.7, 0.85%, 0.57%

LAB 90.27, -28.22, 80.41

 

CMYK 30 / 0 / 79 / 6

HEX #A8EF33

RGB 168 239 51

HSL 82.66, 0.85%, 0.57%

LAB 87.14, -47.48, 76.43

 

CMYK 51 / 0 / 79 / 6

HEX #75EF33

RGB 117 239 51

HSL 98.94, 0.85%, 0.57%

LAB 84.87, -63.88, 73.5

 

CMYK 72 / 0 / 79 / 6

HEX #42EF33

RGB 66 239 51

HSL 115.21, 0.85%, 0.57%

LAB 83.51, -75, 71.74

 

CMYK 79 / 0 / 64 / 6

HEX #33EF56

RGB 51 239 86

HSL 131.17, 0.85%, 0.57%

LAB 83.5, -74.25, 59.4

 

CMYK 9 / 0 / 79 / 6

HEX #DAEF33

RGB 218 239 51

HSL 66.7, 0.85%, 0.57%

LAB 90.27, -28.22, 80.41

 

CMYK 9 / 0 / 79 / 6

HEX #DAEF33

RGB 218 239 51

HSL 66.7, 0.85%, 0.57%

LAB 90.27, -28.22, 80.41

 

CMYK 7 / 0 / 69 / 13

HEX #CDDD44

RGB 205 221 68

HSL 66.27, 0.69%, 0.57%

LAB 84.54, -24.22, 69.39

 

CMYK 6 / 0 / 58 / 20

HEX #BFCC56

RGB 191 204 86

HSL 66.61, 0.54%, 0.57%

LAB 79, -20.5, 56

 

CMYK 5 / 0 / 44 / 27

HEX #B1BA68

RGB 177 186 104

HSL 66.59, 0.37%, 0.57%

LAB 73.2, -15.52, 40.36

 

CMYK 3 / 0 / 27 / 34

HEX #A3A87A

RGB 163 168 122

HSL 66.52, 0.21%, 0.57%

LAB 67.42, -9.52, 23.24

 

CMYK 0 / 34 / 79 / 6

HEX #EF9D33

RGB 239 157 51

HSL 33.83, 0.85%, 0.57%

LAB 71.35, 22.34, 64.04

 

CMYK 0 / 13 / 79 / 6

HEX #EFD033

RGB 239 208 51

HSL 50.11, 0.85%, 0.57%

LAB 83.81, -4.3, 75.32

 

CMYK 8 / 0 / 79 / 6

HEX #DCEF33

RGB 220 239 51

HSL 66.06, 0.85%, 0.57%

LAB 90.41, -27.42, 80.59

 

CMYK 29 / 0 / 79 / 6

HEX #AAEF33

RGB 170 239 51

HSL 82.02, 0.85%, 0.57%

LAB 87.25, -46.76, 76.57

 

CMYK 50 / 0 / 79 / 6

HEX #78EF33

RGB 120 239 51

HSL 97.98, 0.85%, 0.57%

LAB 84.98, -63.04, 73.64

 

CMYK 10 / 0 / 93 / 24

HEX #ADC10E

RGB 173 193 14

HSL 66.7, 0.86%, 0.41%

LAB 74.23, -25.86, 73.28

 

CMYK 10 / 0 / 93 / 9

HEX #D0E711

RGB 208 231 17

HSL 66.45, 0.86%, 0.49%

LAB 87.29, -29.35, 84.17

 

CMYK 9 / 0 / 79 / 6

HEX #DAEF33

RGB 218 239 51

HSL 66.7, 0.85%, 0.57%

LAB 90.27, -28.22, 80.41

 

CMYK 7 / 0 / 63 / 5

HEX #E1F259

RGB 225 242 89

HSL 66.67, 0.85%, 0.65%

LAB 91.79, -24.98, 69.32

 

CMYK 5 / 0 / 48 / 4

HEX #E8F57F

RGB 232 245 127

HSL 66.61, 0.86%, 0.73%

LAB 93.45, -20.74, 54.89

 

CMYK 9 / 0 / 80 / 6

HEX #DBF031

RGB 219 240 49

HSL 66.6, 0.86%, 0.57%

LAB 90.6, -28.36, 81.25

 

CMYK 79 / 0 / 55 / 6

HEX #33EF6B

RGB 51 239 107

HSL 137.87, 0.85%, 0.57%

LAB 83.7, -71.77, 50.54

 

CMYK 23 / 79 / 0 / 6

HEX #B733EF

RGB 183 51 239

HSL 282.13, 0.85%, 0.57%

LAB 50.3, 76.98, -68.65

 

CMYK 9 / 0 / 80 / 6

HEX #DBF031

RGB 219 240 49

HSL 66.6, 0.86%, 0.57%

LAB 90.6, -28.36, 81.25

 

CMYK 79 / 8 / 0 / 6

HEX #33DCEF

RGB 51 220 239

HSL 186.06, 0.85%, 0.57%

LAB 80.81, -34.81, -21.23

 

CMYK 0 / 79 / 8 / 6

HEX #EF33DC

RGB 239 51 220

HSL 306.06, 0.85%, 0.57%

LAB 57.93, 84.16, -45.22

 

CMYK 9 / 0 / 80 / 6

HEX #DBF031

RGB 219 240 49

HSL 66.6, 0.86%, 0.57%

LAB 90.6, -28.36, 81.25

 

CMYK 79 / 0 / 55 / 6

HEX #33EF6B

RGB 51 239 107

HSL 137.87, 0.85%, 0.57%

LAB 83.7, -71.77, 50.54

 

CMYK 71 / 79 / 0 / 6

HEX #4533EF

RGB 69 51 239

HSL 245.74, 0.85%, 0.57%

LAB 37.6, 62.44, -89.96

 

CMYK 0 / 79 / 23 / 6

HEX #EF33B7

RGB 239 51 183

HSL 317.87, 0.85%, 0.57%

LAB 56.22, 79.33, -26.7

 

CMYK 9 / 0 / 80 / 6

HEX #DBF031

RGB 219 240 49

HSL 66.6, 0.86%, 0.57%

LAB 90.6, -28.36, 81.25

 

CMYK 79 / 0 / 31 / 6

HEX #33EFA4

RGB 51 239 164

HSL 156.06, 0.85%, 0.57%

LAB 84.54, -62.05, 23.67

 

CMYK 71 / 79 / 0 / 6

HEX #4533EF

RGB 69 51 239

HSL 245.74, 0.85%, 0.57%

LAB 37.6, 62.44, -89.96

 

CMYK 0 / 79 / 47 / 6

HEX #EF337E

RGB 239 51 126

HSL 336.06, 0.85%, 0.57%

LAB 54.26, 73.53, 3.98

 

Description

Color code: HEX #DBF031 | qconv.com Color code: HEX #DBF031 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 240 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 240 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 80 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 80% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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