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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBF06F it is the complementary color #240F90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBF06F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBF06F shade: #E0F06A, #F1FF7D, #FFFF90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBF06F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBF06F shade: #DBF06F, #CADE5C, #B9CC49, #A8BA36 and #97A823

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBF06F shade: #DBEF6F, #EFE26F, #EFBF6F, #EF9D6F and #EF7A6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBF06F shade: #DBEF6F, #B8EF6F, #96EF6F, #73EF6F and #6FEF8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBF06F shade matches the following richer shades: #DBEF6F and #E3FC63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBF06F shade: #DBEF6F, #D2E37C, #C9D689, #C1C996 and #B8BCA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBF06F shade: #EFBE6F, #EFE16F, #DCEF6F, #BAEF6F and #98EF6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBF06F shade: #C8E825, #D1EC4A, #DBEF6F, #E4F395 and #EDF7BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBF06F shade: #DBF06F, #6FEF9C and #CF6FEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBF06F shade: #DBF06F, #6FDCEF and #EF6FDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBF06F shade: #DBF06F, #6FEF9C, #836FEF and #EF6FC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBF06F shade: #DBF06F, #6FEFC3, #836FEF and #EF6F9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 54 / 6

HEX #DBF06F

RGB 219 240 111

HSL 69.77, 0.81%, 0.69%

LAB 91.02, -24.78, 59.08

 

Complementary color

CMYK 75 / 90 / 0 / 44

HEX #240F90

RGB 36 15 144

HSL 249.77, 0.81%, 0.31%

LAB 18.93, 47.78, -64.8

 

CMYK 7 / 0 / 56 / 6

HEX #E0F06A

RGB 224 240 106

HSL 67.16, 0.82%, 0.68%

LAB 91.33, -23.23, 61.73

 

CMYK 5 / 0 / 51 / 0

HEX #F1FF7D

RGB 241 255 125

HSL 66.46, 1%, 0.75%

LAB 96.7, -22.22, 59.81

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 9 / 0 / 54 / 6

HEX #DBF06F

RGB 219 240 111

HSL 69.77, 0.81%, 0.69%

LAB 91.02, -24.78, 59.08

 

CMYK 9 / 0 / 59 / 13

HEX #CADE5C

RGB 202 222 92

HSL 69.23, 0.66%, 0.62%

LAB 84.78, -24.37, 60.03

 

CMYK 9 / 0 / 64 / 20

HEX #B9CC49

RGB 185 204 73

HSL 68.7, 0.56%, 0.54%

LAB 78.45, -23.87, 60.79

 

CMYK 10 / 0 / 71 / 27

HEX #A8BA36

RGB 168 186 54

HSL 68.18, 0.55%, 0.47%

LAB 72.03, -23.22, 61.2

 

CMYK 10 / 0 / 79 / 34

HEX #97A823

RGB 151 168 35

HSL 67.67, 0.66%, 0.4%

LAB 65.52, -22.41, 60.96

 

CMYK 8 / 0 / 54 / 6

HEX #DBEF6F

RGB 219 239 111

HSL 69.38, 0.8%, 0.69%

LAB 90.75, -24.31, 58.77

 

CMYK 0 / 5 / 54 / 6

HEX #EFE26F

RGB 239 226 111

HSL 53.91, 0.8%, 0.69%

LAB 88.87, -10.02, 56.99

 

CMYK 0 / 20 / 54 / 6

HEX #EFBF6F

RGB 239 191 111

HSL 37.5, 0.8%, 0.69%

LAB 80.04, 7.9, 46.51

 

CMYK 0 / 34 / 54 / 6

HEX #EF9D6F

RGB 239 157 111

HSL 21.56, 0.8%, 0.69%

LAB 71.97, 25.85, 36.5

 

CMYK 0 / 49 / 54 / 6

HEX #EF7A6F

RGB 239 122 111

HSL 5.16, 0.8%, 0.69%

LAB 64.5, 43.95, 26.84

 

CMYK 8 / 0 / 54 / 6

HEX #DBEF6F

RGB 219 239 111

HSL 69.38, 0.8%, 0.69%

LAB 90.75, -24.31, 58.77

 

CMYK 23 / 0 / 54 / 6

HEX #B8EF6F

RGB 184 239 111

HSL 85.78, 0.8%, 0.69%

LAB 88.48, -37.51, 55.55

 

CMYK 37 / 0 / 54 / 6

HEX #96EF6F

RGB 150 239 111

HSL 101.72, 0.8%, 0.69%

LAB 86.68, -49.15, 52.98

 

CMYK 52 / 0 / 54 / 6

HEX #73EF6F

RGB 115 239 111

HSL 118.13, 0.8%, 0.69%

LAB 85.26, -59.29, 50.95

 

CMYK 54 / 0 / 41 / 6

HEX #6FEF8E

RGB 111 239 142

HSL 134.53, 0.8%, 0.69%

LAB 85.54, -55.9, 36.38

 

CMYK 8 / 0 / 54 / 6

HEX #DBEF6F

RGB 219 239 111

HSL 69.38, 0.8%, 0.69%

LAB 90.75, -24.31, 58.77

 

CMYK 10 / 0 / 61 / 1

HEX #E3FC63

RGB 227 252 99

HSL 69.8, 0.96%, 0.69%

LAB 94.68, -28.24, 68.44

 

CMYK 8 / 0 / 54 / 6

HEX #DBEF6F

RGB 219 239 111

HSL 69.38, 0.8%, 0.69%

LAB 90.75, -24.31, 58.77

 

CMYK 7 / 0 / 45 / 11

HEX #D2E37C

RGB 210 227 124

HSL 69.9, 0.65%, 0.69%

LAB 87.04, -20.82, 48.16

 

CMYK 6 / 0 / 36 / 16

HEX #C9D689

RGB 201 214 137

HSL 70.13, 0.48%, 0.69%

LAB 83.08, -16.44, 36.6

 

CMYK 4 / 0 / 25 / 21

HEX #C1C996

RGB 193 201 150

HSL 69.41, 0.32%, 0.69%

LAB 79.22, -11.2, 24.63

 

CMYK 2 / 0 / 13 / 26

HEX #B8BCA3

RGB 184 188 163

HSL 69.6, 0.16%, 0.69%

LAB 75.33, -5.81, 12.18

 

CMYK 0 / 21 / 54 / 6

HEX #EFBE6F

RGB 239 190 111

HSL 37.03, 0.8%, 0.69%

LAB 79.8, 8.42, 46.21

 

CMYK 0 / 6 / 54 / 6

HEX #EFE16F

RGB 239 225 111

HSL 53.44, 0.8%, 0.69%

LAB 88.61, -9.52, 56.69

 

CMYK 8 / 0 / 54 / 6

HEX #DCEF6F

RGB 220 239 111

HSL 68.91, 0.8%, 0.69%

LAB 90.82, -23.92, 58.87

 

CMYK 22 / 0 / 54 / 6

HEX #BAEF6F

RGB 186 239 111

HSL 84.84, 0.8%, 0.69%

LAB 88.6, -36.78, 55.72

 

CMYK 36 / 0 / 54 / 6

HEX #98EF6F

RGB 152 239 111

HSL 100.78, 0.8%, 0.69%

LAB 86.78, -48.51, 53.12

 

CMYK 14 / 0 / 84 / 9

HEX #C8E825

RGB 200 232 37

HSL 69.85, 0.81%, 0.53%

LAB 87.06, -32.65, 80.5

 

CMYK 11 / 0 / 69 / 7

HEX #D1EC4A

RGB 209 236 74

HSL 70, 0.81%, 0.61%

LAB 88.94, -29.4, 71.7

 

CMYK 8 / 0 / 54 / 6

HEX #DBEF6F

RGB 219 239 111

HSL 69.38, 0.8%, 0.69%

LAB 90.75, -24.31, 58.77

 

CMYK 6 / 0 / 39 / 5

HEX #E4F395

RGB 228 243 149

HSL 69.57, 0.8%, 0.77%

LAB 92.91, -19.05, 43.65

 

CMYK 4 / 0 / 25 / 3

HEX #EDF7BA

RGB 237 247 186

HSL 69.84, 0.79%, 0.85%

LAB 95.19, -13.06, 28.29

 

CMYK 9 / 0 / 54 / 6

HEX #DBF06F

RGB 219 240 111

HSL 69.77, 0.81%, 0.69%

LAB 91.02, -24.78, 59.08

 

CMYK 54 / 0 / 35 / 6

HEX #6FEF9C

RGB 111 239 156

HSL 141.09, 0.8%, 0.69%

LAB 85.76, -53.54, 29.64

 

CMYK 13 / 54 / 0 / 6

HEX #CF6FEF

RGB 207 111 239

HSL 285, 0.8%, 0.69%

LAB 62.39, 57.47, -49.09

 

CMYK 9 / 0 / 54 / 6

HEX #DBF06F

RGB 219 240 111

HSL 69.77, 0.81%, 0.69%

LAB 91.02, -24.78, 59.08

 

CMYK 54 / 8 / 0 / 6

HEX #6FDCEF

RGB 111 220 239

HSL 188.91, 0.8%, 0.69%

LAB 82.27, -26.16, -18.88

 

CMYK 0 / 54 / 8 / 6

HEX #EF6FDC

RGB 239 111 220

HSL 308.91, 0.8%, 0.69%

LAB 65.66, 62.64, -33.12

 

CMYK 9 / 0 / 54 / 6

HEX #DBF06F

RGB 219 240 111

HSL 69.77, 0.81%, 0.69%

LAB 91.02, -24.78, 59.08

 

CMYK 54 / 0 / 35 / 6

HEX #6FEF9C

RGB 111 239 156

HSL 141.09, 0.8%, 0.69%

LAB 85.76, -53.54, 29.64

 

CMYK 45 / 54 / 0 / 6

HEX #836FEF

RGB 131 111 239

HSL 249.38, 0.8%, 0.69%

LAB 54.48, 39, -62.19

 

CMYK 0 / 54 / 18 / 6

HEX #EF6FC3

RGB 239 111 195

HSL 320.63, 0.8%, 0.69%

LAB 64.69, 58.84, -20.57

 

CMYK 9 / 0 / 54 / 6

HEX #DBF06F

RGB 219 240 111

HSL 69.77, 0.81%, 0.69%

LAB 91.02, -24.78, 59.08

 

CMYK 54 / 0 / 18 / 6

HEX #6FEFC3

RGB 111 239 195

HSL 159.38, 0.8%, 0.69%

LAB 86.53, -45.79, 10.59

 

CMYK 45 / 54 / 0 / 6

HEX #836FEF

RGB 131 111 239

HSL 249.38, 0.8%, 0.69%

LAB 54.48, 39, -62.19

 

CMYK 0 / 54 / 35 / 6

HEX #EF6F9C

RGB 239 111 156

HSL 338.91, 0.8%, 0.69%

LAB 63.44, 53.75, -0.24

 

Description

Color code: HEX #DBF06F | qconv.com Color code: HEX #DBF06F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 240 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 240 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 54 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 54% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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