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Color name
HEX #DC2CC3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC2CC3 it is the complementary color #23D33C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC2CC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC2CC3 shade: #E12CBE, #F23ED1, #FF50E4, #FF62F7 and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC2CC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC2CC3 shade: #DC2CC3, #CB1AB0, #BA089D, #A9008A and #980077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC2CC3 shade: #DC2CC3, #DC2C94, #DC2C64, #DC2C35 and #DC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC2CC3 shade: #DC2CC3, #C62CDC, #962CDC, #672CDC and #372CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC2CC3 shade matches the following richer shades: #DC2CC3 and #F018D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC2CC3 shade: #DC2CC3, #C840B5, #B554A7, #A16799 and #8D7B8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC2CC3 shade: #962CDC, #C52CDC, #DC2CC5, #DC2C96 and #DC2C67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC2CC3 shade: #9D198A, #C01FA9, #DC2CC3, #E24FCD and #E873D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC2CC3 shade: #DC2CC3, #DC672C and #2CDCAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC2CC3 shade: #DC2CC3, #C5DC2C and #2CC5DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC2CC3 shade: #DC2CC3, #DC672C, #2CDC43 and #2CA1DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC2CC3 shade: #DC2CC3, #DC9C2C, #2CDC43 and #2C6DDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

Complementary color

CMYK 83 / 0 / 72 / 17

HEX #23D33C

RGB 35 211 60

HSL 128.52, 0.72%, 0.48%

LAB 74.36, -69.98, 59.66

 

CMYK 0 / 80 / 16 / 12

HEX #E12CBE

RGB 225 44 190

HSL 311.6, 0.75%, 0.53%

LAB 53.52, 78.89, -35.15

 

CMYK 0 / 74 / 14 / 5

HEX #F23ED1

RGB 242 62 209

HSL 311, 0.87%, 0.6%

LAB 58.91, 80.35, -37.41

 

CMYK 0 / 69 / 11 / 0

HEX #FF50E4

RGB 255 80 228

HSL 309.26, 1%, 0.66%

LAB 63.83, 80.26, -40.25

 

CMYK 0 / 62 / 3 / 0

HEX #FF62F7

RGB 255 98 247

HSL 303.06, 1%, 0.69%

LAB 67.06, 76.54, -45.73

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

CMYK 0 / 87 / 13 / 20

HEX #CB1AB0

RGB 203 26 176

HSL 309.15, 0.77%, 0.45%

LAB 47.71, 76.21, -36.36

 

CMYK 0 / 96 / 16 / 27

HEX #BA089D

RGB 186 8 157

HSL 309.78, 0.92%, 0.38%

LAB 42.83, 72.73, -32.94

 

CMYK 0 / 100 / 18 / 34

HEX #A9008A

RGB 169 0 138

HSL 311.01, 1%, 0.33%

LAB 38.32, 67.88, -28.68

 

CMYK 0 / 100 / 22 / 40

HEX #980077

RGB 152 0 119

HSL 313.03, 1%, 0.3%

LAB 34, 62.16, -23.85

 

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

CMYK 0 / 80 / 33 / 14

HEX #DC2C94

RGB 220 44 148

HSL 324.55, 0.72%, 0.52%

LAB 50.87, 72.74, -14.6

 

CMYK 0 / 80 / 55 / 14

HEX #DC2C64

RGB 220 44 100

HSL 340.91, 0.72%, 0.52%

LAB 49.42, 68.43, 12.34

 

CMYK 0 / 80 / 76 / 14

HEX #DC2C35

RGB 220 44 53

HSL 356.93, 0.72%, 0.52%

LAB 48.6, 65.93, 39.45

 

CMYK 0 / 80 / 80 / 14

HEX #DC2C2C

RGB 220 44 44

HSL 0, 0.72%, 0.52%

LAB 48.51, 65.64, 44.32

 

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

CMYK 10 / 80 / 0 / 14

HEX #C62CDC

RGB 198 44 220

HSL 292.5, 0.72%, 0.52%

LAB 50.66, 78.12, -57.21

 

CMYK 32 / 80 / 0 / 14

HEX #962CDC

RGB 150 44 220

HSL 276.14, 0.72%, 0.52%

LAB 43.44, 70.02, -69.24

 

CMYK 53 / 80 / 0 / 14

HEX #672CDC

RGB 103 44 220

HSL 260.11, 0.72%, 0.52%

LAB 37.58, 63.52, -79.07

 

CMYK 75 / 80 / 0 / 14

HEX #372CDC

RGB 55 44 220

HSL 243.75, 0.72%, 0.52%

LAB 33.52, 59.09, -85.91

 

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

CMYK 0 / 90 / 13 / 6

HEX #F018D1

RGB 240 24 209

HSL 308.61, 0.88%, 0.52%

LAB 55.87, 87.76, -42.21

 

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

CMYK 0 / 68 / 10 / 22

HEX #C840B5

RGB 200 64 181

HSL 308.38, 0.55%, 0.52%

LAB 51.02, 66.05, -34.14

 

CMYK 0 / 54 / 8 / 29

HEX #B554A7

RGB 181 84 167

HSL 308.66, 0.4%, 0.52%

LAB 50.63, 50.17, -26.76

 

CMYK 0 / 36 / 5 / 37

HEX #A16799

RGB 161 103 153

HSL 308.28, 0.24%, 0.52%

LAB 51.36, 31.3, -17.64

 

CMYK 0 / 13 / 2 / 45

HEX #8D7B8A

RGB 141 123 138

HSL 310, 0.07%, 0.52%

LAB 53.67, 9.72, -5.58

 

CMYK 32 / 80 / 0 / 14

HEX #962CDC

RGB 150 44 220

HSL 276.14, 0.72%, 0.52%

LAB 43.44, 70.02, -69.24

 

CMYK 10 / 80 / 0 / 14

HEX #C52CDC

RGB 197 44 220

HSL 292.16, 0.72%, 0.52%

LAB 50.5, 77.94, -57.47

 

CMYK 0 / 80 / 10 / 14

HEX #DC2CC5

RGB 220 44 197

HSL 307.84, 0.72%, 0.52%

LAB 53, 78.81, -40.07

 

CMYK 0 / 80 / 32 / 14

HEX #DC2C96

RGB 220 44 150

HSL 323.86, 0.72%, 0.52%

LAB 50.94, 72.95, -15.69

 

CMYK 0 / 80 / 53 / 14

HEX #DC2C67

RGB 220 44 103

HSL 339.89, 0.72%, 0.52%

LAB 49.49, 68.65, 10.61

 

CMYK 0 / 84 / 12 / 38

HEX #9D198A

RGB 157 25 138

HSL 308.64, 0.73%, 0.36%

LAB 37.3, 61.81, -30.45

 

CMYK 0 / 84 / 12 / 25

HEX #C01FA9

RGB 192 31 169

HSL 308.57, 0.72%, 0.44%

LAB 45.7, 72.14, -35.52

 

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

CMYK 0 / 65 / 9 / 11

HEX #E24FCD

RGB 226 79 205

HSL 308.57, 0.72%, 0.6%

LAB 58.2, 70.4, -36.43

 

CMYK 0 / 50 / 7 / 9

HEX #E873D7

RGB 232 115 215

HSL 308.72, 0.72%, 0.68%

LAB 65.22, 58.01, -31.08

 

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

CMYK 0 / 53 / 80 / 14

HEX #DC672C

RGB 220 103 44

HSL 20.11, 0.72%, 0.52%

LAB 57.17, 42.38, 52.71

 

CMYK 80 / 0 / 21 / 14

HEX #2CDCAD

RGB 44 220 173

HSL 163.98, 0.72%, 0.52%

LAB 78.89, -53.47, 11.07

 

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

CMYK 10 / 0 / 80 / 14

HEX #C5DC2C

RGB 197 220 44

HSL 67.84, 0.72%, 0.52%

LAB 83.57, -28.05, 75.77

 

CMYK 80 / 10 / 0 / 14

HEX #2CC5DC

RGB 44 197 220

HSL 187.84, 0.72%, 0.52%

LAB 73.31, -30.28, -22.44

 

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

CMYK 0 / 53 / 80 / 14

HEX #DC672C

RGB 220 103 44

HSL 20.11, 0.72%, 0.52%

LAB 57.17, 42.38, 52.71

 

CMYK 80 / 0 / 70 / 14

HEX #2CDC43

RGB 44 220 67

HSL 127.84, 0.72%, 0.52%

LAB 77.36, -71.12, 60.22

 

CMYK 80 / 27 / 0 / 14

HEX #2CA1DC

RGB 44 161 220

HSL 200.11, 0.72%, 0.52%

LAB 62.67, -11.62, -38.87

 

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

CMYK 0 / 29 / 80 / 14

HEX #DC9C2C

RGB 220 156 44

HSL 38.18, 0.72%, 0.52%

LAB 68.88, 14.56, 63.5

 

CMYK 80 / 0 / 70 / 14

HEX #2CDC43

RGB 44 220 67

HSL 127.84, 0.72%, 0.52%

LAB 77.36, -71.12, 60.22

 

CMYK 80 / 50 / 0 / 14

HEX #2C6DDC

RGB 44 109 220

HSL 217.84, 0.72%, 0.52%

LAB 47.8, 19.51, -62.52

 

Description

Color code: HEX #DC2CC3 | qconv.com Color code: HEX #DC2CC3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 44 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 44 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 11 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 11% 14% C M Y K

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