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Color name
HEX #DC2CD0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC2CD0 it is the complementary color #23D32F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC2CD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC2CD0 shade: #E12CCB, #F23EDE, #FF50F1, #FF62FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC2CD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC2CD0 shade: #DC2CD0, #CB1ABD, #BA08AA, #A90097 and #980084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC2CD0 shade: #DC2CD0, #DC2CA1, #DC2C71, #DC2C42 and #DC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC2CD0 shade: #DC2CD0, #B92CDC, #892CDC, #5A2CDC and #2C2CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC2CD0 shade matches the following richer shades: #DC2CD0 and #F018E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC2CD0 shade: #DC2CD0, #C840BF, #B554AE, #A1679D and #8D7B8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC2CD0 shade: #8A2CDC, #B92CDC, #DC2CD0, #DC2CA1 and #DC2C72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC2CD0 shade: #9D1994, #C01FB5, #DC2CD0, #E24FD8 and #E873E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC2CD0 shade: #DC2CD0, #DC5B2C and #2CDCA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC2CD0 shade: #DC2CD0, #D0DC2C and #2CD0DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC2CD0 shade: #DC2CD0, #DC5B2C, #2CDC38 and #2CADDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC2CD0 shade: #DC2CD0, #DC902C, #2CDC38 and #2C78DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

Complementary color

CMYK 83 / 0 / 78 / 17

HEX #23D32F

RGB 35 211 47

HSL 124.09, 0.72%, 0.48%

LAB 74.29, -70.95, 63.95

 

CMYK 0 / 80 / 10 / 12

HEX #E12CCB

RGB 225 44 203

HSL 307.29, 0.75%, 0.53%

LAB 54.15, 80.64, -41.65

 

CMYK 0 / 74 / 8 / 5

HEX #F23EDE

RGB 242 62 222

HSL 306.67, 0.87%, 0.6%

LAB 59.52, 82.16, -43.8

 

CMYK 0 / 69 / 5 / 0

HEX #FF50F1

RGB 255 80 241

HSL 304.8, 1%, 0.66%

LAB 64.44, 82.15, -46.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 0 / 87 / 7 / 20

HEX #CB1ABD

RGB 203 26 189

HSL 304.75, 0.77%, 0.45%

LAB 48.4, 78, -42.9

 

CMYK 0 / 96 / 9 / 27

HEX #BA08AA

RGB 186 8 170

HSL 305.39, 0.92%, 0.38%

LAB 43.53, 74.48, -39.62

 

CMYK 0 / 100 / 11 / 34

HEX #A90097

RGB 169 0 151

HSL 306.39, 1%, 0.33%

LAB 39.02, 69.61, -35.54

 

CMYK 0 / 100 / 13 / 40

HEX #980084

RGB 152 0 132

HSL 307.89, 1%, 0.3%

LAB 34.68, 63.87, -30.92

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 0 / 80 / 27 / 14

HEX #DC2CA1

RGB 220 44 161

HSL 320.11, 0.72%, 0.52%

LAB 51.37, 74.19, -21.57

 

CMYK 0 / 80 / 49 / 14

HEX #DC2C71

RGB 220 44 113

HSL 336.48, 0.72%, 0.52%

LAB 49.75, 69.42, 4.87

 

CMYK 0 / 80 / 70 / 14

HEX #DC2C42

RGB 220 44 66

HSL 352.5, 0.72%, 0.52%

LAB 48.77, 66.45, 32.1

 

CMYK 0 / 80 / 80 / 14

HEX #DC2C2C

RGB 220 44 44

HSL 0, 0.72%, 0.52%

LAB 48.51, 65.64, 44.32

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 16 / 80 / 0 / 14

HEX #B92CDC

RGB 185 44 220

HSL 288.07, 0.72%, 0.52%

LAB 48.61, 75.82, -60.6

 

CMYK 38 / 80 / 0 / 14

HEX #892CDC

RGB 137 44 220

HSL 271.7, 0.72%, 0.52%

LAB 41.67, 68.05, -72.2

 

CMYK 59 / 80 / 0 / 14

HEX #5A2CDC

RGB 90 44 220

HSL 255.68, 0.72%, 0.52%

LAB 36.26, 62.07, -81.29

 

CMYK 80 / 80 / 0 / 14

HEX #2C2CDC

RGB 44 44 220

HSL 240, 0.72%, 0.52%

LAB 32.93, 58.45, -86.91

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 0 / 90 / 6 / 6

HEX #F018E1

RGB 240 24 225

HSL 304.17, 0.88%, 0.52%

LAB 56.7, 89.88, -49.99

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 0 / 68 / 5 / 22

HEX #C840BF

RGB 200 64 191

HSL 303.97, 0.55%, 0.52%

LAB 51.51, 67.61, -39.18

 

CMYK 0 / 54 / 4 / 29

HEX #B554AE

RGB 181 84 174

HSL 304.33, 0.4%, 0.52%

LAB 50.94, 51.37, -30.38

 

CMYK 0 / 36 / 2 / 37

HEX #A1679D

RGB 161 103 157

HSL 304.14, 0.24%, 0.52%

LAB 51.51, 32.05, -19.76

 

CMYK 0 / 13 / 1 / 45

HEX #8D7B8C

RGB 141 123 140

HSL 303.33, 0.07%, 0.52%

LAB 53.73, 10.11, -6.66

 

CMYK 37 / 80 / 0 / 14

HEX #8A2CDC

RGB 138 44 220

HSL 272.05, 0.72%, 0.52%

LAB 41.8, 68.2, -71.98

 

CMYK 16 / 80 / 0 / 14

HEX #B92CDC

RGB 185 44 220

HSL 288.07, 0.72%, 0.52%

LAB 48.61, 75.82, -60.6

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 0 / 80 / 27 / 14

HEX #DC2CA1

RGB 220 44 161

HSL 320.11, 0.72%, 0.52%

LAB 51.37, 74.19, -21.57

 

CMYK 0 / 80 / 48 / 14

HEX #DC2C72

RGB 220 44 114

HSL 336.14, 0.72%, 0.52%

LAB 49.78, 69.5, 4.3

 

CMYK 0 / 84 / 6 / 38

HEX #9D1994

RGB 157 25 148

HSL 304.09, 0.73%, 0.36%

LAB 37.85, 63.3, -35.72

 

CMYK 0 / 84 / 6 / 25

HEX #C01FB5

RGB 192 31 181

HSL 304.1, 0.72%, 0.44%

LAB 46.34, 73.86, -41.6

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 0 / 65 / 4 / 11

HEX #E24FD8

RGB 226 79 216

HSL 304.08, 0.72%, 0.6%

LAB 58.71, 72.1, -41.86

 

CMYK 0 / 50 / 3 / 9

HEX #E873E0

RGB 232 115 224

HSL 304.1, 0.72%, 0.68%

LAB 65.59, 59.5, -35.52

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 0 / 59 / 80 / 14

HEX #DC5B2C

RGB 220 91 44

HSL 16.02, 0.72%, 0.52%

LAB 54.95, 48.12, 50.6

 

CMYK 80 / 0 / 27 / 14

HEX #2CDCA1

RGB 44 220 161

HSL 159.89, 0.72%, 0.52%

LAB 78.63, -56.25, 17.05

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 5 / 0 / 80 / 14

HEX #D0DC2C

RGB 208 220 44

HSL 64.09, 0.72%, 0.52%

LAB 84.37, -23.53, 76.78

 

CMYK 80 / 5 / 0 / 14

HEX #2CD0DC

RGB 44 208 220

HSL 184.09, 0.72%, 0.52%

LAB 76.57, -35.52, -17.5

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 0 / 59 / 80 / 14

HEX #DC5B2C

RGB 220 91 44

HSL 16.02, 0.72%, 0.52%

LAB 54.95, 48.12, 50.6

 

CMYK 80 / 0 / 75 / 14

HEX #2CDC38

RGB 44 220 56

HSL 124.09, 0.72%, 0.52%

LAB 77.29, -72.01, 64.05

 

CMYK 80 / 21 / 0 / 14

HEX #2CADDC

RGB 44 173 220

HSL 196.02, 0.72%, 0.52%

LAB 66.21, -18.11, -33.36

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 0 / 35 / 80 / 14

HEX #DC902C

RGB 220 144 44

HSL 34.09, 0.72%, 0.52%

LAB 66.02, 21, 60.91

 

CMYK 80 / 0 / 75 / 14

HEX #2CDC38

RGB 44 220 56

HSL 124.09, 0.72%, 0.52%

LAB 77.29, -72.01, 64.05

 

CMYK 80 / 45 / 0 / 14

HEX #2C78DC

RGB 44 120 220

HSL 214.09, 0.72%, 0.52%

LAB 50.85, 12.57, -57.62

 

Description

Color code: HEX #DC2CD0 | qconv.com Color code: HEX #DC2CD0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 44 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 44 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 5 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 5% 14% C M Y K

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