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Color name
HEX #DC2D98

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC2D98 it is the complementary color #23D267. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC2D98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC2D98 shade: #E12D93, #F23FA6, #FF51B9, #FF63CC and #FF75DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC2D98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC2D98 shade: #DC2D98, #CB1B85, #BA0972, #A9005F and #98004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC2D98 shade: #DB2D97, #DB2D69, #DB2D3A and #DB2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC2D98 shade: #DB2D97, #DB2DC6, #C12DDB, #922DDB and #632DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC2D98 shade matches the following richer shades: #DB2D97 and #EF199C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC2D98 shade: #DB2D97, #C74193, #B3558F, #A0698A and #8C7C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC2D98 shade: #C12DDB, #DB2DC7, #DB2D98, #DB2D6A and #DB2D3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC2D98 shade: #9C1A69, #BF2081, #DB2D97, #E150A9 and #E774BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC2D98 shade: #DC2D98, #DB932D and #2DDBD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC2D98 shade: #DC2D98, #98DB2D and #2D98DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC2D98 shade: #DC2D98, #DB932D, #2DDB70 and #2D76DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC2D98 shade: #DC2D98, #DBC72D, #2DDB70 and #2D41DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 31 / 14

HEX #DC2D98

RGB 220 45 152

HSL 323.31, 0.71%, 0.52%

LAB 51.11, 72.92, -16.63

 

Complementary color

CMYK 83 / 0 / 51 / 18

HEX #23D267

RGB 35 210 103

HSL 143.31, 0.71%, 0.48%

LAB 74.46, -64.58, 41.14

 

CMYK 0 / 80 / 35 / 12

HEX #E12D93

RGB 225 45 147

HSL 326, 0.75%, 0.53%

LAB 51.83, 73.57, -12.47

 

CMYK 0 / 74 / 31 / 5

HEX #F23FA6

RGB 242 63 166

HSL 325.47, 0.87%, 0.6%

LAB 57.26, 74.74, -15.19

 

CMYK 0 / 68 / 27 / 0

HEX #FF51B9

RGB 255 81 185

HSL 324.14, 1%, 0.66%

LAB 62.21, 74.28, -18.45

 

CMYK 0 / 61 / 20 / 0

HEX #FF63CC

RGB 255 99 204

HSL 319.62, 1%, 0.69%

LAB 65.39, 69.83, -24.37

 

CMYK 0 / 54 / 13 / 0

HEX #FF75DF

RGB 255 117 223

HSL 313.91, 1%, 0.73%

LAB 68.98, 64.83, -29.48

 

CMYK 0 / 80 / 31 / 14

HEX #DC2D98

RGB 220 45 152

HSL 323.31, 0.71%, 0.52%

LAB 51.11, 72.92, -16.63

 

CMYK 0 / 87 / 34 / 20

HEX #CB1B85

RGB 203 27 133

HSL 323.86, 0.77%, 0.45%

LAB 45.87, 70.9, -13.42

 

CMYK 0 / 95 / 39 / 27

HEX #BA0972

RGB 186 9 114

HSL 324.41, 0.91%, 0.38%

LAB 40.98, 67.72, -9.41

 

CMYK 0 / 100 / 44 / 34

HEX #A9005F

RGB 169 0 95

HSL 326.27, 1%, 0.33%

LAB 36.48, 63.17, -4.44

 

CMYK 0 / 100 / 50 / 40

HEX #98004C

RGB 152 0 76

HSL 330, 1%, 0.3%

LAB 32.25, 57.66, 1.3

 

CMYK 0 / 79 / 31 / 14

HEX #DB2D97

RGB 219 45 151

HSL 323.45, 0.71%, 0.52%

LAB 50.89, 72.58, -16.38

 

CMYK 0 / 79 / 52 / 14

HEX #DB2D69

RGB 219 45 105

HSL 339.31, 0.71%, 0.52%

LAB 49.44, 68.27, 9.3

 

CMYK 0 / 79 / 74 / 14

HEX #DB2D3A

RGB 219 45 58

HSL 355.52, 0.71%, 0.52%

LAB 48.56, 65.57, 36.49

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 0 / 79 / 31 / 14

HEX #DB2D97

RGB 219 45 151

HSL 323.45, 0.71%, 0.52%

LAB 50.89, 72.58, -16.38

 

CMYK 0 / 79 / 10 / 14

HEX #DB2DC6

RGB 219 45 198

HSL 307.24, 0.71%, 0.52%

LAB 52.96, 78.51, -40.72

 

CMYK 12 / 79 / 0 / 14

HEX #C12DDB

RGB 193 45 219

HSL 291.03, 0.71%, 0.52%

LAB 49.89, 76.79, -57.91

 

CMYK 33 / 79 / 0 / 14

HEX #922DDB

RGB 146 45 219

HSL 274.83, 0.71%, 0.52%

LAB 42.92, 68.86, -69.54

 

CMYK 55 / 79 / 0 / 14

HEX #632DDB

RGB 99 45 219

HSL 258.62, 0.71%, 0.52%

LAB 37.2, 62.39, -79.14

 

CMYK 0 / 79 / 31 / 14

HEX #DB2D97

RGB 219 45 151

HSL 323.45, 0.71%, 0.52%

LAB 50.89, 72.58, -16.38

 

CMYK 0 / 90 / 35 / 6

HEX #EF199C

RGB 239 25 156

HSL 323.27, 0.87%, 0.52%

LAB 53.43, 81.39, -15.14

 

CMYK 0 / 79 / 31 / 14

HEX #DB2D97

RGB 219 45 151

HSL 323.45, 0.71%, 0.52%

LAB 50.89, 72.58, -16.38

 

CMYK 0 / 67 / 26 / 22

HEX #C74193

RGB 199 65 147

HSL 323.28, 0.54%, 0.52%

LAB 49.53, 60.63, -16.38

 

CMYK 0 / 53 / 20 / 30

HEX #B3558F

RGB 179 85 143

HSL 322.98, 0.38%, 0.52%

LAB 49.57, 45.21, -14.22

 

CMYK 0 / 34 / 14 / 37

HEX #A0698A

RGB 160 105 138

HSL 324, 0.22%, 0.52%

LAB 51.17, 27.12, -9.1

 

CMYK 0 / 11 / 4 / 45

HEX #8C7C86

RGB 140 124 134

HSL 322.5, 0.07%, 0.52%

LAB 53.72, 7.99, -3.18

 

CMYK 12 / 79 / 0 / 14

HEX #C12DDB

RGB 193 45 219

HSL 291.03, 0.71%, 0.52%

LAB 49.89, 76.79, -57.91

 

CMYK 0 / 79 / 9 / 14

HEX #DB2DC7

RGB 219 45 199

HSL 306.9, 0.71%, 0.52%

LAB 53.02, 78.65, -41.22

 

CMYK 0 / 79 / 31 / 14

HEX #DB2D98

RGB 219 45 152

HSL 323.1, 0.71%, 0.52%

LAB 50.92, 72.69, -16.92

 

CMYK 0 / 79 / 52 / 14

HEX #DB2D6A

RGB 219 45 106

HSL 338.97, 0.71%, 0.52%

LAB 49.47, 68.35, 8.72

 

CMYK 0 / 79 / 73 / 14

HEX #DB2D3C

RGB 219 45 60

HSL 354.83, 0.71%, 0.52%

LAB 48.59, 65.65, 35.36

 

CMYK 0 / 83 / 33 / 39

HEX #9C1A69

RGB 156 26 105

HSL 323.54, 0.71%, 0.36%

LAB 35.65, 57.03, -12.36

 

CMYK 0 / 83 / 32 / 25

HEX #BF2081

RGB 191 32 129

HSL 323.4, 0.71%, 0.44%

LAB 43.79, 66.71, -14.35

 

CMYK 0 / 79 / 31 / 14

HEX #DB2D97

RGB 219 45 151

HSL 323.45, 0.71%, 0.52%

LAB 50.89, 72.58, -16.38

 

CMYK 0 / 64 / 25 / 12

HEX #E150A9

RGB 225 80 169

HSL 323.17, 0.71%, 0.6%

LAB 56.69, 64.71, -18.05

 

CMYK 0 / 50 / 19 / 9

HEX #E774BA

RGB 231 116 186

HSL 323.48, 0.71%, 0.68%

LAB 64.18, 52.74, -16.36

 

CMYK 0 / 80 / 31 / 14

HEX #DC2D98

RGB 220 45 152

HSL 323.31, 0.71%, 0.52%

LAB 51.11, 72.92, -16.63

 

CMYK 0 / 33 / 79 / 14

HEX #DB932D

RGB 219 147 45

HSL 35.17, 0.71%, 0.52%

LAB 66.61, 19, 61.04

 

CMYK 79 / 0 / 1 / 14

HEX #2DDBD8

RGB 45 219 216

HSL 178.97, 0.71%, 0.52%

LAB 79.72, -41.63, -10.63

 

CMYK 0 / 80 / 31 / 14

HEX #DC2D98

RGB 220 45 152

HSL 323.31, 0.71%, 0.52%

LAB 51.11, 72.92, -16.63

 

CMYK 31 / 0 / 79 / 14

HEX #98DB2D

RGB 152 219 45

HSL 83.1, 0.71%, 0.52%

LAB 80.48, -45.08, 71.68

 

CMYK 79 / 31 / 0 / 14

HEX #2D98DB

RGB 45 152 219

HSL 203.1, 0.71%, 0.52%

LAB 60, -6.84, -42.49

 

CMYK 0 / 80 / 31 / 14

HEX #DC2D98

RGB 220 45 152

HSL 323.31, 0.71%, 0.52%

LAB 51.11, 72.92, -16.63

 

CMYK 0 / 33 / 79 / 14

HEX #DB932D

RGB 219 147 45

HSL 35.17, 0.71%, 0.52%

LAB 66.61, 19, 61.04

 

CMYK 79 / 0 / 49 / 14

HEX #2DDB70

RGB 45 219 112

HSL 143.1, 0.71%, 0.52%

LAB 77.51, -65.17, 40.59

 

CMYK 79 / 46 / 0 / 14

HEX #2D76DB

RGB 45 118 219

HSL 214.83, 0.71%, 0.52%

LAB 50.25, 13.54, -58.01

 

CMYK 0 / 80 / 31 / 14

HEX #DC2D98

RGB 220 45 152

HSL 323.31, 0.71%, 0.52%

LAB 51.11, 72.92, -16.63

 

CMYK 0 / 9 / 79 / 14

HEX #DBC72D

RGB 219 199 45

HSL 53.1, 0.71%, 0.52%

LAB 79.67, -8.44, 72.74

 

CMYK 79 / 0 / 49 / 14

HEX #2DDB70

RGB 45 219 112

HSL 143.1, 0.71%, 0.52%

LAB 77.51, -65.17, 40.59

 

CMYK 79 / 70 / 0 / 14

HEX #2D41DB

RGB 45 65 219

HSL 233.1, 0.71%, 0.52%

LAB 36.84, 46.91, -79.86

 

Description

Color code: HEX #DC2D98 | qconv.com Color code: HEX #DC2D98 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 45 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 45 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 31 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 31% 14% C M Y K

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