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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC360C it is the complementary color #23C9F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC360C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC360C shade: #E13607, #F2481A, #FF5A2D, #FF6C40 and #FF7E53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC360C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC360C shade: #DC360C, #CB2400, #BA1200, #A90000 and #980000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC360C shade: #DA350B and #DA0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC360C shade: #DA350B, #DA6C0B, #DAA40B, #D7DA0B and #A0DA0B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC360C shade matches the following richer shades: #DA350B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC360C shade: #DA350B, #C7401E, #B44B30, #A25643 and #8F6155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC360C shade: #DA0B50, #DA0B19, #DA340B, #DA6B0B and #DAA20B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC360C shade: #8B2207, #B22B09, #DA350B, #F3471B and #F56642

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC360C shade: #DC360C, #87DA0B and #0B34DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC360C shade: #DC360C, #0BDA34 and #340BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC360C shade: #DC360C, #87DA0B, #0BB0DA and #5E0BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC360C shade: #DC360C, #49DA0B, #0BB0DA and #9C0BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 95 / 14

HEX #DC360C

RGB 220 54 12

HSL 12.12, 0.9%, 0.45%

LAB 49.35, 62.12, 58.45

 

Complementary color

CMYK 86 / 17 / 0 / 5

HEX #23C9F3

RGB 35 201 243

HSL 192.12, 0.9%, 0.55%

LAB 75.2, -25.56, -31.96

 

CMYK 0 / 76 / 97 / 12

HEX #E13607

RGB 225 54 7

HSL 12.94, 0.94%, 0.45%

LAB 50.29, 63.58, 60.7

 

CMYK 0 / 70 / 89 / 5

HEX #F2481A

RGB 242 72 26

HSL 12.78, 0.89%, 0.53%

LAB 55.67, 63, 60.17

 

CMYK 0 / 65 / 82 / 0

HEX #FF5A2D

RGB 255 90 45

HSL 12.86, 1%, 0.59%

LAB 60.57, 60.72, 57.45

 

CMYK 0 / 58 / 75 / 0

HEX #FF6C40

RGB 255 108 64

HSL 13.82, 1%, 0.63%

LAB 63.64, 53.61, 51.52

 

CMYK 0 / 51 / 67 / 0

HEX #FF7E53

RGB 255 126 83

HSL 15, 1%, 0.66%

LAB 67.13, 46.01, 45.77

 

CMYK 0 / 75 / 95 / 14

HEX #DC360C

RGB 220 54 12

HSL 12.12, 0.9%, 0.45%

LAB 49.35, 62.12, 58.45

 

CMYK 0 / 82 / 100 / 20

HEX #CB2400

RGB 203 36 0

HSL 10.64, 1%, 0.4%

LAB 44.17, 62.1, 57.31

 

CMYK 0 / 90 / 100 / 27

HEX #BA1200

RGB 186 18 0

HSL 5.81, 1%, 0.36%

LAB 39.36, 61.05, 53.3

 

CMYK 0 / 100 / 100 / 34

HEX #A90000

RGB 169 0 0

HSL 0, 1%, 0.33%

LAB 34.87, 58.87, 49.17

 

CMYK 0 / 100 / 100 / 40

HEX #980000

RGB 152 0 0

HSL 0, 1%, 0.3%

LAB 31.06, 54.45, 44.88

 

CMYK 0 / 76 / 95 / 15

HEX #DA350B

RGB 218 53 11

HSL 12.17, 0.9%, 0.45%

LAB 48.85, 61.82, 58.22

 

CMYK 0 / 95 / 95 / 15

HEX #DA0B0B

RGB 218 11 11

HSL 0, 0.9%, 0.45%

LAB 45.86, 70.31, 56.57

 

CMYK 0 / 76 / 95 / 15

HEX #DA350B

RGB 218 53 11

HSL 12.17, 0.9%, 0.45%

LAB 48.85, 61.82, 58.22

 

CMYK 0 / 50 / 95 / 15

HEX #DA6C0B

RGB 218 108 11

HSL 28.12, 0.9%, 0.45%

LAB 57.71, 38.4, 63.74

 

CMYK 0 / 25 / 95 / 15

HEX #DAA40B

RGB 218 164 11

HSL 44.35, 0.9%, 0.45%

LAB 70.51, 8.7, 72.64

 

CMYK 1 / 0 / 95 / 15

HEX #D7DA0B

RGB 215 218 11

HSL 60.87, 0.9%, 0.45%

LAB 84.28, -20.31, 82.71

 

CMYK 27 / 0 / 95 / 15

HEX #A0DA0B

RGB 160 218 11

HSL 76.81, 0.9%, 0.45%

LAB 80.54, -42.58, 78.2

 

CMYK 0 / 76 / 95 / 15

HEX #DA350B

RGB 218 53 11

HSL 12.17, 0.9%, 0.45%

LAB 48.85, 61.82, 58.22

 

CMYK 0 / 76 / 95 / 15

HEX #DA350B

RGB 218 53 11

HSL 12.17, 0.9%, 0.45%

LAB 48.85, 61.82, 58.22

 

CMYK 0 / 68 / 85 / 22

HEX #C7401E

RGB 199 64 30

HSL 12.07, 0.74%, 0.45%

LAB 46.85, 52.1, 48.3

 

CMYK 0 / 58 / 73 / 29

HEX #B44B30

RGB 180 75 48

HSL 12.27, 0.58%, 0.45%

LAB 45.56, 41.04, 36.85

 

CMYK 0 / 47 / 59 / 36

HEX #A25643

RGB 162 86 67

HSL 12, 0.41%, 0.45%

LAB 45.28, 29.45, 25

 

CMYK 0 / 32 / 41 / 44

HEX #8F6155

RGB 143 97 85

HSL 12.41, 0.25%, 0.45%

LAB 45.7, 17.11, 14.4

 

CMYK 0 / 95 / 63 / 15

HEX #DA0B50

RGB 218 11 80

HSL 340, 0.9%, 0.45%

LAB 46.61, 72.37, 20.77

 

CMYK 0 / 95 / 89 / 15

HEX #DA0B19

RGB 218 11 25

HSL 355.94, 0.9%, 0.45%

LAB 45.93, 70.48, 51.35

 

CMYK 0 / 76 / 95 / 15

HEX #DA340B

RGB 218 52 11

HSL 11.88, 0.9%, 0.45%

LAB 48.74, 62.13, 58.16

 

CMYK 0 / 51 / 95 / 15

HEX #DA6B0B

RGB 218 107 11

HSL 27.83, 0.9%, 0.45%

LAB 57.51, 38.9, 63.61

 

CMYK 0 / 26 / 95 / 15

HEX #DAA20B

RGB 218 162 11

HSL 43.77, 0.9%, 0.45%

LAB 70.01, 9.77, 72.29

 

CMYK 0 / 76 / 95 / 45

HEX #8B2207

RGB 139 34 7

HSL 12.27, 0.9%, 0.29%

LAB 30.99, 43, 40.69

 

CMYK 0 / 76 / 95 / 30

HEX #B22B09

RGB 178 43 9

HSL 12.07, 0.9%, 0.37%

LAB 39.94, 52.65, 49.51

 

CMYK 0 / 76 / 95 / 15

HEX #DA350B

RGB 218 53 11

HSL 12.17, 0.9%, 0.45%

LAB 48.85, 61.82, 58.22

 

CMYK 0 / 71 / 89 / 5

HEX #F3471B

RGB 243 71 27

HSL 12.22, 0.9%, 0.53%

LAB 55.73, 63.69, 59.94

 

CMYK 0 / 58 / 73 / 4

HEX #F56642

RGB 245 102 66

HSL 12.07, 0.9%, 0.61%

LAB 61.05, 52.87, 47.29

 

CMYK 0 / 75 / 95 / 14

HEX #DC360C

RGB 220 54 12

HSL 12.12, 0.9%, 0.45%

LAB 49.35, 62.12, 58.45

 

CMYK 38 / 0 / 95 / 15

HEX #87DA0B

RGB 135 218 11

HSL 84.06, 0.9%, 0.45%

LAB 79.22, -51.65, 76.6

 

CMYK 95 / 76 / 0 / 15

HEX #0B34DA

RGB 11 52 218

HSL 228.12, 0.9%, 0.45%

LAB 33.11, 52.5, -85.48

 

CMYK 0 / 75 / 95 / 14

HEX #DC360C

RGB 220 54 12

HSL 12.12, 0.9%, 0.45%

LAB 49.35, 62.12, 58.45

 

CMYK 95 / 0 / 76 / 15

HEX #0BDA34

RGB 11 218 52

HSL 131.88, 0.9%, 0.45%

LAB 76.35, -74.21, 64.34

 

CMYK 76 / 95 / 0 / 15

HEX #340BDA

RGB 52 11 218

HSL 251.88, 0.9%, 0.45%

LAB 29.49, 69.17, -91.46

 

CMYK 0 / 75 / 95 / 14

HEX #DC360C

RGB 220 54 12

HSL 12.12, 0.9%, 0.45%

LAB 49.35, 62.12, 58.45

 

CMYK 38 / 0 / 95 / 15

HEX #87DA0B

RGB 135 218 11

HSL 84.06, 0.9%, 0.45%

LAB 79.22, -51.65, 76.6

 

CMYK 95 / 19 / 0 / 15

HEX #0BB0DA

RGB 11 176 218

HSL 192.17, 0.9%, 0.45%

LAB 66.66, -22.35, -31.58

 

CMYK 57 / 95 / 0 / 15

HEX #5E0BDA

RGB 94 11 218

HSL 264.06, 0.9%, 0.45%

LAB 33.31, 71.31, -85.01

 

CMYK 0 / 75 / 95 / 14

HEX #DC360C

RGB 220 54 12

HSL 12.12, 0.9%, 0.45%

LAB 49.35, 62.12, 58.45

 

CMYK 67 / 0 / 95 / 15

HEX #49DA0B

RGB 73 218 11

HSL 102.03, 0.9%, 0.45%

LAB 77.03, -68.78, 73.91

 

CMYK 95 / 19 / 0 / 15

HEX #0BB0DA

RGB 11 176 218

HSL 192.17, 0.9%, 0.45%

LAB 66.66, -22.35, -31.58

 

CMYK 28 / 95 / 0 / 15

HEX #9C0BDA

RGB 156 11 218

HSL 282.03, 0.9%, 0.45%

LAB 41.8, 77.46, -70.73

 

Description

Color code: HEX #DC360C | qconv.com Color code: HEX #DC360C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 54 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 54 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 95 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 95% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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