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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC4050 it is the complementary color #23BFAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC4050. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC4050 shade: #E1404B, #F2525E, #FF6471, #FF7684 and #FF8897

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC4050. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC4050 shade: #DC4050, #CB2E3D, #BA1C2A, #A90A17 and #980004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC4050 shade: #DC4151 and #DC4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC4050 shade: #DC4151, #DC417B, #DC41A4, #DC41CE and #C041DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC4050 shade matches the following richer shades: #DC4151 and #EE2F42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC4050 shade: #DC4151, #CA535F, #B7656E, #A5777C and #93898A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC4050 shade: #DC41A6, #DC417C, #DC4153, #DC5841 and #DC8141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC4050 shade: #AB1F2D, #CE2537, #DC4151, #E26471 and #E98791

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC4050 shade: #DC4050, #CFDC41 and #4191DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC4050 shade: #DC4050, #53DC41 and #4153DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC4050 shade: #DC4050, #CFDC41, #41DCCA and #4E41DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC4050 shade: #DC4050, #A0DC41, #41DCCA and #7C41DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 64 / 14

HEX #DC4050

RGB 220 64 80

HSL 353.85, 0.69%, 0.56%

LAB 51.22, 60.94, 26.83

 

Complementary color

CMYK 82 / 0 / 8 / 25

HEX #23BFAF

RGB 35 191 175

HSL 173.85, 0.69%, 0.44%

LAB 69.98, -41.65, -2.91

 

CMYK 0 / 72 / 67 / 12

HEX #E1404B

RGB 225 64 75

HSL 355.9, 0.73%, 0.57%

LAB 52.04, 62.19, 31

 

CMYK 0 / 66 / 61 / 5

HEX #F2525E

RGB 242 82 94

HSL 355.5, 0.86%, 0.64%

LAB 57.77, 61.82, 27.81

 

CMYK 0 / 61 / 56 / 0

HEX #FF6471

RGB 255 100 113

HSL 354.97, 1%, 0.7%

LAB 62.98, 59.87, 24.13

 

CMYK 0 / 54 / 48 / 0

HEX #FF7684

RGB 255 118 132

HSL 353.87, 1%, 0.73%

LAB 66.43, 53.33, 18.01

 

CMYK 0 / 47 / 41 / 0

HEX #FF8897

RGB 255 136 151

HSL 352.44, 1%, 0.77%

LAB 70.25, 46.48, 12.65

 

CMYK 0 / 71 / 64 / 14

HEX #DC4050

RGB 220 64 80

HSL 353.85, 0.69%, 0.56%

LAB 51.22, 60.94, 26.83

 

CMYK 0 / 77 / 70 / 20

HEX #CB2E3D

RGB 203 46 61

HSL 354.27, 0.63%, 0.49%

LAB 45.62, 60.84, 30.5

 

CMYK 0 / 85 / 77 / 27

HEX #BA1C2A

RGB 186 28 42

HSL 354.68, 0.74%, 0.42%

LAB 40.31, 59.97, 34.81

 

CMYK 0 / 94 / 86 / 34

HEX #A90A17

RGB 169 10 23

HSL 355.09, 0.89%, 0.35%

LAB 35.43, 57.96, 39.52

 

CMYK 0 / 100 / 97 / 40

HEX #980004

RGB 152 0 4

HSL 358.42, 1%, 0.3%

LAB 31.08, 54.51, 43.26

 

CMYK 0 / 70 / 63 / 14

HEX #DC4151

RGB 220 65 81

HSL 353.81, 0.69%, 0.56%

LAB 51.37, 60.64, 26.43

 

CMYK 0 / 70 / 70 / 14

HEX #DC4141

RGB 220 65 65

HSL 0, 0.69%, 0.56%

LAB 51.13, 59.8, 35.48

 

CMYK 0 / 70 / 63 / 14

HEX #DC4151

RGB 220 65 81

HSL 353.81, 0.69%, 0.56%

LAB 51.37, 60.64, 26.43

 

CMYK 0 / 70 / 44 / 14

HEX #DC417B

RGB 220 65 123

HSL 337.55, 0.69%, 0.56%

LAB 52.32, 63.85, 2.53

 

CMYK 0 / 70 / 25 / 14

HEX #DC41A4

RGB 220 65 164

HSL 321.68, 0.69%, 0.56%

LAB 53.68, 68.33, -19.8

 

CMYK 0 / 70 / 6 / 14

HEX #DC41CE

RGB 220 65 206

HSL 305.42, 0.69%, 0.56%

LAB 55.54, 74.14, -41.25

 

CMYK 13 / 70 / 0 / 14

HEX #C041DC

RGB 192 65 220

HSL 289.16, 0.69%, 0.56%

LAB 52.01, 70.43, -55.08

 

CMYK 0 / 70 / 63 / 14

HEX #DC4151

RGB 220 65 81

HSL 353.81, 0.69%, 0.56%

LAB 51.37, 60.64, 26.43

 

CMYK 0 / 80 / 72 / 7

HEX #EE2F42

RGB 238 47 66

HSL 354.03, 0.85%, 0.56%

LAB 52.51, 70.62, 37.37

 

CMYK 0 / 70 / 63 / 14

HEX #DC4151

RGB 220 65 81

HSL 353.81, 0.69%, 0.56%

LAB 51.37, 60.64, 26.43

 

CMYK 0 / 59 / 53 / 21

HEX #CA535F

RGB 202 83 95

HSL 353.95, 0.53%, 0.56%

LAB 51.35, 48.3, 17.51

 

CMYK 0 / 45 / 40 / 28

HEX #B7656E

RGB 183 101 110

HSL 353.41, 0.36%, 0.56%

LAB 52.4, 33.85, 9.63

 

CMYK 0 / 28 / 25 / 35

HEX #A5777C

RGB 165 119 124

HSL 353.48, 0.2%, 0.56%

LAB 54.71, 18.76, 4.4

 

CMYK 0 / 7 / 6 / 42

HEX #93898A

RGB 147 137 138

HSL 354, 0.04%, 0.56%

LAB 57.97, 3.92, 0.8

 

CMYK 0 / 70 / 25 / 14

HEX #DC41A6

RGB 220 65 166

HSL 320.9, 0.69%, 0.56%

LAB 53.76, 68.58, -20.85

 

CMYK 0 / 70 / 44 / 14

HEX #DC417C

RGB 220 65 124

HSL 337.16, 0.69%, 0.56%

LAB 52.34, 63.95, 1.97

 

CMYK 0 / 70 / 62 / 14

HEX #DC4153

RGB 220 65 83

HSL 353.03, 0.69%, 0.56%

LAB 51.41, 60.76, 25.29

 

CMYK 0 / 60 / 70 / 14

HEX #DC5841

RGB 220 88 65

HSL 8.9, 0.69%, 0.56%

LAB 54.63, 50.34, 39.55

 

CMYK 0 / 41 / 70 / 14

HEX #DC8141

RGB 220 129 65

HSL 24.77, 0.69%, 0.56%

LAB 62.76, 29.9, 48.6

 

CMYK 0 / 82 / 74 / 33

HEX #AB1F2D

RGB 171 31 45

HSL 354, 0.69%, 0.4%

LAB 37.53, 55.1, 29.05

 

CMYK 0 / 82 / 73 / 19

HEX #CE2537

RGB 206 37 55

HSL 353.61, 0.7%, 0.48%

LAB 45.25, 63.88, 33.78

 

CMYK 0 / 70 / 63 / 14

HEX #DC4151

RGB 220 65 81

HSL 353.81, 0.69%, 0.56%

LAB 51.37, 60.64, 26.43

 

CMYK 0 / 56 / 50 / 11

HEX #E26471

RGB 226 100 113

HSL 353.81, 0.68%, 0.64%

LAB 58.49, 50.18, 17.29

 

CMYK 0 / 42 / 38 / 9

HEX #E98791

RGB 233 135 145

HSL 353.88, 0.69%, 0.72%

LAB 67.05, 38.48, 11.09

 

CMYK 0 / 71 / 64 / 14

HEX #DC4050

RGB 220 64 80

HSL 353.85, 0.69%, 0.56%

LAB 51.22, 60.94, 26.83

 

CMYK 6 / 0 / 70 / 14

HEX #CFDC41

RGB 207 220 65

HSL 65.03, 0.69%, 0.56%

LAB 84.4, -23.08, 70.36

 

CMYK 70 / 34 / 0 / 14

HEX #4191DC

RGB 65 145 220

HSL 209.03, 0.69%, 0.56%

LAB 58.55, -0.02, -45.31

 

CMYK 0 / 71 / 64 / 14

HEX #DC4050

RGB 220 64 80

HSL 353.85, 0.69%, 0.56%

LAB 51.22, 60.94, 26.83

 

CMYK 62 / 0 / 70 / 14

HEX #53DC41

RGB 83 220 65

HSL 113.03, 0.69%, 0.56%

LAB 78.11, -64.8, 61.99

 

CMYK 70 / 62 / 0 / 14

HEX #4153DC

RGB 65 83 220

HSL 233.03, 0.69%, 0.56%

LAB 41.97, 38.3, -71.98

 

CMYK 0 / 71 / 64 / 14

HEX #DC4050

RGB 220 64 80

HSL 353.85, 0.69%, 0.56%

LAB 51.22, 60.94, 26.83

 

CMYK 6 / 0 / 70 / 14

HEX #CFDC41

RGB 207 220 65

HSL 65.03, 0.69%, 0.56%

LAB 84.4, -23.08, 70.36

 

CMYK 70 / 0 / 8 / 14

HEX #41DCCA

RGB 65 220 202

HSL 173.03, 0.69%, 0.56%

LAB 79.94, -43.79, -2.79

 

CMYK 65 / 70 / 0 / 14

HEX #4E41DC

RGB 78 65 220

HSL 245.03, 0.69%, 0.56%

LAB 38.84, 50.48, -77.07

 

CMYK 0 / 71 / 64 / 14

HEX #DC4050

RGB 220 64 80

HSL 353.85, 0.69%, 0.56%

LAB 51.22, 60.94, 26.83

 

CMYK 27 / 0 / 70 / 14

HEX #A0DC41

RGB 160 220 65

HSL 83.23, 0.69%, 0.56%

LAB 81.31, -41.53, 66.28

 

CMYK 70 / 0 / 8 / 14

HEX #41DCCA

RGB 65 220 202

HSL 173.03, 0.69%, 0.56%

LAB 79.94, -43.79, -2.79

 

CMYK 44 / 70 / 0 / 14

HEX #7C41DC

RGB 124 65 220

HSL 262.84, 0.69%, 0.56%

LAB 43.11, 57.33, -69.91

 

Description

Color code: HEX #DC4050 | qconv.com Color code: HEX #DC4050 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 64 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 64 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 64 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 64% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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