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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC5557 it is the complementary color #23AAA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC5557. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC5557 shade: #E15552, #F26765, #FF7978, #FF8B8B and #FF9D9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC5557. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC5557 shade: #DC5557, #CB4344, #BA3131, #A91F1E and #980D0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC5557 shade: #DC5557 and #DC5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC5557 shade: #DC5557, #DC557B, #DC55A0, #DC55C4 and #CF55DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC5557 shade matches the following richer shades: #DC5557, #EC4547 and #FD3437

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC5557 shade: #DC5557, #CB6667, #BB7677, #AA8787 and #9A9797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC5557 shade: #DC559F, #DC557B, #DC5557, #DC7755 and #DC9B55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC5557 shade: #B92528, #D53335, #DC5557, #E37779 and #EA9A9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC5557 shade: #DC5557, #C3DC55 and #558DDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC5557 shade: #DC5557, #57DC55 and #5557DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC5557 shade: #DC5557, #C3DC55, #55DCDA and #6E55DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC5557 shade: #DC5557, #9BDC55, #55DCDA and #9655DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 60 / 14

HEX #DC5557

RGB 220 85 87

HSL 359.11, 0.66%, 0.6%

LAB 54.45, 52.95, 26.86

 

Complementary color

CMYK 79 / 0 / 1 / 33

HEX #23AAA8

RGB 35 170 168

HSL 179.11, 0.66%, 0.4%

LAB 63.29, -34.13, -8.93

 

CMYK 0 / 62 / 64 / 12

HEX #E15552

RGB 225 85 82

HSL 1.26, 0.7%, 0.6%

LAB 55.19, 54.32, 30.86

 

CMYK 0 / 57 / 58 / 5

HEX #F26765

RGB 242 103 101

HSL 0.85, 0.84%, 0.67%

LAB 61.24, 53.34, 28.29

 

CMYK 0 / 53 / 53 / 0

HEX #FF7978

RGB 255 121 120

HSL 0.44, 1%, 0.74%

LAB 66.74, 50.89, 25.19

 

CMYK 0 / 45 / 45 / 0

HEX #FF8B8B

RGB 255 139 139

HSL 0, 1%, 0.77%

LAB 70.59, 43.77, 19.8

 

CMYK 0 / 38 / 38 / 0

HEX #FF9D9E

RGB 255 157 158

HSL 359.39, 1%, 0.81%

LAB 74.73, 36.59, 15.06

 

CMYK 0 / 61 / 60 / 14

HEX #DC5557

RGB 220 85 87

HSL 359.11, 0.66%, 0.6%

LAB 54.45, 52.95, 26.86

 

CMYK 0 / 67 / 67 / 20

HEX #CB4344

RGB 203 67 68

HSL 359.56, 0.57%, 0.53%

LAB 48.42, 53.74, 29.76

 

CMYK 0 / 74 / 74 / 27

HEX #BA3131

RGB 186 49 49

HSL 0, 0.58%, 0.46%

LAB 42.55, 54.18, 33.19

 

CMYK 0 / 82 / 82 / 34

HEX #A91F1E

RGB 169 31 30

HSL 0.43, 0.7%, 0.39%

LAB 36.95, 53.98, 37.12

 

CMYK 0 / 91 / 93 / 40

HEX #980D0B

RGB 152 13 11

HSL 0.85, 0.87%, 0.32%

LAB 31.78, 52.68, 40.89

 

CMYK 0 / 61 / 60 / 14

HEX #DC5557

RGB 220 85 87

HSL 359.11, 0.66%, 0.6%

LAB 54.45, 52.95, 26.86

 

CMYK 0 / 61 / 61 / 14

HEX #DC5555

RGB 220 85 85

HSL 0, 0.66%, 0.6%

LAB 54.42, 52.82, 27.98

 

CMYK 0 / 61 / 60 / 14

HEX #DC5557

RGB 220 85 87

HSL 359.11, 0.66%, 0.6%

LAB 54.45, 52.95, 26.86

 

CMYK 0 / 61 / 44 / 14

HEX #DC557B

RGB 220 85 123

HSL 343.11, 0.66%, 0.6%

LAB 55.22, 55.92, 6.71

 

CMYK 0 / 61 / 27 / 14

HEX #DC55A0

RGB 220 85 160

HSL 326.67, 0.66%, 0.6%

LAB 56.34, 60.09, -13.42

 

CMYK 0 / 61 / 11 / 14

HEX #DC55C4

RGB 220 85 196

HSL 310.67, 0.66%, 0.6%

LAB 57.75, 65.14, -32.06

 

CMYK 6 / 61 / 0 / 14

HEX #CF55DC

RGB 207 85 220

HSL 294.22, 0.66%, 0.6%

LAB 57.01, 65.85, -47

 

CMYK 0 / 61 / 60 / 14

HEX #DC5557

RGB 220 85 87

HSL 359.11, 0.66%, 0.6%

LAB 54.45, 52.95, 26.86

 

CMYK 0 / 71 / 70 / 7

HEX #EC4547

RGB 236 69 71

HSL 359.28, 0.81%, 0.6%

LAB 54.6, 63.57, 36.86

 

CMYK 0 / 79 / 78 / 1

HEX #FD3437

RGB 253 52 55

HSL 359.1, 0.98%, 0.6%

LAB 55.7, 73.07, 47.78

 

CMYK 0 / 61 / 60 / 14

HEX #DC5557

RGB 220 85 87

HSL 359.11, 0.66%, 0.6%

LAB 54.45, 52.95, 26.86

 

CMYK 0 / 50 / 49 / 20

HEX #CB6667

RGB 203 102 103

HSL 359.41, 0.49%, 0.6%

LAB 55.26, 40.07, 18.14

 

CMYK 0 / 37 / 36 / 27

HEX #BB7677

RGB 187 118 119

HSL 359.13, 0.34%, 0.6%

LAB 56.93, 27.21, 10.83

 

CMYK 0 / 21 / 21 / 33

HEX #AA8787

RGB 170 135 135

HSL 0, 0.17%, 0.6%

LAB 59.55, 13.34, 5.08

 

CMYK 0 / 2 / 2 / 40

HEX #9A9797

RGB 154 151 151

HSL 0, 0.01%, 0.6%

LAB 62.71, 1.1, 0.38

 

CMYK 0 / 61 / 28 / 14

HEX #DC559F

RGB 220 85 159

HSL 327.11, 0.66%, 0.6%

LAB 56.3, 59.96, -12.89

 

CMYK 0 / 61 / 44 / 14

HEX #DC557B

RGB 220 85 123

HSL 343.11, 0.66%, 0.6%

LAB 55.22, 55.92, 6.71

 

CMYK 0 / 61 / 60 / 14

HEX #DC5557

RGB 220 85 87

HSL 359.11, 0.66%, 0.6%

LAB 54.45, 52.95, 26.86

 

CMYK 0 / 46 / 61 / 14

HEX #DC7755

RGB 220 119 85

HSL 15.11, 0.66%, 0.6%

LAB 60.84, 36.34, 36.02

 

CMYK 0 / 30 / 61 / 14

HEX #DC9B55

RGB 220 155 85

HSL 31.11, 0.66%, 0.6%

LAB 68.98, 17.18, 45.75

 

CMYK 0 / 80 / 78 / 27

HEX #B92528

RGB 185 37 40

HSL 358.78, 0.67%, 0.44%

LAB 40.88, 57.34, 36.52

 

CMYK 0 / 76 / 75 / 16

HEX #D53335

RGB 213 51 53

HSL 359.26, 0.66%, 0.52%

LAB 47.97, 61.9, 38.38

 

CMYK 0 / 61 / 60 / 14

HEX #DC5557

RGB 220 85 87

HSL 359.11, 0.66%, 0.6%

LAB 54.45, 52.95, 26.86

 

CMYK 0 / 48 / 47 / 11

HEX #E37779

RGB 227 119 121

HSL 358.89, 0.66%, 0.68%

LAB 62.43, 41.96, 18.12

 

CMYK 0 / 34 / 34 / 8

HEX #EA9A9B

RGB 234 154 155

HSL 359.25, 0.66%, 0.76%

LAB 71.53, 30.06, 11.87

 

CMYK 0 / 61 / 60 / 14

HEX #DC5557

RGB 220 85 87

HSL 359.11, 0.66%, 0.6%

LAB 54.45, 52.95, 26.86

 

CMYK 11 / 0 / 61 / 14

HEX #C3DC55

RGB 195 220 85

HSL 71.11, 0.66%, 0.6%

LAB 83.68, -26.71, 61.65

 

CMYK 61 / 36 / 0 / 14

HEX #558DDC

RGB 85 141 220

HSL 215.11, 0.66%, 0.6%

LAB 58.18, 5.63, -45.85

 

CMYK 0 / 61 / 60 / 14

HEX #DC5557

RGB 220 85 87

HSL 359.11, 0.66%, 0.6%

LAB 54.45, 52.95, 26.86

 

CMYK 60 / 0 / 61 / 14

HEX #57DC55

RGB 87 220 85

HSL 119.11, 0.66%, 0.6%

LAB 78.39, -62.05, 54.31

 

CMYK 61 / 60 / 0 / 14

HEX #5557DC

RGB 85 87 220

HSL 239.11, 0.66%, 0.6%

LAB 44.11, 38.66, -68.43

 

CMYK 0 / 61 / 60 / 14

HEX #DC5557

RGB 220 85 87

HSL 359.11, 0.66%, 0.6%

LAB 54.45, 52.95, 26.86

 

CMYK 11 / 0 / 61 / 14

HEX #C3DC55

RGB 195 220 85

HSL 71.11, 0.66%, 0.6%

LAB 83.68, -26.71, 61.65

 

CMYK 61 / 0 / 1 / 14

HEX #55DCDA

RGB 85 220 218

HSL 179.11, 0.66%, 0.6%

LAB 80.84, -36.59, -9.94

 

CMYK 50 / 61 / 0 / 14

HEX #6E55DC

RGB 110 85 220

HSL 251.11, 0.66%, 0.6%

LAB 45.61, 44.21, -65.91

 

CMYK 0 / 61 / 60 / 14

HEX #DC5557

RGB 220 85 87

HSL 359.11, 0.66%, 0.6%

LAB 54.45, 52.95, 26.86

 

CMYK 30 / 0 / 61 / 14

HEX #9BDC55

RGB 155 220 85

HSL 88.89, 0.66%, 0.6%

LAB 81.19, -41.89, 58.21

 

CMYK 61 / 0 / 1 / 14

HEX #55DCDA

RGB 85 220 218

HSL 179.11, 0.66%, 0.6%

LAB 80.84, -36.59, -9.94

 

CMYK 32 / 61 / 0 / 14

HEX #9655DC

RGB 150 85 220

HSL 268.89, 0.66%, 0.6%

LAB 49.68, 52.53, -59.13

 

Description

Color code: HEX #DC5557 | qconv.com Color code: HEX #DC5557 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 85 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 85 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 60 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 60% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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