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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC55D3 it is the complementary color #23AA2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC55D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC55D3 shade: #E155CE, #F267E1, #FF79F4, #FF8BFF and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC55D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC55D3 shade: #DC55D3, #CB43C0, #BA31AD, #A91F9A and #980D87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC55D3 shade: #DC55D3, #DC55AF, #DC558A, #DC5566 and #DC5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC55D3 shade: #DC55D3, #C055DC, #9C55DC, #7855DC and #5555DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC55D3 shade matches the following richer shades: #DC55D3, #EC45E1 and #FD34EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC55D3 shade: #DC55D3, #CB66C5, #BB76B6, #AA87A8 and #9A979A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC55D3 shade: #9D55DC, #C155DC, #DC55D3, #DC55AF and #DC558B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC55D3 shade: #B925AF, #D533CA, #DC55D3, #E377DC and #EA9AE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC55D3 shade: #DC55D3, #DC7955 and #55DCAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC55D3 shade: #DC55D3, #D3DC55 and #55D3DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC55D3 shade: #DC55D3, #DC7955, #55DC5E and #55B8DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC55D3 shade: #DC55D3, #DCA155, #55DC5E and #5590DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 4 / 14

HEX #DC55D3

RGB 220 85 211

HSL 304, 0.66%, 0.6%

LAB 58.43, 67.49, -39.54

 

Complementary color

CMYK 79 / 0 / 74 / 33

HEX #23AA2C

RGB 35 170 44

HSL 124, 0.66%, 0.4%

LAB 61.04, -58.75, 51.88

 

CMYK 0 / 62 / 8 / 12

HEX #E155CE

RGB 225 85 206

HSL 308.14, 0.7%, 0.61%

LAB 58.94, 67.96, -35.85

 

CMYK 0 / 57 / 7 / 5

HEX #F267E1

RGB 242 103 225

HSL 307.34, 0.84%, 0.68%

LAB 64.97, 67.78, -36.94

 

CMYK 0 / 53 / 4 / 0

HEX #FF79F4

RGB 255 121 244

HSL 304.93, 1%, 0.74%

LAB 70.5, 66.32, -38.69

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 61 / 4 / 14

HEX #DC55D3

RGB 220 85 211

HSL 304, 0.66%, 0.6%

LAB 58.43, 67.49, -39.54

 

CMYK 0 / 67 / 5 / 20

HEX #CB43C0

RGB 203 67 192

HSL 304.85, 0.57%, 0.53%

LAB 52.42, 67.37, -38.3

 

CMYK 0 / 74 / 7 / 27

HEX #BA31AD

RGB 186 49 173

HSL 305.69, 0.58%, 0.46%

LAB 46.52, 66.72, -36.68

 

CMYK 0 / 82 / 9 / 34

HEX #A91F9A

RGB 169 31 154

HSL 306.52, 0.69%, 0.39%

LAB 40.81, 65.27, -34.52

 

CMYK 0 / 91 / 11 / 40

HEX #980D87

RGB 152 13 135

HSL 307.34, 0.84%, 0.32%

LAB 35.42, 62.61, -31.61

 

CMYK 0 / 61 / 4 / 14

HEX #DC55D3

RGB 220 85 211

HSL 304, 0.66%, 0.6%

LAB 58.43, 67.49, -39.54

 

CMYK 0 / 61 / 20 / 14

HEX #DC55AF

RGB 220 85 175

HSL 320, 0.66%, 0.6%

LAB 56.89, 62.08, -21.31

 

CMYK 0 / 61 / 37 / 14

HEX #DC558A

RGB 220 85 138

HSL 336.44, 0.66%, 0.6%

LAB 55.63, 57.48, -1.56

 

CMYK 0 / 61 / 54 / 14

HEX #DC5566

RGB 220 85 102

HSL 352.44, 0.66%, 0.6%

LAB 54.73, 54.05, 18.45

 

CMYK 0 / 61 / 61 / 14

HEX #DC5555

RGB 220 85 85

HSL 0, 0.66%, 0.6%

LAB 54.42, 52.82, 27.98

 

CMYK 0 / 61 / 4 / 14

HEX #DC55D3

RGB 220 85 211

HSL 304, 0.66%, 0.6%

LAB 58.43, 67.49, -39.54

 

CMYK 13 / 61 / 0 / 14

HEX #C055DC

RGB 192 85 220

HSL 287.56, 0.66%, 0.6%

LAB 54.94, 62.26, -50.41

 

CMYK 29 / 61 / 0 / 14

HEX #9C55DC

RGB 156 85 220

HSL 271.56, 0.66%, 0.6%

LAB 50.37, 53.88, -57.97

 

CMYK 45 / 61 / 0 / 14

HEX #7855DC

RGB 120 85 220

HSL 255.56, 0.66%, 0.6%

LAB 46.52, 46.15, -64.38

 

CMYK 61 / 61 / 0 / 14

HEX #5555DC

RGB 85 85 220

HSL 240, 0.66%, 0.6%

LAB 43.65, 39.86, -69.18

 

CMYK 0 / 61 / 4 / 14

HEX #DC55D3

RGB 220 85 211

HSL 304, 0.66%, 0.6%

LAB 58.43, 67.49, -39.54

 

CMYK 0 / 71 / 5 / 7

HEX #EC45E1

RGB 236 69 225

HSL 303.95, 0.81%, 0.6%

LAB 59.46, 79.21, -45.66

 

CMYK 0 / 79 / 6 / 1

HEX #FD34EF

RGB 253 52 239

HSL 304.18, 0.98%, 0.6%

LAB 61.28, 89.31, -50.44

 

CMYK 0 / 61 / 4 / 14

HEX #DC55D3

RGB 220 85 211

HSL 304, 0.66%, 0.6%

LAB 58.43, 67.49, -39.54

 

CMYK 0 / 50 / 3 / 20

HEX #CB66C5

RGB 203 102 197

HSL 303.56, 0.49%, 0.6%

LAB 58.26, 52.93, -32.03

 

CMYK 0 / 37 / 3 / 27

HEX #BB76B6

RGB 187 118 182

HSL 304.35, 0.34%, 0.6%

LAB 58.88, 37.03, -22.67

 

CMYK 0 / 21 / 1 / 33

HEX #AA87A8

RGB 170 135 168

HSL 303.43, 0.17%, 0.6%

LAB 60.52, 19.14, -12.36

 

CMYK 0 / 2 / 0 / 40

HEX #9A979A

RGB 154 151 154

HSL 300, 0.01%, 0.6%

LAB 62.79, 1.67, -1.19

 

CMYK 29 / 61 / 0 / 14

HEX #9D55DC

RGB 157 85 220

HSL 272, 0.66%, 0.6%

LAB 50.49, 54.11, -57.78

 

CMYK 12 / 61 / 0 / 14

HEX #C155DC

RGB 193 85 220

HSL 288, 0.66%, 0.6%

LAB 55.07, 62.5, -50.19

 

CMYK 0 / 61 / 4 / 14

HEX #DC55D3

RGB 220 85 211

HSL 304, 0.66%, 0.6%

LAB 58.43, 67.49, -39.54

 

CMYK 0 / 61 / 20 / 14

HEX #DC55AF

RGB 220 85 175

HSL 320, 0.66%, 0.6%

LAB 56.89, 62.08, -21.31

 

CMYK 0 / 61 / 37 / 14

HEX #DC558B

RGB 220 85 139

HSL 336, 0.66%, 0.6%

LAB 55.66, 57.59, -2.1

 

CMYK 0 / 80 / 5 / 27

HEX #B925AF

RGB 185 37 175

HSL 304.05, 0.67%, 0.44%

LAB 45.27, 70.22, -39.85

 

CMYK 0 / 76 / 5 / 16

HEX #D533CA

RGB 213 51 202

HSL 304.07, 0.66%, 0.52%

LAB 52.71, 76.3, -43.5

 

CMYK 0 / 61 / 4 / 14

HEX #DC55D3

RGB 220 85 211

HSL 304, 0.66%, 0.6%

LAB 58.43, 67.49, -39.54

 

CMYK 0 / 48 / 3 / 11

HEX #E377DC

RGB 227 119 220

HSL 303.89, 0.66%, 0.68%

LAB 65.51, 55.49, -33.48

 

CMYK 0 / 34 / 2 / 8

HEX #EA9AE5

RGB 234 154 229

HSL 303.75, 0.66%, 0.76%

LAB 73.71, 41.33, -25.73

 

CMYK 0 / 61 / 4 / 14

HEX #DC55D3

RGB 220 85 211

HSL 304, 0.66%, 0.6%

LAB 58.43, 67.49, -39.54

 

CMYK 0 / 45 / 61 / 14

HEX #DC7955

RGB 220 121 85

HSL 16, 0.66%, 0.6%

LAB 61.26, 35.3, 36.54

 

CMYK 61 / 0 / 20 / 14

HEX #55DCAF

RGB 85 220 175

HSL 160, 0.66%, 0.6%

LAB 79.73, -47.31, 11.32

 

CMYK 0 / 61 / 4 / 14

HEX #DC55D3

RGB 220 85 211

HSL 304, 0.66%, 0.6%

LAB 58.43, 67.49, -39.54

 

CMYK 4 / 0 / 61 / 14

HEX #D3DC55

RGB 211 220 85

HSL 64, 0.66%, 0.6%

LAB 84.84, -20.29, 63.24

 

CMYK 61 / 4 / 0 / 14

HEX #55D3DC

RGB 85 211 220

HSL 184, 0.66%, 0.6%

LAB 78.28, -31.81, -14.84

 

CMYK 0 / 61 / 4 / 14

HEX #DC55D3

RGB 220 85 211

HSL 304, 0.66%, 0.6%

LAB 58.43, 67.49, -39.54

 

CMYK 0 / 45 / 61 / 14

HEX #DC7955

RGB 220 121 85

HSL 16, 0.66%, 0.6%

LAB 61.26, 35.3, 36.54

 

CMYK 61 / 0 / 57 / 14

HEX #55DC5E

RGB 85 220 94

HSL 124, 0.66%, 0.6%

LAB 78.42, -61.48, 50.35

 

CMYK 61 / 16 / 0 / 14

HEX #55B8DC

RGB 85 184 220

HSL 196, 0.66%, 0.6%

LAB 70.44, -18.33, -26.74

 

CMYK 0 / 61 / 4 / 14

HEX #DC55D3

RGB 220 85 211

HSL 304, 0.66%, 0.6%

LAB 58.43, 67.49, -39.54

 

CMYK 0 / 27 / 61 / 14

HEX #DCA155

RGB 220 161 85

HSL 33.78, 0.66%, 0.6%

LAB 70.43, 13.96, 47.44

 

CMYK 61 / 0 / 57 / 14

HEX #55DC5E

RGB 85 220 94

HSL 124, 0.66%, 0.6%

LAB 78.42, -61.48, 50.35

 

CMYK 61 / 35 / 0 / 14

HEX #5590DC

RGB 85 144 220

HSL 213.78, 0.66%, 0.6%

LAB 59.02, 3.86, -44.52

 

Description

Color code: HEX #DC55D3 | qconv.com Color code: HEX #DC55D3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 85 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 85 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 4 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 4% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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