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Color name
HEX #DC5F27

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC5F27 it is the complementary color #23A0D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC5F27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC5F27 shade: #E15F22, #F27135, #FF8348, #FF955B and #FFA76E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC5F27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC5F27 shade: #DC5F27, #CB4D14, #BA3B01, #A92900 and #981700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC5F27 shade: #DC5F28, #DC2F28 and #DC2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC5F27 shade: #DC5F28, #DC9028, #DCC028, #C6DC28 and #96DC28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC5F27 shade matches the following richer shades: #DC5F28 and #F05813

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC5F27 shade: #DC5F28, #C7673C, #B36F50, #9F7664 and #8B7E78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC5F27 shade: #DC2852, #DC2E28, #DC5E28, #DC8E28 and #DCBE28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC5F27 shade: #984018, #BC4F1E, #DC5F28, #E17A4B and #E7946F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC5F27 shade: #DC5F27, #82DC28 and #283ADC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC5F27 shade: #DC5F27, #28DC5E and #5E28DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC5F27 shade: #DC5F27, #82DC28, #28A6DC and #8228DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC5F27 shade: #DC5F27, #4CDC28, #28A6DC and #B828DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 82 / 14

HEX #DC5F27

RGB 220 95 39

HSL 18.56, 0.72%, 0.51%

LAB 55.63, 46.09, 53.47

 

Complementary color

CMYK 84 / 26 / 0 / 15

HEX #23A0D8

RGB 35 160 216

HSL 198.56, 0.72%, 0.49%

LAB 62.05, -13.26, -37.63

 

CMYK 0 / 58 / 85 / 12

HEX #E15F22

RGB 225 95 34

HSL 19.16, 0.76%, 0.51%

LAB 56.39, 47.81, 56.51

 

CMYK 0 / 53 / 78 / 5

HEX #F27135

RGB 242 113 53

HSL 19.05, 0.88%, 0.58%

LAB 62.46, 46.14, 54.91

 

CMYK 0 / 49 / 72 / 0

HEX #FF8348

RGB 255 131 72

HSL 19.34, 1%, 0.64%

LAB 67.99, 43.01, 52.25

 

CMYK 0 / 42 / 64 / 0

HEX #FF955B

RGB 255 149 91

HSL 21.22, 1%, 0.68%

LAB 71.9, 34.92, 47.22

 

CMYK 0 / 35 / 57 / 0

HEX #FFA76E

RGB 255 167 110

HSL 23.59, 1%, 0.72%

LAB 76.08, 26.88, 42.56

 

CMYK 0 / 57 / 82 / 14

HEX #DC5F27

RGB 220 95 39

HSL 18.56, 0.72%, 0.51%

LAB 55.63, 46.09, 53.47

 

CMYK 0 / 62 / 90 / 20

HEX #CB4D14

RGB 203 77 20

HSL 18.69, 0.82%, 0.44%

LAB 49.56, 47.74, 54.7

 

CMYK 0 / 68 / 99 / 27

HEX #BA3B01

RGB 186 59 1

HSL 18.81, 0.99%, 0.37%

LAB 43.61, 49.22, 54.85

 

CMYK 0 / 76 / 100 / 34

HEX #A92900

RGB 169 41 0

HSL 14.56, 1%, 0.33%

LAB 37.88, 50.33, 50.6

 

CMYK 0 / 85 / 100 / 40

HEX #981700

RGB 152 23 0

HSL 9.08, 1%, 0.3%

LAB 32.45, 50.44, 45.83

 

CMYK 0 / 57 / 82 / 14

HEX #DC5F28

RGB 220 95 40

HSL 18.33, 0.72%, 0.51%

LAB 55.64, 46.12, 53.05

 

CMYK 0 / 79 / 82 / 14

HEX #DC2F28

RGB 220 47 40

HSL 2.33, 0.72%, 0.51%

LAB 48.76, 64.71, 46.66

 

CMYK 0 / 82 / 82 / 14

HEX #DC2828

RGB 220 40 40

HSL 0, 0.72%, 0.51%

LAB 48.12, 66.53, 46.05

 

CMYK 0 / 57 / 82 / 14

HEX #DC5F28

RGB 220 95 40

HSL 18.33, 0.72%, 0.51%

LAB 55.64, 46.12, 53.05

 

CMYK 0 / 35 / 82 / 14

HEX #DC9028

RGB 220 144 40

HSL 34.67, 0.72%, 0.51%

LAB 65.99, 20.87, 62.32

 

CMYK 0 / 13 / 82 / 14

HEX #DCC028

RGB 220 192 40

HSL 50.67, 0.72%, 0.51%

LAB 77.92, -4.58, 72.66

 

CMYK 10 / 0 / 82 / 14

HEX #C6DC28

RGB 198 220 40

HSL 67.33, 0.72%, 0.51%

LAB 83.62, -27.77, 76.85

 

CMYK 32 / 0 / 82 / 14

HEX #96DC28

RGB 150 220 40

HSL 83.33, 0.72%, 0.51%

LAB 80.64, -46.43, 73.09

 

CMYK 0 / 57 / 82 / 14

HEX #DC5F28

RGB 220 95 40

HSL 18.33, 0.72%, 0.51%

LAB 55.64, 46.12, 53.05

 

CMYK 0 / 63 / 92 / 6

HEX #F05813

RGB 240 88 19

HSL 18.73, 0.88%, 0.51%

LAB 57.61, 55.98, 63.54

 

CMYK 0 / 57 / 82 / 14

HEX #DC5F28

RGB 220 95 40

HSL 18.33, 0.72%, 0.51%

LAB 55.64, 46.12, 53.05

 

CMYK 0 / 48 / 70 / 22

HEX #C7673C

RGB 199 103 60

HSL 18.56, 0.55%, 0.51%

LAB 54.21, 34.84, 40.87

 

CMYK 0 / 38 / 55 / 30

HEX #B36F50

RGB 179 111 80

HSL 18.79, 0.39%, 0.51%

LAB 53.53, 23.73, 28.48

 

CMYK 0 / 26 / 37 / 38

HEX #9F7664

RGB 159 118 100

HSL 18.31, 0.24%, 0.51%

LAB 53.22, 13.56, 16.19

 

CMYK 0 / 9 / 14 / 45

HEX #8B7E78

RGB 139 126 120

HSL 18.95, 0.08%, 0.51%

LAB 53.78, 3.87, 5.05

 

CMYK 0 / 82 / 63 / 14

HEX #DC2852

RGB 220 40 82

HSL 346, 0.72%, 0.51%

LAB 48.69, 68.27, 22.35

 

CMYK 0 / 79 / 82 / 14

HEX #DC2E28

RGB 220 46 40

HSL 2, 0.72%, 0.51%

LAB 48.66, 64.99, 46.57

 

CMYK 0 / 57 / 82 / 14

HEX #DC5E28

RGB 220 94 40

HSL 18, 0.72%, 0.51%

LAB 55.46, 46.59, 52.88

 

CMYK 0 / 35 / 82 / 14

HEX #DC8E28

RGB 220 142 40

HSL 34, 0.72%, 0.51%

LAB 65.53, 21.95, 61.91

 

CMYK 0 / 14 / 82 / 14

HEX #DCBE28

RGB 220 190 40

HSL 50, 0.72%, 0.51%

LAB 77.4, -3.54, 72.21

 

CMYK 0 / 58 / 84 / 40

HEX #984018

RGB 152 64 24

HSL 18.75, 0.73%, 0.35%

LAB 38.57, 34.69, 40.57

 

CMYK 0 / 58 / 84 / 26

HEX #BC4F1E

RGB 188 79 30

HSL 18.61, 0.72%, 0.43%

LAB 47.47, 41.46, 48.11

 

CMYK 0 / 57 / 82 / 14

HEX #DC5F28

RGB 220 95 40

HSL 18.33, 0.72%, 0.51%

LAB 55.64, 46.12, 53.05

 

CMYK 0 / 46 / 67 / 12

HEX #E17A4B

RGB 225 122 75

HSL 18.8, 0.71%, 0.59%

LAB 62.03, 36.11, 42.93

 

CMYK 0 / 36 / 52 / 9

HEX #E7946F

RGB 231 148 111

HSL 18.5, 0.71%, 0.67%

LAB 68.98, 27.45, 32.48

 

CMYK 0 / 57 / 82 / 14

HEX #DC5F27

RGB 220 95 39

HSL 18.56, 0.72%, 0.51%

LAB 55.63, 46.09, 53.47

 

CMYK 41 / 0 / 82 / 14

HEX #82DC28

RGB 130 220 40

HSL 90, 0.72%, 0.51%

LAB 79.66, -53.34, 71.85

 

CMYK 82 / 74 / 0 / 14

HEX #283ADC

RGB 40 58 220

HSL 234, 0.72%, 0.51%

LAB 35.29, 50.95, -83

 

CMYK 0 / 57 / 82 / 14

HEX #DC5F27

RGB 220 95 39

HSL 18.56, 0.72%, 0.51%

LAB 55.63, 46.09, 53.47

 

CMYK 82 / 0 / 57 / 14

HEX #28DC5E

RGB 40 220 94

HSL 138, 0.72%, 0.51%

LAB 77.55, -68.6, 49.11

 

CMYK 57 / 82 / 0 / 14

HEX #5E28DC

RGB 94 40 220

HSL 258, 0.72%, 0.51%

LAB 36.11, 64.08, -81.53

 

CMYK 0 / 57 / 82 / 14

HEX #DC5F27

RGB 220 95 39

HSL 18.56, 0.72%, 0.51%

LAB 55.63, 46.09, 53.47

 

CMYK 41 / 0 / 82 / 14

HEX #82DC28

RGB 130 220 40

HSL 90, 0.72%, 0.51%

LAB 79.66, -53.34, 71.85

 

CMYK 82 / 25 / 0 / 14

HEX #28A6DC

RGB 40 166 220

HSL 198, 0.72%, 0.51%

LAB 64.07, -14.72, -36.68

 

CMYK 41 / 82 / 0 / 14

HEX #8228DC

RGB 130 40 220

HSL 270, 0.72%, 0.51%

LAB 40.3, 68.39, -74.48

 

CMYK 0 / 57 / 82 / 14

HEX #DC5F27

RGB 220 95 39

HSL 18.56, 0.72%, 0.51%

LAB 55.63, 46.09, 53.47

 

CMYK 65 / 0 / 82 / 14

HEX #4CDC28

RGB 76 220 40

HSL 108, 0.72%, 0.51%

LAB 77.8, -67.88, 69.47

 

CMYK 82 / 25 / 0 / 14

HEX #28A6DC

RGB 40 166 220

HSL 198, 0.72%, 0.51%

LAB 64.07, -14.72, -36.68

 

CMYK 16 / 82 / 0 / 14

HEX #B828DC

RGB 184 40 220

HSL 288, 0.72%, 0.51%

LAB 48.1, 76.69, -61.44

 

Description

Color code: HEX #DC5F27 | qconv.com Color code: HEX #DC5F27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 95 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 95 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 82% 14% C M Y K

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Provide designers and agencies with accurate color values.

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