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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC6212 it is the complementary color #239DED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC6212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC6212 shade: #E1620D, #F27420, #FF8633, #FF9846 and #FFAA59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC6212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC6212 shade: #DC6212, #CB5000, #BA3E00, #A92C00 and #981A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC6212 shade: #DD6211, #DD2B11 and #DD1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC6212 shade: #DD6211, #DD9911, #DDD011, #B3DD11 and #7DDD11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC6212 shade matches the following richer shades: #DD6211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC6212 shade: #DD6211, #CA6625, #B66A38, #A36E4C and #90725F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC6212 shade: #DD1130, #DD2911, #DD6011, #DD9611 and #DDCC11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC6212 shade: #91400B, #B7510E, #DD6211, #ED782B and #F09051

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC6212 shade: #DC6212, #66DD11 and #1115DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC6212 shade: #DC6212, #11DD60 and #6011DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC6212 shade: #DC6212, #66DD11, #118FDD and #8811DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC6212 shade: #DC6212, #29DD11, #118FDD and #C511DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 92 / 14

HEX #DC6212

RGB 220 98 18

HSL 23.76, 0.85%, 0.47%

LAB 56.08, 44.21, 61.23

 

Complementary color

CMYK 85 / 34 / 0 / 7

HEX #239DED

RGB 35 157 237

HSL 203.76, 0.85%, 0.53%

LAB 62.16, -4.04, -49.07

 

CMYK 0 / 56 / 94 / 12

HEX #E1620D

RGB 225 98 13

HSL 24.06, 0.89%, 0.47%

LAB 56.85, 46.03, 63.3

 

CMYK 0 / 52 / 87 / 5

HEX #F27420

RGB 242 116 32

HSL 24, 0.89%, 0.54%

LAB 62.9, 44.1, 63.63

 

CMYK 0 / 47 / 80 / 0

HEX #FF8633

RGB 255 134 51

HSL 24.41, 1%, 0.6%

LAB 68.42, 40.71, 62.08

 

CMYK 0 / 40 / 73 / 0

HEX #FF9846

RGB 255 152 70

HSL 26.59, 1%, 0.64%

LAB 72.33, 32.27, 57.78

 

CMYK 0 / 33 / 65 / 0

HEX #FFAA59

RGB 255 170 89

HSL 29.28, 1%, 0.67%

LAB 76.52, 23.9, 53.49

 

CMYK 0 / 55 / 92 / 14

HEX #DC6212

RGB 220 98 18

HSL 23.76, 0.85%, 0.47%

LAB 56.08, 44.21, 61.23

 

CMYK 0 / 61 / 100 / 20

HEX #CB5000

RGB 203 80 0

HSL 23.65, 1%, 0.4%

LAB 50.02, 46.13, 60.11

 

CMYK 0 / 67 / 100 / 27

HEX #BA3E00

RGB 186 62 0

HSL 20, 1%, 0.36%

LAB 44.07, 47.96, 55.39

 

CMYK 0 / 74 / 100 / 34

HEX #A92C00

RGB 169 44 0

HSL 15.62, 1%, 0.33%

LAB 38.26, 49.26, 50.77

 

CMYK 0 / 83 / 100 / 40

HEX #981A00

RGB 152 26 0

HSL 10.26, 1%, 0.3%

LAB 32.73, 49.65, 46.01

 

CMYK 0 / 56 / 92 / 13

HEX #DD6211

RGB 221 98 17

HSL 23.82, 0.86%, 0.47%

LAB 56.24, 44.57, 61.66

 

CMYK 0 / 81 / 92 / 13

HEX #DD2B11

RGB 221 43 17

HSL 7.65, 0.86%, 0.47%

LAB 48.44, 65.63, 56.49

 

CMYK 0 / 92 / 92 / 13

HEX #DD1111

RGB 221 17 17

HSL 0, 0.86%, 0.47%

LAB 46.73, 70.5, 55.43

 

CMYK 0 / 56 / 92 / 13

HEX #DD6211

RGB 221 98 17

HSL 23.82, 0.86%, 0.47%

LAB 56.24, 44.57, 61.66

 

CMYK 0 / 31 / 92 / 13

HEX #DD9911

RGB 221 153 17

HSL 40, 0.86%, 0.47%

LAB 68.16, 15.97, 70.18

 

CMYK 0 / 6 / 92 / 13

HEX #DDD011

RGB 221 208 17

HSL 56.18, 0.86%, 0.47%

LAB 82.12, -12.76, 80.64

 

CMYK 19 / 0 / 92 / 13

HEX #B3DD11

RGB 179 221 17

HSL 72.35, 0.86%, 0.47%

LAB 82.56, -36.44, 79.63

 

CMYK 43 / 0 / 92 / 13

HEX #7DDD11

RGB 125 221 17

HSL 88.24, 0.86%, 0.47%

LAB 79.68, -56.03, 76.11

 

CMYK 0 / 56 / 92 / 13

HEX #DD6211

RGB 221 98 17

HSL 23.82, 0.86%, 0.47%

LAB 56.24, 44.57, 61.66

 

CMYK 0 / 56 / 92 / 13

HEX #DD6211

RGB 221 98 17

HSL 23.82, 0.86%, 0.47%

LAB 56.24, 44.57, 61.66

 

CMYK 0 / 50 / 82 / 21

HEX #CA6625

RGB 202 102 37

HSL 23.64, 0.69%, 0.47%

LAB 54.23, 35.59, 52.03

 

CMYK 0 / 42 / 69 / 29

HEX #B66A38

RGB 182 106 56

HSL 23.81, 0.53%, 0.47%

LAB 52.44, 26.03, 40.32

 

CMYK 0 / 33 / 53 / 36

HEX #A36E4C

RGB 163 110 76

HSL 23.45, 0.36%, 0.47%

LAB 51.22, 17.18, 27.4

 

CMYK 0 / 21 / 34 / 44

HEX #90725F

RGB 144 114 95

HSL 23.27, 0.21%, 0.47%

LAB 50.44, 8.94, 15.02

 

CMYK 0 / 92 / 78 / 13

HEX #DD1130

RGB 221 17 48

HSL 350.88, 0.86%, 0.47%

LAB 46.96, 71.15, 40.59

 

CMYK 0 / 81 / 92 / 13

HEX #DD2911

RGB 221 41 17

HSL 7.06, 0.86%, 0.47%

LAB 48.26, 66.13, 56.38

 

CMYK 0 / 57 / 92 / 13

HEX #DD6011

RGB 221 96 17

HSL 23.24, 0.86%, 0.47%

LAB 55.87, 45.53, 61.41

 

CMYK 0 / 32 / 92 / 13

HEX #DD9611

RGB 221 150 17

HSL 39.12, 0.86%, 0.47%

LAB 67.45, 17.58, 69.66

 

CMYK 0 / 8 / 92 / 13

HEX #DDCC11

RGB 221 204 17

HSL 55, 0.86%, 0.47%

LAB 81.07, -10.75, 79.84

 

CMYK 0 / 56 / 92 / 43

HEX #91400B

RGB 145 64 11

HSL 23.73, 0.86%, 0.31%

LAB 37.32, 31.51, 44.24

 

CMYK 0 / 56 / 92 / 28

HEX #B7510E

RGB 183 81 14

HSL 23.79, 0.86%, 0.39%

LAB 46.95, 38.18, 53.16

 

CMYK 0 / 56 / 92 / 13

HEX #DD6211

RGB 221 98 17

HSL 23.82, 0.86%, 0.47%

LAB 56.24, 44.57, 61.66

 

CMYK 0 / 49 / 82 / 7

HEX #ED782B

RGB 237 120 43

HSL 23.81, 0.84%, 0.55%

LAB 63.02, 40.47, 59.43

 

CMYK 0 / 40 / 66 / 6

HEX #F09051

RGB 240 144 81

HSL 23.77, 0.84%, 0.63%

LAB 68.8, 30.98, 48.16

 

CMYK 0 / 55 / 92 / 14

HEX #DC6212

RGB 220 98 18

HSL 23.76, 0.85%, 0.47%

LAB 56.08, 44.21, 61.23

 

CMYK 54 / 0 / 92 / 13

HEX #66DD11

RGB 102 221 17

HSL 95, 0.86%, 0.47%

LAB 78.8, -62.83, 75.03

 

CMYK 92 / 90 / 0 / 13

HEX #1115DD

RGB 17 21 221

HSL 238.82, 0.86%, 0.47%

LAB 29.1, 66.82, -93.89

 

CMYK 0 / 55 / 92 / 14

HEX #DC6212

RGB 220 98 18

HSL 23.76, 0.85%, 0.47%

LAB 56.08, 44.21, 61.23

 

CMYK 92 / 0 / 57 / 13

HEX #11DD60

RGB 17 221 96

HSL 143.24, 0.86%, 0.47%

LAB 77.68, -70.33, 48.31

 

CMYK 57 / 92 / 0 / 13

HEX #6011DD

RGB 96 17 221

HSL 263.24, 0.86%, 0.47%

LAB 34.21, 71.12, -85.24

 

CMYK 0 / 55 / 92 / 14

HEX #DC6212

RGB 220 98 18

HSL 23.76, 0.85%, 0.47%

LAB 56.08, 44.21, 61.23

 

CMYK 54 / 0 / 92 / 13

HEX #66DD11

RGB 102 221 17

HSL 95, 0.86%, 0.47%

LAB 78.8, -62.83, 75.03

 

CMYK 92 / 35 / 0 / 13

HEX #118FDD

RGB 17 143 221

HSL 202.94, 0.86%, 0.47%

LAB 57.06, -2.87, -48.29

 

CMYK 38 / 92 / 0 / 13

HEX #8811DD

RGB 136 17 221

HSL 275, 0.86%, 0.47%

LAB 39.34, 74.88, -76.6

 

CMYK 0 / 55 / 92 / 14

HEX #DC6212

RGB 220 98 18

HSL 23.76, 0.85%, 0.47%

LAB 56.08, 44.21, 61.23

 

CMYK 81 / 0 / 92 / 13

HEX #29DD11

RGB 41 221 17

HSL 112.94, 0.86%, 0.47%

LAB 77.42, -74.49, 73.32

 

CMYK 92 / 35 / 0 / 13

HEX #118FDD

RGB 17 143 221

HSL 202.94, 0.86%, 0.47%

LAB 57.06, -2.87, -48.29

 

CMYK 11 / 92 / 0 / 13

HEX #C511DD

RGB 197 17 221

HSL 292.94, 0.86%, 0.47%

LAB 48.87, 83.06, -60.66

 

Description

Color code: HEX #DC6212 | qconv.com Color code: HEX #DC6212 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 98 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 98 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 92 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 92% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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