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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC6D13 it is the complementary color #2392EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC6D13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC6D13 shade: #E16D0E, #F27F21, #FF9134, #FFA347 and #FFB55A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC6D13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC6D13 shade: #DC6D13, #CB5B00, #BA4900, #A93700 and #982500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC6D13 shade: #DC6D13, #DC3713 and #DC1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC6D13 shade: #DC6D13, #DCA313, #DCD913, #A8DC13 and #72DC13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC6D13 shade matches the following richer shades: #DC6D13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC6D13 shade: #DC6D13, #C96F26, #B57139, #A2734D and #8E7560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC6D13 shade: #DC1327, #DC3413, #DC6A13, #DCA013 and #DCD513

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC6D13 shade: #90470C, #B65A0F, #DC6D13, #EC822C and #EF9852

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC6D13 shade: #DC6D13, #5DDC13 and #1913DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC6D13 shade: #DC6D13, #13DC6A and #6A13DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC6D13 shade: #DC6D13, #5DDC13, #1385DC and #9213DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC6D13 shade: #DC6D13, #20DC13, #1385DC and #CF13DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 91 / 14

HEX #DC6D13

RGB 220 109 19

HSL 26.87, 0.84%, 0.47%

LAB 58.23, 38.79, 62.49

 

Complementary color

CMYK 85 / 38 / 0 / 7

HEX #2392EC

RGB 35 146 236

HSL 206.87, 0.84%, 0.53%

LAB 58.95, 1.99, -53.62

 

CMYK 0 / 52 / 94 / 12

HEX #E16D0E

RGB 225 109 14

HSL 27.01, 0.88%, 0.47%

LAB 58.95, 40.69, 64.49

 

CMYK 0 / 48 / 86 / 5

HEX #F27F21

RGB 242 127 33

HSL 26.99, 0.89%, 0.54%

LAB 65.09, 38.65, 65.05

 

CMYK 0 / 43 / 80 / 0

HEX #FF9134

RGB 255 145 52

HSL 27.49, 1%, 0.6%

LAB 70.7, 35.17, 63.78

 

CMYK 0 / 36 / 72 / 0

HEX #FFA347

RGB 255 163 71

HSL 30, 1%, 0.64%

LAB 74.77, 26.61, 59.85

 

CMYK 0 / 29 / 65 / 0

HEX #FFB55A

RGB 255 181 90

HSL 33.09, 1%, 0.68%

LAB 79.07, 18.21, 55.89

 

CMYK 0 / 50 / 91 / 14

HEX #DC6D13

RGB 220 109 19

HSL 26.87, 0.84%, 0.47%

LAB 58.23, 38.79, 62.49

 

CMYK 0 / 55 / 100 / 20

HEX #CB5B00

RGB 203 91 0

HSL 26.9, 1%, 0.4%

LAB 52.04, 40.88, 61.23

 

CMYK 0 / 61 / 100 / 27

HEX #BA4900

RGB 186 73 0

HSL 23.55, 1%, 0.36%

LAB 45.91, 43.04, 56.35

 

CMYK 0 / 67 / 100 / 34

HEX #A93700

RGB 169 55 0

HSL 19.53, 1%, 0.33%

LAB 39.86, 44.9, 51.54

 

CMYK 0 / 76 / 100 / 40

HEX #982500

RGB 152 37 0

HSL 14.61, 1%, 0.3%

LAB 33.98, 46.16, 46.76

 

CMYK 0 / 50 / 91 / 14

HEX #DC6D13

RGB 220 109 19

HSL 26.87, 0.84%, 0.47%

LAB 58.23, 38.79, 62.49

 

CMYK 0 / 75 / 91 / 14

HEX #DC3713

RGB 220 55 19

HSL 10.75, 0.84%, 0.47%

LAB 49.49, 61.88, 56.41

 

CMYK 0 / 91 / 91 / 14

HEX #DC1313

RGB 220 19 19

HSL 0, 0.84%, 0.47%

LAB 46.62, 70.03, 54.51

 

CMYK 0 / 50 / 91 / 14

HEX #DC6D13

RGB 220 109 19

HSL 26.87, 0.84%, 0.47%

LAB 58.23, 38.79, 62.49

 

CMYK 0 / 26 / 91 / 14

HEX #DCA313

RGB 220 163 19

HSL 42.99, 0.84%, 0.47%

LAB 70.49, 10.21, 71.5

 

CMYK 0 / 1 / 91 / 14

HEX #DCD913

RGB 220 217 19

HSL 59.1, 0.84%, 0.47%

LAB 84.43, -17.62, 82.1

 

CMYK 24 / 0 / 91 / 14

HEX #A8DC13

RGB 168 220 19

HSL 75.52, 0.84%, 0.47%

LAB 81.6, -40.27, 78.32

 

CMYK 48 / 0 / 91 / 14

HEX #72DC13

RGB 114 220 19

HSL 91.64, 0.84%, 0.47%

LAB 78.93, -59.01, 75.05

 

CMYK 0 / 50 / 91 / 14

HEX #DC6D13

RGB 220 109 19

HSL 26.87, 0.84%, 0.47%

LAB 58.23, 38.79, 62.49

 

CMYK 0 / 50 / 91 / 14

HEX #DC6D13

RGB 220 109 19

HSL 26.87, 0.84%, 0.47%

LAB 58.23, 38.79, 62.49

 

CMYK 0 / 45 / 81 / 21

HEX #C96F26

RGB 201 111 38

HSL 26.87, 0.68%, 0.47%

LAB 56.01, 30.49, 53.2

 

CMYK 0 / 38 / 69 / 29

HEX #B57139

RGB 181 113 57

HSL 27.1, 0.52%, 0.47%

LAB 53.95, 21.8, 41.46

 

CMYK 0 / 29 / 52 / 36

HEX #A2734D

RGB 162 115 77

HSL 26.82, 0.36%, 0.47%

LAB 52.37, 13.99, 28.27

 

CMYK 0 / 18 / 32 / 44

HEX #8E7560

RGB 142 117 96

HSL 27.39, 0.19%, 0.47%

LAB 51.06, 6.5, 15.25

 

CMYK 0 / 91 / 82 / 14

HEX #DC1327

RGB 220 19 39

HSL 354.03, 0.84%, 0.47%

LAB 46.75, 70.4, 45.28

 

CMYK 0 / 76 / 91 / 14

HEX #DC3413

RGB 220 52 19

HSL 9.85, 0.84%, 0.47%

LAB 49.15, 62.83, 56.18

 

CMYK 0 / 52 / 91 / 14

HEX #DC6A13

RGB 220 106 19

HSL 25.97, 0.84%, 0.47%

LAB 57.63, 40.29, 62.06

 

CMYK 0 / 27 / 91 / 14

HEX #DCA013

RGB 220 160 19

HSL 42.09, 0.84%, 0.47%

LAB 69.76, 11.81, 70.95

 

CMYK 0 / 3 / 91 / 14

HEX #DCD513

RGB 220 213 19

HSL 57.91, 0.84%, 0.47%

LAB 83.36, -15.65, 81.29

 

CMYK 0 / 51 / 92 / 44

HEX #90470C

RGB 144 71 12

HSL 26.82, 0.85%, 0.31%

LAB 38.66, 27.33, 44.86

 

CMYK 0 / 51 / 92 / 29

HEX #B65A0F

RGB 182 90 15

HSL 26.95, 0.85%, 0.39%

LAB 48.63, 33.17, 54.01

 

CMYK 0 / 50 / 91 / 14

HEX #DC6D13

RGB 220 109 19

HSL 26.87, 0.84%, 0.47%

LAB 58.23, 38.79, 62.49

 

CMYK 0 / 45 / 81 / 7

HEX #EC822C

RGB 236 130 44

HSL 26.88, 0.83%, 0.55%

LAB 64.95, 35.02, 60.71

 

CMYK 0 / 36 / 66 / 6

HEX #EF9852

RGB 239 152 82

HSL 26.75, 0.83%, 0.63%

LAB 70.47, 26.43, 49.53

 

CMYK 0 / 50 / 91 / 14

HEX #DC6D13

RGB 220 109 19

HSL 26.87, 0.84%, 0.47%

LAB 58.23, 38.79, 62.49

 

CMYK 58 / 0 / 91 / 14

HEX #5DDC13

RGB 93 220 19

HSL 97.91, 0.84%, 0.47%

LAB 78.2, -64.77, 74.15

 

CMYK 89 / 91 / 0 / 14

HEX #1913DC

RGB 25 19 220

HSL 241.79, 0.84%, 0.47%

LAB 29, 67.23, -93.46

 

CMYK 0 / 50 / 91 / 14

HEX #DC6D13

RGB 220 109 19

HSL 26.87, 0.84%, 0.47%

LAB 58.23, 38.79, 62.49

 

CMYK 91 / 0 / 52 / 14

HEX #13DC6A

RGB 19 220 106

HSL 145.97, 0.84%, 0.47%

LAB 77.5, -68.49, 43.42

 

CMYK 52 / 91 / 0 / 14

HEX #6A13DC

RGB 106 19 220

HSL 265.97, 0.84%, 0.47%

LAB 35.39, 71.31, -82.66

 

CMYK 0 / 50 / 91 / 14

HEX #DC6D13

RGB 220 109 19

HSL 26.87, 0.84%, 0.47%

LAB 58.23, 38.79, 62.49

 

CMYK 58 / 0 / 91 / 14

HEX #5DDC13

RGB 93 220 19

HSL 97.91, 0.84%, 0.47%

LAB 78.2, -64.77, 74.15

 

CMYK 91 / 40 / 0 / 14

HEX #1385DC

RGB 19 133 220

HSL 205.97, 0.84%, 0.47%

LAB 54.11, 2.79, -52.41

 

CMYK 34 / 91 / 0 / 14

HEX #9213DC

RGB 146 19 220

HSL 277.91, 0.84%, 0.47%

LAB 40.81, 75.53, -73.56

 

CMYK 0 / 50 / 91 / 14

HEX #DC6D13

RGB 220 109 19

HSL 26.87, 0.84%, 0.47%

LAB 58.23, 38.79, 62.49

 

CMYK 85 / 0 / 91 / 14

HEX #20DC13

RGB 32 220 19

HSL 116.12, 0.84%, 0.47%

LAB 77.01, -75.04, 72.66

 

CMYK 91 / 40 / 0 / 14

HEX #1385DC

RGB 19 133 220

HSL 205.97, 0.84%, 0.47%

LAB 54.11, 2.79, -52.41

 

CMYK 6 / 91 / 0 / 14

HEX #CF13DC

RGB 207 19 220

HSL 296.12, 0.84%, 0.47%

LAB 50.57, 84.24, -57.27

 

Description

Color code: HEX #DC6D13 | qconv.com Color code: HEX #DC6D13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 109 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 109 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 91 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 91% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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