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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC6EE2 it is the complementary color #23911D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC6EE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC6EE2 shade: #E16EDD, #F280F0, #FF92FF, #FFA4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC6EE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC6EE2 shade: #DC6EE2, #CB5CCF, #BA4ABC, #A938A9 and #982696

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC6EE2 shade: #DC6EE2, #E26EC9, #E26EA9, #E26E8A and #E26E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC6EE2 shade: #DC6EE2, #BD6EE2, #9D6EE2, #7E6EE2 and #6E6EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC6EE2 shade matches the following richer shades: #DC6EE2, #E860F0 and #F552FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC6EE2 shade: #DC6EE2, #CF7CD4, #C38AC6, #B698B8 and #AAA6AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC6EE2 shade: #9C6EE2, #BB6EE2, #DA6EE2, #E26ECB and #E26EAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC6EE2 shade: #CB29D4, #D44BDB, #DC6EE2, #E490E9 and #ECB3F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC6EE2 shade: #DC6EE2, #E27D6E and #6EE2AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC6EE2 shade: #DC6EE2, #E2DA6E and #6EE2DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC6EE2 shade: #DC6EE2, #E27D6E, #75E26E and #6ED2E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC6EE2 shade: #DC6EE2, #E2A06E, #75E26E and #6EB0E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 51 / 0 / 11

HEX #DC6EE2

RGB 220 110 226

HSL 296.9, 0.67%, 0.66%

LAB 63.23, 58.93, -40.45

 

Complementary color

CMYK 76 / 0 / 80 / 43

HEX #23911D

RGB 35 145 29

HSL 116.9, 0.67%, 0.34%

LAB 52.62, -51.8, 48.77

 

CMYK 0 / 51 / 2 / 12

HEX #E16EDD

RGB 225 110 221

HSL 302.09, 0.66%, 0.66%

LAB 63.66, 59.42, -36.94

 

CMYK 0 / 47 / 1 / 5

HEX #F280F0

RGB 242 128 240

HSL 301.05, 0.81%, 0.73%

LAB 69.9, 58.82, -37.56

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 3 / 51 / 0 / 11

HEX #DC6EE2

RGB 220 110 226

HSL 296.9, 0.67%, 0.66%

LAB 63.23, 58.93, -40.45

 

CMYK 2 / 56 / 0 / 19

HEX #CB5CCF

RGB 203 92 207

HSL 297.91, 0.55%, 0.59%

LAB 56.93, 59.44, -39.79

 

CMYK 1 / 61 / 0 / 26

HEX #BA4ABC

RGB 186 74 188

HSL 298.95, 0.46%, 0.51%

LAB 50.65, 59.74, -38.94

 

CMYK 0 / 67 / 0 / 34

HEX #A938A9

RGB 169 56 169

HSL 300, 0.5%, 0.44%

LAB 44.42, 59.68, -37.81

 

CMYK 0 / 75 / 1 / 40

HEX #982696

RGB 152 38 150

HSL 301.05, 0.6%, 0.37%

LAB 38.31, 59, -36.25

 

CMYK 3 / 51 / 0 / 11

HEX #DC6EE2

RGB 220 110 226

HSL 296.9, 0.67%, 0.66%

LAB 63.23, 58.93, -40.45

 

CMYK 0 / 51 / 11 / 11

HEX #E26EC9

RGB 226 110 201

HSL 312.93, 0.67%, 0.66%

LAB 62.96, 56.4, -26.77

 

CMYK 0 / 51 / 25 / 11

HEX #E26EA9

RGB 226 110 169

HSL 329.48, 0.67%, 0.66%

LAB 61.81, 51.68, -10.31

 

CMYK 0 / 51 / 39 / 11

HEX #E26E8A

RGB 226 110 138

HSL 345.52, 0.67%, 0.66%

LAB 60.92, 47.86, 6.22

 

CMYK 0 / 51 / 51 / 11

HEX #E26E6E

RGB 226 110 110

HSL 0, 0.67%, 0.66%

LAB 60.29, 45.09, 21.47

 

CMYK 3 / 51 / 0 / 11

HEX #DC6EE2

RGB 220 110 226

HSL 296.9, 0.67%, 0.66%

LAB 63.23, 58.93, -40.45

 

CMYK 16 / 51 / 0 / 11

HEX #BD6EE2

RGB 189 110 226

HSL 280.86, 0.67%, 0.66%

LAB 59.4, 50.6, -46.73

 

CMYK 31 / 51 / 0 / 11

HEX #9D6EE2

RGB 157 110 226

HSL 264.31, 0.67%, 0.66%

LAB 55.9, 42.25, -52.51

 

CMYK 44 / 51 / 0 / 11

HEX #7E6EE2

RGB 126 110 226

HSL 248.28, 0.67%, 0.66%

LAB 53.04, 34.76, -57.25

 

CMYK 51 / 51 / 0 / 11

HEX #6E6EE2

RGB 110 110 226

HSL 240, 0.67%, 0.66%

LAB 51.79, 31.27, -59.32

 

CMYK 3 / 51 / 0 / 11

HEX #DC6EE2

RGB 220 110 226

HSL 296.9, 0.67%, 0.66%

LAB 63.23, 58.93, -40.45

 

CMYK 3 / 60 / 0 / 6

HEX #E860F0

RGB 232 96 240

HSL 296.67, 0.83%, 0.66%

LAB 63.19, 70.71, -48.18

 

CMYK 4 / 68 / 0 / 0

HEX #F552FE

RGB 245 82 254

HSL 296.86, 0.99%, 0.66%

LAB 63.84, 81.34, -54.77

 

CMYK 3 / 51 / 0 / 11

HEX #DC6EE2

RGB 220 110 226

HSL 296.9, 0.67%, 0.66%

LAB 63.23, 58.93, -40.45

 

CMYK 2 / 42 / 0 / 17

HEX #CF7CD4

RGB 207 124 212

HSL 296.59, 0.51%, 0.66%

LAB 63.7, 45.65, -32.01

 

CMYK 2 / 30 / 0 / 22

HEX #C38AC6

RGB 195 138 198

HSL 297, 0.34%, 0.66%

LAB 64.85, 31.71, -22.51

 

CMYK 1 / 17 / 0 / 28

HEX #B698B8

RGB 182 152 184

HSL 296.25, 0.18%, 0.66%

LAB 66.41, 16.85, -12.42

 

CMYK 0 / 2 / 0 / 33

HEX #AAA6AA

RGB 170 166 170

HSL 300, 0.02%, 0.66%

LAB 68.55, 2.19, -1.56

 

CMYK 31 / 51 / 0 / 11

HEX #9C6EE2

RGB 156 110 226

HSL 263.79, 0.67%, 0.66%

LAB 55.8, 42, -52.68

 

CMYK 17 / 51 / 0 / 11

HEX #BB6EE2

RGB 187 110 226

HSL 279.83, 0.67%, 0.66%

LAB 59.17, 50.07, -47.12

 

CMYK 4 / 51 / 0 / 11

HEX #DA6EE2

RGB 218 110 226

HSL 295.86, 0.67%, 0.66%

LAB 62.97, 58.39, -40.87

 

CMYK 0 / 51 / 10 / 11

HEX #E26ECB

RGB 226 110 203

HSL 311.9, 0.67%, 0.66%

LAB 63.04, 56.71, -27.78

 

CMYK 0 / 51 / 24 / 11

HEX #E26EAC

RGB 226 110 172

HSL 327.93, 0.67%, 0.66%

LAB 61.91, 52.09, -11.88

 

CMYK 4 / 81 / 0 / 17

HEX #CB29D4

RGB 203 41 212

HSL 296.84, 0.68%, 0.5%

LAB 50.73, 78.46, -52.48

 

CMYK 3 / 66 / 0 / 14

HEX #D44BDB

RGB 212 75 219

HSL 297.08, 0.67%, 0.58%

LAB 56.23, 70.86, -47.62

 

CMYK 3 / 51 / 0 / 11

HEX #DC6EE2

RGB 220 110 226

HSL 296.9, 0.67%, 0.66%

LAB 63.23, 58.93, -40.45

 

CMYK 2 / 38 / 0 / 9

HEX #E490E9

RGB 228 144 233

HSL 296.63, 0.67%, 0.74%

LAB 71.09, 45.44, -32

 

CMYK 2 / 25 / 0 / 6

HEX #ECB3F0

RGB 236 179 240

HSL 296.07, 0.67%, 0.82%

LAB 79.82, 30.73, -22.36

 

CMYK 3 / 51 / 0 / 11

HEX #DC6EE2

RGB 220 110 226

HSL 296.9, 0.67%, 0.66%

LAB 63.23, 58.93, -40.45

 

CMYK 0 / 45 / 51 / 11

HEX #E27D6E

RGB 226 125 110

HSL 7.76, 0.67%, 0.66%

LAB 63.31, 37.5, 25.51

 

CMYK 51 / 0 / 24 / 11

HEX #6EE2AC

RGB 110 226 172

HSL 152.07, 0.67%, 0.66%

LAB 82.21, -45.3, 16.5

 

CMYK 3 / 51 / 0 / 11

HEX #DC6EE2

RGB 220 110 226

HSL 296.9, 0.67%, 0.66%

LAB 63.23, 58.93, -40.45

 

CMYK 0 / 4 / 51 / 11

HEX #E2DA6E

RGB 226 218 110

HSL 55.86, 0.67%, 0.66%

LAB 85.72, -11.34, 53.5

 

CMYK 51 / 0 / 4 / 11

HEX #6EE2DA

RGB 110 226 218

HSL 175.86, 0.67%, 0.66%

LAB 83.32, -34.74, -6.17

 

CMYK 3 / 51 / 0 / 11

HEX #DC6EE2

RGB 220 110 226

HSL 296.9, 0.67%, 0.66%

LAB 63.23, 58.93, -40.45

 

CMYK 0 / 45 / 51 / 11

HEX #E27D6E

RGB 226 125 110

HSL 7.76, 0.67%, 0.66%

LAB 63.31, 37.5, 25.51

 

CMYK 48 / 0 / 51 / 11

HEX #75E26E

RGB 117 226 110

HSL 116.38, 0.67%, 0.66%

LAB 81.46, -53.85, 46.83

 

CMYK 51 / 7 / 0 / 11

HEX #6ED2E2

RGB 110 210 226

HSL 188.28, 0.67%, 0.66%

LAB 78.98, -24.97, -16.91

 

CMYK 3 / 51 / 0 / 11

HEX #DC6EE2

RGB 220 110 226

HSL 296.9, 0.67%, 0.66%

LAB 63.23, 58.93, -40.45

 

CMYK 0 / 29 / 51 / 11

HEX #E2A06E

RGB 226 160 110

HSL 25.86, 0.67%, 0.66%

LAB 71.17, 18.95, 35.7

 

CMYK 48 / 0 / 51 / 11

HEX #75E26E

RGB 117 226 110

HSL 116.38, 0.67%, 0.66%

LAB 81.46, -53.85, 46.83

 

CMYK 51 / 22 / 0 / 11

HEX #6EB0E2

RGB 110 176 226

HSL 205.86, 0.67%, 0.66%

LAB 69.37, -7.26, -31.59

 

Description

Color code: HEX #DC6EE2 | qconv.com Color code: HEX #DC6EE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 110 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 110 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 51 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 51% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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