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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC6F76 it is the complementary color #239089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC6F76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC6F76 shade: #E16F71, #F28184, #FF9397, #FFA5AA and #FFB7BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC6F76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC6F76 shade: #DC6F76, #CB5D63, #BA4B50, #A9393D and #98272A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC6F76 shade: #DC6F76 and #DC6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC6F76 shade: #DC6F76, #DC6F93, #DC6FB1, #DC6FCE and #CC6FDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC6F76 shade matches the following richer shades: #DC6F76, #EA6069 and #F9525D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC6F76 shade: #DC6F76, #CD7D82, #BF8C8F, #B09A9C and #A2A9A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC6F76 shade: #DC6FB0, #DC6F93, #DC6F76, #DC856F and #DCA26F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC6F76 shade: #C8303A, #D44E56, #DC6F76, #E49095 and #ECB1B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC6F76 shade: #DC6F76, #CDDC6F and #6FA2DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC6F76 shade: #DC6F76, #76DC6F and #6F76DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC6F76 shade: #DC6F76, #CDDC6F, #6FDCD4 and #7D6FDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC6F76 shade: #DC6F76, #ADDC6F, #6FDCD4 and #9E6FDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 46 / 14

HEX #DC6F76

RGB 220 111 118

HSL 356.15, 0.61%, 0.65%

LAB 59.79, 43.17, 16.05

 

Complementary color

CMYK 76 / 0 / 5 / 44

HEX #239089

RGB 35 144 137

HSL 176.15, 0.61%, 0.35%

LAB 54.14, -31.05, -4.92

 

CMYK 0 / 51 / 50 / 12

HEX #E16F71

RGB 225 111 113

HSL 358.95, 0.66%, 0.66%

LAB 60.4, 44.5, 19.87

 

CMYK 0 / 47 / 45 / 5

HEX #F28184

RGB 242 129 132

HSL 358.41, 0.81%, 0.73%

LAB 66.71, 43.42, 18.1

 

CMYK 0 / 42 / 41 / 0

HEX #FF9397

RGB 255 147 151

HSL 357.78, 1%, 0.79%

LAB 72.47, 40.95, 15.76

 

CMYK 0 / 35 / 33 / 0

HEX #FFA5AA

RGB 255 165 170

HSL 356.67, 1%, 0.82%

LAB 76.72, 33.85, 11.31

 

CMYK 0 / 28 / 26 / 0

HEX #FFB7BD

RGB 255 183 189

HSL 355, 1%, 0.86%

LAB 81.18, 26.89, 7.37

 

CMYK 0 / 50 / 46 / 14

HEX #DC6F76

RGB 220 111 118

HSL 356.15, 0.61%, 0.65%

LAB 59.79, 43.17, 16.05

 

CMYK 0 / 54 / 51 / 20

HEX #CB5D63

RGB 203 93 99

HSL 356.73, 0.51%, 0.58%

LAB 53.41, 44.22, 17.98

 

CMYK 0 / 60 / 57 / 27

HEX #BA4B50

RGB 186 75 80

HSL 357.3, 0.45%, 0.51%

LAB 47.04, 45.24, 20.26

 

CMYK 0 / 66 / 64 / 34

HEX #A9393D

RGB 169 57 61

HSL 357.86, 0.5%, 0.44%

LAB 40.73, 46.1, 23.05

 

CMYK 0 / 74 / 72 / 40

HEX #98272A

RGB 152 39 42

HSL 358.41, 0.59%, 0.37%

LAB 34.59, 46.59, 26.49

 

CMYK 0 / 50 / 46 / 14

HEX #DC6F76

RGB 220 111 118

HSL 356.15, 0.61%, 0.65%

LAB 59.79, 43.17, 16.05

 

CMYK 0 / 50 / 50 / 14

HEX #DC6F6F

RGB 220 111 111

HSL 0, 0.61%, 0.65%

LAB 59.65, 42.5, 19.88

 

CMYK 0 / 50 / 46 / 14

HEX #DC6F76

RGB 220 111 118

HSL 356.15, 0.61%, 0.65%

LAB 59.79, 43.17, 16.05

 

CMYK 0 / 50 / 33 / 14

HEX #DC6F93

RGB 220 111 147

HSL 340.18, 0.61%, 0.65%

LAB 60.51, 46.37, 0.33

 

CMYK 0 / 50 / 20 / 14

HEX #DC6FB1

RGB 220 111 177

HSL 323.67, 0.61%, 0.65%

LAB 61.45, 50.42, -15.52

 

CMYK 0 / 50 / 6 / 14

HEX #DC6FCE

RGB 220 111 206

HSL 307.71, 0.61%, 0.65%

LAB 62.54, 54.99, -30.3

 

CMYK 7 / 50 / 0 / 14

HEX #CC6FDC

RGB 204 111 220

HSL 291.19, 0.61%, 0.65%

LAB 61.11, 52.96, -40.55

 

CMYK 0 / 50 / 46 / 14

HEX #DC6F76

RGB 220 111 118

HSL 356.15, 0.61%, 0.65%

LAB 59.79, 43.17, 16.05

 

CMYK 0 / 59 / 55 / 8

HEX #EA6069

RGB 234 96 105

HSL 356.09, 0.77%, 0.65%

LAB 58.86, 54.08, 22.64

 

CMYK 0 / 67 / 63 / 2

HEX #F9525D

RGB 249 82 93

HSL 356.05, 0.93%, 0.65%

LAB 58.94, 63.94, 30.13

 

CMYK 0 / 50 / 46 / 14

HEX #DC6F76

RGB 220 111 118

HSL 356.15, 0.61%, 0.65%

LAB 59.79, 43.17, 16.05

 

CMYK 0 / 39 / 37 / 20

HEX #CD7D82

RGB 205 125 130

HSL 356.25, 0.44%, 0.65%

LAB 61.01, 31.63, 10.57

 

CMYK 0 / 27 / 25 / 25

HEX #BF8C8F

RGB 191 140 143

HSL 356.47, 0.28%, 0.65%

LAB 63.19, 19.83, 6.05

 

CMYK 0 / 13 / 11 / 31

HEX #B09A9C

RGB 176 154 156

HSL 354.55, 0.12%, 0.65%

LAB 65.55, 8.45, 1.93

 

CMYK 4 / 0 / 1 / 34

HEX #A2A9A8

RGB 162 169 168

HSL 171.43, 0.04%, 0.65%

LAB 68.67, -2.66, -0.35

 

CMYK 0 / 50 / 20 / 14

HEX #DC6FB0

RGB 220 111 176

HSL 324.22, 0.61%, 0.65%

LAB 61.41, 50.28, -15

 

CMYK 0 / 50 / 33 / 14

HEX #DC6F93

RGB 220 111 147

HSL 340.18, 0.61%, 0.65%

LAB 60.51, 46.37, 0.33

 

CMYK 0 / 50 / 46 / 14

HEX #DC6F76

RGB 220 111 118

HSL 356.15, 0.61%, 0.65%

LAB 59.79, 43.17, 16.05

 

CMYK 0 / 40 / 50 / 14

HEX #DC856F

RGB 220 133 111

HSL 12.11, 0.61%, 0.65%

LAB 64.27, 31.09, 26.08

 

CMYK 0 / 26 / 50 / 14

HEX #DCA26F

RGB 220 162 111

HSL 28.07, 0.61%, 0.65%

LAB 71.01, 15.53, 34.84

 

CMYK 0 / 76 / 71 / 22

HEX #C8303A

RGB 200 48 58

HSL 356.05, 0.61%, 0.49%

LAB 45.22, 59.2, 31.67

 

CMYK 0 / 63 / 59 / 17

HEX #D44E56

RGB 212 78 86

HSL 356.42, 0.61%, 0.57%

LAB 51.97, 53.24, 23.97

 

CMYK 0 / 50 / 46 / 14

HEX #DC6F76

RGB 220 111 118

HSL 356.15, 0.61%, 0.65%

LAB 59.79, 43.17, 16.05

 

CMYK 0 / 37 / 35 / 11

HEX #E49095

RGB 228 144 149

HSL 356.43, 0.61%, 0.73%

LAB 68.47, 32.4, 10.77

 

CMYK 0 / 25 / 23 / 7

HEX #ECB1B5

RGB 236 177 181

HSL 355.93, 0.61%, 0.81%

LAB 77.65, 22.04, 6.36

 

CMYK 0 / 50 / 46 / 14

HEX #DC6F76

RGB 220 111 118

HSL 356.15, 0.61%, 0.65%

LAB 59.79, 43.17, 16.05

 

CMYK 7 / 0 / 50 / 14

HEX #CDDC6F

RGB 205 220 111

HSL 68.26, 0.61%, 0.65%

LAB 84.64, -20.62, 51.35

 

CMYK 50 / 26 / 0 / 14

HEX #6FA2DC

RGB 111 162 220

HSL 211.93, 0.61%, 0.65%

LAB 65.27, -1.04, -34.64

 

CMYK 0 / 50 / 46 / 14

HEX #DC6F76

RGB 220 111 118

HSL 356.15, 0.61%, 0.65%

LAB 59.79, 43.17, 16.05

 

CMYK 46 / 0 / 50 / 14

HEX #76DC6F

RGB 118 220 111

HSL 116.15, 0.61%, 0.65%

LAB 79.72, -51.04, 44.24

 

CMYK 50 / 46 / 0 / 14

HEX #6F76DC

RGB 111 118 220

HSL 236.15, 0.61%, 0.65%

LAB 53.5, 24.82, -53.2

 

CMYK 0 / 50 / 46 / 14

HEX #DC6F76

RGB 220 111 118

HSL 356.15, 0.61%, 0.65%

LAB 59.79, 43.17, 16.05

 

CMYK 7 / 0 / 50 / 14

HEX #CDDC6F

RGB 205 220 111

HSL 68.26, 0.61%, 0.65%

LAB 84.64, -20.62, 51.35

 

CMYK 50 / 0 / 4 / 14

HEX #6FDCD4

RGB 111 220 212

HSL 175.6, 0.61%, 0.65%

LAB 81.47, -33.23, -5.72

 

CMYK 43 / 50 / 0 / 14

HEX #7D6FDC

RGB 125 111 220

HSL 247.71, 0.61%, 0.65%

LAB 52.84, 32.22, -54.19

 

CMYK 0 / 50 / 46 / 14

HEX #DC6F76

RGB 220 111 118

HSL 356.15, 0.61%, 0.65%

LAB 59.79, 43.17, 16.05

 

CMYK 21 / 0 / 50 / 14

HEX #ADDC6F

RGB 173 220 111

HSL 85.87, 0.61%, 0.65%

LAB 82.5, -32.85, 48.26

 

CMYK 50 / 0 / 4 / 14

HEX #6FDCD4

RGB 111 220 212

HSL 175.6, 0.61%, 0.65%

LAB 81.47, -33.23, -5.72

 

CMYK 28 / 50 / 0 / 14

HEX #9E6FDC

RGB 158 111 220

HSL 265.87, 0.61%, 0.65%

LAB 55.89, 40.48, -49.14

 

Description

Color code: HEX #DC6F76 | qconv.com Color code: HEX #DC6F76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 111 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 111 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 46 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 46% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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