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Color name
HEX #DC7B27

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC7B27 it is the complementary color #2384D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC7B27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC7B27 shade: #E17B22, #F28D35, #FF9F48, #FFB15B and #FFC36E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC7B27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC7B27 shade: #DC7B27, #CB6914, #BA5701, #A94500 and #983300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC7B27 shade: #DC7B28, #DC4B28 and #DC2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC7B27 shade: #DC7B28, #DCAC28, #DBDC28, #AADC28 and #7ADC28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC7B27 shade matches the following richer shades: #DC7B28 and #F07A13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC7B27 shade: #DC7B28, #C77D3C, #B37E50, #9F7F64 and #8B8178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC7B27 shade: #DC2837, #DC4928, #DC7928, #DCA928 and #DCD928

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC7B27 shade: #985418, #BC671E, #DC7B28, #E1914B and #E7A66F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC7B27 shade: #DC7B27, #67DC28 and #3128DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC7B27 shade: #DC7B27, #28DC79 and #7928DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC7B27 shade: #DC7B27, #67DC28, #288BDC and #9D28DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC7B27 shade: #DC7B27, #31DC28, #288BDC and #D328DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 82 / 14

HEX #DC7B27

RGB 220 123 39

HSL 27.85, 0.72%, 0.51%

LAB 61.24, 32.01, 58.49

 

Complementary color

CMYK 84 / 39 / 0 / 15

HEX #2384D8

RGB 35 132 216

HSL 207.85, 0.72%, 0.49%

LAB 53.83, 2.88, -50.6

 

CMYK 0 / 45 / 85 / 12

HEX #E17B22

RGB 225 123 34

HSL 27.96, 0.76%, 0.51%

LAB 61.9, 33.92, 61.13

 

CMYK 0 / 42 / 78 / 5

HEX #F28D35

RGB 242 141 53

HSL 27.94, 0.88%, 0.58%

LAB 68.16, 32.04, 60.39

 

CMYK 0 / 38 / 72 / 0

HEX #FF9F48

RGB 255 159 72

HSL 28.52, 1%, 0.64%

LAB 73.88, 28.74, 58.5

 

CMYK 0 / 31 / 64 / 0

HEX #FFB15B

RGB 255 177 91

HSL 31.46, 1%, 0.68%

LAB 78.15, 20.36, 54.38

 

CMYK 0 / 24 / 57 / 0

HEX #FFC36E

RGB 255 195 110

HSL 35.17, 1%, 0.72%

LAB 82.6, 12.25, 50.45

 

CMYK 0 / 44 / 82 / 14

HEX #DC7B27

RGB 220 123 39

HSL 27.85, 0.72%, 0.51%

LAB 61.24, 32.01, 58.49

 

CMYK 0 / 48 / 90 / 20

HEX #CB6914

RGB 203 105 20

HSL 27.87, 0.82%, 0.44%

LAB 54.92, 34.02, 58.67

 

CMYK 0 / 53 / 99 / 27

HEX #BA5701

RGB 186 87 1

HSL 27.89, 0.99%, 0.37%

LAB 48.58, 36.17, 57.61

 

CMYK 0 / 59 / 100 / 34

HEX #A94500

RGB 169 69 0

HSL 24.5, 1%, 0.33%

LAB 42.29, 38.45, 52.83

 

CMYK 0 / 66 / 100 / 40

HEX #983300

RGB 152 51 0

HSL 20.13, 1%, 0.3%

LAB 36.07, 40.46, 47.88

 

CMYK 0 / 44 / 82 / 14

HEX #DC7B28

RGB 220 123 40

HSL 27.67, 0.72%, 0.51%

LAB 61.25, 32.04, 58.12

 

CMYK 0 / 66 / 82 / 14

HEX #DC4B28

RGB 220 75 40

HSL 11.67, 0.72%, 0.51%

LAB 52.29, 54.99, 49.96

 

CMYK 0 / 82 / 82 / 14

HEX #DC2828

RGB 220 40 40

HSL 0, 0.72%, 0.51%

LAB 48.12, 66.53, 46.05

 

CMYK 0 / 44 / 82 / 14

HEX #DC7B28

RGB 220 123 40

HSL 27.67, 0.72%, 0.51%

LAB 61.25, 32.04, 58.12

 

CMYK 0 / 22 / 82 / 14

HEX #DCAC28

RGB 220 172 40

HSL 44, 0.72%, 0.51%

LAB 72.81, 5.89, 68.26

 

CMYK 0 / 0 / 82 / 14

HEX #DBDC28

RGB 219 220 40

HSL 60.33, 0.72%, 0.51%

LAB 85.2, -19.07, 78.82

 

CMYK 23 / 0 / 82 / 14

HEX #AADC28

RGB 170 220 40

HSL 76.67, 0.72%, 0.51%

LAB 81.78, -38.94, 74.53

 

CMYK 45 / 0 / 82 / 14

HEX #7ADC28

RGB 122 220 40

HSL 92.67, 0.72%, 0.51%

LAB 79.32, -55.9, 71.4

 

CMYK 0 / 44 / 82 / 14

HEX #DC7B28

RGB 220 123 40

HSL 27.67, 0.72%, 0.51%

LAB 61.25, 32.04, 58.12

 

CMYK 0 / 49 / 92 / 6

HEX #F07A13

RGB 240 122 19

HSL 27.96, 0.88%, 0.51%

LAB 63.75, 40.14, 67.73

 

CMYK 0 / 44 / 82 / 14

HEX #DC7B28

RGB 220 123 40

HSL 27.67, 0.72%, 0.51%

LAB 61.25, 32.04, 58.12

 

CMYK 0 / 37 / 70 / 22

HEX #C77D3C

RGB 199 125 60

HSL 28.06, 0.55%, 0.51%

LAB 59.1, 23.05, 46.27

 

CMYK 0 / 30 / 55 / 30

HEX #B37E50

RGB 179 126 80

HSL 27.88, 0.39%, 0.51%

LAB 57.16, 15.36, 33.04

 

CMYK 0 / 20 / 37 / 38

HEX #9F7F64

RGB 159 127 100

HSL 27.46, 0.24%, 0.51%

LAB 55.55, 8.43, 19.36

 

CMYK 0 / 7 / 14 / 45

HEX #8B8178

RGB 139 129 120

HSL 28.42, 0.08%, 0.51%

LAB 54.6, 2.16, 6.23

 

CMYK 0 / 82 / 75 / 14

HEX #DC2837

RGB 220 40 55

HSL 355, 0.72%, 0.51%

LAB 48.27, 67.01, 37.95

 

CMYK 0 / 67 / 82 / 14

HEX #DC4928

RGB 220 73 40

HSL 11, 0.72%, 0.51%

LAB 51.99, 55.8, 49.69

 

CMYK 0 / 45 / 82 / 14

HEX #DC7928

RGB 220 121 40

HSL 27, 0.72%, 0.51%

LAB 60.82, 33.09, 57.73

 

CMYK 0 / 23 / 82 / 14

HEX #DCA928

RGB 220 169 40

HSL 43, 0.72%, 0.51%

LAB 72.06, 7.48, 67.61

 

CMYK 0 / 1 / 82 / 14

HEX #DCD928

RGB 220 217 40

HSL 59, 0.72%, 0.51%

LAB 84.48, -17.18, 78.24

 

CMYK 0 / 45 / 84 / 40

HEX #985418

RGB 152 84 24

HSL 28.13, 0.73%, 0.35%

LAB 42.89, 23.88, 44.45

 

CMYK 0 / 45 / 84 / 26

HEX #BC671E

RGB 188 103 30

HSL 27.72, 0.72%, 0.43%

LAB 52.38, 29.09, 52.42

 

CMYK 0 / 44 / 82 / 14

HEX #DC7B28

RGB 220 123 40

HSL 27.67, 0.72%, 0.51%

LAB 61.25, 32.04, 58.12

 

CMYK 0 / 36 / 67 / 12

HEX #E1914B

RGB 225 145 75

HSL 28, 0.71%, 0.59%

LAB 67.1, 23.99, 48.7

 

CMYK 0 / 28 / 52 / 9

HEX #E7A66F

RGB 231 166 111

HSL 27.5, 0.71%, 0.67%

LAB 73.16, 17.86, 37.81

 

CMYK 0 / 44 / 82 / 14

HEX #DC7B27

RGB 220 123 39

HSL 27.85, 0.72%, 0.51%

LAB 61.24, 32.01, 58.49

 

CMYK 53 / 0 / 82 / 14

HEX #67DC28

RGB 103 220 40

HSL 99, 0.72%, 0.51%

LAB 78.59, -61.45, 70.48

 

CMYK 78 / 82 / 0 / 14

HEX #3128DC

RGB 49 40 220

HSL 243, 0.72%, 0.51%

LAB 32.56, 60.54, -87.51

 

CMYK 0 / 44 / 82 / 14

HEX #DC7B27

RGB 220 123 39

HSL 27.85, 0.72%, 0.51%

LAB 61.24, 32.01, 58.49

 

CMYK 82 / 0 / 45 / 14

HEX #28DC79

RGB 40 220 121

HSL 147, 0.72%, 0.51%

LAB 77.89, -64.55, 36.62

 

CMYK 45 / 82 / 0 / 14

HEX #7928DC

RGB 121 40 220

HSL 267, 0.72%, 0.51%

LAB 39.16, 67.2, -76.4

 

CMYK 0 / 44 / 82 / 14

HEX #DC7B27

RGB 220 123 39

HSL 27.85, 0.72%, 0.51%

LAB 61.24, 32.01, 58.49

 

CMYK 53 / 0 / 82 / 14

HEX #67DC28

RGB 103 220 40

HSL 99, 0.72%, 0.51%

LAB 78.59, -61.45, 70.48

 

CMYK 82 / 37 / 0 / 14

HEX #288BDC

RGB 40 139 220

HSL 207, 0.72%, 0.51%

LAB 56.17, 0.61, -49.12

 

CMYK 29 / 82 / 0 / 14

HEX #9D28DC

RGB 157 40 220

HSL 279, 0.72%, 0.51%

LAB 44.02, 72.31, -68.25

 

CMYK 0 / 44 / 82 / 14

HEX #DC7B27

RGB 220 123 39

HSL 27.85, 0.72%, 0.51%

LAB 61.24, 32.01, 58.49

 

CMYK 78 / 0 / 82 / 14

HEX #31DC28

RGB 49 220 40

HSL 117, 0.72%, 0.51%

LAB 77.28, -72.39, 68.8

 

CMYK 82 / 37 / 0 / 14

HEX #288BDC

RGB 40 139 220

HSL 207, 0.72%, 0.51%

LAB 56.17, 0.61, -49.12

 

CMYK 4 / 82 / 0 / 14

HEX #D328DC

RGB 211 40 220

HSL 297, 0.72%, 0.51%

LAB 52.44, 81.4, -54.24

 

Description

Color code: HEX #DC7B27 | qconv.com Color code: HEX #DC7B27 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 123 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 123 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 82% 14% C M Y K

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Provide designers and agencies with accurate color values.

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