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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC82CD it is the complementary color #237D32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC82CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC82CD shade: #E182C8, #F294DB, #FFA6EE, #FFB8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC82CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC82CD shade: #DC82CD, #CB70BA, #BA5EA7, #A94C94 and #983A81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC82CD shade: #DC83CD, #DC83B5, #DC839D, #DC8385 and #DC8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC82CD shade: #DC83CD, #D383DC, #BB83DC, #A383DC and #8B83DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC82CD shade matches the following richer shades: #DC83CD, #E976D5 and #F56ADE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC82CD shade: #DC83CD, #CF90C4, #C29DBC, #B5AAB3 and #A9B6AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC82CD shade: #BB83DC, #D383DC, #DC83CD, #DC83B5 and #DC839E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC82CD shade: #CA43B3, #D363C0, #DC83CD, #E5A3DA and #EEC4E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC82CD shade: #DC82CD, #DCA483 and #83DCC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC82CD shade: #DC82CD, #CDDC83 and #83CDDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC82CD shade: #DC82CD, #DCA483, #83DC92 and #83BBDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC82CD shade: #DC82CD, #DCBE83, #83DC92 and #83A1DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 7 / 14

HEX #DC82CD

RGB 220 130 205

HSL 310, 0.56%, 0.69%

LAB 66.2, 45.27, -24.1

 

Complementary color

CMYK 72 / 0 / 60 / 51

HEX #237D32

RGB 35 125 50

HSL 130, 0.56%, 0.31%

LAB 45.98, -42.67, 32.89

 

CMYK 0 / 42 / 11 / 12

HEX #E182C8

RGB 225 130 200

HSL 315.79, 0.61%, 0.7%

LAB 66.63, 46.01, -20.6

 

CMYK 0 / 39 / 10 / 5

HEX #F294DB

RGB 242 148 219

HSL 314.68, 0.78%, 0.76%

LAB 73, 45.26, -21.25

 

CMYK 0 / 35 / 7 / 0

HEX #FFA6EE

RGB 255 166 238

HSL 311.46, 1%, 0.83%

LAB 78.87, 43.27, -22.54

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 41 / 7 / 14

HEX #DC82CD

RGB 220 130 205

HSL 310, 0.56%, 0.69%

LAB 66.2, 45.27, -24.1

 

CMYK 0 / 45 / 8 / 20

HEX #CB70BA

RGB 203 112 186

HSL 311.21, 0.47%, 0.62%

LAB 59.73, 46.01, -23.47

 

CMYK 0 / 49 / 10 / 27

HEX #BA5EA7

RGB 186 94 167

HSL 312.39, 0.4%, 0.55%

LAB 53.21, 46.72, -22.73

 

CMYK 0 / 55 / 12 / 34

HEX #A94C94

RGB 169 76 148

HSL 313.55, 0.38%, 0.48%

LAB 46.63, 47.33, -21.83

 

CMYK 0 / 62 / 15 / 40

HEX #983A81

RGB 152 58 129

HSL 314.68, 0.45%, 0.41%

LAB 40.06, 47.74, -20.66

 

CMYK 0 / 40 / 7 / 14

HEX #DC83CD

RGB 220 131 205

HSL 310.11, 0.56%, 0.69%

LAB 66.41, 44.75, -23.79

 

CMYK 0 / 40 / 18 / 14

HEX #DC83B5

RGB 220 131 181

HSL 326.29, 0.56%, 0.69%

LAB 65.58, 40.84, -11.57

 

CMYK 0 / 40 / 29 / 14

HEX #DC839D

RGB 220 131 157

HSL 342.47, 0.56%, 0.69%

LAB 64.87, 37.39, 0.96

 

CMYK 0 / 40 / 40 / 14

HEX #DC8385

RGB 220 131 133

HSL 358.65, 0.56%, 0.69%

LAB 64.28, 34.41, 13.72

 

CMYK 0 / 40 / 40 / 14

HEX #DC8383

RGB 220 131 131

HSL 0, 0.56%, 0.69%

LAB 64.23, 34.19, 14.79

 

CMYK 0 / 40 / 7 / 14

HEX #DC83CD

RGB 220 131 205

HSL 310.11, 0.56%, 0.69%

LAB 66.41, 44.75, -23.79

 

CMYK 4 / 40 / 0 / 14

HEX #D383DC

RGB 211 131 220

HSL 293.93, 0.56%, 0.69%

LAB 65.94, 44.69, -32.95

 

CMYK 15 / 40 / 0 / 14

HEX #BB83DC

RGB 187 131 220

HSL 277.75, 0.56%, 0.69%

LAB 63.31, 37.54, -37.25

 

CMYK 26 / 40 / 0 / 14

HEX #A383DC

RGB 163 131 220

HSL 261.57, 0.56%, 0.69%

LAB 60.95, 30.56, -41.12

 

CMYK 37 / 40 / 0 / 14

HEX #8B83DC

RGB 139 131 220

HSL 245.39, 0.56%, 0.69%

LAB 58.87, 23.96, -44.53

 

CMYK 0 / 40 / 7 / 14

HEX #DC83CD

RGB 220 131 205

HSL 310.11, 0.56%, 0.69%

LAB 66.41, 44.75, -23.79

 

CMYK 0 / 49 / 9 / 9

HEX #E976D5

RGB 233 118 213

HSL 310.43, 0.72%, 0.69%

LAB 65.81, 56.53, -29.03

 

CMYK 0 / 57 / 9 / 4

HEX #F56ADE

RGB 245 106 222

HSL 309.93, 0.87%, 0.69%

LAB 65.74, 66.81, -34.04

 

CMYK 0 / 40 / 7 / 14

HEX #DC83CD

RGB 220 131 205

HSL 310.11, 0.56%, 0.69%

LAB 66.41, 44.75, -23.79

 

CMYK 0 / 30 / 5 / 19

HEX #CF90C4

RGB 207 144 196

HSL 310.48, 0.4%, 0.69%

LAB 67.42, 32.03, -17.35

 

CMYK 0 / 19 / 3 / 24

HEX #C29DBC

RGB 194 157 188

HSL 309.73, 0.23%, 0.69%

LAB 68.91, 19, -10.8

 

CMYK 0 / 6 / 1 / 29

HEX #B5AAB3

RGB 181 170 179

HSL 310.91, 0.07%, 0.69%

LAB 70.75, 5.59, -3.2

 

CMYK 7 / 0 / 6 / 29

HEX #A9B6AB

RGB 169 182 171

HSL 129.23, 0.08%, 0.69%

LAB 72.78, -6.61, 4.04

 

CMYK 15 / 40 / 0 / 14

HEX #BB83DC

RGB 187 131 220

HSL 277.75, 0.56%, 0.69%

LAB 63.31, 37.54, -37.25

 

CMYK 4 / 40 / 0 / 14

HEX #D383DC

RGB 211 131 220

HSL 293.93, 0.56%, 0.69%

LAB 65.94, 44.69, -32.95

 

CMYK 0 / 40 / 7 / 14

HEX #DC83CD

RGB 220 131 205

HSL 310.11, 0.56%, 0.69%

LAB 66.41, 44.75, -23.79

 

CMYK 0 / 40 / 18 / 14

HEX #DC83B5

RGB 220 131 181

HSL 326.29, 0.56%, 0.69%

LAB 65.58, 40.84, -11.57

 

CMYK 0 / 40 / 28 / 14

HEX #DC839E

RGB 220 131 158

HSL 341.8, 0.56%, 0.69%

LAB 64.9, 37.52, 0.43

 

CMYK 0 / 67 / 11 / 21

HEX #CA43B3

RGB 202 67 179

HSL 310.22, 0.56%, 0.53%

LAB 51.64, 65.12, -31.98

 

CMYK 0 / 53 / 9 / 17

HEX #D363C0

RGB 211 99 192

HSL 310.18, 0.56%, 0.61%

LAB 58.58, 55.83, -28.59

 

CMYK 0 / 40 / 7 / 14

HEX #DC83CD

RGB 220 131 205

HSL 310.11, 0.56%, 0.69%

LAB 66.41, 44.75, -23.79

 

CMYK 0 / 29 / 5 / 10

HEX #E5A3DA

RGB 229 163 218

HSL 310, 0.56%, 0.77%

LAB 74.77, 33, -18.16

 

CMYK 0 / 18 / 3 / 7

HEX #EEC4E7

RGB 238 196 231

HSL 310, 0.55%, 0.85%

LAB 83.67, 20.69, -11.73

 

CMYK 0 / 41 / 7 / 14

HEX #DC82CD

RGB 220 130 205

HSL 310, 0.56%, 0.69%

LAB 66.2, 45.27, -24.1

 

CMYK 0 / 25 / 40 / 14

HEX #DCA483

RGB 220 164 131

HSL 22.25, 0.56%, 0.69%

LAB 71.83, 16.5, 25.19

 

CMYK 40 / 0 / 10 / 14

HEX #83DCC7

RGB 131 220 199

HSL 165.84, 0.56%, 0.69%

LAB 81.91, -31.58, 1.93

 

CMYK 0 / 41 / 7 / 14

HEX #DC82CD

RGB 220 130 205

HSL 310, 0.56%, 0.69%

LAB 66.2, 45.27, -24.1

 

CMYK 7 / 0 / 40 / 14

HEX #CDDC83

RGB 205 220 131

HSL 70.11, 0.56%, 0.69%

LAB 84.9, -18.58, 41.99

 

CMYK 40 / 7 / 0 / 14

HEX #83CDDC

RGB 131 205 220

HSL 190.11, 0.56%, 0.69%

LAB 78.26, -19.18, -14.69

 

CMYK 0 / 41 / 7 / 14

HEX #DC82CD

RGB 220 130 205

HSL 310, 0.56%, 0.69%

LAB 66.2, 45.27, -24.1

 

CMYK 0 / 25 / 40 / 14

HEX #DCA483

RGB 220 164 131

HSL 22.25, 0.56%, 0.69%

LAB 71.83, 16.5, 25.19

 

CMYK 40 / 0 / 34 / 14

HEX #83DC92

RGB 131 220 146

HSL 130.11, 0.56%, 0.69%

LAB 80.79, -42.05, 28.21

 

CMYK 40 / 15 / 0 / 14

HEX #83BBDC

RGB 131 187 220

HSL 202.25, 0.56%, 0.69%

LAB 73.24, -9.82, -22.28

 

CMYK 0 / 41 / 7 / 14

HEX #DC82CD

RGB 220 130 205

HSL 310, 0.56%, 0.69%

LAB 66.2, 45.27, -24.1

 

CMYK 0 / 14 / 40 / 14

HEX #DCBE83

RGB 220 190 131

HSL 39.78, 0.56%, 0.69%

LAB 78.28, 2.65, 33.73

 

CMYK 40 / 0 / 34 / 14

HEX #83DC92

RGB 131 220 146

HSL 130.11, 0.56%, 0.69%

LAB 80.79, -42.05, 28.21

 

CMYK 40 / 27 / 0 / 14

HEX #83A1DC

RGB 131 161 220

HSL 219.78, 0.56%, 0.69%

LAB 66.12, 4.49, -33.23

 

Description

Color code: HEX #DC82CD | qconv.com Color code: HEX #DC82CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 130 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 130 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 7 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 7% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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