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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC8BFD it is the complementary color #237402. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC8BFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC8BFD shade: #E18BF8, #F29DFF, #FFAFFF, #FFC1FF and #FFD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC8BFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC8BFD shade: #DC8BFD, #CB79EA, #BA67D7, #A955C4 and #9843B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC8BFD shade: #DC8BFD, #FA8BFD, #FD8BE0, #FD8BC2 and #FD8BA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC8BFD shade: #DC8BFD, #BD8BFD, #9E8BFD and #8B8BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC8BFD shade matches the following richer shades: #DC8BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC8BFD shade: #DC8BFD, #D894F3, #D49EEA, #D0A7E0 and #CCB1D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC8BFD shade: #9E8BFD, #BC8BFD, #DB8BFD, #F98BFD and #FD8BE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC8BFD shade: #C33AFC, #D062FC, #DC8BFD, #E8B4FD and #F4DCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC8BFD shade: #DC8BFD, #FD8B96 and #8BFDAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC8BFD shade: #DC8BFD, #FDDB8B and #8BFDDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC8BFD shade: #DC8BFD, #FD8B96, #ADFD8B and #8BFDF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC8BFD shade: #DC8BFD, #FDA28B, #ADFD8B and #8BE6FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 45 / 0 / 1

HEX #DC8BFD

RGB 220 139 253

HSL 282.63, 0.97%, 0.77%

LAB 70.02, 49.59, -44.68

 

Complementary color

CMYK 70 / 0 / 98 / 55

HEX #237402

RGB 35 116 2

HSL 102.63, 0.97%, 0.23%

LAB 42.54, -43.25, 46.69

 

CMYK 9 / 44 / 0 / 3

HEX #E18BF8

RGB 225 139 248

HSL 287.34, 0.89%, 0.76%

LAB 70.35, 50, -41.39

 

CMYK 5 / 38 / 0 / 0

HEX #F29DFF

RGB 242 157 255

HSL 292.04, 1%, 0.81%

LAB 76.2, 46.97, -35.95

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 13 / 45 / 0 / 1

HEX #DC8BFD

RGB 220 139 253

HSL 282.63, 0.97%, 0.77%

LAB 70.02, 49.59, -44.68

 

CMYK 13 / 48 / 0 / 8

HEX #CB79EA

RGB 203 121 234

HSL 283.54, 0.73%, 0.7%

LAB 63.6, 50.36, -44.45

 

CMYK 13 / 52 / 0 / 16

HEX #BA67D7

RGB 186 103 215

HSL 284.46, 0.58%, 0.62%

LAB 57.12, 51.11, -44.17

 

CMYK 14 / 57 / 0 / 23

HEX #A955C4

RGB 169 85 196

HSL 285.41, 0.48%, 0.55%

LAB 50.59, 51.79, -43.81

 

CMYK 14 / 62 / 0 / 31

HEX #9843B1

RGB 152 67 177

HSL 286.36, 0.45%, 0.48%

LAB 44.04, 52.31, -43.3

 

CMYK 13 / 45 / 0 / 1

HEX #DC8BFD

RGB 220 139 253

HSL 282.63, 0.97%, 0.77%

LAB 70.02, 49.59, -44.68

 

CMYK 1 / 45 / 0 / 1

HEX #FA8BFD

RGB 250 139 253

HSL 298.42, 0.97%, 0.77%

LAB 73.47, 57.99, -39.03

 

CMYK 0 / 45 / 11 / 1

HEX #FD8BE0

RGB 253 139 224

HSL 315.26, 0.97%, 0.77%

LAB 72.71, 54.01, -24.32

 

CMYK 0 / 45 / 23 / 1

HEX #FD8BC2

RGB 253 139 194

HSL 331.05, 0.97%, 0.77%

LAB 71.72, 49.57, -9.24

 

CMYK 0 / 45 / 36 / 1

HEX #FD8BA3

RGB 253 139 163

HSL 347.37, 0.97%, 0.77%

LAB 70.87, 45.62, 6.78

 

CMYK 13 / 45 / 0 / 1

HEX #DC8BFD

RGB 220 139 253

HSL 282.63, 0.97%, 0.77%

LAB 70.02, 49.59, -44.68

 

CMYK 25 / 45 / 0 / 1

HEX #BD8BFD

RGB 189 139 253

HSL 266.32, 0.97%, 0.77%

LAB 66.81, 41.11, -49.95

 

CMYK 38 / 45 / 0 / 1

HEX #9E8BFD

RGB 158 139 253

HSL 250, 0.97%, 0.77%

LAB 64.02, 33.07, -54.54

 

CMYK 45 / 45 / 0 / 1

HEX #8B8BFD

RGB 139 139 253

HSL 240, 0.97%, 0.77%

LAB 62.55, 28.51, -56.98

 

CMYK 13 / 45 / 0 / 1

HEX #DC8BFD

RGB 220 139 253

HSL 282.63, 0.97%, 0.77%

LAB 70.02, 49.59, -44.68

 

CMYK 13 / 45 / 0 / 1

HEX #DC8BFD

RGB 220 139 253

HSL 282.63, 0.97%, 0.77%

LAB 70.02, 49.59, -44.68

 

CMYK 11 / 39 / 0 / 5

HEX #D894F3

RGB 216 148 243

HSL 282.95, 0.8%, 0.77%

LAB 71.04, 41.69, -37.66

 

CMYK 9 / 32 / 0 / 8

HEX #D49EEA

RGB 212 158 234

HSL 282.63, 0.64%, 0.77%

LAB 72.49, 33.28, -30.54

 

CMYK 7 / 25 / 0 / 12

HEX #D0A7E0

RGB 208 167 224

HSL 283.16, 0.48%, 0.77%

LAB 73.82, 25.11, -23.07

 

CMYK 5 / 18 / 0 / 16

HEX #CCB1D7

RGB 204 177 215

HSL 282.63, 0.32%, 0.77%

LAB 75.57, 16.57, -15.55

 

CMYK 38 / 45 / 0 / 1

HEX #9E8BFD

RGB 158 139 253

HSL 250, 0.97%, 0.77%

LAB 64.02, 33.07, -54.54

 

CMYK 26 / 45 / 0 / 1

HEX #BC8BFD

RGB 188 139 253

HSL 265.79, 0.97%, 0.77%

LAB 66.71, 40.84, -50.11

 

CMYK 13 / 45 / 0 / 1

HEX #DB8BFD

RGB 219 139 253

HSL 282.11, 0.97%, 0.77%

LAB 69.91, 49.32, -44.86

 

CMYK 2 / 45 / 0 / 1

HEX #F98BFD

RGB 249 139 253

HSL 297.89, 0.97%, 0.77%

LAB 73.35, 57.71, -39.23

 

CMYK 0 / 45 / 11 / 1

HEX #FD8BE2

RGB 253 139 226

HSL 314.21, 0.97%, 0.77%

LAB 72.79, 54.33, -25.31

 

CMYK 23 / 77 / 0 / 1

HEX #C33AFC

RGB 195 58 252

HSL 282.37, 0.97%, 0.61%

LAB 53.66, 79.33, -70.39

 

CMYK 17 / 61 / 0 / 1

HEX #D062FC

RGB 208 98 252

HSL 282.86, 0.96%, 0.69%

LAB 60.93, 66.42, -58.6

 

CMYK 13 / 45 / 0 / 1

HEX #DC8BFD

RGB 220 139 253

HSL 282.63, 0.97%, 0.77%

LAB 70.02, 49.59, -44.68

 

CMYK 8 / 29 / 0 / 1

HEX #E8B4FD

RGB 232 180 253

HSL 282.74, 0.95%, 0.85%

LAB 80.12, 31.42, -28.92

 

CMYK 4 / 13 / 0 / 0

HEX #F4DCFE

RGB 244 220 254

HSL 282.35, 0.94%, 0.93%

LAB 90.59, 14.21, -13.5

 

CMYK 13 / 45 / 0 / 1

HEX #DC8BFD

RGB 220 139 253

HSL 282.63, 0.97%, 0.77%

LAB 70.02, 49.59, -44.68

 

CMYK 0 / 45 / 41 / 1

HEX #FD8B96

RGB 253 139 150

HSL 354.21, 0.97%, 0.77%

LAB 70.56, 44.17, 13.6

 

CMYK 45 / 0 / 32 / 1

HEX #8BFDAD

RGB 139 253 173

HSL 137.89, 0.97%, 0.77%

LAB 91.12, -49.38, 28.44

 

CMYK 13 / 45 / 0 / 1

HEX #DC8BFD

RGB 220 139 253

HSL 282.63, 0.97%, 0.77%

LAB 70.02, 49.59, -44.68

 

CMYK 0 / 13 / 45 / 1

HEX #FDDB8B

RGB 253 219 139

HSL 42.11, 0.97%, 0.77%

LAB 88.64, 1.56, 43.57

 

CMYK 45 / 0 / 13 / 1

HEX #8BFDDB

RGB 139 253 219

HSL 162.11, 0.97%, 0.77%

LAB 92.07, -40.35, 6.2

 

CMYK 13 / 45 / 0 / 1

HEX #DC8BFD

RGB 220 139 253

HSL 282.63, 0.97%, 0.77%

LAB 70.02, 49.59, -44.68

 

CMYK 0 / 45 / 41 / 1

HEX #FD8B96

RGB 253 139 150

HSL 354.21, 0.97%, 0.77%

LAB 70.56, 44.17, 13.6

 

CMYK 32 / 0 / 45 / 1

HEX #ADFD8B

RGB 173 253 139

HSL 102.11, 0.97%, 0.77%

LAB 92.13, -44.39, 46.8

 

CMYK 45 / 0 / 5 / 1

HEX #8BFDF1

RGB 139 253 241

HSL 173.68, 0.97%, 0.77%

LAB 92.61, -35.35, -4.39

 

CMYK 13 / 45 / 0 / 1

HEX #DC8BFD

RGB 220 139 253

HSL 282.63, 0.97%, 0.77%

LAB 70.02, 49.59, -44.68

 

CMYK 0 / 36 / 45 / 1

HEX #FDA28B

RGB 253 162 139

HSL 12.11, 0.97%, 0.77%

LAB 75.19, 31.24, 26.02

 

CMYK 32 / 0 / 45 / 1

HEX #ADFD8B

RGB 173 253 139

HSL 102.11, 0.97%, 0.77%

LAB 92.13, -44.39, 46.8

 

CMYK 45 / 9 / 0 / 1

HEX #8BE6FD

RGB 139 230 253

HSL 192.11, 0.97%, 0.77%

LAB 86.59, -21.36, -19.64

 

Description

Color code: HEX #DC8BFD | qconv.com Color code: HEX #DC8BFD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 139 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 139 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 45 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 45% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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