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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC9693 it is the complementary color #23696C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC9693. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC9693 shade: #E1968E, #F2A8A1, #FFBAB4, #FFCCC7 and #FFDEDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC9693. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC9693 shade: #DC9693, #CB8480, #BA726D, #A9605A and #984E47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC9693 shade: #DC9693 and #DC9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC9693 shade: #DC9693, #DCA993, #DCBD93, #DCD193 and #D3DC93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC9693 shade matches the following richer shades: #DC9693, #E78B87, #F3807C and #FE7670

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC9693 shade: #DC9693, #D0A09E, #C4ABAA, #B9B5B5 and #ADC0C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC9693 shade: #DC93B7, #DC93A4, #DC9593, #DCA993 and #DCBC93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC9693 shade: #C75954, #D17774, #DC9693, #E6B4B2 and #F0D2D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC9693 shade: #DC9693, #CBDC93 and #93ADDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC9693 shade: #DC9693, #93DC95 and #9593DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC9693 shade: #DC9693, #CBDC93, #93D9DC and #A493DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC9693 shade: #DC9693, #B5DC93, #93D9DC and #BA93DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 33 / 14

HEX #DC9693

RGB 220 150 147

HSL 2.47, 0.51%, 0.72%

LAB 68.85, 25.95, 12.29

 

Complementary color

CMYK 68 / 3 / 0 / 58

HEX #23696C

RGB 35 105 108

HSL 182.47, 0.51%, 0.28%

LAB 40.48, -20.28, -8.09

 

CMYK 0 / 33 / 37 / 12

HEX #E1968E

RGB 225 150 142

HSL 5.78, 0.58%, 0.72%

LAB 69.31, 27.23, 15.79

 

CMYK 0 / 31 / 33 / 5

HEX #F2A8A1

RGB 242 168 161

HSL 5.19, 0.76%, 0.79%

LAB 75.73, 26.37, 14.62

 

CMYK 0 / 27 / 29 / 0

HEX #FFBAB4

RGB 255 186 180

HSL 4.8, 1%, 0.85%

LAB 81.66, 24.12, 12.89

 

CMYK 0 / 20 / 22 / 0

HEX #FFCCC7

RGB 255 204 199

HSL 5.36, 1%, 0.89%

LAB 86.29, 17.28, 9.34

 

CMYK 0 / 13 / 15 / 0

HEX #FFDEDA

RGB 255 222 218

HSL 6.49, 1%, 0.93%

LAB 91.04, 10.75, 6.15

 

CMYK 0 / 32 / 33 / 14

HEX #DC9693

RGB 220 150 147

HSL 2.47, 0.51%, 0.72%

LAB 68.85, 25.95, 12.29

 

CMYK 0 / 35 / 37 / 20

HEX #CB8480

RGB 203 132 128

HSL 3.2, 0.42%, 0.65%

LAB 62.3, 26.83, 13.49

 

CMYK 0 / 39 / 41 / 27

HEX #BA726D

RGB 186 114 109

HSL 3.9, 0.36%, 0.58%

LAB 55.66, 27.82, 14.84

 

CMYK 0 / 43 / 47 / 34

HEX #A9605A

RGB 169 96 90

HSL 4.56, 0.31%, 0.51%

LAB 48.93, 28.92, 16.39

 

CMYK 0 / 49 / 53 / 40

HEX #984E47

RGB 152 78 71

HSL 5.19, 0.36%, 0.44%

LAB 42.12, 30.14, 18.21

 

CMYK 0 / 32 / 33 / 14

HEX #DC9693

RGB 220 150 147

HSL 2.47, 0.51%, 0.72%

LAB 68.85, 25.95, 12.29

 

CMYK 0 / 33 / 33 / 14

HEX #DC9393

RGB 220 147 147

HSL 0, 0.51%, 0.72%

LAB 68.16, 27.56, 11.32

 

CMYK 0 / 32 / 33 / 14

HEX #DC9693

RGB 220 150 147

HSL 2.47, 0.51%, 0.72%

LAB 68.85, 25.95, 12.29

 

CMYK 0 / 23 / 33 / 14

HEX #DCA993

RGB 220 169 147

HSL 18.08, 0.51%, 0.72%

LAB 73.35, 15.71, 18.57

 

CMYK 0 / 14 / 33 / 14

HEX #DCBD93

RGB 220 189 147

HSL 34.52, 0.51%, 0.72%

LAB 78.3, 5.04, 25.34

 

CMYK 0 / 5 / 33 / 14

HEX #DCD193

RGB 220 209 147

HSL 50.96, 0.51%, 0.72%

LAB 83.4, -5.38, 32.18

 

CMYK 4 / 0 / 33 / 14

HEX #D3DC93

RGB 211 220 147

HSL 67.4, 0.51%, 0.72%

LAB 85.58, -14.4, 34.91

 

CMYK 0 / 32 / 33 / 14

HEX #DC9693

RGB 220 150 147

HSL 2.47, 0.51%, 0.72%

LAB 68.85, 25.95, 12.29

 

CMYK 0 / 40 / 42 / 9

HEX #E78B87

RGB 231 139 135

HSL 2.5, 0.67%, 0.72%

LAB 67.43, 34.54, 17.19

 

CMYK 0 / 47 / 49 / 5

HEX #F3807C

RGB 243 128 124

HSL 2.02, 0.83%, 0.72%

LAB 66.48, 43.53, 22.31

 

CMYK 0 / 54 / 56 / 0

HEX #FE7670

RGB 254 118 112

HSL 2.54, 0.99%, 0.72%

LAB 65.9, 51.34, 28.53

 

CMYK 0 / 32 / 33 / 14

HEX #DC9693

RGB 220 150 147

HSL 2.47, 0.51%, 0.72%

LAB 68.85, 25.95, 12.29

 

CMYK 0 / 23 / 24 / 18

HEX #D0A09E

RGB 208 160 158

HSL 2.4, 0.35%, 0.72%

LAB 70.19, 17.48, 7.91

 

CMYK 0 / 13 / 13 / 23

HEX #C4ABAA

RGB 196 171 170

HSL 2.31, 0.18%, 0.72%

LAB 72.07, 8.88, 3.84

 

CMYK 0 / 2 / 2 / 27

HEX #B9B5B5

RGB 185 181 181

HSL 0, 0.03%, 0.72%

LAB 74, 1.41, 0.49

 

CMYK 10 / 1 / 0 / 24

HEX #ADC0C1

RGB 173 192 193

HSL 183, 0.14%, 0.72%

LAB 76.33, -6.26, -2.72

 

CMYK 0 / 33 / 17 / 14

HEX #DC93B7

RGB 220 147 183

HSL 330.41, 0.51%, 0.72%

LAB 69.11, 32.67, -7.42

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A4

RGB 220 147 164

HSL 346.03, 0.51%, 0.72%

LAB 68.58, 29.84, 2.41

 

CMYK 0 / 32 / 33 / 14

HEX #DC9593

RGB 220 149 147

HSL 1.64, 0.51%, 0.72%

LAB 68.62, 26.48, 11.96

 

CMYK 0 / 23 / 33 / 14

HEX #DCA993

RGB 220 169 147

HSL 18.08, 0.51%, 0.72%

LAB 73.35, 15.71, 18.57

 

CMYK 0 / 15 / 33 / 14

HEX #DCBC93

RGB 220 188 147

HSL 33.7, 0.51%, 0.72%

LAB 78.05, 5.57, 25

 

CMYK 0 / 55 / 58 / 22

HEX #C75954

RGB 199 89 84

HSL 2.61, 0.51%, 0.55%

LAB 51.75, 43.5, 24.47

 

CMYK 0 / 43 / 44 / 18

HEX #D17774

RGB 209 119 116

HSL 1.94, 0.5%, 0.64%

LAB 59.9, 34.76, 17.11

 

CMYK 0 / 32 / 33 / 14

HEX #DC9693

RGB 220 150 147

HSL 2.47, 0.51%, 0.72%

LAB 68.85, 25.95, 12.29

 

CMYK 0 / 22 / 23 / 10

HEX #E6B4B2

RGB 230 180 178

HSL 2.31, 0.51%, 0.8%

LAB 77.69, 17.81, 7.97

 

CMYK 0 / 13 / 13 / 6

HEX #F0D2D1

RGB 240 210 209

HSL 1.94, 0.51%, 0.88%

LAB 86.61, 10.28, 4.33

 

CMYK 0 / 32 / 33 / 14

HEX #DC9693

RGB 220 150 147

HSL 2.47, 0.51%, 0.72%

LAB 68.85, 25.95, 12.29

 

CMYK 8 / 0 / 33 / 14

HEX #CBDC93

RGB 203 220 147

HSL 73.97, 0.51%, 0.72%

LAB 84.99, -17.42, 34.04

 

CMYK 33 / 21 / 0 / 14

HEX #93ADDC

RGB 147 173 220

HSL 218.63, 0.51%, 0.72%

LAB 70.36, 2.14, -26.61

 

CMYK 0 / 32 / 33 / 14

HEX #DC9693

RGB 220 150 147

HSL 2.47, 0.51%, 0.72%

LAB 68.85, 25.95, 12.29

 

CMYK 33 / 0 / 32 / 14

HEX #93DC95

RGB 147 220 149

HSL 121.64, 0.51%, 0.72%

LAB 81.6, -36.69, 27.88

 

CMYK 32 / 33 / 0 / 14

HEX #9593DC

RGB 149 147 220

HSL 241.64, 0.51%, 0.72%

LAB 63.69, 17.41, -36.91

 

CMYK 0 / 32 / 33 / 14

HEX #DC9693

RGB 220 150 147

HSL 2.47, 0.51%, 0.72%

LAB 68.85, 25.95, 12.29

 

CMYK 8 / 0 / 33 / 14

HEX #CBDC93

RGB 203 220 147

HSL 73.97, 0.51%, 0.72%

LAB 84.99, -17.42, 34.04

 

CMYK 33 / 1 / 0 / 14

HEX #93D9DC

RGB 147 217 220

HSL 182.47, 0.51%, 0.72%

LAB 82.38, -21.05, -8.46

 

CMYK 25 / 33 / 0 / 14

HEX #A493DC

RGB 164 147 220

HSL 253.97, 0.51%, 0.72%

LAB 64.9, 21.74, -34.93

 

CMYK 0 / 32 / 33 / 14

HEX #DC9693

RGB 220 150 147

HSL 2.47, 0.51%, 0.72%

LAB 68.85, 25.95, 12.29

 

CMYK 18 / 0 / 33 / 14

HEX #B5DC93

RGB 181 220 147

HSL 92.05, 0.51%, 0.72%

LAB 83.5, -25.5, 31.8

 

CMYK 33 / 1 / 0 / 14

HEX #93D9DC

RGB 147 217 220

HSL 182.47, 0.51%, 0.72%

LAB 82.38, -21.05, -8.46

 

CMYK 15 / 33 / 0 / 14

HEX #BA93DC

RGB 186 147 220

HSL 272.05, 0.51%, 0.72%

LAB 66.88, 28.38, -31.71

 

Description

Color code: HEX #DC9693 | qconv.com Color code: HEX #DC9693 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 150 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 150 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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