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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC9294 it is the complementary color #236D6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC9294. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC9294 shade: #E1928F, #F2A4A2, #FFB6B5, #FFC8C8 and #FFDADB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC9294. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC9294 shade: #DC9294, #CB8081, #BA6E6E, #A95C5B and #984A48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC9294 shade: #DC9395 and #DC9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC9294 shade: #DC9395, #DC93A8, #DC93BC, #DC93D0 and #D493DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC9294 shade matches the following richer shades: #DC9395, #E7878A, #F37C7F and #FE7074

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC9294 shade: #DC9395, #D09EA0, #C4AAAB, #B9B5B5 and #ADC1C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC9294 shade: #DC93BC, #DC93A9, #DC9395, #DCA493 and #DCB793

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC9294 shade: #C75457, #D17476, #DC9395, #E6B2B3 and #F0D1D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC9294 shade: #DC9294, #CFDC93 and #93B2DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC9294 shade: #DC9294, #95DC93 and #9395DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC9294 shade: #DC9294, #CFDC93, #93DCD9 and #9F93DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC9294 shade: #DC9294, #BADC93, #93DCD9 and #B593DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 33 / 14

HEX #DC9294

RGB 220 146 148

HSL 358.38, 0.51%, 0.72%

LAB 67.96, 28.22, 10.47

 

Complementary color

CMYK 68 / 0 / 2 / 57

HEX #236D6B

RGB 35 109 107

HSL 178.38, 0.51%, 0.28%

LAB 41.78, -22.71, -5.55

 

CMYK 0 / 35 / 36 / 12

HEX #E1928F

RGB 225 146 143

HSL 2.2, 0.58%, 0.72%

LAB 68.42, 29.49, 14

 

CMYK 0 / 32 / 33 / 5

HEX #F2A4A2

RGB 242 164 162

HSL 1.5, 0.75%, 0.79%

LAB 74.85, 28.61, 12.82

 

CMYK 0 / 29 / 29 / 0

HEX #FFB6B5

RGB 255 182 181

HSL 0.81, 1%, 0.85%

LAB 80.77, 26.35, 11.09

 

CMYK 0 / 22 / 22 / 0

HEX #FFC8C8

RGB 255 200 200

HSL 0, 1%, 0.89%

LAB 85.37, 19.52, 7.49

 

CMYK 0 / 15 / 14 / 0

HEX #FFDADB

RGB 255 218 219

HSL 358.38, 1%, 0.93%

LAB 90.1, 12.98, 4.27

 

CMYK 0 / 34 / 33 / 14

HEX #DC9294

RGB 220 146 148

HSL 358.38, 0.51%, 0.72%

LAB 67.96, 28.22, 10.47

 

CMYK 0 / 37 / 36 / 20

HEX #CB8081

RGB 203 128 129

HSL 359.2, 0.42%, 0.65%

LAB 61.41, 29.13, 11.67

 

CMYK 0 / 41 / 41 / 27

HEX #BA6E6E

RGB 186 110 110

HSL 0, 0.36%, 0.58%

LAB 54.78, 30.13, 13.03

 

CMYK 0 / 46 / 46 / 34

HEX #A95C5B

RGB 169 92 91

HSL 0.77, 0.31%, 0.51%

LAB 48.06, 31.22, 14.6

 

CMYK 0 / 51 / 53 / 40

HEX #984A48

RGB 152 74 72

HSL 1.5, 0.36%, 0.44%

LAB 41.28, 32.4, 16.48

 

CMYK 0 / 33 / 32 / 14

HEX #DC9395

RGB 220 147 149

HSL 358.36, 0.51%, 0.72%

LAB 68.21, 27.81, 10.27

 

CMYK 0 / 33 / 33 / 14

HEX #DC9393

RGB 220 147 147

HSL 0, 0.51%, 0.72%

LAB 68.16, 27.56, 11.32

 

CMYK 0 / 33 / 32 / 14

HEX #DC9395

RGB 220 147 149

HSL 358.36, 0.51%, 0.72%

LAB 68.21, 27.81, 10.27

 

CMYK 0 / 33 / 24 / 14

HEX #DC93A8

RGB 220 147 168

HSL 342.74, 0.51%, 0.72%

LAB 68.69, 30.41, 0.33

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BC

RGB 220 147 188

HSL 326.3, 0.51%, 0.72%

LAB 69.27, 33.47, -9.98

 

CMYK 0 / 33 / 5 / 14

HEX #DC93D0

RGB 220 147 208

HSL 309.86, 0.51%, 0.72%

LAB 69.92, 36.84, -20.1

 

CMYK 4 / 33 / 0 / 14

HEX #D493DC

RGB 212 147 220

HSL 293.42, 0.51%, 0.72%

LAB 69.49, 36.48, -27.47

 

CMYK 0 / 33 / 32 / 14

HEX #DC9395

RGB 220 147 149

HSL 358.36, 0.51%, 0.72%

LAB 68.21, 27.81, 10.27

 

CMYK 0 / 42 / 40 / 9

HEX #E7878A

RGB 231 135 138

HSL 358.13, 0.67%, 0.72%

LAB 66.64, 36.96, 14.41

 

CMYK 0 / 49 / 48 / 5

HEX #F37C7F

RGB 243 124 127

HSL 358.49, 0.83%, 0.72%

LAB 65.75, 45.8, 19.63

 

CMYK 0 / 56 / 54 / 0

HEX #FE7074

RGB 254 112 116

HSL 358.31, 0.99%, 0.72%

LAB 64.9, 54.44, 24.96

 

CMYK 0 / 33 / 32 / 14

HEX #DC9395

RGB 220 147 149

HSL 358.36, 0.51%, 0.72%

LAB 68.21, 27.81, 10.27

 

CMYK 0 / 24 / 23 / 18

HEX #D09EA0

RGB 208 158 160

HSL 357.6, 0.35%, 0.72%

LAB 69.75, 18.86, 6.17

 

CMYK 0 / 13 / 13 / 23

HEX #C4AAAB

RGB 196 170 171

HSL 357.69, 0.18%, 0.72%

LAB 71.84, 9.59, 2.96

 

CMYK 0 / 2 / 2 / 27

HEX #B9B5B5

RGB 185 181 181

HSL 0, 0.03%, 0.72%

LAB 74, 1.41, 0.49

 

CMYK 10 / 0 / 1 / 24

HEX #ADC1C0

RGB 173 193 192

HSL 177, 0.14%, 0.72%

LAB 76.58, -6.99, -1.83

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BC

RGB 220 147 188

HSL 326.3, 0.51%, 0.72%

LAB 69.27, 33.47, -9.98

 

CMYK 0 / 33 / 23 / 14

HEX #DC93A9

RGB 220 147 169

HSL 341.92, 0.51%, 0.72%

LAB 68.71, 30.55, -0.19

 

CMYK 0 / 33 / 32 / 14

HEX #DC9395

RGB 220 147 149

HSL 358.36, 0.51%, 0.72%

LAB 68.21, 27.81, 10.27

 

CMYK 0 / 25 / 33 / 14

HEX #DCA493

RGB 220 164 147

HSL 13.97, 0.51%, 0.72%

LAB 72.14, 18.4, 16.9

 

CMYK 0 / 17 / 33 / 14

HEX #DCB793

RGB 220 183 147

HSL 29.59, 0.51%, 0.72%

LAB 76.79, 8.22, 23.3

 

CMYK 0 / 58 / 56 / 22

HEX #C75457

RGB 199 84 87

HSL 358.43, 0.51%, 0.55%

LAB 50.89, 46.14, 21.56

 

CMYK 0 / 44 / 44 / 18

HEX #D17476

RGB 209 116 118

HSL 358.71, 0.5%, 0.64%

LAB 59.3, 36.55, 15.14

 

CMYK 0 / 33 / 32 / 14

HEX #DC9395

RGB 220 147 149

HSL 358.36, 0.51%, 0.72%

LAB 68.21, 27.81, 10.27

 

CMYK 0 / 23 / 22 / 10

HEX #E6B2B3

RGB 230 178 179

HSL 358.85, 0.51%, 0.8%

LAB 77.23, 19.02, 6.77

 

CMYK 0 / 13 / 13 / 6

HEX #F0D1D2

RGB 240 209 210

HSL 358.06, 0.51%, 0.88%

LAB 86.39, 10.97, 3.49

 

CMYK 0 / 34 / 33 / 14

HEX #DC9294

RGB 220 146 148

HSL 358.38, 0.51%, 0.72%

LAB 67.96, 28.22, 10.47

 

CMYK 6 / 0 / 33 / 14

HEX #CFDC93

RGB 207 220 147

HSL 70.68, 0.51%, 0.72%

LAB 85.28, -15.92, 34.47

 

CMYK 33 / 19 / 0 / 14

HEX #93B2DC

RGB 147 178 220

HSL 214.52, 0.51%, 0.72%

LAB 71.7, -0.61, -24.56

 

CMYK 0 / 34 / 33 / 14

HEX #DC9294

RGB 220 146 148

HSL 358.38, 0.51%, 0.72%

LAB 67.96, 28.22, 10.47

 

CMYK 32 / 0 / 33 / 14

HEX #95DC93

RGB 149 220 147

HSL 118.36, 0.51%, 0.72%

LAB 81.67, -36.38, 29.02

 

CMYK 33 / 32 / 0 / 14

HEX #9395DC

RGB 147 149 220

HSL 238.36, 0.51%, 0.72%

LAB 64.05, 15.7, -36.36

 

CMYK 0 / 34 / 33 / 14

HEX #DC9294

RGB 220 146 148

HSL 358.38, 0.51%, 0.72%

LAB 67.96, 28.22, 10.47

 

CMYK 6 / 0 / 33 / 14

HEX #CFDC93

RGB 207 220 147

HSL 70.68, 0.51%, 0.72%

LAB 85.28, -15.92, 34.47

 

CMYK 33 / 0 / 1 / 14

HEX #93DCD9

RGB 147 220 217

HSL 177.53, 0.51%, 0.72%

LAB 83.13, -23.23, -5.76

 

CMYK 28 / 33 / 0 / 14

HEX #9F93DC

RGB 159 147 220

HSL 249.86, 0.51%, 0.72%

LAB 64.49, 20.28, -35.61

 

CMYK 0 / 34 / 33 / 14

HEX #DC9294

RGB 220 146 148

HSL 358.38, 0.51%, 0.72%

LAB 67.96, 28.22, 10.47

 

CMYK 15 / 0 / 33 / 14

HEX #BADC93

RGB 186 220 147

HSL 87.95, 0.51%, 0.72%

LAB 83.83, -23.69, 32.28

 

CMYK 33 / 0 / 1 / 14

HEX #93DCD9

RGB 147 220 217

HSL 177.53, 0.51%, 0.72%

LAB 83.13, -23.23, -5.76

 

CMYK 18 / 33 / 0 / 14

HEX #B593DC

RGB 181 147 220

HSL 267.95, 0.51%, 0.72%

LAB 66.41, 26.84, -32.47

 

Description

Color code: HEX #DC9294 | qconv.com Color code: HEX #DC9294 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 146 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 146 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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