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Color name
HEX #DC93A5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC93A5 it is the complementary color #236C5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC93A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC93A5 shade: #E193A0, #F2A5B3, #FFB7C6, #FFC9D9 and #FFDBEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC93A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC93A5 shade: #DC93A5, #CB8192, #BA6F7F, #A95D6C and #984B59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC93A5 shade: #DC93A5 and #DC9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC93A5 shade: #DC93A5, #DC93B8, #DC93CC, #D793DC and #C493DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC93A5 shade matches the following richer shades: #DC93A5, #E7879F, #F37C99 and #FE7093

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC93A5 shade: #DC93A5, #D09EAA, #C4AAB0, #B9B5B6 and #ADC1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC93A5 shade: #DC93CC, #DC93B8, #DC93A5, #DC9493 and #DCA793

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC93A5 shade: #C75471, #D1748B, #DC93A5, #E6B2BF and #F0D1D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC93A5 shade: #DC93A5, #DCD893 and #93C2DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC93A5 shade: #DC93A5, #A5DC93 and #93A5DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC93A5 shade: #DC93A5, #DCD893, #93DCC9 and #9396DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC93A5 shade: #DC93A5, #C9DC93, #93DCC9 and #A593DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 25 / 14

HEX #DC93A5

RGB 220 147 165

HSL 345.21, 0.51%, 0.72%

LAB 68.61, 29.98, 1.89

 

Complementary color

CMYK 68 / 0 / 17 / 58

HEX #236C5A

RGB 35 108 90

HSL 165.21, 0.51%, 0.28%

LAB 40.93, -27.17, 3.51

 

CMYK 0 / 35 / 29 / 12

HEX #E193A0

RGB 225 147 160

HSL 350, 0.57%, 0.73%

LAB 69.05, 31.11, 5.4

 

CMYK 0 / 32 / 26 / 5

HEX #F2A5B3

RGB 242 165 179

HSL 349.09, 0.75%, 0.8%

LAB 75.48, 30.31, 4.41

 

CMYK 0 / 28 / 22 / 0

HEX #FFB7C6

RGB 255 183 198

HSL 347.5, 1%, 0.86%

LAB 81.4, 28.15, 2.84

 

CMYK 0 / 21 / 15 / 0

HEX #FFC9D9

RGB 255 201 217

HSL 342.22, 1%, 0.89%

LAB 86.03, 21.54, -0.6

 

CMYK 0 / 14 / 7 / 0

HEX #FFDBEC

RGB 255 219 236

HSL 331.67, 1%, 0.93%

LAB 90.77, 15.21, -3.68

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A5

RGB 220 147 165

HSL 345.21, 0.51%, 0.72%

LAB 68.61, 29.98, 1.89

 

CMYK 0 / 36 / 28 / 20

HEX #CB8192

RGB 203 129 146

HSL 346.22, 0.42%, 0.65%

LAB 62.06, 30.8, 2.89

 

CMYK 0 / 40 / 32 / 27

HEX #BA6F7F

RGB 186 111 127

HSL 347.2, 0.35%, 0.58%

LAB 55.42, 31.69, 4

 

CMYK 0 / 45 / 36 / 34

HEX #A95D6C

RGB 169 93 108

HSL 348.16, 0.31%, 0.51%

LAB 48.69, 32.65, 5.29

 

CMYK 0 / 51 / 41 / 40

HEX #984B59

RGB 152 75 89

HSL 349.09, 0.34%, 0.45%

LAB 41.89, 33.66, 6.83

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A5

RGB 220 147 165

HSL 345.21, 0.51%, 0.72%

LAB 68.61, 29.98, 1.89

 

CMYK 0 / 33 / 33 / 14

HEX #DC9393

RGB 220 147 147

HSL 0, 0.51%, 0.72%

LAB 68.16, 27.56, 11.32

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A5

RGB 220 147 165

HSL 345.21, 0.51%, 0.72%

LAB 68.61, 29.98, 1.89

 

CMYK 0 / 33 / 16 / 14

HEX #DC93B8

RGB 220 147 184

HSL 329.59, 0.51%, 0.72%

LAB 69.14, 32.83, -7.93

 

CMYK 0 / 33 / 7 / 14

HEX #DC93CC

RGB 220 147 204

HSL 313.15, 0.51%, 0.72%

LAB 69.78, 36.14, -18.09

 

CMYK 2 / 33 / 0 / 14

HEX #D793DC

RGB 215 147 220

HSL 295.89, 0.51%, 0.72%

LAB 69.81, 37.42, -26.95

 

CMYK 11 / 33 / 0 / 14

HEX #C493DC

RGB 196 147 220

HSL 280.27, 0.51%, 0.72%

LAB 67.85, 31.47, -30.13

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A5

RGB 220 147 165

HSL 345.21, 0.51%, 0.72%

LAB 68.61, 29.98, 1.89

 

CMYK 0 / 42 / 31 / 9

HEX #E7879F

RGB 231 135 159

HSL 345, 0.67%, 0.72%

LAB 67.14, 39.46, 3.3

 

CMYK 0 / 49 / 37 / 5

HEX #F37C99

RGB 243 124 153

HSL 345.38, 0.83%, 0.72%

LAB 66.34, 48.48, 5.74

 

CMYK 0 / 56 / 42 / 0

HEX #FE7093

RGB 254 112 147

HSL 345.21, 0.99%, 0.72%

LAB 65.57, 57.19, 8.25

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A5

RGB 220 147 165

HSL 345.21, 0.51%, 0.72%

LAB 68.61, 29.98, 1.89

 

CMYK 0 / 24 / 18 / 18

HEX #D09EAA

RGB 208 158 170

HSL 345.6, 0.35%, 0.72%

LAB 70.01, 20.38, 0.99

 

CMYK 0 / 13 / 10 / 23

HEX #C4AAB0

RGB 196 170 176

HSL 346.15, 0.18%, 0.72%

LAB 71.97, 10.43, 0.4

 

CMYK 0 / 2 / 2 / 27

HEX #B9B5B6

RGB 185 181 182

HSL 345, 0.03%, 0.72%

LAB 74.02, 1.6, -0.02

 

CMYK 10 / 0 / 3 / 24

HEX #ADC1BC

RGB 173 193 188

HSL 165, 0.14%, 0.72%

LAB 76.47, -7.78, 0.19

 

CMYK 0 / 33 / 7 / 14

HEX #DC93CC

RGB 220 147 204

HSL 313.15, 0.51%, 0.72%

LAB 69.78, 36.14, -18.09

 

CMYK 0 / 33 / 16 / 14

HEX #DC93B8

RGB 220 147 184

HSL 329.59, 0.51%, 0.72%

LAB 69.14, 32.83, -7.93

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A5

RGB 220 147 165

HSL 345.21, 0.51%, 0.72%

LAB 68.61, 29.98, 1.89

 

CMYK 0 / 33 / 33 / 14

HEX #DC9493

RGB 220 148 147

HSL 0.82, 0.51%, 0.72%

LAB 68.39, 27.02, 11.64

 

CMYK 0 / 24 / 33 / 14

HEX #DCA793

RGB 220 167 147

HSL 16.44, 0.51%, 0.72%

LAB 72.87, 16.79, 17.9

 

CMYK 0 / 58 / 43 / 22

HEX #C75471

RGB 199 84 113

HSL 344.87, 0.51%, 0.55%

LAB 51.47, 48.5, 6.85

 

CMYK 0 / 44 / 33 / 18

HEX #D1748B

RGB 209 116 139

HSL 345.16, 0.5%, 0.64%

LAB 59.81, 38.98, 3.74

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A5

RGB 220 147 165

HSL 345.21, 0.51%, 0.72%

LAB 68.61, 29.98, 1.89

 

CMYK 0 / 23 / 17 / 10

HEX #E6B2BF

RGB 230 178 191

HSL 345, 0.51%, 0.8%

LAB 77.53, 20.83, 0.69

 

CMYK 0 / 13 / 10 / 6

HEX #F0D1D9

RGB 240 209 217

HSL 344.52, 0.51%, 0.88%

LAB 86.57, 12.11, 0.03

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A5

RGB 220 147 165

HSL 345.21, 0.51%, 0.72%

LAB 68.61, 29.98, 1.89

 

CMYK 0 / 2 / 33 / 14

HEX #DCD893

RGB 220 216 147

HSL 56.71, 0.51%, 0.72%

LAB 85.22, -8.95, 34.57

 

CMYK 33 / 12 / 0 / 14

HEX #93C2DC

RGB 147 194 220

HSL 201.37, 0.51%, 0.72%

LAB 76.04, -9.23, -17.95

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A5

RGB 220 147 165

HSL 345.21, 0.51%, 0.72%

LAB 68.61, 29.98, 1.89

 

CMYK 25 / 0 / 33 / 14

HEX #A5DC93

RGB 165 220 147

HSL 105.21, 0.51%, 0.72%

LAB 82.54, -31.09, 30.34

 

CMYK 33 / 25 / 0 / 14

HEX #93A5DC

RGB 147 165 220

HSL 225.21, 0.51%, 0.72%

LAB 68.23, 6.6, -29.89

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A5

RGB 220 147 165

HSL 345.21, 0.51%, 0.72%

LAB 68.61, 29.98, 1.89

 

CMYK 0 / 2 / 33 / 14

HEX #DCD893

RGB 220 216 147

HSL 56.71, 0.51%, 0.72%

LAB 85.22, -8.95, 34.57

 

CMYK 33 / 0 / 9 / 14

HEX #93DCC9

RGB 147 220 201

HSL 164.38, 0.51%, 0.72%

LAB 82.7, -26.81, 2.11

 

CMYK 33 / 32 / 0 / 14

HEX #9396DC

RGB 147 150 220

HSL 237.53, 0.51%, 0.72%

LAB 64.31, 15.13, -35.96

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A5

RGB 220 147 165

HSL 345.21, 0.51%, 0.72%

LAB 68.61, 29.98, 1.89

 

CMYK 9 / 0 / 33 / 14

HEX #C9DC93

RGB 201 220 147

HSL 75.62, 0.51%, 0.72%

LAB 84.85, -18.17, 33.82

 

CMYK 33 / 0 / 9 / 14

HEX #93DCC9

RGB 147 220 201

HSL 164.38, 0.51%, 0.72%

LAB 82.7, -26.81, 2.11

 

CMYK 25 / 33 / 0 / 14

HEX #A593DC

RGB 165 147 220

HSL 254.79, 0.51%, 0.72%

LAB 64.99, 22.04, -34.79

 

Description

Color code: HEX #DC93A5 | qconv.com Color code: HEX #DC93A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 147 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 147 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 25 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 25% 14% C M Y K

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Provide designers and agencies with accurate color values.

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