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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC93BA it is the complementary color #236C45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC93BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC93BA shade: #E193B5, #F2A5C8, #FFB7DB, #FFC9EE and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC93BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC93BA shade: #DC93BA, #CB81A7, #BA6F94, #A95D81 and #984B6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC93BA shade: #DC93BA, #DC93A6 and #DC9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC93BA shade: #DC93BA, #DC93CD, #D693DC, #C393DC and #AF93DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC93BA shade matches the following richer shades: #DC93BA, #E787BA, #F37CBB and #FE70BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC93BA shade: #DC93BA, #D09EB9, #C4AAB8, #B9B5B7 and #ADC1B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC93BA shade: #D593DC, #DC93CE, #DC93BB, #DC93A7 and #DC9394

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC93BA shade: #C75492, #D174A6, #DC93BA, #E6B2CD and #F0D1E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC93BA shade: #DC93BA, #DCC293 and #93D8DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC93BA shade: #DC93BA, #BBDC93 and #93BBDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC93BA shade: #DC93BA, #DCC293, #93DCB3 and #93ACDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC93BA shade: #DC93BA, #DCD893, #93DCB3 and #9396DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 15 / 14

HEX #DC93BA

RGB 220 147 186

HSL 327.95, 0.51%, 0.72%

LAB 69.2, 33.15, -8.96

 

Complementary color

CMYK 68 / 0 / 36 / 58

HEX #236C45

RGB 35 108 69

HSL 147.95, 0.51%, 0.28%

LAB 40.43, -32.36, 15.39

 

CMYK 0 / 35 / 20 / 12

HEX #E193B5

RGB 225 147 181

HSL 333.85, 0.57%, 0.73%

LAB 69.62, 34.11, -5.49

 

CMYK 0 / 32 / 17 / 5

HEX #F2A5C8

RGB 242 165 200

HSL 332.73, 0.75%, 0.8%

LAB 76.04, 33.36, -6.27

 

CMYK 0 / 28 / 14 / 0

HEX #FFB7DB

RGB 255 183 219

HSL 330, 1%, 0.86%

LAB 81.97, 31.31, -7.64

 

CMYK 0 / 21 / 7 / 0

HEX #FFC9EE

RGB 255 201 238

HSL 318.89, 1%, 0.89%

LAB 86.61, 24.97, -10.9

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BA

RGB 220 147 186

HSL 327.95, 0.51%, 0.72%

LAB 69.2, 33.15, -8.96

 

CMYK 0 / 36 / 18 / 20

HEX #CB81A7

RGB 203 129 167

HSL 329.19, 0.42%, 0.65%

LAB 62.67, 33.91, -8.2

 

CMYK 0 / 40 / 20 / 27

HEX #BA6F94

RGB 186 111 148

HSL 330.4, 0.35%, 0.58%

LAB 56.03, 34.71, -7.36

 

CMYK 0 / 45 / 24 / 34

HEX #A95D81

RGB 169 93 129

HSL 331.58, 0.31%, 0.51%

LAB 49.31, 35.56, -6.39

 

CMYK 0 / 51 / 28 / 40

HEX #984B6E

RGB 152 75 110

HSL 332.73, 0.34%, 0.45%

LAB 42.51, 36.41, -5.24

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BA

RGB 220 147 186

HSL 327.95, 0.51%, 0.72%

LAB 69.2, 33.15, -8.96

 

CMYK 0 / 33 / 25 / 14

HEX #DC93A6

RGB 220 147 166

HSL 344.38, 0.51%, 0.72%

LAB 68.63, 30.12, 1.37

 

CMYK 0 / 33 / 33 / 14

HEX #DC9393

RGB 220 147 147

HSL 0, 0.51%, 0.72%

LAB 68.16, 27.56, 11.32

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BA

RGB 220 147 186

HSL 327.95, 0.51%, 0.72%

LAB 69.2, 33.15, -8.96

 

CMYK 0 / 33 / 7 / 14

HEX #DC93CD

RGB 220 147 205

HSL 312.33, 0.51%, 0.72%

LAB 69.82, 36.31, -18.6

 

CMYK 3 / 33 / 0 / 14

HEX #D693DC

RGB 214 147 220

HSL 295.07, 0.51%, 0.72%

LAB 69.7, 37.11, -27.12

 

CMYK 11 / 33 / 0 / 14

HEX #C393DC

RGB 195 147 220

HSL 279.45, 0.51%, 0.72%

LAB 67.75, 31.16, -30.29

 

CMYK 20 / 33 / 0 / 14

HEX #AF93DC

RGB 175 147 220

HSL 263.01, 0.51%, 0.72%

LAB 65.86, 25.02, -33.36

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BA

RGB 220 147 186

HSL 327.95, 0.51%, 0.72%

LAB 69.2, 33.15, -8.96

 

CMYK 0 / 42 / 19 / 9

HEX #E787BA

RGB 231 135 186

HSL 328.13, 0.67%, 0.72%

LAB 67.92, 43.2, -10.74

 

CMYK 0 / 49 / 23 / 5

HEX #F37CBB

RGB 243 124 187

HSL 328.24, 0.83%, 0.72%

LAB 67.32, 52.76, -12.04

 

CMYK 0 / 56 / 26 / 0

HEX #FE70BC

RGB 254 112 188

HSL 327.89, 0.99%, 0.72%

LAB 66.74, 61.89, -13.32

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BA

RGB 220 147 186

HSL 327.95, 0.51%, 0.72%

LAB 69.2, 33.15, -8.96

 

CMYK 0 / 24 / 11 / 18

HEX #D09EB9

RGB 208 158 185

HSL 327.6, 0.35%, 0.72%

LAB 70.43, 22.83, -6.71

 

CMYK 0 / 13 / 6 / 23

HEX #C4AAB8

RGB 196 170 184

HSL 327.69, 0.18%, 0.72%

LAB 72.19, 11.83, -3.69

 

CMYK 0 / 2 / 1 / 27

HEX #B9B5B7

RGB 185 181 183

HSL 330, 0.03%, 0.72%

LAB 74.05, 1.78, -0.52

 

CMYK 10 / 0 / 6 / 24

HEX #ADC1B6

RGB 173 193 182

HSL 147, 0.14%, 0.72%

LAB 76.32, -8.94, 3.21

 

CMYK 3 / 33 / 0 / 14

HEX #D593DC

RGB 213 147 220

HSL 294.25, 0.51%, 0.72%

LAB 69.6, 36.79, -27.29

 

CMYK 0 / 33 / 6 / 14

HEX #DC93CE

RGB 220 147 206

HSL 311.51, 0.51%, 0.72%

LAB 69.85, 36.49, -19.1

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BB

RGB 220 147 187

HSL 327.12, 0.51%, 0.72%

LAB 69.23, 33.31, -9.47

 

CMYK 0 / 33 / 24 / 14

HEX #DC93A7

RGB 220 147 167

HSL 343.56, 0.51%, 0.72%

LAB 68.66, 30.26, 0.85

 

CMYK 0 / 33 / 33 / 14

HEX #DC9394

RGB 220 147 148

HSL 359.18, 0.51%, 0.72%

LAB 68.18, 27.69, 10.79

 

CMYK 0 / 58 / 27 / 22

HEX #C75492

RGB 199 84 146

HSL 327.65, 0.51%, 0.55%

LAB 52.46, 52.42, -11.35

 

CMYK 0 / 44 / 21 / 18

HEX #D174A6

RGB 209 116 166

HSL 327.74, 0.5%, 0.64%

LAB 60.6, 42.69, -10.63

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BA

RGB 220 147 186

HSL 327.95, 0.51%, 0.72%

LAB 69.2, 33.15, -8.96

 

CMYK 0 / 23 / 11 / 10

HEX #E6B2CD

RGB 230 178 205

HSL 328.85, 0.51%, 0.8%

LAB 77.92, 23.08, -6.36

 

CMYK 0 / 13 / 6 / 6

HEX #F0D1E1

RGB 240 209 225

HSL 329.03, 0.51%, 0.88%

LAB 86.78, 13.46, -3.9

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BA

RGB 220 147 186

HSL 327.95, 0.51%, 0.72%

LAB 69.2, 33.15, -8.96

 

CMYK 0 / 12 / 33 / 14

HEX #DCC293

RGB 220 194 147

HSL 38.63, 0.51%, 0.72%

LAB 79.56, 2.41, 27.05

 

CMYK 33 / 2 / 0 / 14

HEX #93D8DC

RGB 147 216 220

HSL 183.29, 0.51%, 0.72%

LAB 82.1, -20.55, -8.88

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BA

RGB 220 147 186

HSL 327.95, 0.51%, 0.72%

LAB 69.2, 33.15, -8.96

 

CMYK 15 / 0 / 33 / 14

HEX #BBDC93

RGB 187 220 147

HSL 87.12, 0.51%, 0.72%

LAB 83.89, -23.33, 32.38

 

CMYK 33 / 15 / 0 / 14

HEX #93BBDC

RGB 147 187 220

HSL 207.12, 0.51%, 0.72%

LAB 74.13, -5.5, -20.85

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BA

RGB 220 147 186

HSL 327.95, 0.51%, 0.72%

LAB 69.2, 33.15, -8.96

 

CMYK 0 / 12 / 33 / 14

HEX #DCC293

RGB 220 194 147

HSL 38.63, 0.51%, 0.72%

LAB 79.56, 2.41, 27.05

 

CMYK 33 / 0 / 19 / 14

HEX #93DCB3

RGB 147 220 179

HSL 146.3, 0.51%, 0.72%

LAB 82.19, -31.33, 13.02

 

CMYK 33 / 22 / 0 / 14

HEX #93ACDC

RGB 147 172 220

HSL 219.45, 0.51%, 0.72%

LAB 70.09, 2.69, -27.02

 

CMYK 0 / 33 / 15 / 14

HEX #DC93BA

RGB 220 147 186

HSL 327.95, 0.51%, 0.72%

LAB 69.2, 33.15, -8.96

 

CMYK 0 / 2 / 33 / 14

HEX #DCD893

RGB 220 216 147

HSL 56.71, 0.51%, 0.72%

LAB 85.22, -8.95, 34.57

 

CMYK 33 / 0 / 19 / 14

HEX #93DCB3

RGB 147 220 179

HSL 146.3, 0.51%, 0.72%

LAB 82.19, -31.33, 13.02

 

CMYK 33 / 32 / 0 / 14

HEX #9396DC

RGB 147 150 220

HSL 237.53, 0.51%, 0.72%

LAB 64.31, 15.13, -35.96

 

Description

Color code: HEX #DC93BA | qconv.com Color code: HEX #DC93BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 147 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 147 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 15 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 15% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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