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Color name
HEX #DD266C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD266C it is the complementary color #22D993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD266C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD266C shade: #E22667, #F3387A, #FF4A8D, #FF5CA0 and #FF6EB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD266C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD266C shade: #DD266C, #CC1459, #BB0246, #AA0033 and #990020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD266C shade: #DD266C, #DD263B and #DD2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD266C shade: #DD266C, #DD269D, #DD26CF, #BA26DD and #8926DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD266C shade matches the following richer shades: #DD266C and #F11267

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD266C shade: #DD266C, #C93B71, #B44F76, #A0637A and #8C777F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD266C shade: #DD26CE, #DD269D, #DD266C, #DD263C and #DD4226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD266C shade: #991749, #BD1D5A, #DD266C, #E24A84 and #E86E9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD266C shade: #DD266C, #DDBB26 and #26B5DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD266C shade: #DD266C, #6CDD26 and #266CDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD266C shade: #DD266C, #DDBB26, #26DD97 and #2648DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD266C shade: #DD266C, #C7DD26, #26DD97 and #3C26DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 51 / 13

HEX #DD266C

RGB 221 38 108

HSL 337.05, 0.73%, 0.51%

LAB 49.3, 70.72, 7.32

 

Complementary color

CMYK 84 / 0 / 32 / 15

HEX #22D993

RGB 34 217 147

HSL 157.05, 0.73%, 0.49%

LAB 77.32, -59.05, 22.56

 

CMYK 0 / 83 / 54 / 11

HEX #E22667

RGB 226 38 103

HSL 339.26, 0.76%, 0.52%

LAB 50.14, 71.61, 11.68

 

CMYK 0 / 77 / 50 / 5

HEX #F3387A

RGB 243 56 122

HSL 338.82, 0.89%, 0.59%

LAB 55.37, 72.88, 8.05

 

CMYK 0 / 71 / 45 / 0

HEX #FF4A8D

RGB 255 74 141

HSL 337.79, 1%, 0.65%

LAB 59.96, 72.12, 3.69

 

CMYK 0 / 64 / 37 / 0

HEX #FF5CA0

RGB 255 92 160

HSL 334.97, 1%, 0.68%

LAB 62.89, 67.36, -3.07

 

CMYK 0 / 57 / 30 / 0

HEX #FF6EB3

RGB 255 110 179

HSL 331.45, 1%, 0.72%

LAB 66.26, 61.95, -8.92

 

CMYK 0 / 83 / 51 / 13

HEX #DD266C

RGB 221 38 108

HSL 337.05, 0.73%, 0.51%

LAB 49.3, 70.72, 7.32

 

CMYK 0 / 90 / 56 / 20

HEX #CC1459

RGB 204 20 89

HSL 337.5, 0.82%, 0.44%

LAB 44.32, 68.51, 11.58

 

CMYK 0 / 99 / 63 / 27

HEX #BB0246

RGB 187 2 70

HSL 337.95, 0.98%, 0.37%

LAB 39.67, 65.28, 16.67

 

CMYK 0 / 100 / 70 / 33

HEX #AA0033

RGB 170 0 51

HSL 342, 1%, 0.33%

LAB 35.57, 60.4, 22.86

 

CMYK 0 / 100 / 79 / 40

HEX #990020

RGB 153 0 32

HSL 347.45, 1%, 0.3%

LAB 31.52, 55.37, 29.28

 

CMYK 0 / 83 / 51 / 13

HEX #DD266C

RGB 221 38 108

HSL 337.05, 0.73%, 0.51%

LAB 49.3, 70.72, 7.32

 

CMYK 0 / 83 / 73 / 13

HEX #DD263B

RGB 221 38 59

HSL 353.11, 0.73%, 0.51%

LAB 48.35, 67.9, 35.77

 

CMYK 0 / 83 / 83 / 13

HEX #DD2626

RGB 221 38 38

HSL 0, 0.73%, 0.51%

LAB 48.13, 67.23, 47.17

 

CMYK 0 / 83 / 51 / 13

HEX #DD266C

RGB 221 38 108

HSL 337.05, 0.73%, 0.51%

LAB 49.3, 70.72, 7.32

 

CMYK 0 / 83 / 29 / 13

HEX #DD269D

RGB 221 38 157

HSL 320.98, 0.73%, 0.51%

LAB 50.91, 75.34, -19.89

 

CMYK 0 / 83 / 6 / 13

HEX #DD26CF

RGB 221 38 207

HSL 304.59, 0.73%, 0.51%

LAB 53.24, 81.72, -45.44

 

CMYK 16 / 83 / 0 / 13

HEX #BA26DD

RGB 186 38 221

HSL 288.52, 0.73%, 0.51%

LAB 48.32, 77.68, -61.64

 

CMYK 38 / 83 / 0 / 13

HEX #8926DD

RGB 137 38 221

HSL 272.46, 0.73%, 0.51%

LAB 41.1, 70.19, -73.71

 

CMYK 0 / 83 / 51 / 13

HEX #DD266C

RGB 221 38 108

HSL 337.05, 0.73%, 0.51%

LAB 49.3, 70.72, 7.32

 

CMYK 0 / 93 / 57 / 5

HEX #F11267

RGB 241 18 103

HSL 337.13, 0.89%, 0.51%

LAB 51.96, 78.41, 14.67

 

CMYK 0 / 83 / 51 / 13

HEX #DD266C

RGB 221 38 108

HSL 337.05, 0.73%, 0.51%

LAB 49.3, 70.72, 7.32

 

CMYK 0 / 71 / 44 / 21

HEX #C93B71

RGB 201 59 113

HSL 337.18, 0.57%, 0.51%

LAB 47.93, 59.63, 1.8

 

CMYK 0 / 56 / 34 / 29

HEX #B44F76

RGB 180 79 118

HSL 336.83, 0.4%, 0.51%

LAB 47.76, 45.07, -1.9

 

CMYK 0 / 38 / 24 / 37

HEX #A0637A

RGB 160 99 122

HSL 337.38, 0.24%, 0.51%

LAB 49.26, 27.9, -2.42

 

CMYK 0 / 15 / 9 / 45

HEX #8C777F

RGB 140 119 127

HSL 337.14, 0.08%, 0.51%

LAB 52.18, 9.57, -1.35

 

CMYK 0 / 83 / 7 / 13

HEX #DD26CE

RGB 221 38 206

HSL 304.92, 0.73%, 0.51%

LAB 53.18, 81.58, -44.95

 

CMYK 0 / 83 / 29 / 13

HEX #DD269D

RGB 221 38 157

HSL 320.98, 0.73%, 0.51%

LAB 50.91, 75.34, -19.89

 

CMYK 0 / 83 / 51 / 13

HEX #DD266C

RGB 221 38 108

HSL 337.05, 0.73%, 0.51%

LAB 49.3, 70.72, 7.32

 

CMYK 0 / 83 / 73 / 13

HEX #DD263C

RGB 221 38 60

HSL 352.79, 0.73%, 0.51%

LAB 48.37, 67.94, 35.2

 

CMYK 0 / 70 / 83 / 13

HEX #DD4226

RGB 221 66 38

HSL 9.18, 0.73%, 0.51%

LAB 51.16, 58.77, 49.94

 

CMYK 0 / 85 / 52 / 40

HEX #991749

RGB 153 23 73

HSL 336.92, 0.74%, 0.35%

LAB 33.7, 53.82, 5.38

 

CMYK 0 / 85 / 52 / 26

HEX #BD1D5A

RGB 189 29 90

HSL 337.13, 0.73%, 0.43%

LAB 41.9, 63.23, 7.12

 

CMYK 0 / 83 / 51 / 13

HEX #DD266C

RGB 221 38 108

HSL 337.05, 0.73%, 0.51%

LAB 49.3, 70.72, 7.32

 

CMYK 0 / 67 / 42 / 11

HEX #E24A84

RGB 226 74 132

HSL 337.11, 0.72%, 0.59%

LAB 54.8, 63.12, 0.89

 

CMYK 0 / 53 / 33 / 9

HEX #E86E9C

RGB 232 110 156

HSL 337.38, 0.73%, 0.67%

LAB 62.26, 51.95, -2.09

 

CMYK 0 / 83 / 51 / 13

HEX #DD266C

RGB 221 38 108

HSL 337.05, 0.73%, 0.51%

LAB 49.3, 70.72, 7.32

 

CMYK 0 / 15 / 83 / 13

HEX #DDBB26

RGB 221 187 38

HSL 48.85, 0.73%, 0.51%

LAB 76.71, -1.61, 72.21

 

CMYK 83 / 18 / 0 / 13

HEX #26B5DD

RGB 38 181 221

HSL 193.11, 0.73%, 0.51%

LAB 68.52, -22.46, -30.33

 

CMYK 0 / 83 / 51 / 13

HEX #DD266C

RGB 221 38 108

HSL 337.05, 0.73%, 0.51%

LAB 49.3, 70.72, 7.32

 

CMYK 51 / 0 / 83 / 13

HEX #6CDD26

RGB 108 221 38

HSL 97.05, 0.73%, 0.51%

LAB 79.06, -60.52, 71.47

 

CMYK 83 / 51 / 0 / 13

HEX #266CDD

RGB 38 108 221

HSL 217.05, 0.73%, 0.51%

LAB 47.44, 19.99, -63.69

 

CMYK 0 / 83 / 51 / 13

HEX #DD266C

RGB 221 38 108

HSL 337.05, 0.73%, 0.51%

LAB 49.3, 70.72, 7.32

 

CMYK 0 / 15 / 83 / 13

HEX #DDBB26

RGB 221 187 38

HSL 48.85, 0.73%, 0.51%

LAB 76.71, -1.61, 72.21

 

CMYK 83 / 0 / 32 / 13

HEX #26DD97

RGB 38 221 151

HSL 157.05, 0.73%, 0.51%

LAB 78.67, -59.35, 22.33

 

CMYK 83 / 67 / 0 / 13

HEX #2648DD

RGB 38 72 221

HSL 228.85, 0.73%, 0.51%

LAB 38.32, 42.91, -78.58

 

CMYK 0 / 83 / 51 / 13

HEX #DD266C

RGB 221 38 108

HSL 337.05, 0.73%, 0.51%

LAB 49.3, 70.72, 7.32

 

CMYK 10 / 0 / 83 / 13

HEX #C7DD26

RGB 199 221 38

HSL 67.21, 0.73%, 0.51%

LAB 83.96, -27.9, 77.64

 

CMYK 83 / 0 / 32 / 13

HEX #26DD97

RGB 38 221 151

HSL 157.05, 0.73%, 0.51%

LAB 78.67, -59.35, 22.33

 

CMYK 73 / 83 / 0 / 13

HEX #3C26DD

RGB 60 38 221

HSL 247.21, 0.73%, 0.51%

LAB 33.07, 62.31, -87.23

 

Description

Color code: HEX #DD266C | qconv.com Color code: HEX #DD266C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 38 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 38 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 51 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 51% 13% C M Y K

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