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Color name
HEX #DD2275

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD2275 it is the complementary color #22DD8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD2275. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD2275 shade: #E22270, #F33483, #FF4696, #FF58A9 and #FF6ABC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD2275. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD2275 shade: #DD2275, #CC1062, #BB004F, #AA003C and #990029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD2275 shade: #DC2275, #DC2242 and #DC2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD2275 shade: #DC2275, #DC22A7, #DC22D9, #AD22DC and #7B22DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD2275 shade matches the following richer shades: #DC2275 and #F10D72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD2275 shade: #DC2275, #C73777, #B34B79, #9E607B and #8A747E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD2275 shade: #DC22D9, #DC22A7, #DC2276, #DC2244 and #DC3122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD2275 shade: #95174F, #B81C62, #DC2275, #E2468B and #E769A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD2275 shade: #DD2275, #DCAE22 and #22C0DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD2275 shade: #DD2275, #76DC22 and #2276DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD2275 shade: #DD2275, #DCAE22, #22DC88 and #2250DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD2275 shade: #DD2275, #D3DC22, #22DC88 and #2B22DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 47 / 13

HEX #DD2275

RGB 221 34 117

HSL 333.37, 0.73%, 0.5%

LAB 49.25, 72.28, 1.74

 

Complementary color

CMYK 85 / 0 / 38 / 13

HEX #22DD8A

RGB 34 221 138

HSL 153.37, 0.73%, 0.5%

LAB 78.4, -62.32, 28.67

 

CMYK 0 / 85 / 50 / 11

HEX #E22270

RGB 226 34 112

HSL 335.63, 0.77%, 0.51%

LAB 50.08, 73.09, 6.11

 

CMYK 0 / 79 / 46 / 5

HEX #F33483

RGB 243 52 131

HSL 335.18, 0.89%, 0.58%

LAB 55.23, 74.7, 2.47

 

CMYK 0 / 73 / 41 / 0

HEX #FF4696

RGB 255 70 150

HSL 334.05, 1%, 0.64%

LAB 59.75, 74.25, -1.89

 

CMYK 0 / 65 / 34 / 0

HEX #FF58A9

RGB 255 88 169

HSL 330.9, 1%, 0.67%

LAB 62.6, 69.88, -8.68

 

CMYK 0 / 58 / 26 / 0

HEX #FF6ABC

RGB 255 106 188

HSL 326.98, 1%, 0.71%

LAB 65.9, 64.81, -14.56

 

CMYK 0 / 85 / 47 / 13

HEX #DD2275

RGB 221 34 117

HSL 333.37, 0.73%, 0.5%

LAB 49.25, 72.28, 1.74

 

CMYK 0 / 92 / 52 / 20

HEX #CC1062

RGB 204 16 98

HSL 333.83, 0.85%, 0.43%

LAB 44.36, 69.68, 6

 

CMYK 0 / 100 / 58 / 27

HEX #BB004F

RGB 187 0 79

HSL 334.65, 1%, 0.37%

LAB 39.8, 66.05, 11.09

 

CMYK 0 / 100 / 65 / 33

HEX #AA003C

RGB 170 0 60

HSL 338.82, 1%, 0.33%

LAB 35.74, 60.86, 17.25

 

CMYK 0 / 100 / 73 / 40

HEX #990029

RGB 153 0 41

HSL 343.92, 1%, 0.3%

LAB 31.65, 55.72, 23.68

 

CMYK 0 / 85 / 47 / 14

HEX #DC2275

RGB 220 34 117

HSL 333.23, 0.73%, 0.5%

LAB 49.06, 72.04, 1.44

 

CMYK 0 / 85 / 70 / 14

HEX #DC2242

RGB 220 34 66

HSL 349.68, 0.73%, 0.5%

LAB 47.95, 68.8, 31.1

 

CMYK 0 / 85 / 85 / 14

HEX #DC2222

RGB 220 34 34

HSL 0, 0.73%, 0.5%

LAB 47.59, 67.75, 48.62

 

CMYK 0 / 85 / 47 / 14

HEX #DC2275

RGB 220 34 117

HSL 333.23, 0.73%, 0.5%

LAB 49.06, 72.04, 1.44

 

CMYK 0 / 85 / 24 / 14

HEX #DC22A7

RGB 220 34 167

HSL 317.1, 0.73%, 0.5%

LAB 50.86, 77.09, -25.9

 

CMYK 0 / 85 / 1 / 14

HEX #DC22D9

RGB 220 34 217

HSL 300.97, 0.73%, 0.5%

LAB 53.35, 83.75, -50.98

 

CMYK 21 / 85 / 0 / 14

HEX #AD22DC

RGB 173 34 220

HSL 284.84, 0.73%, 0.5%

LAB 45.9, 76.33, -65.08

 

CMYK 44 / 85 / 0 / 14

HEX #7B22DC

RGB 123 34 220

HSL 268.71, 0.73%, 0.5%

LAB 38.76, 69.35, -77.03

 

CMYK 0 / 85 / 47 / 14

HEX #DC2275

RGB 220 34 117

HSL 333.23, 0.73%, 0.5%

LAB 49.06, 72.04, 1.44

 

CMYK 0 / 95 / 53 / 5

HEX #F10D72

RGB 241 13 114

HSL 333.42, 0.9%, 0.5%

LAB 52.07, 79.6, 8.12

 

CMYK 0 / 85 / 47 / 14

HEX #DC2275

RGB 220 34 117

HSL 333.23, 0.73%, 0.5%

LAB 49.06, 72.04, 1.44

 

CMYK 0 / 72 / 40 / 22

HEX #C73777

RGB 199 55 119

HSL 333.33, 0.57%, 0.5%

LAB 47.24, 61.07, -2.9

 

CMYK 0 / 58 / 32 / 30

HEX #B34B79

RGB 179 75 121

HSL 333.46, 0.41%, 0.5%

LAB 46.97, 47.04, -4.9

 

CMYK 0 / 39 / 22 / 38

HEX #9E607B

RGB 158 96 123

HSL 333.87, 0.24%, 0.5%

LAB 48.34, 29, -4.4

 

CMYK 0 / 16 / 9 / 46

HEX #8A747E

RGB 138 116 126

HSL 332.73, 0.09%, 0.5%

LAB 51.15, 10.37, -2.29

 

CMYK 0 / 85 / 1 / 14

HEX #DC22D9

RGB 220 34 217

HSL 300.97, 0.73%, 0.5%

LAB 53.35, 83.75, -50.98

 

CMYK 0 / 85 / 24 / 14

HEX #DC22A7

RGB 220 34 167

HSL 317.1, 0.73%, 0.5%

LAB 50.86, 77.09, -25.9

 

CMYK 0 / 85 / 46 / 14

HEX #DC2276

RGB 220 34 118

HSL 332.9, 0.73%, 0.5%

LAB 49.09, 72.12, 0.87

 

CMYK 0 / 85 / 69 / 14

HEX #DC2244

RGB 220 34 68

HSL 349.03, 0.73%, 0.5%

LAB 47.98, 68.89, 29.93

 

CMYK 0 / 78 / 85 / 14

HEX #DC3122

RGB 220 49 34

HSL 4.84, 0.73%, 0.5%

LAB 48.92, 63.99, 49.77

 

CMYK 0 / 85 / 47 / 42

HEX #95174F

RGB 149 23 79

HSL 333.33, 0.73%, 0.34%

LAB 33.06, 53.28, 0.43

 

CMYK 0 / 85 / 47 / 28

HEX #B81C62

RGB 184 28 98

HSL 333.08, 0.74%, 0.42%

LAB 41.06, 62.83, 0.73

 

CMYK 0 / 85 / 47 / 14

HEX #DC2275

RGB 220 34 117

HSL 333.23, 0.73%, 0.5%

LAB 49.06, 72.04, 1.44

 

CMYK 0 / 69 / 38 / 11

HEX #E2468B

RGB 226 70 139

HSL 333.46, 0.73%, 0.58%

LAB 54.46, 65.32, -3.76

 

CMYK 0 / 55 / 30 / 9

HEX #E769A1

RGB 231 105 161

HSL 333.33, 0.72%, 0.66%

LAB 61.36, 54.61, -6.31

 

CMYK 0 / 85 / 47 / 13

HEX #DD2275

RGB 221 34 117

HSL 333.37, 0.73%, 0.5%

LAB 49.25, 72.28, 1.74

 

CMYK 0 / 21 / 85 / 14

HEX #DCAE22

RGB 220 174 34

HSL 45.16, 0.73%, 0.5%

LAB 73.29, 4.67, 70.36

 

CMYK 85 / 13 / 0 / 14

HEX #22C0DC

RGB 34 192 220

HSL 189.03, 0.73%, 0.5%

LAB 71.7, -28.62, -24.91

 

CMYK 0 / 85 / 47 / 13

HEX #DD2275

RGB 221 34 117

HSL 333.37, 0.73%, 0.5%

LAB 49.25, 72.28, 1.74

 

CMYK 46 / 0 / 85 / 14

HEX #76DC22

RGB 118 220 34

HSL 92.9, 0.73%, 0.5%

LAB 79.13, -57.37, 72.59

 

CMYK 85 / 46 / 0 / 14

HEX #2276DC

RGB 34 118 220

HSL 212.9, 0.73%, 0.5%

LAB 50.05, 12.96, -58.91

 

CMYK 0 / 85 / 47 / 13

HEX #DD2275

RGB 221 34 117

HSL 333.37, 0.73%, 0.5%

LAB 49.25, 72.28, 1.74

 

CMYK 0 / 21 / 85 / 14

HEX #DCAE22

RGB 220 174 34

HSL 45.16, 0.73%, 0.5%

LAB 73.29, 4.67, 70.36

 

CMYK 85 / 0 / 38 / 14

HEX #22DC88

RGB 34 220 136

HSL 152.9, 0.73%, 0.5%

LAB 78.05, -62.36, 29.24

 

CMYK 85 / 64 / 0 / 14

HEX #2250DC

RGB 34 80 220

HSL 225.16, 0.73%, 0.5%

LAB 39.99, 37.29, -75.27

 

CMYK 0 / 85 / 47 / 13

HEX #DD2275

RGB 221 34 117

HSL 333.37, 0.73%, 0.5%

LAB 49.25, 72.28, 1.74

 

CMYK 4 / 0 / 85 / 14

HEX #D3DC22

RGB 211 220 34

HSL 62.9, 0.73%, 0.5%

LAB 84.56, -22.57, 79.37

 

CMYK 85 / 0 / 38 / 14

HEX #22DC88

RGB 34 220 136

HSL 152.9, 0.73%, 0.5%

LAB 78.05, -62.36, 29.24

 

CMYK 80 / 85 / 0 / 14

HEX #2B22DC

RGB 43 34 220

HSL 242.9, 0.73%, 0.5%

LAB 31.41, 62.75, -89.44

 

Description

Color code: HEX #DD2275 | qconv.com Color code: HEX #DD2275 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 34 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 34 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 47 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 47% 13% C M Y K

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