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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD2B26 it is the complementary color #22D4D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD2B26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD2B26 shade: #E22B21, #F33D34, #FF4F47, #FF615A and #FF736D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD2B26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD2B26 shade: #DD2B26, #CC1913, #BB0700, #AA0000 and #990000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD2B26 shade: #DD2B26 and #DD2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD2B26 shade: #DD2B26, #DD5D26, #DD8E26, #DDBF26 and #C9DD26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD2B26 shade matches the following richer shades: #DD2B26 and #F11812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD2B26 shade: #DD2B26, #C93E3B, #B4524F, #A06563 and #8C7877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD2B26 shade: #DD2685, #DD2654, #DD2926, #DD5A26 and #DD8B26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD2B26 shade: #991B17, #BD211D, #DD2B26, #E24E4A and #E8716E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD2B26 shade: #DD2B26, #B5DD26 and #266CDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD2B26 shade: #DD2B26, #26DD29 and #2926DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD2B26 shade: #DD2B26, #B5DD26, #26DADD and #4E26DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD2B26 shade: #DD2B26, #7FDD26, #26DADD and #8526DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 83 / 13

HEX #DD2B26

RGB 221 43 38

HSL 1.64, 0.73%, 0.51%

LAB 48.56, 66.01, 47.56

 

Complementary color

CMYK 84 / 2 / 0 / 15

HEX #22D4D9

RGB 34 212 217

HSL 181.64, 0.73%, 0.49%

LAB 77.54, -39.01, -14.43

 

CMYK 0 / 81 / 85 / 11

HEX #E22B21

RGB 226 43 33

HSL 3.11, 0.77%, 0.51%

LAB 49.5, 67.3, 51.21

 

CMYK 0 / 75 / 79 / 5

HEX #F33D34

RGB 243 61 52

HSL 2.83, 0.89%, 0.58%

LAB 54.7, 67.6, 47.74

 

CMYK 0 / 69 / 72 / 0

HEX #FF4F47

RGB 255 79 71

HSL 2.61, 1%, 0.64%

LAB 59.26, 65.81, 43.12

 

CMYK 0 / 62 / 65 / 0

HEX #FF615A

RGB 255 97 90

HSL 2.55, 1%, 0.68%

LAB 62.12, 59.65, 36.03

 

CMYK 0 / 55 / 57 / 0

HEX #FF736D

RGB 255 115 109

HSL 2.47, 1%, 0.71%

LAB 65.46, 52.88, 29.65

 

CMYK 0 / 81 / 83 / 13

HEX #DD2B26

RGB 221 43 38

HSL 1.64, 0.73%, 0.51%

LAB 48.56, 66.01, 47.56

 

CMYK 0 / 88 / 91 / 20

HEX #CC1913

RGB 204 25 19

HSL 1.95, 0.83%, 0.44%

LAB 43.62, 64.92, 50.92

 

CMYK 0 / 96 / 100 / 27

HEX #BB0700

RGB 187 7 0

HSL 2.25, 1%, 0.37%

LAB 39.1, 62.69, 53.33

 

CMYK 0 / 100 / 100 / 33

HEX #AA0000

RGB 170 0 0

HSL 0, 1%, 0.33%

LAB 35.1, 59.12, 49.41

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 81 / 83 / 13

HEX #DD2B26

RGB 221 43 38

HSL 1.64, 0.73%, 0.51%

LAB 48.56, 66.01, 47.56

 

CMYK 0 / 83 / 83 / 13

HEX #DD2626

RGB 221 38 38

HSL 0, 0.73%, 0.51%

LAB 48.13, 67.23, 47.17

 

CMYK 0 / 81 / 83 / 13

HEX #DD2B26

RGB 221 43 38

HSL 1.64, 0.73%, 0.51%

LAB 48.56, 66.01, 47.56

 

CMYK 0 / 58 / 83 / 13

HEX #DD5D26

RGB 221 93 38

HSL 18.03, 0.73%, 0.51%

LAB 55.42, 47.37, 53.78

 

CMYK 0 / 36 / 83 / 13

HEX #DD8E26

RGB 221 142 38

HSL 34.1, 0.73%, 0.51%

LAB 65.64, 22.31, 62.74

 

CMYK 0 / 14 / 83 / 13

HEX #DDBF26

RGB 221 191 38

HSL 50.16, 0.73%, 0.51%

LAB 77.74, -3.69, 73.08

 

CMYK 9 / 0 / 83 / 13

HEX #C9DD26

RGB 201 221 38

HSL 66.56, 0.73%, 0.51%

LAB 84.11, -27.08, 77.82

 

CMYK 0 / 81 / 83 / 13

HEX #DD2B26

RGB 221 43 38

HSL 1.64, 0.73%, 0.51%

LAB 48.56, 66.01, 47.56

 

CMYK 0 / 90 / 93 / 5

HEX #F11812

RGB 241 24 18

HSL 1.61, 0.89%, 0.51%

LAB 51.15, 74.69, 59.84

 

CMYK 0 / 81 / 83 / 13

HEX #DD2B26

RGB 221 43 38

HSL 1.64, 0.73%, 0.51%

LAB 48.56, 66.01, 47.56

 

CMYK 0 / 69 / 71 / 21

HEX #C93E3B

RGB 201 62 59

HSL 1.27, 0.57%, 0.51%

LAB 47.21, 54.6, 33.47

 

CMYK 0 / 54 / 56 / 29

HEX #B4524F

RGB 180 82 79

HSL 1.78, 0.4%, 0.51%

LAB 47.37, 39.57, 21.12

 

CMYK 0 / 37 / 38 / 37

HEX #A06563

RGB 160 101 99

HSL 1.97, 0.24%, 0.51%

LAB 49.11, 23.56, 11.1

 

CMYK 0 / 14 / 15 / 45

HEX #8C7877

RGB 140 120 119

HSL 2.86, 0.08%, 0.51%

LAB 52.22, 7.55, 3.4

 

CMYK 0 / 83 / 40 / 13

HEX #DD2685

RGB 221 38 133

HSL 328.85, 0.73%, 0.51%

LAB 50.04, 72.86, -6.82

 

CMYK 0 / 83 / 62 / 13

HEX #DD2654

RGB 221 38 84

HSL 344.92, 0.73%, 0.51%

LAB 48.76, 69.11, 21.26

 

CMYK 0 / 81 / 83 / 13

HEX #DD2926

RGB 221 41 38

HSL 0.98, 0.73%, 0.51%

LAB 48.38, 66.52, 47.4

 

CMYK 0 / 59 / 83 / 13

HEX #DD5A26

RGB 221 90 38

HSL 17.05, 0.73%, 0.51%

LAB 54.89, 48.76, 53.3

 

CMYK 0 / 37 / 83 / 13

HEX #DD8B26

RGB 221 139 38

HSL 33.11, 0.73%, 0.51%

LAB 64.94, 23.92, 62.14

 

CMYK 0 / 82 / 85 / 40

HEX #991B17

RGB 153 27 23

HSL 1.85, 0.74%, 0.35%

LAB 33.17, 50.09, 36.21

 

CMYK 0 / 83 / 85 / 26

HEX #BD211D

RGB 189 33 29

HSL 1.5, 0.73%, 0.43%

LAB 41.21, 59.25, 43.1

 

CMYK 0 / 81 / 83 / 13

HEX #DD2B26

RGB 221 43 38

HSL 1.64, 0.73%, 0.51%

LAB 48.56, 66.01, 47.56

 

CMYK 0 / 65 / 67 / 11

HEX #E24E4A

RGB 226 78 74

HSL 1.58, 0.72%, 0.59%

LAB 54.15, 57.13, 34.19

 

CMYK 0 / 51 / 53 / 9

HEX #E8716E

RGB 232 113 110

HSL 1.48, 0.73%, 0.67%

LAB 61.73, 45.78, 23.56

 

CMYK 0 / 81 / 83 / 13

HEX #DD2B26

RGB 221 43 38

HSL 1.64, 0.73%, 0.51%

LAB 48.56, 66.01, 47.56

 

CMYK 18 / 0 / 83 / 13

HEX #B5DD26

RGB 181 221 38

HSL 73.11, 0.73%, 0.51%

LAB 82.74, -35.15, 76.11

 

CMYK 83 / 51 / 0 / 13

HEX #266CDD

RGB 38 108 221

HSL 217.05, 0.73%, 0.51%

LAB 47.44, 19.99, -63.69

 

CMYK 0 / 81 / 83 / 13

HEX #DD2B26

RGB 221 43 38

HSL 1.64, 0.73%, 0.51%

LAB 48.56, 66.01, 47.56

 

CMYK 83 / 0 / 81 / 13

HEX #26DD29

RGB 38 221 41

HSL 120.98, 0.73%, 0.51%

LAB 77.45, -73.89, 68.65

 

CMYK 81 / 83 / 0 / 13

HEX #2926DD

RGB 41 38 221

HSL 240.98, 0.73%, 0.51%

LAB 31.98, 61.31, -89.06

 

CMYK 0 / 81 / 83 / 13

HEX #DD2B26

RGB 221 43 38

HSL 1.64, 0.73%, 0.51%

LAB 48.56, 66.01, 47.56

 

CMYK 18 / 0 / 83 / 13

HEX #B5DD26

RGB 181 221 38

HSL 73.11, 0.73%, 0.51%

LAB 82.74, -35.15, 76.11

 

CMYK 83 / 1 / 0 / 13

HEX #26DADD

RGB 38 218 221

HSL 180.98, 0.73%, 0.51%

LAB 79.49, -40.28, -13.65

 

CMYK 65 / 83 / 0 / 13

HEX #4E26DD

RGB 78 38 221

HSL 253.11, 0.73%, 0.51%

LAB 34.45, 63.63, -84.89

 

CMYK 0 / 81 / 83 / 13

HEX #DD2B26

RGB 221 43 38

HSL 1.64, 0.73%, 0.51%

LAB 48.56, 66.01, 47.56

 

CMYK 43 / 0 / 83 / 13

HEX #7FDD26

RGB 127 221 38

HSL 90.82, 0.73%, 0.51%

LAB 79.82, -54.78, 72.43

 

CMYK 83 / 1 / 0 / 13

HEX #26DADD

RGB 38 218 221

HSL 180.98, 0.73%, 0.51%

LAB 79.49, -40.28, -13.65

 

CMYK 40 / 83 / 0 / 13

HEX #8526DD

RGB 133 38 221

HSL 271.15, 0.73%, 0.51%

LAB 40.56, 69.65, -74.61

 

Description

Color code: HEX #DD2B26 | qconv.com Color code: HEX #DD2B26 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 43 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 43 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 83 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 83% 13% C M Y K

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Provide designers and agencies with accurate color values.

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