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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD3272 it is the complementary color #22CD8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD3272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD3272 shade: #E2326D, #F34480, #FF5693, #FF68A6 and #FF7AB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD3272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD3272 shade: #DD3272, #CC205F, #BB0E4C, #AA0039 and #990026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD3272 shade: #DD3071, #DD3042 and #DD3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD3272 shade: #DD3071, #DD30A0, #DD30CE, #BD30DD and #8F30DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD3272 shade matches the following richer shades: #DD3071 and #F01D6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD3272 shade: #DD3071, #CA4476, #B6577B, #A36B80 and #8F7E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD3272 shade: #DD30CF, #DD30A1, #DD3073, #DD3044 and #DD4A30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD3272 shade: #A11A4C, #C4205D, #DD3071, #E35489 and #E877A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD3272 shade: #DD3272, #DDBD30 and #30B8DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD3272 shade: #DD3272, #73DD30 and #3073DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD3272 shade: #DD3272, #DDBD30, #30DD9B and #3050DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD3272 shade: #DD3272, #C9DD30, #30DD9B and #4430DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 48 / 13

HEX #DD3272

RGB 221 50 114

HSL 337.54, 0.72%, 0.53%

LAB 50.53, 68.15, 5.42

 

Complementary color

CMYK 83 / 0 / 31 / 20

HEX #22CD8D

RGB 34 205 141

HSL 157.54, 0.72%, 0.47%

LAB 73.5, -55.87, 20.47

 

CMYK 0 / 78 / 52 / 11

HEX #E2326D

RGB 226 50 109

HSL 339.89, 0.75%, 0.54%

LAB 51.33, 69.07, 9.71

 

CMYK 0 / 72 / 47 / 5

HEX #F34480

RGB 243 68 128

HSL 339.43, 0.88%, 0.61%

LAB 56.83, 69.7, 6.57

 

CMYK 0 / 66 / 42 / 0

HEX #FF5693

RGB 255 86 147

HSL 338.34, 1%, 0.67%

LAB 61.67, 68.38, 2.67

 

CMYK 0 / 59 / 35 / 0

HEX #FF68A6

RGB 255 104 166

HSL 335.36, 1%, 0.7%

LAB 64.89, 63.05, -3.56

 

CMYK 0 / 52 / 27 / 0

HEX #FF7AB9

RGB 255 122 185

HSL 331.58, 1%, 0.74%

LAB 68.52, 57.23, -8.95

 

CMYK 0 / 77 / 48 / 13

HEX #DD3272

RGB 221 50 114

HSL 337.54, 0.72%, 0.53%

LAB 50.53, 68.15, 5.42

 

CMYK 0 / 84 / 53 / 20

HEX #CC205F

RGB 204 32 95

HSL 338.02, 0.73%, 0.46%

LAB 45.22, 66.77, 9.09

 

CMYK 0 / 93 / 59 / 27

HEX #BB0E4C

RGB 187 14 76

HSL 338.5, 0.86%, 0.39%

LAB 40.25, 64.34, 13.63

 

CMYK 0 / 100 / 66 / 33

HEX #AA0039

RGB 170 0 57

HSL 339.88, 1%, 0.33%

LAB 35.68, 60.7, 19.12

 

CMYK 0 / 100 / 75 / 40

HEX #990026

RGB 153 0 38

HSL 345.1, 1%, 0.3%

LAB 31.61, 55.59, 25.56

 

CMYK 0 / 78 / 49 / 13

HEX #DD3071

RGB 221 48 113

HSL 337.46, 0.72%, 0.53%

LAB 50.31, 68.62, 5.7

 

CMYK 0 / 78 / 70 / 13

HEX #DD3042

RGB 221 48 66

HSL 353.76, 0.72%, 0.53%

LAB 49.35, 65.65, 32.83

 

CMYK 0 / 78 / 78 / 13

HEX #DD3030

RGB 221 48 48

HSL 0, 0.72%, 0.53%

LAB 49.13, 64.95, 42.85

 

CMYK 0 / 78 / 49 / 13

HEX #DD3071

RGB 221 48 113

HSL 337.46, 0.72%, 0.53%

LAB 50.31, 68.62, 5.7

 

CMYK 0 / 78 / 28 / 13

HEX #DD30A0

RGB 221 48 160

HSL 321.16, 0.72%, 0.53%

LAB 51.86, 73.29, -20.21

 

CMYK 0 / 78 / 7 / 13

HEX #DD30CE

RGB 221 48 206

HSL 305.2, 0.72%, 0.53%

LAB 53.97, 79.31, -43.71

 

CMYK 14 / 78 / 0 / 13

HEX #BD30DD

RGB 189 48 221

HSL 288.9, 0.72%, 0.53%

LAB 49.68, 75.59, -59.42

 

CMYK 35 / 78 / 0 / 13

HEX #8F30DD

RGB 143 48 221

HSL 272.95, 0.72%, 0.53%

LAB 43.02, 67.8, -70.53

 

CMYK 0 / 78 / 49 / 13

HEX #DD3071

RGB 221 48 113

HSL 337.46, 0.72%, 0.53%

LAB 50.31, 68.62, 5.7

 

CMYK 0 / 88 / 55 / 6

HEX #F01D6C

RGB 240 29 108

HSL 337.54, 0.88%, 0.53%

LAB 52.38, 77.05, 12.18

 

CMYK 0 / 78 / 49 / 13

HEX #DD3071

RGB 221 48 113

HSL 337.46, 0.72%, 0.53%

LAB 50.31, 68.62, 5.7

 

CMYK 0 / 66 / 42 / 21

HEX #CA4476

RGB 202 68 118

HSL 337.61, 0.56%, 0.53%

LAB 49.49, 56.97, 1.06

 

CMYK 0 / 52 / 32 / 29

HEX #B6577B

RGB 182 87 123

HSL 337.26, 0.39%, 0.53%

LAB 49.73, 42.41, -1.98

 

CMYK 0 / 34 / 21 / 36

HEX #A36B80

RGB 163 107 128

HSL 337.5, 0.23%, 0.53%

LAB 51.68, 25.44, -2.38

 

CMYK 0 / 12 / 8 / 44

HEX #8F7E84

RGB 143 126 132

HSL 338.82, 0.07%, 0.53%

LAB 54.48, 7.59, -0.87

 

CMYK 0 / 78 / 6 / 13

HEX #DD30CF

RGB 221 48 207

HSL 304.86, 0.72%, 0.53%

LAB 54.02, 79.46, -44.2

 

CMYK 0 / 78 / 27 / 13

HEX #DD30A1

RGB 221 48 161

HSL 320.81, 0.72%, 0.53%

LAB 51.9, 73.41, -20.74

 

CMYK 0 / 78 / 48 / 13

HEX #DD3073

RGB 221 48 115

HSL 336.76, 0.72%, 0.53%

LAB 50.36, 68.79, 4.56

 

CMYK 0 / 78 / 69 / 13

HEX #DD3044

RGB 221 48 68

HSL 353.06, 0.72%, 0.53%

LAB 49.38, 65.74, 31.69

 

CMYK 0 / 67 / 78 / 13

HEX #DD4A30

RGB 221 74 48

HSL 9.02, 0.72%, 0.53%

LAB 52.38, 55.98, 46.17

 

CMYK 0 / 84 / 53 / 37

HEX #A11A4C

RGB 161 26 76

HSL 337.78, 0.72%, 0.37%

LAB 35.67, 55.48, 6.45

 

CMYK 0 / 84 / 53 / 23

HEX #C4205D

RGB 196 32 93

HSL 337.68, 0.72%, 0.45%

LAB 43.59, 64.58, 7.82

 

CMYK 0 / 78 / 49 / 13

HEX #DD3071

RGB 221 48 113

HSL 337.46, 0.72%, 0.53%

LAB 50.31, 68.62, 5.7

 

CMYK 0 / 63 / 40 / 11

HEX #E35489

RGB 227 84 137

HSL 337.76, 0.72%, 0.61%

LAB 56.56, 59.93, 0.53

 

CMYK 0 / 49 / 30 / 9

HEX #E877A2

RGB 232 119 162

HSL 337.17, 0.71%, 0.69%

LAB 64.13, 48.32, -2.78

 

CMYK 0 / 77 / 48 / 13

HEX #DD3272

RGB 221 50 114

HSL 337.54, 0.72%, 0.53%

LAB 50.53, 68.15, 5.42

 

CMYK 0 / 14 / 78 / 13

HEX #DDBD30

RGB 221 189 48

HSL 48.9, 0.72%, 0.53%

LAB 77.27, -2.34, 69.77

 

CMYK 78 / 17 / 0 / 13

HEX #30B8DD

RGB 48 184 221

HSL 192.83, 0.72%, 0.53%

LAB 69.56, -23.11, -28.71

 

CMYK 0 / 77 / 48 / 13

HEX #DD3272

RGB 221 50 114

HSL 337.54, 0.72%, 0.53%

LAB 50.53, 68.15, 5.42

 

CMYK 48 / 0 / 78 / 13

HEX #73DD30

RGB 115 221 48

HSL 96.76, 0.72%, 0.53%

LAB 79.37, -58.03, 69.19

 

CMYK 78 / 48 / 0 / 13

HEX #3073DD

RGB 48 115 221

HSL 216.76, 0.72%, 0.53%

LAB 49.63, 16.48, -60.14

 

CMYK 0 / 77 / 48 / 13

HEX #DD3272

RGB 221 50 114

HSL 337.54, 0.72%, 0.53%

LAB 50.53, 68.15, 5.42

 

CMYK 0 / 14 / 78 / 13

HEX #DDBD30

RGB 221 189 48

HSL 48.9, 0.72%, 0.53%

LAB 77.27, -2.34, 69.77

 

CMYK 78 / 0 / 30 / 13

HEX #30DD9B

RGB 48 221 155

HSL 157.11, 0.72%, 0.53%

LAB 78.87, -57.54, 20.54

 

CMYK 78 / 64 / 0 / 13

HEX #3050DD

RGB 48 80 221

HSL 228.9, 0.72%, 0.53%

LAB 40.55, 38.72, -74.9

 

CMYK 0 / 77 / 48 / 13

HEX #DD3272

RGB 221 50 114

HSL 337.54, 0.72%, 0.53%

LAB 50.53, 68.15, 5.42

 

CMYK 9 / 0 / 78 / 13

HEX #C9DD30

RGB 201 221 48

HSL 66.94, 0.72%, 0.53%

LAB 84.14, -26.75, 75.32

 

CMYK 78 / 0 / 30 / 13

HEX #30DD9B

RGB 48 221 155

HSL 157.11, 0.72%, 0.53%

LAB 78.87, -57.54, 20.54

 

CMYK 69 / 78 / 0 / 13

HEX #4430DD

RGB 68 48 221

HSL 246.94, 0.72%, 0.53%

LAB 35.13, 58.49, -83.79

 

Description

Color code: HEX #DD3272 | qconv.com Color code: HEX #DD3272 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 50 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 50 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 48 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 48% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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