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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD3FED it is the complementary color #22C012. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD3FED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD3FED shade: #E23FE8, #F351FB, #FF63FF, #FF75FF and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD3FED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD3FED shade: #DD3FED, #CC2DDA, #BB1BC7, #AA09B4 and #9900A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD3FED shade: #DD3FED, #ED3FCE, #ED3F9F, #ED3F70 and #ED3F41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD3FED shade: #DD3FED, #AE3FED, #7F3FED, #503FED and #3F3FED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD3FED shade matches the following richer shades: #DD3FED and #EB2EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD3FED shade: #DD3FED, #CF50DC, #C161CB, #B372BA and #A683A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD3FED shade: #7F3FED, #AD3FED, #DB3FED, #ED3FD0 and #ED3FA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD3FED shade: #B712C7, #D619E9, #DD3FED, #E365F0 and #EA8BF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD3FED shade: #DD3FED, #ED513F and #3FED96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD3FED shade: #DD3FED, #EDDB3F and #3FEDDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD3FED shade: #DD3FED, #ED513F, #51ED3F and #3FDBED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD3FED shade: #DD3FED, #ED853F, #51ED3F and #3FA7ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 73 / 0 / 7

HEX #DD3FED

RGB 221 63 237

HSL 294.48, 0.83%, 0.59%

LAB 57.12, 79.9, -56.26

 

Complementary color

CMYK 82 / 0 / 91 / 25

HEX #22C012

RGB 34 192 18

HSL 114.48, 0.83%, 0.41%

LAB 68.08, -66.93, 65.27

 

CMYK 3 / 73 / 0 / 9

HEX #E23FE8

RGB 226 63 232

HSL 297.87, 0.79%, 0.58%

LAB 57.61, 80.09, -52.62

 

CMYK 3 / 68 / 0 / 2

HEX #F351FB

RGB 243 81 251

HSL 297.18, 0.96%, 0.65%

LAB 63.26, 80.77, -54.05

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 7 / 73 / 0 / 7

HEX #DD3FED

RGB 221 63 237

HSL 294.48, 0.83%, 0.59%

LAB 57.12, 79.9, -56.26

 

CMYK 6 / 79 / 0 / 15

HEX #CC2DDA

RGB 204 45 218

HSL 295.14, 0.7%, 0.52%

LAB 51.58, 78.63, -54.53

 

CMYK 6 / 86 / 0 / 22

HEX #BB1BC7

RGB 187 27 199

HSL 295.81, 0.76%, 0.44%

LAB 46.27, 76.47, -52.27

 

CMYK 6 / 95 / 0 / 29

HEX #AA09B4

RGB 170 9 180

HSL 296.49, 0.9%, 0.37%

LAB 41.27, 73.12, -49.33

 

CMYK 5 / 100 / 0 / 37

HEX #9900A1

RGB 153 0 161

HSL 297.02, 1%, 0.32%

LAB 36.64, 68.35, -45.58

 

CMYK 7 / 73 / 0 / 7

HEX #DD3FED

RGB 221 63 237

HSL 294.48, 0.83%, 0.59%

LAB 57.12, 79.9, -56.26

 

CMYK 0 / 73 / 13 / 7

HEX #ED3FCE

RGB 237 63 206

HSL 310.69, 0.83%, 0.59%

LAB 58.05, 78.55, -37.1

 

CMYK 0 / 73 / 33 / 7

HEX #ED3F9F

RGB 237 63 159

HSL 326.9, 0.83%, 0.59%

LAB 56.15, 72.73, -12.84

 

CMYK 0 / 73 / 53 / 7

HEX #ED3F70

RGB 237 63 112

HSL 343.1, 0.83%, 0.59%

LAB 54.79, 68.39, 13.05

 

CMYK 0 / 73 / 73 / 7

HEX #ED3F41

RGB 237 63 65

HSL 359.31, 0.83%, 0.59%

LAB 53.96, 65.66, 39.56

 

CMYK 7 / 73 / 0 / 7

HEX #DD3FED

RGB 221 63 237

HSL 294.48, 0.83%, 0.59%

LAB 57.12, 79.9, -56.26

 

CMYK 27 / 73 / 0 / 7

HEX #AE3FED

RGB 174 63 237

HSL 278.28, 0.83%, 0.59%

LAB 50.3, 70.97, -67.59

 

CMYK 46 / 73 / 0 / 7

HEX #7F3FED

RGB 127 63 237

HSL 262.07, 0.83%, 0.59%

LAB 44.49, 63.07, -77.29

 

CMYK 66 / 73 / 0 / 7

HEX #503FED

RGB 80 63 237

HSL 245.86, 0.83%, 0.59%

LAB 40.2, 56.96, -84.5

 

CMYK 73 / 73 / 0 / 7

HEX #3F3FED

RGB 63 63 237

HSL 240, 0.83%, 0.59%

LAB 39.12, 55.37, -86.33

 

CMYK 7 / 73 / 0 / 7

HEX #DD3FED

RGB 221 63 237

HSL 294.48, 0.83%, 0.59%

LAB 57.12, 79.9, -56.26

 

CMYK 7 / 82 / 0 / 0

HEX #EB2EFE

RGB 235 46 254

HSL 294.52, 0.99%, 0.59%

LAB 58.76, 89.62, -62.97

 

CMYK 7 / 73 / 0 / 7

HEX #DD3FED

RGB 221 63 237

HSL 294.48, 0.83%, 0.59%

LAB 57.12, 79.9, -56.26

 

CMYK 6 / 64 / 0 / 14

HEX #CF50DC

RGB 207 80 220

HSL 294.43, 0.67%, 0.59%

LAB 56.26, 67.92, -48.19

 

CMYK 5 / 52 / 0 / 20

HEX #C161CB

RGB 193 97 203

HSL 294.34, 0.5%, 0.59%

LAB 56.29, 53.66, -38.62

 

CMYK 4 / 39 / 0 / 27

HEX #B372BA

RGB 179 114 186

HSL 294.17, 0.34%, 0.59%

LAB 57.23, 37.42, -27.57

 

CMYK 2 / 22 / 0 / 34

HEX #A683A9

RGB 166 131 169

HSL 295.26, 0.18%, 0.59%

LAB 59.16, 20.21, -15.01

 

CMYK 46 / 73 / 0 / 7

HEX #7F3FED

RGB 127 63 237

HSL 262.07, 0.83%, 0.59%

LAB 44.49, 63.07, -77.29

 

CMYK 27 / 73 / 0 / 7

HEX #AD3FED

RGB 173 63 237

HSL 277.93, 0.83%, 0.59%

LAB 50.16, 70.79, -67.81

 

CMYK 8 / 73 / 0 / 7

HEX #DB3FED

RGB 219 63 237

HSL 293.79, 0.83%, 0.59%

LAB 56.81, 79.51, -56.76

 

CMYK 0 / 73 / 12 / 7

HEX #ED3FD0

RGB 237 63 208

HSL 310, 0.83%, 0.59%

LAB 58.14, 78.83, -38.1

 

CMYK 0 / 73 / 32 / 7

HEX #ED3FA2

RGB 237 63 162

HSL 325.86, 0.83%, 0.59%

LAB 56.26, 73.06, -14.44

 

CMYK 8 / 91 / 0 / 22

HEX #B712C7

RGB 183 18 199

HSL 294.7, 0.83%, 0.43%

LAB 45.11, 77.21, -54.17

 

CMYK 8 / 89 / 0 / 9

HEX #D619E9

RGB 214 25 233

HSL 294.52, 0.83%, 0.51%

LAB 52.81, 86.6, -60.97

 

CMYK 7 / 73 / 0 / 7

HEX #DD3FED

RGB 221 63 237

HSL 294.48, 0.83%, 0.59%

LAB 57.12, 79.9, -56.26

 

CMYK 5 / 58 / 0 / 6

HEX #E365F0

RGB 227 101 240

HSL 294.39, 0.82%, 0.67%

LAB 63.28, 67.35, -48.07

 

CMYK 4 / 43 / 0 / 4

HEX #EA8BF4

RGB 234 139 244

HSL 294.29, 0.83%, 0.75%

LAB 71.21, 51.82, -37.79

 

CMYK 7 / 73 / 0 / 7

HEX #DD3FED

RGB 221 63 237

HSL 294.48, 0.83%, 0.59%

LAB 57.12, 79.9, -56.26

 

CMYK 0 / 66 / 73 / 7

HEX #ED513F

RGB 237 81 63

HSL 6.21, 0.83%, 0.59%

LAB 56.34, 59.01, 43.32

 

CMYK 73 / 0 / 37 / 7

HEX #3FED96

RGB 63 237 150

HSL 150, 0.83%, 0.59%

LAB 83.88, -62.68, 29.95

 

CMYK 7 / 73 / 0 / 7

HEX #DD3FED

RGB 221 63 237

HSL 294.48, 0.83%, 0.59%

LAB 57.12, 79.9, -56.26

 

CMYK 0 / 8 / 73 / 7

HEX #EDDB3F

RGB 237 219 63

HSL 53.79, 0.83%, 0.59%

LAB 86.52, -10.23, 73.91

 

CMYK 73 / 0 / 8 / 7

HEX #3FEDDB

RGB 63 237 219

HSL 173.79, 0.83%, 0.59%

LAB 85.37, -46.9, -3.81

 

CMYK 7 / 73 / 0 / 7

HEX #DD3FED

RGB 221 63 237

HSL 294.48, 0.83%, 0.59%

LAB 57.12, 79.9, -56.26

 

CMYK 0 / 66 / 73 / 7

HEX #ED513F

RGB 237 81 63

HSL 6.21, 0.83%, 0.59%

LAB 56.34, 59.01, 43.32

 

CMYK 66 / 0 / 73 / 7

HEX #51ED3F

RGB 81 237 63

HSL 113.79, 0.83%, 0.59%

LAB 83.27, -70.97, 67.92

 

CMYK 73 / 8 / 0 / 7

HEX #3FDBED

RGB 63 219 237

HSL 186.21, 0.83%, 0.59%

LAB 80.65, -33.73, -20.39

 

CMYK 7 / 73 / 0 / 7

HEX #DD3FED

RGB 221 63 237

HSL 294.48, 0.83%, 0.59%

LAB 57.12, 79.9, -56.26

 

CMYK 0 / 44 / 73 / 7

HEX #ED853F

RGB 237 133 63

HSL 24.14, 0.83%, 0.59%

LAB 65.86, 34.57, 53.51

 

CMYK 66 / 0 / 73 / 7

HEX #51ED3F

RGB 81 237 63

HSL 113.79, 0.83%, 0.59%

LAB 83.27, -70.97, 67.92

 

CMYK 73 / 30 / 0 / 7

HEX #3FA7ED

RGB 63 167 237

HSL 204.14, 0.83%, 0.59%

LAB 65.6, -6.98, -43.61

 

Description

Color code: HEX #DD3FED | qconv.com Color code: HEX #DD3FED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 63 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 63 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 73 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 73% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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