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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD49EE it is the complementary color #22B611. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD49EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD49EE shade: #E249E9, #F35BFC, #FF6DFF, #FF7FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD49EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD49EE shade: #DD49EE, #CC37DB, #BB25C8, #AA13B5 and #9901A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD49EE shade: #DD49EE, #EE49D2, #EE49A6, #EE4979 and #EE494D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD49EE shade: #DD49EE, #B049EE, #8449EE, #5749EE and #4949EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD49EE shade matches the following richer shades: #DD49EE and #E938FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD49EE shade: #DD49EE, #D059DE, #C369CD, #B679BD and #A989AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD49EE shade: #8249EE, #AE49EE, #DA49EE, #EE49D5 and #EE49A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD49EE shade: #BD13D1, #D623EA, #DD49EE, #E46EF1 and #EB94F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD49EE shade: #DD49EE, #EE5649 and #49EE98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD49EE shade: #DD49EE, #EEDA49 and #49EEDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD49EE shade: #DD49EE, #EE5649, #5CEE49 and #49E0EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD49EE shade: #DD49EE, #EE8849, #5CEE49 and #49AEEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

Complementary color

CMYK 81 / 0 / 91 / 29

HEX #22B611

RGB 34 182 17

HSL 113.82, 0.83%, 0.39%

LAB 64.83, -64.03, 62.67

 

CMYK 3 / 69 / 0 / 9

HEX #E249E9

RGB 226 73 233

HSL 297.38, 0.78%, 0.6%

LAB 58.8, 76.99, -51.28

 

CMYK 4 / 64 / 0 / 1

HEX #F35BFC

RGB 243 91 252

HSL 296.65, 0.96%, 0.67%

LAB 64.62, 77.28, -52.45

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 7 / 75 / 0 / 14

HEX #CC37DB

RGB 204 55 219

HSL 294.51, 0.69%, 0.54%

LAB 52.6, 76.02, -53.47

 

CMYK 7 / 82 / 0 / 22

HEX #BB25C8

RGB 187 37 200

HSL 295.21, 0.69%, 0.46%

LAB 47.05, 74.54, -51.61

 

CMYK 6 / 90 / 0 / 29

HEX #AA13B5

RGB 170 19 181

HSL 295.93, 0.81%, 0.39%

LAB 41.76, 72.02, -49.13

 

CMYK 6 / 99 / 0 / 36

HEX #9901A2

RGB 153 1 162

HSL 296.65, 0.99%, 0.32%

LAB 36.75, 68.38, -46.01

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 0 / 69 / 12 / 7

HEX #EE49D2

RGB 238 73 210

HSL 310.18, 0.83%, 0.61%

LAB 59.52, 76.14, -37.06

 

CMYK 0 / 69 / 30 / 7

HEX #EE49A6

RGB 238 73 166

HSL 326.18, 0.83%, 0.61%

LAB 57.75, 70.45, -14.51

 

CMYK 0 / 69 / 49 / 7

HEX #EE4979

RGB 238 73 121

HSL 342.55, 0.83%, 0.61%

LAB 56.41, 65.97, 10

 

CMYK 0 / 69 / 68 / 7

HEX #EE494D

RGB 238 73 77

HSL 358.55, 0.83%, 0.61%

LAB 55.56, 63.03, 34.68

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 26 / 69 / 0 / 7

HEX #B049EE

RGB 176 73 238

HSL 277.45, 0.83%, 0.61%

LAB 52.03, 67.6, -65.34

 

CMYK 45 / 69 / 0 / 7

HEX #8449EE

RGB 132 73 238

HSL 261.45, 0.83%, 0.61%

LAB 46.77, 59.47, -74.11

 

CMYK 63 / 69 / 0 / 7

HEX #5749EE

RGB 87 73 238

HSL 245.09, 0.83%, 0.61%

LAB 42.71, 52.75, -80.92

 

CMYK 69 / 69 / 0 / 7

HEX #4949EE

RGB 73 73 238

HSL 240, 0.83%, 0.61%

LAB 41.77, 51.13, -82.49

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 8 / 78 / 0 / 0

HEX #E938FE

RGB 233 56 254

HSL 293.64, 0.99%, 0.61%

LAB 59.26, 86.92, -62.19

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 6 / 60 / 0 / 13

HEX #D059DE

RGB 208 89 222

HSL 293.68, 0.67%, 0.61%

LAB 57.87, 64.73, -46.74

 

CMYK 5 / 49 / 0 / 20

HEX #C369CD

RGB 195 105 205

HSL 294, 0.5%, 0.61%

LAB 58.14, 50.61, -36.83

 

CMYK 4 / 36 / 0 / 26

HEX #B679BD

RGB 182 121 189

HSL 293.82, 0.34%, 0.61%

LAB 59.25, 35.12, -26.15

 

CMYK 2 / 21 / 0 / 32

HEX #A989AD

RGB 169 137 173

HSL 293.33, 0.18%, 0.61%

LAB 61.08, 18.63, -14.36

 

CMYK 45 / 69 / 0 / 7

HEX #8249EE

RGB 130 73 238

HSL 260.73, 0.83%, 0.61%

LAB 46.56, 59.13, -74.47

 

CMYK 27 / 69 / 0 / 7

HEX #AE49EE

RGB 174 73 238

HSL 276.73, 0.83%, 0.61%

LAB 51.77, 67.21, -65.77

 

CMYK 8 / 69 / 0 / 7

HEX #DA49EE

RGB 218 73 238

HSL 292.73, 0.83%, 0.61%

LAB 57.89, 76.14, -55.61

 

CMYK 0 / 69 / 11 / 7

HEX #EE49D5

RGB 238 73 213

HSL 309.09, 0.83%, 0.61%

LAB 59.66, 76.57, -38.55

 

CMYK 0 / 69 / 29 / 7

HEX #EE49A9

RGB 238 73 169

HSL 325.09, 0.83%, 0.61%

LAB 57.85, 70.8, -16.09

 

CMYK 10 / 91 / 0 / 18

HEX #BD13D1

RGB 189 19 209

HSL 293.68, 0.83%, 0.45%

LAB 46.83, 79.65, -57.15

 

CMYK 9 / 85 / 0 / 8

HEX #D623EA

RGB 214 35 234

HSL 293.97, 0.83%, 0.53%

LAB 53.43, 85.13, -60.55

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 5 / 54 / 0 / 5

HEX #E46EF1

RGB 228 110 241

HSL 294.05, 0.82%, 0.69%

LAB 64.96, 63.73, -45.98

 

CMYK 4 / 40 / 0 / 4

HEX #EB94F5

RGB 235 148 245

HSL 293.81, 0.83%, 0.77%

LAB 73.18, 47.69, -35.27

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 0 / 64 / 69 / 7

HEX #EE5649

RGB 238 86 73

HSL 4.73, 0.83%, 0.61%

LAB 57.38, 57.75, 39.1

 

CMYK 69 / 0 / 36 / 7

HEX #49EE98

RGB 73 238 152

HSL 148.73, 0.83%, 0.61%

LAB 84.4, -61.23, 29.66

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 0 / 8 / 69 / 7

HEX #EEDA49

RGB 238 218 73

HSL 52.73, 0.83%, 0.61%

LAB 86.41, -8.86, 70.28

 

CMYK 69 / 0 / 8 / 7

HEX #49EEDA

RGB 73 238 218

HSL 172.73, 0.83%, 0.61%

LAB 85.82, -46.38, -2.6

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 0 / 64 / 69 / 7

HEX #EE5649

RGB 238 86 73

HSL 4.73, 0.83%, 0.61%

LAB 57.38, 57.75, 39.1

 

CMYK 61 / 0 / 69 / 7

HEX #5CEE49

RGB 92 238 73

HSL 113.09, 0.83%, 0.61%

LAB 83.92, -68.27, 65.15

 

CMYK 69 / 6 / 0 / 7

HEX #49E0EE

RGB 73 224 238

HSL 185.09, 0.83%, 0.61%

LAB 82.33, -34.59, -18.37

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 0 / 43 / 69 / 7

HEX #EE8849

RGB 238 136 73

HSL 22.91, 0.83%, 0.61%

LAB 66.72, 33.9, 49.71

 

CMYK 61 / 0 / 69 / 7

HEX #5CEE49

RGB 92 238 73

HSL 113.09, 0.83%, 0.61%

LAB 83.92, -68.27, 65.15

 

CMYK 69 / 27 / 0 / 7

HEX #49AEEE

RGB 73 174 238

HSL 203.27, 0.83%, 0.61%

LAB 67.92, -9.18, -40.5

 

Description

Color code: HEX #DD49EE | qconv.com Color code: HEX #DD49EE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 73 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 73 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 69 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 69% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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