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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD4071 it is the complementary color #22BF8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD4071. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD4071 shade: #E2406C, #F3527F, #FF6492, #FF76A5 and #FF88B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD4071. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD4071 shade: #DD4071, #CC2E5E, #BB1C4B, #AA0A38 and #990025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD4071 shade: #DD4071, #DD4046 and #DD4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD4071 shade: #DD4071, #DD409B, #DD40C6, #CA40DD and #9F40DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD4071 shade matches the following richer shades: #DD4071 and #EF2E6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD4071 shade: #DD4071, #CB5278, #B9647E, #A67685 and #94888C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD4071 shade: #DD40C5, #DD409B, #DD4072, #DD4048 and #DD6240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD4071 shade: #AC1E4A, #CF245A, #DD4071, #E3638B and #E986A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD4071 shade: #DD4071, #DDCB40 and #40B0DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD4071 shade: #DD4071, #72DD40 and #4072DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD4071 shade: #DD4071, #DDCB40, #40DDAB and #4052DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD4071 shade: #DD4071, #C0DD40, #40DDAB and #5D40DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 49 / 13

HEX #DD4071

RGB 221 64 113

HSL 341.27, 0.7%, 0.56%

LAB 52.1, 63.6, 8.25

 

Complementary color

CMYK 82 / 0 / 26 / 25

HEX #22BF8E

RGB 34 191 142

HSL 161.27, 0.7%, 0.44%

LAB 69.15, -50.24, 13.91

 

CMYK 0 / 72 / 52 / 11

HEX #E2406C

RGB 226 64 108

HSL 343.7, 0.74%, 0.57%

LAB 52.86, 64.63, 12.46

 

CMYK 0 / 66 / 48 / 5

HEX #F3527F

RGB 243 82 127

HSL 343.23, 0.87%, 0.64%

LAB 58.62, 64.58, 9.71

 

CMYK 0 / 61 / 43 / 0

HEX #FF6492

RGB 255 100 146

HSL 342.19, 1%, 0.7%

LAB 63.71, 62.67, 6.19

 

CMYK 0 / 54 / 35 / 0

HEX #FF76A5

RGB 255 118 165

HSL 339.42, 1%, 0.73%

LAB 67.23, 56.68, 0.43

 

CMYK 0 / 47 / 28 / 0

HEX #FF88B8

RGB 255 136 184

HSL 335.8, 1%, 0.77%

LAB 71.1, 50.37, -4.57

 

CMYK 0 / 71 / 49 / 13

HEX #DD4071

RGB 221 64 113

HSL 341.27, 0.7%, 0.56%

LAB 52.1, 63.6, 8.25

 

CMYK 0 / 77 / 54 / 20

HEX #CC2E5E

RGB 204 46 94

HSL 341.77, 0.63%, 0.49%

LAB 46.44, 63.14, 11.43

 

CMYK 0 / 85 / 60 / 27

HEX #BB1C4B

RGB 187 28 75

HSL 342.26, 0.74%, 0.42%

LAB 41.06, 61.87, 15.37

 

CMYK 0 / 94 / 67 / 33

HEX #AA0A38

RGB 170 10 56

HSL 342.75, 0.89%, 0.35%

LAB 36.08, 59.43, 20.28

 

CMYK 0 / 100 / 76 / 40

HEX #990025

RGB 153 0 37

HSL 345.49, 1%, 0.3%

LAB 31.59, 55.55, 26.19

 

CMYK 0 / 71 / 49 / 13

HEX #DD4071

RGB 221 64 113

HSL 341.27, 0.7%, 0.56%

LAB 52.1, 63.6, 8.25

 

CMYK 0 / 71 / 68 / 13

HEX #DD4046

RGB 221 64 70

HSL 357.71, 0.7%, 0.56%

LAB 51.25, 60.71, 32.78

 

CMYK 0 / 71 / 71 / 13

HEX #DD4040

RGB 221 64 64

HSL 0, 0.7%, 0.56%

LAB 51.16, 60.42, 36.14

 

CMYK 0 / 71 / 49 / 13

HEX #DD4071

RGB 221 64 113

HSL 341.27, 0.7%, 0.56%

LAB 52.1, 63.6, 8.25

 

CMYK 0 / 71 / 30 / 13

HEX #DD409B

RGB 221 64 155

HSL 325.22, 0.7%, 0.56%

LAB 53.39, 67.85, -14.92

 

CMYK 0 / 71 / 10 / 13

HEX #DD40C6

RGB 221 64 198

HSL 308.79, 0.7%, 0.56%

LAB 55.19, 73.51, -37.19

 

CMYK 9 / 71 / 0 / 13

HEX #CA40DD

RGB 202 64 221

HSL 292.74, 0.7%, 0.56%

LAB 53.43, 73.04, -53.3

 

CMYK 28 / 71 / 0 / 13

HEX #9F40DD

RGB 159 64 221

HSL 276.31, 0.7%, 0.56%

LAB 47.31, 64.42, -63.46

 

CMYK 0 / 71 / 49 / 13

HEX #DD4071

RGB 221 64 113

HSL 341.27, 0.7%, 0.56%

LAB 52.1, 63.6, 8.25

 

CMYK 0 / 81 / 56 / 6

HEX #EF2E6A

RGB 239 46 106

HSL 341.35, 0.86%, 0.56%

LAB 53.33, 73.28, 14.67

 

CMYK 0 / 71 / 49 / 13

HEX #DD4071

RGB 221 64 113

HSL 341.27, 0.7%, 0.56%

LAB 52.1, 63.6, 8.25

 

CMYK 0 / 60 / 41 / 20

HEX #CB5278

RGB 203 82 120

HSL 341.16, 0.54%, 0.56%

LAB 51.94, 51.48, 3.42

 

CMYK 0 / 46 / 32 / 27

HEX #B9647E

RGB 185 100 126

HSL 341.65, 0.38%, 0.56%

LAB 52.88, 37.11, 0.89

 

CMYK 0 / 29 / 20 / 35

HEX #A67685

RGB 166 118 133

HSL 341.25, 0.21%, 0.56%

LAB 54.82, 21.12, -0.67

 

CMYK 0 / 8 / 5 / 42

HEX #94888C

RGB 148 136 140

HSL 340, 0.05%, 0.56%

LAB 57.84, 5.24, -0.52

 

CMYK 0 / 71 / 11 / 13

HEX #DD40C5

RGB 221 64 197

HSL 309.17, 0.7%, 0.56%

LAB 55.14, 73.36, -36.69

 

CMYK 0 / 71 / 30 / 13

HEX #DD409B

RGB 221 64 155

HSL 325.22, 0.7%, 0.56%

LAB 53.39, 67.85, -14.92

 

CMYK 0 / 71 / 48 / 13

HEX #DD4072

RGB 221 64 114

HSL 340.89, 0.7%, 0.56%

LAB 52.12, 63.69, 7.69

 

CMYK 0 / 71 / 67 / 13

HEX #DD4048

RGB 221 64 72

HSL 356.94, 0.7%, 0.56%

LAB 51.27, 60.81, 31.65

 

CMYK 0 / 56 / 71 / 13

HEX #DD6240

RGB 221 98 64

HSL 12.99, 0.7%, 0.56%

LAB 56.56, 45.99, 42.31

 

CMYK 0 / 83 / 57 / 33

HEX #AC1E4A

RGB 172 30 74

HSL 341.41, 0.7%, 0.4%

LAB 38.19, 57.31, 11.59

 

CMYK 0 / 83 / 57 / 19

HEX #CF245A

RGB 207 36 90

HSL 341.05, 0.7%, 0.48%

LAB 46, 66.29, 13.37

 

CMYK 0 / 71 / 49 / 13

HEX #DD4071

RGB 221 64 113

HSL 341.27, 0.7%, 0.56%

LAB 52.1, 63.6, 8.25

 

CMYK 0 / 56 / 39 / 11

HEX #E3638B

RGB 227 99 139

HSL 341.25, 0.7%, 0.64%

LAB 59.08, 53.54, 3.02

 

CMYK 0 / 42 / 29 / 9

HEX #E986A5

RGB 233 134 165

HSL 341.21, 0.69%, 0.72%

LAB 67.34, 41.46, 0.25

 

CMYK 0 / 71 / 49 / 13

HEX #DD4071

RGB 221 64 113

HSL 341.27, 0.7%, 0.56%

LAB 52.1, 63.6, 8.25

 

CMYK 0 / 8 / 71 / 13

HEX #DDCB40

RGB 221 203 64

HSL 53.12, 0.7%, 0.56%

LAB 80.99, -8.86, 67.77

 

CMYK 71 / 20 / 0 / 13

HEX #40B0DD

RGB 64 176 221

HSL 197.2, 0.7%, 0.56%

LAB 67.55, -17.09, -31.79

 

CMYK 0 / 71 / 49 / 13

HEX #DD4071

RGB 221 64 113

HSL 341.27, 0.7%, 0.56%

LAB 52.1, 63.6, 8.25

 

CMYK 48 / 0 / 71 / 13

HEX #72DD40

RGB 114 221 64

HSL 100.89, 0.7%, 0.56%

LAB 79.42, -57.33, 64.01

 

CMYK 71 / 48 / 0 / 13

HEX #4072DD

RGB 64 114 221

HSL 220.89, 0.7%, 0.56%

LAB 49.91, 19.04, -59.65

 

CMYK 0 / 71 / 49 / 13

HEX #DD4071

RGB 221 64 113

HSL 341.27, 0.7%, 0.56%

LAB 52.1, 63.6, 8.25

 

CMYK 0 / 8 / 71 / 13

HEX #DDCB40

RGB 221 203 64

HSL 53.12, 0.7%, 0.56%

LAB 80.99, -8.86, 67.77

 

CMYK 71 / 0 / 23 / 13

HEX #40DDAB

RGB 64 221 171

HSL 160.89, 0.7%, 0.56%

LAB 79.47, -52.02, 12.99

 

CMYK 71 / 63 / 0 / 13

HEX #4052DD

RGB 64 82 221

HSL 233.12, 0.7%, 0.56%

LAB 41.76, 39.14, -72.89

 

CMYK 0 / 71 / 49 / 13

HEX #DD4071

RGB 221 64 113

HSL 341.27, 0.7%, 0.56%

LAB 52.1, 63.6, 8.25

 

CMYK 13 / 0 / 71 / 13

HEX #C0DD40

RGB 192 221 64

HSL 71.08, 0.7%, 0.56%

LAB 83.59, -29.68, 69.56

 

CMYK 71 / 0 / 23 / 13

HEX #40DDAB

RGB 64 221 171

HSL 160.89, 0.7%, 0.56%

LAB 79.47, -52.02, 12.99

 

CMYK 58 / 71 / 0 / 13

HEX #5D40DD

RGB 93 64 221

HSL 251.08, 0.7%, 0.56%

LAB 39.94, 53.27, -75.8

 

Description

Color code: HEX #DD4071 | qconv.com Color code: HEX #DD4071 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 64 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 64 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 49 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 49% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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