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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD41EB it is the complementary color #22BE14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD41EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD41EB shade: #E241E6, #F353F9, #FF65FF, #FF77FF and #FF89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD41EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD41EB shade: #DD41EB, #CC2FD8, #BB1DC5, #AA0BB2 and #99009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD41EB shade: #DD41EB, #EB41CB, #EB419D, #EB4170 and #EB4142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD41EB shade: #DD41EB, #AF41EB, #8141EB, #5441EB and #4141EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD41EB shade matches the following richer shades: #DD41EB and #EB30FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD41EB shade: #DD41EB, #CF52DA, #C063C9, #B274B8 and #A485A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD41EB shade: #8241EB, #AF41EB, #DD41EB, #EB41CC and #EB419E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD41EB shade: #B714C5, #D61CE7, #DD41EB, #E367EF and #EA8CF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD41EB shade: #DD41EB, #EB5541 and #41EB99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD41EB shade: #DD41EB, #EBDD41 and #41EBDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD41EB shade: #DD41EB, #EB5541, #4FEB41 and #41D7EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD41EB shade: #DD41EB, #EB8841, #4FEB41 and #41A4EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 72 / 0 / 8

HEX #DD41EB

RGB 221 65 235

HSL 295.06, 0.81%, 0.59%

LAB 57.22, 78.94, -54.97

 

Complementary color

CMYK 82 / 0 / 89 / 25

HEX #22BE14

RGB 34 190 20

HSL 115.06, 0.81%, 0.41%

LAB 67.44, -66.28, 64.38

 

CMYK 2 / 72 / 0 / 10

HEX #E241E6

RGB 226 65 230

HSL 298.55, 0.77%, 0.58%

LAB 57.72, 79.15, -51.33

 

CMYK 2 / 67 / 0 / 2

HEX #F353F9

RGB 243 83 249

HSL 297.83, 0.93%, 0.65%

LAB 63.41, 79.74, -52.71

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 6 / 72 / 0 / 8

HEX #DD41EB

RGB 221 65 235

HSL 295.06, 0.81%, 0.59%

LAB 57.22, 78.94, -54.97

 

CMYK 6 / 78 / 0 / 15

HEX #CC2FD8

RGB 204 47 216

HSL 295.74, 0.68%, 0.52%

LAB 51.64, 77.79, -53.3

 

CMYK 5 / 85 / 0 / 23

HEX #BB1DC5

RGB 187 29 197

HSL 296.43, 0.74%, 0.44%

LAB 46.28, 75.78, -51.11

 

CMYK 4 / 94 / 0 / 30

HEX #AA0BB2

RGB 170 11 178

HSL 297.13, 0.88%, 0.37%

LAB 41.22, 72.6, -48.24

 

CMYK 4 / 100 / 0 / 38

HEX #99009F

RGB 153 0 159

HSL 297.74, 1%, 0.31%

LAB 36.51, 68.03, -44.58

 

CMYK 6 / 72 / 0 / 8

HEX #DD41EB

RGB 221 65 235

HSL 295.06, 0.81%, 0.59%

LAB 57.22, 78.94, -54.97

 

CMYK 0 / 72 / 14 / 8

HEX #EB41CB

RGB 235 65 203

HSL 311.29, 0.81%, 0.59%

LAB 57.8, 77.08, -35.8

 

CMYK 0 / 72 / 33 / 8

HEX #EB419D

RGB 235 65 157

HSL 327.53, 0.81%, 0.59%

LAB 55.96, 71.36, -11.98

 

CMYK 0 / 72 / 52 / 8

HEX #EB4170

RGB 235 65 112

HSL 343.41, 0.81%, 0.59%

LAB 54.67, 67.17, 12.83

 

CMYK 0 / 72 / 72 / 8

HEX #EB4142

RGB 235 65 66

HSL 359.65, 0.81%, 0.59%

LAB 53.85, 64.44, 38.77

 

CMYK 6 / 72 / 0 / 8

HEX #DD41EB

RGB 221 65 235

HSL 295.06, 0.81%, 0.59%

LAB 57.22, 78.94, -54.97

 

CMYK 26 / 72 / 0 / 8

HEX #AF41EB

RGB 175 65 235

HSL 278.82, 0.81%, 0.59%

LAB 50.56, 69.99, -66.03

 

CMYK 45 / 72 / 0 / 8

HEX #8141EB

RGB 129 65 235

HSL 262.59, 0.81%, 0.59%

LAB 44.87, 61.97, -75.54

 

CMYK 64 / 72 / 0 / 8

HEX #5441EB

RGB 84 65 235

HSL 246.71, 0.81%, 0.59%

LAB 40.68, 55.76, -82.58

 

CMYK 72 / 72 / 0 / 8

HEX #4141EB

RGB 65 65 235

HSL 240, 0.81%, 0.59%

LAB 39.42, 53.83, -84.7

 

CMYK 6 / 72 / 0 / 8

HEX #DD41EB

RGB 221 65 235

HSL 295.06, 0.81%, 0.59%

LAB 57.22, 78.94, -54.97

 

CMYK 7 / 81 / 0 / 1

HEX #EB30FC

RGB 235 48 252

HSL 295, 0.97%, 0.59%

LAB 58.79, 88.87, -61.81

 

CMYK 6 / 72 / 0 / 8

HEX #DD41EB

RGB 221 65 235

HSL 295.06, 0.81%, 0.59%

LAB 57.22, 78.94, -54.97

 

CMYK 5 / 62 / 0 / 15

HEX #CF52DA

RGB 207 82 218

HSL 295.15, 0.65%, 0.59%

LAB 56.45, 66.75, -46.75

 

CMYK 4 / 51 / 0 / 21

HEX #C063C9

RGB 192 99 201

HSL 294.71, 0.49%, 0.59%

LAB 56.43, 52.02, -37.26

 

CMYK 3 / 37 / 0 / 28

HEX #B274B8

RGB 178 116 184

HSL 294.71, 0.32%, 0.59%

LAB 57.48, 35.61, -26.05

 

CMYK 2 / 20 / 0 / 35

HEX #A485A7

RGB 164 133 167

HSL 294.71, 0.16%, 0.59%

LAB 59.4, 17.98, -13.54

 

CMYK 45 / 72 / 0 / 8

HEX #8241EB

RGB 130 65 235

HSL 262.94, 0.81%, 0.59%

LAB 44.98, 62.13, -75.36

 

CMYK 26 / 72 / 0 / 8

HEX #AF41EB

RGB 175 65 235

HSL 278.82, 0.81%, 0.59%

LAB 50.56, 69.99, -66.03

 

CMYK 6 / 72 / 0 / 8

HEX #DD41EB

RGB 221 65 235

HSL 295.06, 0.81%, 0.59%

LAB 57.22, 78.94, -54.97

 

CMYK 0 / 72 / 13 / 8

HEX #EB41CC

RGB 235 65 204

HSL 310.94, 0.81%, 0.59%

LAB 57.85, 77.21, -36.3

 

CMYK 0 / 72 / 33 / 8

HEX #EB419E

RGB 235 65 158

HSL 327.18, 0.81%, 0.59%

LAB 56, 71.47, -12.52

 

CMYK 7 / 90 / 0 / 23

HEX #B714C5

RGB 183 20 197

HSL 295.25, 0.82%, 0.43%

LAB 45.08, 76.61, -53.07

 

CMYK 7 / 88 / 0 / 9

HEX #D61CE7

RGB 214 28 231

HSL 294.98, 0.81%, 0.51%

LAB 52.84, 85.85, -59.8

 

CMYK 6 / 72 / 0 / 8

HEX #DD41EB

RGB 221 65 235

HSL 295.06, 0.81%, 0.59%

LAB 57.22, 78.94, -54.97

 

CMYK 5 / 57 / 0 / 6

HEX #E367EF

RGB 227 103 239

HSL 294.71, 0.81%, 0.67%

LAB 63.56, 66.29, -47.09

 

CMYK 3 / 42 / 0 / 5

HEX #EA8CF2

RGB 234 140 242

HSL 295.29, 0.8%, 0.75%

LAB 71.32, 50.94, -36.52

 

CMYK 6 / 72 / 0 / 8

HEX #DD41EB

RGB 221 65 235

HSL 295.06, 0.81%, 0.59%

LAB 57.22, 78.94, -54.97

 

CMYK 0 / 64 / 72 / 8

HEX #EB5541

RGB 235 85 65

HSL 7.06, 0.81%, 0.59%

LAB 56.63, 56.79, 42.47

 

CMYK 72 / 0 / 35 / 8

HEX #41EB99

RGB 65 235 153

HSL 151.06, 0.81%, 0.59%

LAB 83.36, -61.1, 27.73

 

CMYK 6 / 72 / 0 / 8

HEX #DD41EB

RGB 221 65 235

HSL 295.06, 0.81%, 0.59%

LAB 57.22, 78.94, -54.97

 

CMYK 0 / 6 / 72 / 8

HEX #EBDD41

RGB 235 221 65

HSL 55.06, 0.81%, 0.59%

LAB 86.88, -11.98, 73.52

 

CMYK 72 / 0 / 6 / 8

HEX #41EBDD

RGB 65 235 221

HSL 175.06, 0.81%, 0.59%

LAB 84.87, -45.28, -5.59

 

CMYK 6 / 72 / 0 / 8

HEX #DD41EB

RGB 221 65 235

HSL 295.06, 0.81%, 0.59%

LAB 57.22, 78.94, -54.97

 

CMYK 0 / 64 / 72 / 8

HEX #EB5541

RGB 235 85 65

HSL 7.06, 0.81%, 0.59%

LAB 56.63, 56.79, 42.47

 

CMYK 66 / 0 / 72 / 8

HEX #4FEB41

RGB 79 235 65

HSL 115.06, 0.81%, 0.59%

LAB 82.63, -70.57, 66.57

 

CMYK 72 / 9 / 0 / 8

HEX #41D7EB

RGB 65 215 235

HSL 187.06, 0.81%, 0.59%

LAB 79.46, -32.2, -21.13

 

CMYK 6 / 72 / 0 / 8

HEX #DD41EB

RGB 221 65 235

HSL 295.06, 0.81%, 0.59%

LAB 57.22, 78.94, -54.97

 

CMYK 0 / 42 / 72 / 8

HEX #EB8841

RGB 235 136 65

HSL 25.06, 0.81%, 0.59%

LAB 66.25, 32.31, 52.92

 

CMYK 66 / 0 / 72 / 8

HEX #4FEB41

RGB 79 235 65

HSL 115.06, 0.81%, 0.59%

LAB 82.63, -70.57, 66.57

 

CMYK 72 / 30 / 0 / 8

HEX #41A4EB

RGB 65 164 235

HSL 205.06, 0.81%, 0.59%

LAB 64.7, -5.72, -43.92

 

Description

Color code: HEX #DD41EB | qconv.com Color code: HEX #DD41EB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 65 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 65 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 72 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 72% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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