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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD4FD1 it is the complementary color #22B02E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD4FD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD4FD1 shade: #E24FCC, #F361DF, #FF73F2, #FF85FF and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD4FD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD4FD1 shade: #DD4FD1, #CC3DBE, #BB2BAB, #AA1998 and #990785

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD4FD1 shade: #DD4FD1, #DD4FAB, #DD4F84, #DD4F5E and #DD4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD4FD1 shade: #DD4FD1, #C34FDD, #9C4FDD, #764FDD and #504FDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD4FD1 shade matches the following richer shades: #DD4FD1 and #EE3EDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD4FD1 shade: #DD4FD1, #CC60C3, #BB71B5, #AA82A7 and #999399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD4FD1 shade: #9D4FDD, #C34FDD, #DD4FD1, #DD4FAB and #DD4F85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD4FD1 shade: #B722AA, #D62CC8, #DD4FD1, #E472DA and #EA94E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD4FD1 shade: #DD4FD1, #DD774F and #4FDDB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD4FD1 shade: #DD4FD1, #D1DD4F and #4FD1DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD4FD1 shade: #DD4FD1, #DD774F, #4FDD5B and #4FB5DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD4FD1 shade: #DD4FD1, #DDA24F, #4FDD5B and #4F8ADD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 5 / 13

HEX #DD4FD1

RGB 221 79 209

HSL 305.07, 0.68%, 0.59%

LAB 57.62, 69.8, -39.66

 

Complementary color

CMYK 81 / 0 / 74 / 31

HEX #22B02E

RGB 34 176 46

HSL 125.07, 0.68%, 0.41%

LAB 63, -60.6, 53.14

 

CMYK 0 / 65 / 10 / 11

HEX #E24FCC

RGB 226 79 204

HSL 308.98, 0.72%, 0.6%

LAB 58.15, 70.25, -35.93

 

CMYK 0 / 60 / 8 / 5

HEX #F361DF

RGB 243 97 223

HSL 308.22, 0.86%, 0.67%

LAB 64.11, 70.25, -37.17

 

CMYK 0 / 55 / 5 / 0

HEX #FF73F2

RGB 255 115 242

HSL 305.57, 1%, 0.73%

LAB 69.42, 68.67, -39.28

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 64 / 5 / 13

HEX #DD4FD1

RGB 221 79 209

HSL 305.07, 0.68%, 0.59%

LAB 57.62, 69.8, -39.66

 

CMYK 0 / 70 / 7 / 20

HEX #CC3DBE

RGB 204 61 190

HSL 305.87, 0.58%, 0.52%

LAB 51.72, 69.43, -38.23

 

CMYK 0 / 77 / 9 / 27

HEX #BB2BAB

RGB 187 43 171

HSL 306.67, 0.63%, 0.45%

LAB 45.95, 68.44, -36.37

 

CMYK 0 / 85 / 11 / 33

HEX #AA1998

RGB 170 25 152

HSL 307.45, 0.74%, 0.38%

LAB 40.42, 66.52, -33.92

 

CMYK 0 / 95 / 13 / 40

HEX #990785

RGB 153 7 133

HSL 308.22, 0.91%, 0.31%

LAB 35.24, 63.31, -30.66

 

CMYK 0 / 64 / 5 / 13

HEX #DD4FD1

RGB 221 79 209

HSL 305.07, 0.68%, 0.59%

LAB 57.62, 69.8, -39.66

 

CMYK 0 / 64 / 23 / 13

HEX #DD4FAB

RGB 221 79 171

HSL 321.13, 0.68%, 0.59%

LAB 55.99, 64.28, -20.34

 

CMYK 0 / 64 / 40 / 13

HEX #DD4F84

RGB 221 79 132

HSL 337.61, 0.68%, 0.59%

LAB 54.69, 59.66, 0.63

 

CMYK 0 / 64 / 57 / 13

HEX #DD4F5E

RGB 221 79 94

HSL 353.66, 0.68%, 0.59%

LAB 53.78, 56.34, 21.92

 

CMYK 0 / 64 / 64 / 13

HEX #DD4F4F

RGB 221 79 79

HSL 0, 0.68%, 0.59%

LAB 53.52, 55.36, 30.36

 

CMYK 0 / 64 / 5 / 13

HEX #DD4FD1

RGB 221 79 209

HSL 305.07, 0.68%, 0.59%

LAB 57.62, 69.8, -39.66

 

CMYK 12 / 64 / 0 / 13

HEX #C34FDD

RGB 195 79 221

HSL 289.01, 0.68%, 0.59%

LAB 54.46, 65.75, -51.71

 

CMYK 29 / 64 / 0 / 13

HEX #9C4FDD

RGB 156 79 221

HSL 272.54, 0.68%, 0.59%

LAB 49.35, 57.07, -60.19

 

CMYK 47 / 64 / 0 / 13

HEX #764FDD

RGB 118 79 221

HSL 256.48, 0.68%, 0.59%

LAB 45.17, 49.34, -67.15

 

CMYK 64 / 64 / 0 / 13

HEX #504FDD

RGB 80 79 221

HSL 240.42, 0.68%, 0.59%

LAB 42.03, 43.03, -72.41

 

CMYK 0 / 64 / 5 / 13

HEX #DD4FD1

RGB 221 79 209

HSL 305.07, 0.68%, 0.59%

LAB 57.62, 69.8, -39.66

 

CMYK 0 / 74 / 6 / 7

HEX #EE3EDF

RGB 238 62 223

HSL 305.11, 0.84%, 0.59%

LAB 58.93, 81.47, -45.35

 

CMYK 0 / 64 / 5 / 13

HEX #DD4FD1

RGB 221 79 209

HSL 305.07, 0.68%, 0.59%

LAB 57.62, 69.8, -39.66

 

CMYK 0 / 53 / 4 / 20

HEX #CC60C3

RGB 204 96 195

HSL 305, 0.51%, 0.59%

LAB 57.21, 55.76, -32.5

 

CMYK 0 / 40 / 3 / 27

HEX #BB71B5

RGB 187 113 181

HSL 304.86, 0.35%, 0.59%

LAB 57.76, 39.55, -23.81

 

CMYK 0 / 24 / 2 / 33

HEX #AA82A7

RGB 170 130 167

HSL 304.5, 0.19%, 0.59%

LAB 59.25, 21.78, -13.69

 

CMYK 0 / 4 / 0 / 40

HEX #999399

RGB 153 147 153

HSL 300, 0.03%, 0.59%

LAB 61.6, 3.35, -2.38

 

CMYK 29 / 64 / 0 / 13

HEX #9D4FDD

RGB 157 79 221

HSL 272.96, 0.68%, 0.59%

LAB 49.47, 57.28, -59.98

 

CMYK 12 / 64 / 0 / 13

HEX #C34FDD

RGB 195 79 221

HSL 289.01, 0.68%, 0.59%

LAB 54.46, 65.75, -51.71

 

CMYK 0 / 64 / 5 / 13

HEX #DD4FD1

RGB 221 79 209

HSL 305.07, 0.68%, 0.59%

LAB 57.62, 69.8, -39.66

 

CMYK 0 / 64 / 23 / 13

HEX #DD4FAB

RGB 221 79 171

HSL 321.13, 0.68%, 0.59%

LAB 55.99, 64.28, -20.34

 

CMYK 0 / 64 / 40 / 13

HEX #DD4F85

RGB 221 79 133

HSL 337.18, 0.68%, 0.59%

LAB 54.72, 59.76, 0.08

 

CMYK 0 / 81 / 7 / 28

HEX #B722AA

RGB 183 34 170

HSL 305.23, 0.69%, 0.43%

LAB 44.4, 69.8, -38.28

 

CMYK 0 / 79 / 7 / 16

HEX #D62CC8

RGB 214 44 200

HSL 304.94, 0.67%, 0.51%

LAB 52.14, 78.03, -43.23

 

CMYK 0 / 64 / 5 / 13

HEX #DD4FD1

RGB 221 79 209

HSL 305.07, 0.68%, 0.59%

LAB 57.62, 69.8, -39.66

 

CMYK 0 / 50 / 4 / 11

HEX #E472DA

RGB 228 114 218

HSL 305.26, 0.68%, 0.67%

LAB 64.64, 57.84, -33.7

 

CMYK 0 / 37 / 3 / 8

HEX #EA94E3

RGB 234 148 227

HSL 304.88, 0.67%, 0.75%

LAB 72.37, 44.12, -26.68

 

CMYK 0 / 64 / 5 / 13

HEX #DD4FD1

RGB 221 79 209

HSL 305.07, 0.68%, 0.59%

LAB 57.62, 69.8, -39.66

 

CMYK 0 / 46 / 64 / 13

HEX #DD774F

RGB 221 119 79

HSL 16.9, 0.68%, 0.59%

LAB 60.9, 36.33, 39.36

 

CMYK 64 / 0 / 20 / 13

HEX #4FDDB0

RGB 79 221 176

HSL 160.99, 0.68%, 0.59%

LAB 79.9, -48.56, 11.01

 

CMYK 0 / 64 / 5 / 13

HEX #DD4FD1

RGB 221 79 209

HSL 305.07, 0.68%, 0.59%

LAB 57.62, 69.8, -39.66

 

CMYK 5 / 0 / 64 / 13

HEX #D1DD4F

RGB 209 221 79

HSL 65.07, 0.68%, 0.59%

LAB 84.91, -21.97, 65.7

 

CMYK 64 / 5 / 0 / 13

HEX #4FD1DD

RGB 79 209 221

HSL 185.07, 0.68%, 0.59%

LAB 77.57, -31.53, -16.46

 

CMYK 0 / 64 / 5 / 13

HEX #DD4FD1

RGB 221 79 209

HSL 305.07, 0.68%, 0.59%

LAB 57.62, 69.8, -39.66

 

CMYK 0 / 46 / 64 / 13

HEX #DD774F

RGB 221 119 79

HSL 16.9, 0.68%, 0.59%

LAB 60.9, 36.33, 39.36

 

CMYK 64 / 0 / 59 / 13

HEX #4FDD5B

RGB 79 221 91

HSL 125.07, 0.68%, 0.59%

LAB 78.54, -63.43, 51.8

 

CMYK 64 / 18 / 0 / 13

HEX #4FB5DD

RGB 79 181 221

HSL 196.9, 0.68%, 0.59%

LAB 69.42, -17.48, -28.87

 

CMYK 0 / 64 / 5 / 13

HEX #DD4FD1

RGB 221 79 209

HSL 305.07, 0.68%, 0.59%

LAB 57.62, 69.8, -39.66

 

CMYK 0 / 27 / 64 / 13

HEX #DDA24F

RGB 221 162 79

HSL 35.07, 0.68%, 0.59%

LAB 70.72, 13.45, 50.69

 

CMYK 64 / 0 / 59 / 13

HEX #4FDD5B

RGB 79 221 91

HSL 125.07, 0.68%, 0.59%

LAB 78.54, -63.43, 51.8

 

CMYK 64 / 38 / 0 / 13

HEX #4F8ADD

RGB 79 138 221

HSL 215.07, 0.68%, 0.59%

LAB 57.13, 6.68, -48.08

 

Description

Color code: HEX #DD4FD1 | qconv.com Color code: HEX #DD4FD1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 79 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 79 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 5 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 5% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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