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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD596D it is the complementary color #22A692. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD596D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD596D shade: #E25968, #F36B7B, #FF7D8E, #FF8FA1 and #FFA1B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD596D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD596D shade: #DD596D, #CC475A, #BB3547, #AA2334 and #991121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD596D shade: #DD596D and #DD5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD596D shade: #DD596D, #DD5991, #DD59B4, #DD59D8 and #BE59DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD596D shade matches the following richer shades: #DD596D, #ED4962 and #FD3957

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD596D shade: #DD596D, #CD6A79, #BD7A84, #AC8A8F and #9C9A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD596D shade: #DD59B5, #DD5992, #DD596F, #DD6759 and #DD8A59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD596D shade: #BD263D, #D6374F, #DD596D, #E47C8B and #EB9EAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD596D shade: #DD596D, #D8DD59 and #59A4DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD596D shade: #DD596D, #6FDD59 and #596FDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD596D shade: #DD596D, #D8DD59, #59DDC7 and #5E59DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD596D shade: #DD596D, #B1DD59, #59DDC7 and #8559DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 51 / 13

HEX #DD596D

RGB 221 89 109

HSL 350.91, 0.66%, 0.61%

LAB 55.71, 53.19, 15.68

 

Complementary color

CMYK 80 / 0 / 12 / 35

HEX #22A692

RGB 34 166 146

HSL 170.91, 0.66%, 0.39%

LAB 61.38, -38.74, 0.59

 

CMYK 0 / 61 / 54 / 11

HEX #E25968

RGB 226 89 104

HSL 353.43, 0.7%, 0.62%

LAB 56.4, 54.44, 19.69

 

CMYK 0 / 56 / 49 / 5

HEX #F36B7B

RGB 243 107 123

HSL 352.94, 0.85%, 0.69%

LAB 62.51, 53.58, 17.45

 

CMYK 0 / 51 / 44 / 0

HEX #FF7D8E

RGB 255 125 142

HSL 352.15, 1%, 0.75%

LAB 67.93, 50.94, 14.45

 

CMYK 0 / 44 / 37 / 0

HEX #FF8FA1

RGB 255 143 161

HSL 350.36, 1%, 0.78%

LAB 71.88, 44.08, 9.38

 

CMYK 0 / 37 / 29 / 0

HEX #FFA1B4

RGB 255 161 180

HSL 347.87, 1%, 0.82%

LAB 76.1, 37.18, 4.94

 

CMYK 0 / 60 / 51 / 13

HEX #DD596D

RGB 221 89 109

HSL 350.91, 0.66%, 0.61%

LAB 55.71, 53.19, 15.68

 

CMYK 0 / 65 / 56 / 20

HEX #CC475A

RGB 204 71 90

HSL 351.43, 0.57%, 0.54%

LAB 49.6, 53.87, 18.19

 

CMYK 0 / 72 / 62 / 27

HEX #BB3547

RGB 187 53 71

HSL 351.94, 0.56%, 0.47%

LAB 43.6, 54.23, 21.25

 

CMYK 0 / 79 / 69 / 33

HEX #AA2334

RGB 170 35 52

HSL 352.44, 0.66%, 0.4%

LAB 37.84, 54.01, 25.03

 

CMYK 0 / 89 / 78 / 40

HEX #991121

RGB 153 17 33

HSL 352.94, 0.8%, 0.33%

LAB 32.44, 52.79, 29.66

 

CMYK 0 / 60 / 51 / 13

HEX #DD596D

RGB 221 89 109

HSL 350.91, 0.66%, 0.61%

LAB 55.71, 53.19, 15.68

 

CMYK 0 / 60 / 60 / 13

HEX #DD5959

RGB 221 89 89

HSL 0, 0.66%, 0.61%

LAB 55.32, 51.64, 26.85

 

CMYK 0 / 60 / 51 / 13

HEX #DD596D

RGB 221 89 109

HSL 350.91, 0.66%, 0.61%

LAB 55.71, 53.19, 15.68

 

CMYK 0 / 60 / 34 / 13

HEX #DD5991

RGB 221 89 145

HSL 334.55, 0.66%, 0.61%

LAB 56.65, 56.83, -4.16

 

CMYK 0 / 60 / 19 / 13

HEX #DD59B4

RGB 221 89 180

HSL 318.64, 0.66%, 0.61%

LAB 57.86, 61.36, -22.69

 

CMYK 0 / 60 / 2 / 13

HEX #DD59D8

RGB 221 89 216

HSL 302.27, 0.66%, 0.61%

LAB 59.41, 66.9, -40.81

 

CMYK 14 / 60 / 0 / 13

HEX #BE59DD

RGB 190 89 221

HSL 285.91, 0.66%, 0.61%

LAB 55.39, 60.16, -50.27

 

CMYK 0 / 60 / 51 / 13

HEX #DD596D

RGB 221 89 109

HSL 350.91, 0.66%, 0.61%

LAB 55.71, 53.19, 15.68

 

CMYK 0 / 69 / 59 / 7

HEX #ED4962

RGB 237 73 98

HSL 350.85, 0.82%, 0.61%

LAB 55.74, 63.95, 22.65

 

CMYK 0 / 77 / 66 / 1

HEX #FD3957

RGB 253 57 87

HSL 350.82, 0.98%, 0.61%

LAB 56.58, 73.03, 30.76

 

CMYK 0 / 60 / 51 / 13

HEX #DD596D

RGB 221 89 109

HSL 350.91, 0.66%, 0.61%

LAB 55.71, 53.19, 15.68

 

CMYK 0 / 48 / 41 / 20

HEX #CD6A79

RGB 205 106 121

HSL 350.91, 0.5%, 0.61%

LAB 56.75, 40.6, 9.75

 

CMYK 0 / 35 / 30 / 26

HEX #BD7A84

RGB 189 122 132

HSL 351.04, 0.34%, 0.61%

LAB 58.42, 27.47, 5.46

 

CMYK 0 / 20 / 17 / 33

HEX #AC8A8F

RGB 172 138 143

HSL 351.18, 0.17%, 0.61%

LAB 60.72, 13.7, 2.23

 

CMYK 0 / 1 / 1 / 39

HEX #9C9A9A

RGB 156 154 154

HSL 0, 0.01%, 0.61%

LAB 63.76, 0.73, 0.25

 

CMYK 0 / 60 / 18 / 13

HEX #DD59B5

RGB 221 89 181

HSL 318.18, 0.66%, 0.61%

LAB 57.9, 61.5, -23.21

 

CMYK 0 / 60 / 34 / 13

HEX #DD5992

RGB 221 89 146

HSL 334.09, 0.66%, 0.61%

LAB 56.68, 56.95, -4.7

 

CMYK 0 / 60 / 50 / 13

HEX #DD596F

RGB 221 89 111

HSL 350, 0.66%, 0.61%

LAB 55.75, 53.36, 14.56

 

CMYK 0 / 53 / 60 / 13

HEX #DD6759

RGB 221 103 89

HSL 6.36, 0.66%, 0.61%

LAB 57.84, 45.06, 30.09

 

CMYK 0 / 38 / 60 / 13

HEX #DD8A59

RGB 221 138 89

HSL 22.27, 0.66%, 0.61%

LAB 65.18, 27, 39.21

 

CMYK 0 / 80 / 68 / 26

HEX #BD263D

RGB 189 38 61

HSL 350.86, 0.67%, 0.45%

LAB 42.06, 59.12, 25.52

 

CMYK 0 / 74 / 63 / 16

HEX #D6374F

RGB 214 55 79

HSL 350.94, 0.66%, 0.53%

LAB 49, 62.18, 24.35

 

CMYK 0 / 60 / 51 / 13

HEX #DD596D

RGB 221 89 109

HSL 350.91, 0.66%, 0.61%

LAB 55.71, 53.19, 15.68

 

CMYK 0 / 46 / 39 / 11

HEX #E47C8B

RGB 228 124 139

HSL 351.35, 0.66%, 0.69%

LAB 63.98, 41.66, 10.05

 

CMYK 0 / 33 / 28 / 8

HEX #EB9EAA

RGB 235 158 170

HSL 350.65, 0.66%, 0.77%

LAB 72.9, 30.25, 5.55

 

CMYK 0 / 60 / 51 / 13

HEX #DD596D

RGB 221 89 109

HSL 350.91, 0.66%, 0.61%

LAB 55.71, 53.19, 15.68

 

CMYK 2 / 0 / 60 / 13

HEX #D8DD59

RGB 216 221 89

HSL 62.27, 0.66%, 0.61%

LAB 85.52, -18.48, 62.42

 

CMYK 60 / 26 / 0 / 13

HEX #59A4DD

RGB 89 164 221

HSL 205.91, 0.66%, 0.61%

LAB 64.88, -6.5, -35.87

 

CMYK 0 / 60 / 51 / 13

HEX #DD596D

RGB 221 89 109

HSL 350.91, 0.66%, 0.61%

LAB 55.71, 53.19, 15.68

 

CMYK 50 / 0 / 60 / 13

HEX #6FDD59

RGB 111 221 89

HSL 110, 0.66%, 0.61%

LAB 79.51, -55.99, 54.05

 

CMYK 60 / 50 / 0 / 13

HEX #596FDD

RGB 89 111 221

HSL 230, 0.66%, 0.61%

LAB 50.35, 24.93, -58.88

 

CMYK 0 / 60 / 51 / 13

HEX #DD596D

RGB 221 89 109

HSL 350.91, 0.66%, 0.61%

LAB 55.71, 53.19, 15.68

 

CMYK 2 / 0 / 60 / 13

HEX #D8DD59

RGB 216 221 89

HSL 62.27, 0.66%, 0.61%

LAB 85.52, -18.48, 62.42

 

CMYK 60 / 0 / 10 / 13

HEX #59DDC7

RGB 89 221 199

HSL 170, 0.66%, 0.61%

LAB 80.72, -41.3, 0.01

 

CMYK 57 / 60 / 0 / 13

HEX #5E59DD

RGB 94 89 221

HSL 242.27, 0.66%, 0.61%

LAB 45.28, 39.27, -67.06

 

CMYK 0 / 60 / 51 / 13

HEX #DD596D

RGB 221 89 109

HSL 350.91, 0.66%, 0.61%

LAB 55.71, 53.19, 15.68

 

CMYK 20 / 0 / 60 / 13

HEX #B1DD59

RGB 177 221 89

HSL 80, 0.66%, 0.61%

LAB 82.8, -33.88, 58.65

 

CMYK 60 / 0 / 10 / 13

HEX #59DDC7

RGB 89 221 199

HSL 170, 0.66%, 0.61%

LAB 80.72, -41.3, 0.01

 

CMYK 40 / 60 / 0 / 13

HEX #8559DD

RGB 133 89 221

HSL 260, 0.66%, 0.61%

LAB 48.7, 46.92, -61.37

 

Description

Color code: HEX #DD596D | qconv.com Color code: HEX #DD596D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 89 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 89 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 51 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 51% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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