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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD5981 it is the complementary color #22A67E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD5981. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD5981 shade: #E2597C, #F36B8F, #FF7DA2, #FF8FB5 and #FFA1C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD5981. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD5981 shade: #DD5981, #CC476E, #BB355B, #AA2348 and #991135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD5981 shade: #DD5981, #DD595E and #DD5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD5981 shade: #DD5981, #DD59A5, #DD59C8, #CE59DD and #AB59DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD5981 shade matches the following richer shades: #DD5981, #ED497B and #FD3975

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD5981 shade: #DD5981, #CD6A88, #BD7A8E, #AC8A94 and #9C9A9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD5981 shade: #DD59C9, #DD59A6, #DD5983, #DD5960 and #DD7659

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD5981 shade: #BD2654, #D63767, #DD5981, #E47C9B and #EB9EB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD5981 shade: #DD5981, #DDCD59 and #59B7DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD5981 shade: #DD5981, #83DD59 and #5983DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD5981 shade: #DD5981, #DDCD59, #59DDB3 and #5969DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD5981 shade: #DD5981, #C5DD59, #59DDB3 and #7159DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 42 / 13

HEX #DD5981

RGB 221 89 129

HSL 341.82, 0.66%, 0.61%

LAB 56.19, 55.08, 4.58

 

Complementary color

CMYK 80 / 0 / 24 / 35

HEX #22A67E

RGB 34 166 126

HSL 161.82, 0.66%, 0.39%

LAB 60.89, -43.95, 11.07

 

CMYK 0 / 61 / 45 / 11

HEX #E2597C

RGB 226 89 124

HSL 344.67, 0.7%, 0.62%

LAB 56.85, 56.18, 8.57

 

CMYK 0 / 56 / 41 / 5

HEX #F36B8F

RGB 243 107 143

HSL 344.12, 0.85%, 0.69%

LAB 62.97, 55.49, 6.61

 

CMYK 0 / 51 / 36 / 0

HEX #FF7DA2

RGB 255 125 162

HSL 342.92, 1%, 0.75%

LAB 68.41, 53.04, 3.85

 

CMYK 0 / 44 / 29 / 0

HEX #FF8FB5

RGB 255 143 181

HSL 339.64, 1%, 0.78%

LAB 72.39, 46.5, -1

 

CMYK 0 / 37 / 22 / 0

HEX #FFA1C8

RGB 255 161 200

HSL 335.11, 1%, 0.82%

LAB 76.63, 39.91, -5.24

 

CMYK 0 / 60 / 42 / 13

HEX #DD5981

RGB 221 89 129

HSL 341.82, 0.66%, 0.61%

LAB 56.19, 55.08, 4.58

 

CMYK 0 / 65 / 46 / 20

HEX #CC476E

RGB 204 71 110

HSL 342.41, 0.57%, 0.54%

LAB 50.06, 55.57, 6.76

 

CMYK 0 / 72 / 51 / 27

HEX #BB355B

RGB 187 53 91

HSL 342.99, 0.56%, 0.47%

LAB 44.04, 55.71, 9.46

 

CMYK 0 / 79 / 58 / 33

HEX #AA2348

RGB 170 35 72

HSL 343.56, 0.66%, 0.4%

LAB 38.23, 55.23, 12.86

 

CMYK 0 / 89 / 65 / 40

HEX #991135

RGB 153 17 53

HSL 344.12, 0.8%, 0.33%

LAB 32.77, 53.73, 17.23

 

CMYK 0 / 60 / 42 / 13

HEX #DD5981

RGB 221 89 129

HSL 341.82, 0.66%, 0.61%

LAB 56.19, 55.08, 4.58

 

CMYK 0 / 60 / 57 / 13

HEX #DD595E

RGB 221 89 94

HSL 357.73, 0.66%, 0.61%

LAB 55.41, 52, 24.06

 

CMYK 0 / 60 / 60 / 13

HEX #DD5959

RGB 221 89 89

HSL 0, 0.66%, 0.61%

LAB 55.32, 51.64, 26.85

 

CMYK 0 / 60 / 42 / 13

HEX #DD5981

RGB 221 89 129

HSL 341.82, 0.66%, 0.61%

LAB 56.19, 55.08, 4.58

 

CMYK 0 / 60 / 25 / 13

HEX #DD59A5

RGB 221 89 165

HSL 325.45, 0.66%, 0.61%

LAB 57.3, 59.31, -14.86

 

CMYK 0 / 60 / 10 / 13

HEX #DD59C8

RGB 221 89 200

HSL 309.55, 0.66%, 0.61%

LAB 58.68, 64.34, -32.88

 

CMYK 7 / 60 / 0 / 13

HEX #CE59DD

RGB 206 89 221

HSL 293.18, 0.66%, 0.61%

LAB 57.55, 64.06, -46.72

 

CMYK 23 / 60 / 0 / 13

HEX #AB59DD

RGB 171 89 221

HSL 277.27, 0.66%, 0.61%

LAB 52.97, 55.59, -54.27

 

CMYK 0 / 60 / 42 / 13

HEX #DD5981

RGB 221 89 129

HSL 341.82, 0.66%, 0.61%

LAB 56.19, 55.08, 4.58

 

CMYK 0 / 69 / 48 / 7

HEX #ED497B

RGB 237 73 123

HSL 341.71, 0.82%, 0.61%

LAB 56.29, 65.85, 8.61

 

CMYK 0 / 77 / 54 / 1

HEX #FD3975

RGB 253 57 117

HSL 341.63, 0.98%, 0.61%

LAB 57.17, 74.85, 13.82

 

CMYK 0 / 60 / 42 / 13

HEX #DD5981

RGB 221 89 129

HSL 341.82, 0.66%, 0.61%

LAB 56.19, 55.08, 4.58

 

CMYK 0 / 48 / 34 / 20

HEX #CD6A88

RGB 205 106 136

HSL 341.82, 0.5%, 0.61%

LAB 57.14, 42.36, 1.55

 

CMYK 0 / 35 / 25 / 26

HEX #BD7A8E

RGB 189 122 142

HSL 342.09, 0.34%, 0.61%

LAB 58.69, 28.88, 0.07

 

CMYK 0 / 20 / 14 / 33

HEX #AC8A94

RGB 172 138 148

HSL 342.35, 0.17%, 0.61%

LAB 60.86, 14.54, -0.42

 

CMYK 0 / 1 / 1 / 39

HEX #9C9A9B

RGB 156 154 155

HSL 330, 0.01%, 0.61%

LAB 63.79, 0.92, -0.27

 

CMYK 0 / 60 / 9 / 13

HEX #DD59C9

RGB 221 89 201

HSL 309.09, 0.66%, 0.61%

LAB 58.73, 64.5, -33.38

 

CMYK 0 / 60 / 25 / 13

HEX #DD59A6

RGB 221 89 166

HSL 325, 0.66%, 0.61%

LAB 57.34, 59.44, -15.39

 

CMYK 0 / 60 / 41 / 13

HEX #DD5983

RGB 221 89 131

HSL 340.91, 0.66%, 0.61%

LAB 56.24, 55.29, 3.48

 

CMYK 0 / 60 / 57 / 13

HEX #DD5960

RGB 221 89 96

HSL 356.82, 0.66%, 0.61%

LAB 55.44, 52.15, 22.95

 

CMYK 0 / 47 / 60 / 13

HEX #DD7659

RGB 221 118 89

HSL 13.18, 0.66%, 0.61%

LAB 60.83, 37.52, 33.85

 

CMYK 0 / 80 / 56 / 26

HEX #BD2654

RGB 189 38 84

HSL 341.72, 0.67%, 0.45%

LAB 42.53, 60.56, 11.77

 

CMYK 0 / 74 / 52 / 16

HEX #D63767

RGB 214 55 103

HSL 341.89, 0.66%, 0.53%

LAB 49.51, 63.83, 10.47

 

CMYK 0 / 60 / 42 / 13

HEX #DD5981

RGB 221 89 129

HSL 341.82, 0.66%, 0.61%

LAB 56.19, 55.08, 4.58

 

CMYK 0 / 46 / 32 / 11

HEX #E47C9B

RGB 228 124 155

HSL 342.12, 0.66%, 0.69%

LAB 64.38, 43.56, 1.52

 

CMYK 0 / 33 / 23 / 8

HEX #EB9EB5

RGB 235 158 181

HSL 342.08, 0.66%, 0.77%

LAB 73.19, 31.79, -0.11

 

CMYK 0 / 60 / 42 / 13

HEX #DD5981

RGB 221 89 129

HSL 341.82, 0.66%, 0.61%

LAB 56.19, 55.08, 4.58

 

CMYK 0 / 7 / 60 / 13

HEX #DDCD59

RGB 221 205 89

HSL 52.73, 0.66%, 0.61%

LAB 81.71, -8.43, 58.35

 

CMYK 60 / 17 / 0 / 13

HEX #59B7DD

RGB 89 183 221

HSL 197.27, 0.66%, 0.61%

LAB 70.32, -16.79, -27.45

 

CMYK 0 / 60 / 42 / 13

HEX #DD5981

RGB 221 89 129

HSL 341.82, 0.66%, 0.61%

LAB 56.19, 55.08, 4.58

 

CMYK 41 / 0 / 60 / 13

HEX #83DD59

RGB 131 221 89

HSL 100.91, 0.66%, 0.61%

LAB 80.33, -50.05, 55.2

 

CMYK 60 / 41 / 0 / 13

HEX #5983DD

RGB 89 131 221

HSL 220.91, 0.66%, 0.61%

LAB 55.66, 12.7, -50.38

 

CMYK 0 / 60 / 42 / 13

HEX #DD5981

RGB 221 89 129

HSL 341.82, 0.66%, 0.61%

LAB 56.19, 55.08, 4.58

 

CMYK 0 / 7 / 60 / 13

HEX #DDCD59

RGB 221 205 89

HSL 52.73, 0.66%, 0.61%

LAB 81.71, -8.43, 58.35

 

CMYK 60 / 0 / 19 / 13

HEX #59DDB3

RGB 89 221 179

HSL 160.91, 0.66%, 0.61%

LAB 80.23, -46.08, 9.93

 

CMYK 60 / 52 / 0 / 13

HEX #5969DD

RGB 89 105 221

HSL 232.73, 0.66%, 0.61%

LAB 48.82, 28.63, -61.35

 

CMYK 0 / 60 / 42 / 13

HEX #DD5981

RGB 221 89 129

HSL 341.82, 0.66%, 0.61%

LAB 56.19, 55.08, 4.58

 

CMYK 11 / 0 / 60 / 13

HEX #C5DD59

RGB 197 221 89

HSL 70.91, 0.66%, 0.61%

LAB 84.12, -26.11, 60.49

 

CMYK 60 / 0 / 19 / 13

HEX #59DDB3

RGB 89 221 179

HSL 160.91, 0.66%, 0.61%

LAB 80.23, -46.08, 9.93

 

CMYK 49 / 60 / 0 / 13

HEX #7159DD

RGB 113 89 221

HSL 250.91, 0.66%, 0.61%

LAB 46.81, 42.79, -64.51

 

Description

Color code: HEX #DD5981 | qconv.com Color code: HEX #DD5981 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 89 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 89 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 42 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 42% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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