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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD5E8F it is the complementary color #22A170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD5E8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD5E8F shade: #E25E8A, #F3709D, #FF82B0, #FF94C3 and #FFA6D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD5E8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD5E8F shade: #DD5E8F, #CC4C7C, #BB3A69, #AA2856 and #991643

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD5E8F shade: #DD5F8F, #DD5F6D and #DD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD5E8F shade: #DD5F8F, #DD5FB1, #DD5FD3, #C45FDD and #A25FDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD5E8F shade matches the following richer shades: #DD5F8F, #EC4F8C and #FC3F88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD5E8F shade: #DD5F8F, #CD6E93, #BD7E96, #AE8E9A and #9E9D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD5E8F shade: #DD5FD4, #DD5FB3, #DD5F91, #DD5F6F and #DD6F5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD5E8F shade: #C02863, #D53D78, #DD5F8F, #E481A7 and #EBA3BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD5E8F shade: #DD5E8F, #DDC35F and #5FC3DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD5E8F shade: #DD5E8F, #91DD5F and #5F91DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD5E8F shade: #DD5E8F, #DDC35F, #5FDDAA and #5F78DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD5E8F shade: #DD5E8F, #D0DD5F, #5FDDAA and #6B5FDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 35 / 13

HEX #DD5E8F

RGB 221 94 143

HSL 336.85, 0.65%, 0.62%

LAB 57.43, 54.36, -1.84

 

Complementary color

CMYK 79 / 0 / 30 / 37

HEX #22A170

RGB 34 161 112

HSL 156.85, 0.65%, 0.38%

LAB 58.97, -45.21, 16.19

 

CMYK 0 / 58 / 39 / 11

HEX #E25E8A

RGB 226 94 138

HSL 340, 0.69%, 0.63%

LAB 58.05, 55.39, 2.08

 

CMYK 0 / 54 / 35 / 5

HEX #F3709D

RGB 243 112 157

HSL 339.39, 0.85%, 0.7%

LAB 64.22, 54.7, 0.39

 

CMYK 0 / 49 / 31 / 0

HEX #FF82B0

RGB 255 130 176

HSL 337.92, 1%, 0.75%

LAB 69.73, 52.29, -2.11

 

CMYK 0 / 42 / 24 / 0

HEX #FF94C3

RGB 255 148 195

HSL 333.64, 1%, 0.79%

LAB 73.79, 45.85, -6.69

 

CMYK 0 / 35 / 16 / 0

HEX #FFA6D6

RGB 255 166 214

HSL 327.64, 1%, 0.83%

LAB 78.1, 39.4, -10.69

 

CMYK 0 / 57 / 35 / 13

HEX #DD5E8F

RGB 221 94 143

HSL 336.85, 0.65%, 0.62%

LAB 57.43, 54.36, -1.84

 

CMYK 0 / 63 / 39 / 20

HEX #CC4C7C

RGB 204 76 124

HSL 337.5, 0.56%, 0.55%

LAB 51.22, 54.88, 0.01

 

CMYK 0 / 69 / 44 / 27

HEX #BB3A69

RGB 187 58 105

HSL 338.14, 0.53%, 0.48%

LAB 45.1, 55.11, 2.3

 

CMYK 0 / 76 / 49 / 33

HEX #AA2856

RGB 170 40 86

HSL 338.77, 0.62%, 0.41%

LAB 39.13, 54.8, 5.2

 

CMYK 0 / 86 / 56 / 40

HEX #991643

RGB 153 22 67

HSL 339.39, 0.75%, 0.34%

LAB 33.46, 53.59, 8.98

 

CMYK 0 / 57 / 35 / 13

HEX #DD5F8F

RGB 221 95 143

HSL 337.14, 0.65%, 0.62%

LAB 57.6, 53.9, -1.59

 

CMYK 0 / 57 / 51 / 13

HEX #DD5F6D

RGB 221 95 109

HSL 353.33, 0.65%, 0.62%

LAB 56.74, 50.45, 17.11

 

CMYK 0 / 57 / 57 / 13

HEX #DD5F5F

RGB 221 95 95

HSL 0, 0.65%, 0.62%

LAB 56.47, 49.32, 24.88

 

CMYK 0 / 57 / 35 / 13

HEX #DD5F8F

RGB 221 95 143

HSL 337.14, 0.65%, 0.62%

LAB 57.6, 53.9, -1.59

 

CMYK 0 / 57 / 20 / 13

HEX #DD5FB1

RGB 221 95 177

HSL 320.95, 0.65%, 0.62%

LAB 58.72, 58.29, -19.64

 

CMYK 0 / 57 / 5 / 13

HEX #DD5FD3

RGB 221 95 211

HSL 304.76, 0.65%, 0.62%

LAB 60.12, 63.5, -36.88

 

CMYK 11 / 57 / 0 / 13

HEX #C45FDD

RGB 196 95 221

HSL 288.1, 0.65%, 0.62%

LAB 57.21, 58.84, -47.33

 

CMYK 27 / 57 / 0 / 13

HEX #A25FDD

RGB 162 95 221

HSL 271.9, 0.65%, 0.62%

LAB 53.04, 50.39, -54.22

 

CMYK 0 / 57 / 35 / 13

HEX #DD5F8F

RGB 221 95 143

HSL 337.14, 0.65%, 0.62%

LAB 57.6, 53.9, -1.59

 

CMYK 0 / 67 / 41 / 7

HEX #EC4F8C

RGB 236 79 140

HSL 336.69, 0.81%, 0.62%

LAB 57.38, 64.89, 0.14

 

CMYK 0 / 75 / 46 / 1

HEX #FC3F88

RGB 252 63 136

HSL 336.83, 0.97%, 0.62%

LAB 58.06, 74.36, 3.82

 

CMYK 0 / 57 / 35 / 13

HEX #DD5F8F

RGB 221 95 143

HSL 337.14, 0.65%, 0.62%

LAB 57.6, 53.9, -1.59

 

CMYK 0 / 46 / 28 / 20

HEX #CD6E93

RGB 205 110 147

HSL 336.63, 0.49%, 0.62%

LAB 58.26, 41.73, -3.21

 

CMYK 0 / 33 / 21 / 26

HEX #BD7E96

RGB 189 126 150

HSL 337.14, 0.32%, 0.62%

LAB 59.84, 27.89, -2.85

 

CMYK 0 / 18 / 11 / 32

HEX #AE8E9A

RGB 174 142 154

HSL 337.5, 0.16%, 0.62%

LAB 62.23, 14.07, -1.8

 

CMYK 0 / 1 / 0 / 38

HEX #9E9D9E

RGB 158 157 158

HSL 300, 0.01%, 0.62%

LAB 64.84, 0.56, -0.4

 

CMYK 0 / 57 / 4 / 13

HEX #DD5FD4

RGB 221 95 212

HSL 304.29, 0.65%, 0.62%

LAB 60.17, 63.67, -37.37

 

CMYK 0 / 57 / 19 / 13

HEX #DD5FB3

RGB 221 95 179

HSL 320, 0.65%, 0.62%

LAB 58.8, 58.57, -20.68

 

CMYK 0 / 57 / 34 / 13

HEX #DD5F91

RGB 221 95 145

HSL 336.19, 0.65%, 0.62%

LAB 57.66, 54.13, -2.67

 

CMYK 0 / 57 / 50 / 13

HEX #DD5F6F

RGB 221 95 111

HSL 352.38, 0.65%, 0.62%

LAB 56.79, 50.63, 15.99

 

CMYK 0 / 50 / 57 / 13

HEX #DD6F5F

RGB 221 111 95

HSL 7.62, 0.65%, 0.62%

LAB 59.5, 41.53, 28.82

 

CMYK 0 / 79 / 48 / 25

HEX #C02863

RGB 192 40 99

HSL 336.71, 0.66%, 0.45%

LAB 43.69, 62, 4.11

 

CMYK 0 / 71 / 44 / 16

HEX #D53D78

RGB 213 61 120

HSL 336.71, 0.64%, 0.54%

LAB 50.5, 63, 1.55

 

CMYK 0 / 57 / 35 / 13

HEX #DD5F8F

RGB 221 95 143

HSL 337.14, 0.65%, 0.62%

LAB 57.6, 53.9, -1.59

 

CMYK 0 / 43 / 27 / 11

HEX #E481A7

RGB 228 129 167

HSL 336.97, 0.65%, 0.7%

LAB 65.74, 42.57, -3.32

 

CMYK 0 / 31 / 19 / 8

HEX #EBA3BF

RGB 235 163 191

HSL 336.67, 0.64%, 0.78%

LAB 74.58, 30.61, -3.57

 

CMYK 0 / 57 / 35 / 13

HEX #DD5E8F

RGB 221 94 143

HSL 336.85, 0.65%, 0.62%

LAB 57.43, 54.36, -1.84

 

CMYK 0 / 12 / 57 / 13

HEX #DDC35F

RGB 221 195 95

HSL 47.62, 0.65%, 0.62%

LAB 79.17, -2.87, 52.77

 

CMYK 57 / 12 / 0 / 13

HEX #5FC3DD

RGB 95 195 221

HSL 192.38, 0.65%, 0.62%

LAB 73.99, -21.86, -21.83

 

CMYK 0 / 57 / 35 / 13

HEX #DD5E8F

RGB 221 94 143

HSL 336.85, 0.65%, 0.62%

LAB 57.43, 54.36, -1.84

 

CMYK 34 / 0 / 57 / 13

HEX #91DD5F

RGB 145 221 95

HSL 96.19, 0.65%, 0.62%

LAB 81.05, -44.87, 53.56

 

CMYK 57 / 34 / 0 / 13

HEX #5F91DD

RGB 95 145 221

HSL 216.19, 0.65%, 0.62%

LAB 59.8, 5.55, -43.81

 

CMYK 0 / 57 / 35 / 13

HEX #DD5E8F

RGB 221 94 143

HSL 336.85, 0.65%, 0.62%

LAB 57.43, 54.36, -1.84

 

CMYK 0 / 12 / 57 / 13

HEX #DDC35F

RGB 221 195 95

HSL 47.62, 0.65%, 0.62%

LAB 79.17, -2.87, 52.77

 

CMYK 57 / 0 / 23 / 13

HEX #5FDDAA

RGB 95 221 170

HSL 155.71, 0.65%, 0.62%

LAB 80.21, -46.89, 14.67

 

CMYK 57 / 46 / 0 / 13

HEX #5F78DD

RGB 95 120 221

HSL 228.1, 0.65%, 0.62%

LAB 53.04, 20.55, -54.54

 

CMYK 0 / 57 / 35 / 13

HEX #DD5E8F

RGB 221 94 143

HSL 336.85, 0.65%, 0.62%

LAB 57.43, 54.36, -1.84

 

CMYK 6 / 0 / 57 / 13

HEX #D0DD5F

RGB 208 221 95

HSL 66.19, 0.65%, 0.62%

LAB 84.97, -21.27, 59.06

 

CMYK 57 / 0 / 23 / 13

HEX #5FDDAA

RGB 95 221 170

HSL 155.71, 0.65%, 0.62%

LAB 80.21, -46.89, 14.67

 

CMYK 52 / 57 / 0 / 13

HEX #6B5FDD

RGB 107 95 221

HSL 245.71, 0.65%, 0.62%

LAB 47.66, 38.1, -63.16

 

Description

Color code: HEX #DD5E8F | qconv.com Color code: HEX #DD5E8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 94 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 94 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 35 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 35% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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