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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD5EC3 it is the complementary color #22A13C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD5EC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD5EC3 shade: #E25EBE, #F370D1, #FF82E4, #FF94F7 and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD5EC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD5EC3 shade: #DD5EC3, #CC4CB0, #BB3A9D, #AA288A and #991677

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD5EC3 shade: #DD5FC3, #DD5FA1, #DD5F7F and #DD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD5EC3 shade: #DD5FC3, #D45FDD, #B25FDD, #905FDD and #6E5FDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD5EC3 shade matches the following richer shades: #DD5FC3, #EC4FCC and #FC3FD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD5EC3 shade: #DD5FC3, #CD6EBA, #BD7EB0, #AE8EA7 and #9E9D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD5EC3 shade: #B35FDD, #D45FDD, #DD5FC3, #DD5FA2 and #DD5F80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD5EC3 shade: #C028A1, #D53DB6, #DD5FC3, #E481D0 and #EBA3DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD5EC3 shade: #DD5EC3, #DD915F and #5FDDC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD5EC3 shade: #DD5EC3, #C3DD5F and #5FC3DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD5EC3 shade: #DD5EC3, #DD915F, #5FDD78 and #5FAADD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD5EC3 shade: #DD5EC3, #DDB75F, #5FDD78 and #5F84DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 12 / 13

HEX #DD5EC3

RGB 221 94 195

HSL 312.28, 0.65%, 0.62%

LAB 59.27, 61.4, -29.12

 

Complementary color

CMYK 79 / 0 / 63 / 37

HEX #22A13C

RGB 34 161 60

HSL 132.28, 0.65%, 0.38%

LAB 58.18, -54.33, 42.18

 

CMYK 0 / 58 / 16 / 11

HEX #E25EBE

RGB 226 94 190

HSL 316.36, 0.69%, 0.63%

LAB 59.79, 62.03, -25.4

 

CMYK 0 / 54 / 14 / 5

HEX #F370D1

RGB 243 112 209

HSL 315.57, 0.85%, 0.7%

LAB 65.94, 61.6, -26.49

 

CMYK 0 / 49 / 11 / 0

HEX #FF82E4

RGB 255 130 228

HSL 312.96, 1%, 0.75%

LAB 71.44, 59.59, -28.45

 

CMYK 0 / 42 / 3 / 0

HEX #FF94F7

RGB 255 148 247

HSL 304.49, 1%, 0.79%

LAB 75.55, 53.94, -32.51

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 57 / 12 / 13

HEX #DD5EC3

RGB 221 94 195

HSL 312.28, 0.65%, 0.62%

LAB 59.27, 61.4, -29.12

 

CMYK 0 / 63 / 14 / 20

HEX #CC4CB0

RGB 204 76 176

HSL 313.13, 0.56%, 0.55%

LAB 53.1, 61.62, -27.92

 

CMYK 0 / 69 / 16 / 27

HEX #BB3A9D

RGB 187 58 157

HSL 313.95, 0.53%, 0.48%

LAB 47.01, 61.47, -26.4

 

CMYK 0 / 76 / 19 / 33

HEX #AA288A

RGB 170 40 138

HSL 314.77, 0.62%, 0.41%

LAB 41.05, 60.72, -24.4

 

CMYK 0 / 86 / 22 / 40

HEX #991677

RGB 153 22 119

HSL 315.57, 0.75%, 0.34%

LAB 35.36, 58.98, -21.71

 

CMYK 0 / 57 / 12 / 13

HEX #DD5FC3

RGB 221 95 195

HSL 312.38, 0.65%, 0.62%

LAB 59.43, 60.95, -28.87

 

CMYK 0 / 57 / 27 / 13

HEX #DD5FA1

RGB 221 95 161

HSL 328.57, 0.65%, 0.62%

LAB 58.16, 56.11, -11.24

 

CMYK 0 / 57 / 43 / 13

HEX #DD5F7F

RGB 221 95 127

HSL 344.76, 0.65%, 0.62%

LAB 57.16, 52.15, 7.15

 

CMYK 0 / 57 / 57 / 13

HEX #DD5F5F

RGB 221 95 95

HSL 0, 0.65%, 0.62%

LAB 56.47, 49.32, 24.88

 

CMYK 0 / 57 / 12 / 13

HEX #DD5FC3

RGB 221 95 195

HSL 312.38, 0.65%, 0.62%

LAB 59.43, 60.95, -28.87

 

CMYK 4 / 57 / 0 / 13

HEX #D45FDD

RGB 212 95 221

HSL 295.71, 0.65%, 0.62%

LAB 59.34, 62.89, -43.82

 

CMYK 19 / 57 / 0 / 13

HEX #B25FDD

RGB 178 95 221

HSL 279.52, 0.65%, 0.62%

LAB 54.94, 54.33, -51.08

 

CMYK 35 / 57 / 0 / 13

HEX #905FDD

RGB 144 95 221

HSL 263.33, 0.65%, 0.62%

LAB 51.08, 46.11, -57.48

 

CMYK 50 / 57 / 0 / 13

HEX #6E5FDD

RGB 110 95 221

HSL 247.14, 0.65%, 0.62%

LAB 47.91, 38.69, -62.75

 

CMYK 0 / 57 / 12 / 13

HEX #DD5FC3

RGB 221 95 195

HSL 312.38, 0.65%, 0.62%

LAB 59.43, 60.95, -28.87

 

CMYK 0 / 67 / 14 / 7

HEX #EC4FCC

RGB 236 79 204

HSL 312.23, 0.81%, 0.62%

LAB 59.69, 72.7, -33.41

 

CMYK 0 / 75 / 15 / 1

HEX #FC3FD5

RGB 252 63 213

HSL 312.38, 0.97%, 0.62%

LAB 60.83, 82.78, -36.55

 

CMYK 0 / 57 / 12 / 13

HEX #DD5FC3

RGB 221 95 195

HSL 312.38, 0.65%, 0.62%

LAB 59.43, 60.95, -28.87

 

CMYK 0 / 46 / 9 / 20

HEX #CD6EBA

RGB 205 110 186

HSL 312, 0.49%, 0.62%

LAB 59.6, 47.65, -23.66

 

CMYK 0 / 33 / 7 / 26

HEX #BD7EB0

RGB 189 126 176

HSL 312.38, 0.32%, 0.62%

LAB 60.67, 32.23, -16.49

 

CMYK 0 / 18 / 4 / 32

HEX #AE8EA7

RGB 174 142 167

HSL 313.13, 0.16%, 0.62%

LAB 62.62, 16.41, -8.6

 

CMYK 0 / 1 / 0 / 38

HEX #9E9D9E

RGB 158 157 158

HSL 300, 0.01%, 0.62%

LAB 64.84, 0.56, -0.4

 

CMYK 19 / 57 / 0 / 13

HEX #B35FDD

RGB 179 95 221

HSL 280, 0.65%, 0.62%

LAB 55.06, 54.57, -50.88

 

CMYK 4 / 57 / 0 / 13

HEX #D45FDD

RGB 212 95 221

HSL 295.71, 0.65%, 0.62%

LAB 59.34, 62.89, -43.82

 

CMYK 0 / 57 / 12 / 13

HEX #DD5FC3

RGB 221 95 195

HSL 312.38, 0.65%, 0.62%

LAB 59.43, 60.95, -28.87

 

CMYK 0 / 57 / 27 / 13

HEX #DD5FA2

RGB 221 95 162

HSL 328.1, 0.65%, 0.62%

LAB 58.19, 56.24, -11.77

 

CMYK 0 / 57 / 42 / 13

HEX #DD5F80

RGB 221 95 128

HSL 344.29, 0.65%, 0.62%

LAB 57.19, 52.26, 6.6

 

CMYK 0 / 79 / 16 / 25

HEX #C028A1

RGB 192 40 161

HSL 312.24, 0.66%, 0.45%

LAB 46.04, 68.93, -30.23

 

CMYK 0 / 71 / 15 / 16

HEX #D53DB6

RGB 213 61 182

HSL 312.24, 0.64%, 0.54%

LAB 52.8, 70.35, -31.78

 

CMYK 0 / 57 / 12 / 13

HEX #DD5FC3

RGB 221 95 195

HSL 312.38, 0.65%, 0.62%

LAB 59.43, 60.95, -28.87

 

CMYK 0 / 43 / 9 / 11

HEX #E481D0

RGB 228 129 208

HSL 312.12, 0.65%, 0.7%

LAB 67.09, 48.77, -24.34

 

CMYK 0 / 31 / 6 / 8

HEX #EBA3DC

RGB 235 163 220

HSL 312.5, 0.64%, 0.78%

LAB 75.47, 35.32, -18.14

 

CMYK 0 / 57 / 12 / 13

HEX #DD5EC3

RGB 221 94 195

HSL 312.28, 0.65%, 0.62%

LAB 59.27, 61.4, -29.12

 

CMYK 0 / 34 / 57 / 13

HEX #DD915F

RGB 221 145 95

HSL 23.81, 0.65%, 0.62%

LAB 66.86, 23.7, 38.11

 

CMYK 57 / 0 / 12 / 13

HEX #5FDDC3

RGB 95 221 195

HSL 167.62, 0.65%, 0.62%

LAB 80.79, -41.16, 2.26

 

CMYK 0 / 57 / 12 / 13

HEX #DD5EC3

RGB 221 94 195

HSL 312.28, 0.65%, 0.62%

LAB 59.27, 61.4, -29.12

 

CMYK 12 / 0 / 57 / 13

HEX #C3DD5F

RGB 195 221 95

HSL 72.38, 0.65%, 0.62%

LAB 84.04, -26.43, 57.76

 

CMYK 57 / 12 / 0 / 13

HEX #5FC3DD

RGB 95 195 221

HSL 192.38, 0.65%, 0.62%

LAB 73.99, -21.86, -21.83

 

CMYK 0 / 57 / 12 / 13

HEX #DD5EC3

RGB 221 94 195

HSL 312.28, 0.65%, 0.62%

LAB 59.27, 61.4, -29.12

 

CMYK 0 / 34 / 57 / 13

HEX #DD915F

RGB 221 145 95

HSL 23.81, 0.65%, 0.62%

LAB 66.86, 23.7, 38.11

 

CMYK 57 / 0 / 46 / 13

HEX #5FDD78

RGB 95 221 120

HSL 131.9, 0.65%, 0.62%

LAB 79.33, -56.09, 39.19

 

CMYK 57 / 23 / 0 / 13

HEX #5FAADD

RGB 95 170 221

HSL 204.29, 0.65%, 0.62%

LAB 66.83, -8.65, -32.83

 

CMYK 0 / 57 / 12 / 13

HEX #DD5EC3

RGB 221 94 195

HSL 312.28, 0.65%, 0.62%

LAB 59.27, 61.4, -29.12

 

CMYK 0 / 17 / 57 / 13

HEX #DDB75F

RGB 221 183 95

HSL 41.9, 0.65%, 0.62%

LAB 76.11, 3.4, 49.21

 

CMYK 57 / 0 / 46 / 13

HEX #5FDD78

RGB 95 221 120

HSL 131.9, 0.65%, 0.62%

LAB 79.33, -56.09, 39.19

 

CMYK 57 / 40 / 0 / 13

HEX #5F84DD

RGB 95 132 221

HSL 222.38, 0.65%, 0.62%

LAB 56.24, 13.27, -49.44

 

Description

Color code: HEX #DD5EC3 | qconv.com Color code: HEX #DD5EC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 94 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 94 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 12 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 12% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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