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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD5EE3 it is the complementary color #22A11C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD5EE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD5EE3 shade: #E25EDE, #F370F1, #FF82FF, #FF94FF and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD5EE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD5EE3 shade: #DD5EE3, #CC4CD0, #BB3ABD, #AA28AA and #991697

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD5EE3 shade: #DC5EE2, #E25EC5, #E25EA1, #E25E7D and #E25E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD5EE3 shade: #DC5EE2, #B95EE2, #955EE2, #715EE2 and #5E5EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD5EE3 shade matches the following richer shades: #DC5EE2 and #EA4FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD5EE3 shade: #DC5EE2, #CE6DD3, #C07DC4, #B38CB4 and #A59BA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD5EE3 shade: #955EE2, #B85EE2, #DC5EE2, #E25EC6 and #E25EA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD5EE3 shade: #C323CA, #D53BDC, #DC5EE2, #E481E8 and #EBA4EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD5EE3 shade: #DD5EE3, #E2725E and #5EE2A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD5EE3 shade: #DD5EE3, #E2DC5E and #5EE2DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD5EE3 shade: #DD5EE3, #E2725E, #65E25E and #5ECEE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD5EE3 shade: #DD5EE3, #E29A5E, #65E25E and #5EA7E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 59 / 0 / 11

HEX #DD5EE3

RGB 221 94 227

HSL 297.29, 0.7%, 0.63%

LAB 60.71, 66.64, -44.94

 

Complementary color

CMYK 79 / 0 / 83 / 37

HEX #22A11C

RGB 34 161 28

HSL 117.29, 0.7%, 0.37%

LAB 57.96, -57.16, 54.11

 

CMYK 0 / 58 / 2 / 11

HEX #E25EDE

RGB 226 94 222

HSL 301.82, 0.69%, 0.63%

LAB 61.18, 67.04, -41.37

 

CMYK 0 / 54 / 1 / 5

HEX #F370F1

RGB 243 112 241

HSL 300.92, 0.85%, 0.7%

LAB 67.27, 66.7, -42.21

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 3 / 59 / 0 / 11

HEX #DD5EE3

RGB 221 94 227

HSL 297.29, 0.7%, 0.63%

LAB 60.71, 66.64, -44.94

 

CMYK 2 / 63 / 0 / 18

HEX #CC4CD0

RGB 204 76 208

HSL 298.18, 0.58%, 0.56%

LAB 54.62, 66.76, -44

 

CMYK 1 / 69 / 0 / 26

HEX #BB3ABD

RGB 187 58 189

HSL 299.08, 0.53%, 0.48%

LAB 48.59, 66.47, -42.76

 

CMYK 0 / 76 / 0 / 33

HEX #AA28AA

RGB 170 40 170

HSL 300, 0.62%, 0.41%

LAB 42.71, 65.54, -41.1

 

CMYK 0 / 86 / 1 / 40

HEX #991697

RGB 153 22 151

HSL 300.92, 0.75%, 0.34%

LAB 37.08, 63.62, -38.81

 

CMYK 3 / 58 / 0 / 11

HEX #DC5EE2

RGB 220 94 226

HSL 297.27, 0.69%, 0.63%

LAB 60.53, 66.22, -44.69

 

CMYK 0 / 58 / 13 / 11

HEX #E25EC5

RGB 226 94 197

HSL 313.18, 0.69%, 0.63%

LAB 60.07, 63.07, -28.96

 

CMYK 0 / 58 / 29 / 11

HEX #E25EA1

RGB 226 94 161

HSL 329.55, 0.69%, 0.63%

LAB 58.74, 58.08, -10.3

 

CMYK 0 / 58 / 45 / 11

HEX #E25E7D

RGB 226 94 125

HSL 345.91, 0.69%, 0.63%

LAB 57.71, 54.06, 9.2

 

CMYK 0 / 58 / 58 / 11

HEX #E25E5E

RGB 226 94 94

HSL 0, 0.69%, 0.63%

LAB 57.06, 51.45, 26.38

 

CMYK 3 / 58 / 0 / 11

HEX #DC5EE2

RGB 220 94 226

HSL 297.27, 0.69%, 0.63%

LAB 60.53, 66.22, -44.69

 

CMYK 18 / 58 / 0 / 11

HEX #B95EE2

RGB 185 94 226

HSL 281.36, 0.69%, 0.63%

LAB 55.9, 57.59, -52.32

 

CMYK 34 / 58 / 0 / 11

HEX #955EE2

RGB 149 94 226

HSL 265, 0.69%, 0.63%

LAB 51.71, 49.06, -59.26

 

CMYK 50 / 58 / 0 / 11

HEX #715EE2

RGB 113 94 226

HSL 248.64, 0.69%, 0.63%

LAB 48.27, 41.36, -64.99

 

CMYK 58 / 58 / 0 / 11

HEX #5E5EE2

RGB 94 94 226

HSL 240, 0.69%, 0.63%

LAB 46.81, 37.86, -67.42

 

CMYK 3 / 58 / 0 / 11

HEX #DC5EE2

RGB 220 94 226

HSL 297.27, 0.69%, 0.63%

LAB 60.53, 66.22, -44.69

 

CMYK 3 / 67 / 0 / 5

HEX #EA4FF1

RGB 234 79 241

HSL 297.41, 0.85%, 0.63%

LAB 61.16, 77.92, -51.92

 

CMYK 3 / 58 / 0 / 11

HEX #DC5EE2

RGB 220 94 226

HSL 297.27, 0.69%, 0.63%

LAB 60.53, 66.22, -44.69

 

CMYK 2 / 48 / 0 / 17

HEX #CE6DD3

RGB 206 109 211

HSL 297.06, 0.54%, 0.63%

LAB 60.57, 52.83, -36.32

 

CMYK 2 / 36 / 0 / 23

HEX #C07DC4

RGB 192 125 196

HSL 296.62, 0.38%, 0.63%

LAB 61.53, 37.47, -26.5

 

CMYK 1 / 22 / 0 / 29

HEX #B38CB4

RGB 179 140 180

HSL 298.5, 0.21%, 0.63%

LAB 63.04, 21.76, -15.28

 

CMYK 0 / 6 / 0 / 35

HEX #A59BA5

RGB 165 155 165

HSL 300, 0.05%, 0.63%

LAB 65.09, 5.52, -3.9

 

CMYK 34 / 58 / 0 / 11

HEX #955EE2

RGB 149 94 226

HSL 265, 0.69%, 0.63%

LAB 51.71, 49.06, -59.26

 

CMYK 19 / 58 / 0 / 11

HEX #B85EE2

RGB 184 94 226

HSL 280.91, 0.69%, 0.63%

LAB 55.77, 57.35, -52.53

 

CMYK 3 / 58 / 0 / 11

HEX #DC5EE2

RGB 220 94 226

HSL 297.27, 0.69%, 0.63%

LAB 60.53, 66.22, -44.69

 

CMYK 0 / 58 / 12 / 11

HEX #E25EC6

RGB 226 94 198

HSL 312.73, 0.69%, 0.63%

LAB 60.12, 63.22, -29.46

 

CMYK 0 / 58 / 28 / 11

HEX #E25EA2

RGB 226 94 162

HSL 329.09, 0.69%, 0.63%

LAB 58.77, 58.2, -10.83

 

CMYK 3 / 83 / 0 / 21

HEX #C323CA

RGB 195 35 202

HSL 297.49, 0.7%, 0.46%

LAB 48.35, 76.77, -50.62

 

CMYK 3 / 73 / 0 / 14

HEX #D53BDC

RGB 213 59 220

HSL 297.39, 0.7%, 0.55%

LAB 54.49, 76.76, -50.94

 

CMYK 3 / 58 / 0 / 11

HEX #DC5EE2

RGB 220 94 226

HSL 297.27, 0.69%, 0.63%

LAB 60.53, 66.22, -44.69

 

CMYK 2 / 44 / 0 / 9

HEX #E481E8

RGB 228 129 232

HSL 297.67, 0.69%, 0.71%

LAB 68.04, 52.94, -36.19

 

CMYK 2 / 31 / 0 / 6

HEX #EBA4EF

RGB 235 164 239

HSL 296.8, 0.7%, 0.79%

LAB 76.34, 38.19, -27.14

 

CMYK 3 / 59 / 0 / 11

HEX #DD5EE3

RGB 221 94 227

HSL 297.29, 0.7%, 0.63%

LAB 60.71, 66.64, -44.94

 

CMYK 0 / 50 / 58 / 11

HEX #E2725E

RGB 226 114 94

HSL 9.09, 0.69%, 0.63%

LAB 60.79, 41.82, 31.18

 

CMYK 58 / 0 / 26 / 11

HEX #5EE2A7

RGB 94 226 167

HSL 153.18, 0.69%, 0.63%

LAB 81.6, -49.82, 18.19

 

CMYK 3 / 59 / 0 / 11

HEX #DD5EE3

RGB 221 94 227

HSL 297.29, 0.7%, 0.63%

LAB 60.71, 66.64, -44.94

 

CMYK 0 / 3 / 58 / 11

HEX #E2DC5E

RGB 226 220 94

HSL 57.27, 0.69%, 0.63%

LAB 86.09, -13.57, 61.13

 

CMYK 58 / 0 / 3 / 11

HEX #5EE2DC

RGB 94 226 220

HSL 177.27, 0.69%, 0.63%

LAB 82.88, -37.29, -7.94

 

CMYK 3 / 59 / 0 / 11

HEX #DD5EE3

RGB 221 94 227

HSL 297.29, 0.7%, 0.63%

LAB 60.71, 66.64, -44.94

 

CMYK 0 / 50 / 58 / 11

HEX #E2725E

RGB 226 114 94

HSL 9.09, 0.69%, 0.63%

LAB 60.79, 41.82, 31.18

 

CMYK 55 / 0 / 58 / 11

HEX #65E25E

RGB 101 226 94

HSL 116.82, 0.69%, 0.63%

LAB 80.72, -59.94, 53.15

 

CMYK 58 / 9 / 0 / 11

HEX #5ECEE2

RGB 94 206 226

HSL 189.09, 0.69%, 0.63%

LAB 77.29, -26.12, -19.52

 

CMYK 3 / 59 / 0 / 11

HEX #DD5EE3

RGB 221 94 227

HSL 297.29, 0.7%, 0.63%

LAB 60.71, 66.64, -44.94

 

CMYK 0 / 32 / 58 / 11

HEX #E29A5E

RGB 226 154 94

HSL 27.27, 0.69%, 0.63%

LAB 69.53, 20.85, 42.02

 

CMYK 55 / 0 / 58 / 11

HEX #65E25E

RGB 101 226 94

HSL 116.82, 0.69%, 0.63%

LAB 80.72, -59.94, 53.15

 

CMYK 58 / 26 / 0 / 11

HEX #5EA7E2

RGB 94 167 226

HSL 206.82, 0.69%, 0.63%

LAB 66.14, -5.64, -36.65

 

Description

Color code: HEX #DD5EE3 | qconv.com Color code: HEX #DD5EE3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 94 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 94 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 59 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 59% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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