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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD64E0 it is the complementary color #229B1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD64E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD64E0 shade: #E264DB, #F376EE, #FF88FF, #FF9AFF and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD64E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD64E0 shade: #DD64E0, #CC52CD, #BB40BA, #AA2EA7 and #991C94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD64E0 shade: #DD65E0, #E065C2, #E065A1, #E06580 and #E06565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD64E0 shade: #DD65E0, #BC65E0, #9B65E0, #7A65E0 and #6565E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD64E0 shade matches the following richer shades: #DD65E0, #EB56EF and #FA47FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD64E0 shade: #DD65E0, #CF74D1, #C183C2, #B392B4 and #A5A1A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD64E0 shade: #9A65E0, #BB65E0, #DC65E0, #E065C4 and #E065A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD64E0 shade: #C728CB, #D643D9, #DD65E0, #E588E7 and #ECAAEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD64E0 shade: #DD64E0, #E07A65 and #65E0AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD64E0 shade: #DD64E0, #E0DC65 and #65E0DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD64E0 shade: #DD64E0, #E07A65, #69E065 and #65CCE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD64E0 shade: #DD64E0, #E09F65, #69E065 and #65A7E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 55 / 0 / 12

HEX #DD64E0

RGB 221 100 224

HSL 298.55, 0.67%, 0.64%

LAB 61.54, 63.48, -41.96

 

Complementary color

CMYK 78 / 0 / 80 / 39

HEX #229B1F

RGB 34 155 31

HSL 118.55, 0.67%, 0.36%

LAB 55.97, -55.08, 51.34

 

CMYK 0 / 56 / 3 / 11

HEX #E264DB

RGB 226 100 219

HSL 303.33, 0.68%, 0.64%

LAB 62, 63.93, -38.4

 

CMYK 0 / 51 / 2 / 5

HEX #F376EE

RGB 243 118 238

HSL 302.4, 0.84%, 0.71%

LAB 68.16, 63.47, -39.17

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 1 / 55 / 0 / 12

HEX #DD64E0

RGB 221 100 224

HSL 298.55, 0.67%, 0.64%

LAB 61.54, 63.48, -41.96

 

CMYK 0 / 60 / 0 / 20

HEX #CC52CD

RGB 204 82 205

HSL 299.51, 0.55%, 0.56%

LAB 55.36, 63.77, -41.12

 

CMYK 0 / 66 / 1 / 27

HEX #BB40BA

RGB 187 64 186

HSL 300.49, 0.49%, 0.49%

LAB 49.22, 63.74, -40.01

 

CMYK 0 / 73 / 2 / 33

HEX #AA2EA7

RGB 170 46 167

HSL 301.45, 0.57%, 0.42%

LAB 43.2, 63.18, -38.54

 

CMYK 0 / 82 / 3 / 40

HEX #991C94

RGB 153 28 148

HSL 302.4, 0.69%, 0.35%

LAB 37.37, 61.77, -36.51

 

CMYK 1 / 55 / 0 / 12

HEX #DD65E0

RGB 221 101 224

HSL 298.54, 0.66%, 0.64%

LAB 61.71, 63.03, -41.7

 

CMYK 0 / 55 / 13 / 12

HEX #E065C2

RGB 224 101 194

HSL 314.63, 0.66%, 0.64%

LAB 60.83, 58.93, -26.11

 

CMYK 0 / 55 / 28 / 12

HEX #E065A1

RGB 224 101 161

HSL 330.73, 0.66%, 0.64%

LAB 59.64, 54.27, -8.98

 

CMYK 0 / 55 / 43 / 12

HEX #E06580

RGB 224 101 128

HSL 346.83, 0.66%, 0.64%

LAB 58.71, 50.45, 8.83

 

CMYK 0 / 55 / 55 / 12

HEX #E06565

RGB 224 101 101

HSL 0, 0.66%, 0.64%

LAB 58.13, 48, 23.69

 

CMYK 1 / 55 / 0 / 12

HEX #DD65E0

RGB 221 101 224

HSL 298.54, 0.66%, 0.64%

LAB 61.71, 63.03, -41.7

 

CMYK 16 / 55 / 0 / 12

HEX #BC65E0

RGB 188 101 224

HSL 282.44, 0.66%, 0.64%

LAB 57.44, 54.49, -48.71

 

CMYK 31 / 55 / 0 / 12

HEX #9B65E0

RGB 155 101 224

HSL 266.34, 0.66%, 0.64%

LAB 53.66, 46.21, -54.97

 

CMYK 46 / 55 / 0 / 12

HEX #7A65E0

RGB 122 101 224

HSL 250.24, 0.66%, 0.64%

LAB 50.48, 38.56, -60.24

 

CMYK 55 / 55 / 0 / 12

HEX #6565E0

RGB 101 101 224

HSL 240, 0.66%, 0.64%

LAB 48.83, 34.27, -62.99

 

CMYK 1 / 55 / 0 / 12

HEX #DD65E0

RGB 221 101 224

HSL 298.54, 0.66%, 0.64%

LAB 61.71, 63.03, -41.7

 

CMYK 2 / 64 / 0 / 6

HEX #EB56EF

RGB 235 86 239

HSL 298.43, 0.83%, 0.64%

LAB 62.13, 75.23, -49.28

 

CMYK 2 / 72 / 0 / 0

HEX #FA47FE

RGB 250 71 254

HSL 298.69, 0.99%, 0.64%

LAB 63.33, 85.94, -55.53

 

CMYK 1 / 55 / 0 / 12

HEX #DD65E0

RGB 221 101 224

HSL 298.54, 0.66%, 0.64%

LAB 61.71, 63.03, -41.7

 

CMYK 1 / 44 / 0 / 18

HEX #CF74D1

RGB 207 116 209

HSL 298.71, 0.5%, 0.64%

LAB 61.96, 49.23, -33.02

 

CMYK 1 / 32 / 0 / 24

HEX #C183C2

RGB 193 131 194

HSL 299.05, 0.34%, 0.64%

LAB 62.9, 34.13, -23.26

 

CMYK 1 / 19 / 0 / 29

HEX #B392B4

RGB 179 146 180

HSL 298.24, 0.18%, 0.64%

LAB 64.51, 18.4, -13.06

 

CMYK 0 / 2 / 0 / 35

HEX #A5A1A5

RGB 165 161 165

HSL 300, 0.02%, 0.64%

LAB 66.68, 2.2, -1.57

 

CMYK 31 / 55 / 0 / 12

HEX #9A65E0

RGB 154 101 224

HSL 265.85, 0.66%, 0.64%

LAB 53.56, 45.96, -55.14

 

CMYK 17 / 55 / 0 / 12

HEX #BB65E0

RGB 187 101 224

HSL 281.95, 0.66%, 0.64%

LAB 57.32, 54.23, -48.92

 

CMYK 2 / 55 / 0 / 12

HEX #DC65E0

RGB 220 101 224

HSL 298.05, 0.66%, 0.64%

LAB 61.57, 62.77, -41.92

 

CMYK 0 / 55 / 13 / 12

HEX #E065C4

RGB 224 101 196

HSL 313.66, 0.66%, 0.64%

LAB 60.91, 59.24, -27.13

 

CMYK 0 / 55 / 27 / 12

HEX #E065A3

RGB 224 101 163

HSL 329.76, 0.66%, 0.64%

LAB 59.71, 54.53, -10.04

 

CMYK 2 / 80 / 0 / 20

HEX #C728CB

RGB 199 40 203

HSL 298.53, 0.67%, 0.48%

LAB 49.46, 76.53, -49.37

 

CMYK 1 / 69 / 0 / 15

HEX #D643D9

RGB 214 67 217

HSL 298.8, 0.66%, 0.56%

LAB 55.4, 73.87, -47.78

 

CMYK 1 / 55 / 0 / 12

HEX #DD65E0

RGB 221 101 224

HSL 298.54, 0.66%, 0.64%

LAB 61.71, 63.03, -41.7

 

CMYK 1 / 41 / 0 / 9

HEX #E588E7

RGB 229 136 231

HSL 298.74, 0.66%, 0.72%

LAB 69.5, 49.51, -33.37

 

CMYK 1 / 29 / 0 / 7

HEX #ECAAEE

RGB 236 170 238

HSL 298.24, 0.67%, 0.8%

LAB 77.73, 35.14, -24.46

 

CMYK 1 / 55 / 0 / 12

HEX #DD64E0

RGB 221 100 224

HSL 298.55, 0.67%, 0.64%

LAB 61.54, 63.48, -41.96

 

CMYK 0 / 46 / 55 / 12

HEX #E07A65

RGB 224 122 101

HSL 10.24, 0.66%, 0.64%

LAB 62.26, 37.53, 29.11

 

CMYK 55 / 0 / 24 / 12

HEX #65E0AB

RGB 101 224 171

HSL 154.15, 0.66%, 0.64%

LAB 81.3, -46.68, 15.71

 

CMYK 1 / 55 / 0 / 12

HEX #DD64E0

RGB 221 100 224

HSL 298.55, 0.67%, 0.64%

LAB 61.54, 63.48, -41.96

 

CMYK 0 / 2 / 55 / 12

HEX #E0DC65

RGB 224 220 101

HSL 58.05, 0.66%, 0.64%

LAB 85.99, -13.87, 57.89

 

CMYK 55 / 0 / 2 / 12

HEX #65E0DC

RGB 101 224 220

HSL 178.05, 0.66%, 0.64%

LAB 82.51, -35.09, -8.47

 

CMYK 1 / 55 / 0 / 12

HEX #DD64E0

RGB 221 100 224

HSL 298.55, 0.67%, 0.64%

LAB 61.54, 63.48, -41.96

 

CMYK 0 / 46 / 55 / 12

HEX #E07A65

RGB 224 122 101

HSL 10.24, 0.66%, 0.64%

LAB 62.26, 37.53, 29.11

 

CMYK 53 / 0 / 55 / 12

HEX #69E065

RGB 105 224 101

HSL 118.05, 0.66%, 0.64%

LAB 80.32, -57.38, 49.56

 

CMYK 55 / 9 / 0 / 12

HEX #65CCE0

RGB 101 204 224

HSL 189.76, 0.66%, 0.64%

LAB 76.88, -24.37, -19.04

 

CMYK 1 / 55 / 0 / 12

HEX #DD64E0

RGB 221 100 224

HSL 298.55, 0.67%, 0.64%

LAB 61.54, 63.48, -41.96

 

CMYK 0 / 29 / 55 / 12

HEX #E09F65

RGB 224 159 101

HSL 28.29, 0.66%, 0.64%

LAB 70.58, 17.9, 39.63

 

CMYK 53 / 0 / 55 / 12

HEX #69E065

RGB 105 224 101

HSL 118.05, 0.66%, 0.64%

LAB 80.32, -57.38, 49.56

 

CMYK 55 / 25 / 0 / 12

HEX #65A7E0

RGB 101 167 224

HSL 207.8, 0.66%, 0.64%

LAB 66.36, -4.84, -35.19

 

Description

Color code: HEX #DD64E0 | qconv.com Color code: HEX #DD64E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 100 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 100 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 55 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 55% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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