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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD65DA it is the complementary color #229A25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD65DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD65DA shade: #E265D5, #F377E8, #FF89FB, #FF9BFF and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD65DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD65DA shade: #DD65DA, #CC53C7, #BB41B4, #AA2FA1 and #991D8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD65DA shade: #DD64DA, #DD64B9, #DD6498, #DD6478 and #DD6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD65DA shade: #DD64DA, #BF64DD, #9E64DD, #7E64DD and #6464DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD65DA shade matches the following richer shades: #DD64DA, #EC55E8 and #FB45F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD65DA shade: #DD64DA, #CD73CB, #BE82BD, #AF92AE and #9FA1A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD65DA shade: #9E64DD, #BE64DD, #DD64DB, #DD64BA and #DD649A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD65DA shade: #C32ABF, #D542D1, #DD64DA, #E486E2 and #EBA7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD65DA shade: #DD65DA, #DD7E64 and #64DDAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD65DA shade: #DD65DA, #DBDD64 and #64DBDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD65DA shade: #DD65DA, #DD7E64, #64DD66 and #64C2DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD65DA shade: #DD65DA, #DDA264, #64DD66 and #649EDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 1 / 13

HEX #DD65DA

RGB 221 101 218

HSL 301.5, 0.64%, 0.63%

LAB 61.43, 61.99, -38.77

 

Complementary color

CMYK 78 / 0 / 76 / 40

HEX #229A25

RGB 34 154 37

HSL 121.5, 0.64%, 0.37%

LAB 55.67, -54.32, 49.01

 

CMYK 0 / 55 / 6 / 11

HEX #E265D5

RGB 226 101 213

HSL 306.24, 0.68%, 0.64%

LAB 61.9, 62.49, -35.18

 

CMYK 0 / 51 / 5 / 5

HEX #F377E8

RGB 243 119 232

HSL 305.32, 0.84%, 0.71%

LAB 68.08, 62.01, -35.99

 

CMYK 0 / 46 / 2 / 0

HEX #FF89FB

RGB 255 137 251

HSL 302.03, 1%, 0.77%

LAB 73.62, 60.01, -37.66

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 54 / 1 / 13

HEX #DD65DA

RGB 221 101 218

HSL 301.5, 0.64%, 0.63%

LAB 61.43, 61.99, -38.77

 

CMYK 0 / 59 / 2 / 20

HEX #CC53C7

RGB 204 83 199

HSL 302.48, 0.54%, 0.56%

LAB 55.22, 62.32, -37.9

 

CMYK 0 / 65 / 4 / 27

HEX #BB41B4

RGB 187 65 180

HSL 303.44, 0.48%, 0.49%

LAB 49.06, 62.35, -36.78

 

CMYK 0 / 72 / 5 / 33

HEX #AA2FA1

RGB 170 47 161

HSL 304.39, 0.57%, 0.43%

LAB 42.99, 61.87, -35.28

 

CMYK 0 / 81 / 7 / 40

HEX #991D8E

RGB 153 29 142

HSL 305.32, 0.68%, 0.36%

LAB 37.12, 60.58, -33.24

 

CMYK 0 / 55 / 1 / 13

HEX #DD64DA

RGB 221 100 218

HSL 301.49, 0.64%, 0.63%

LAB 61.26, 62.45, -39.04

 

CMYK 0 / 55 / 16 / 13

HEX #DD64B9

RGB 221 100 185

HSL 317.85, 0.64%, 0.63%

LAB 59.88, 57.17, -22.47

 

CMYK 0 / 55 / 31 / 13

HEX #DD6498

RGB 221 100 152

HSL 334.21, 0.64%, 0.63%

LAB 58.75, 52.65, -5.14

 

CMYK 0 / 55 / 46 / 13

HEX #DD6478

RGB 221 100 120

HSL 350.08, 0.64%, 0.63%

LAB 57.89, 49.11, 12.27

 

CMYK 0 / 55 / 55 / 13

HEX #DD6464

RGB 221 100 100

HSL 0, 0.64%, 0.63%

LAB 57.47, 47.34, 23.31

 

CMYK 0 / 55 / 1 / 13

HEX #DD64DA

RGB 221 100 218

HSL 301.49, 0.64%, 0.63%

LAB 61.26, 62.45, -39.04

 

CMYK 14 / 55 / 0 / 13

HEX #BF64DD

RGB 191 100 221

HSL 285.12, 0.64%, 0.63%

LAB 57.47, 55.15, -46.96

 

CMYK 29 / 55 / 0 / 13

HEX #9E64DD

RGB 158 100 221

HSL 268.76, 0.64%, 0.63%

LAB 53.6, 46.76, -53.35

 

CMYK 43 / 55 / 0 / 13

HEX #7E64DD

RGB 126 100 221

HSL 252.89, 0.64%, 0.63%

LAB 50.42, 39.17, -58.63

 

CMYK 55 / 55 / 0 / 13

HEX #6464DD

RGB 100 100 221

HSL 240, 0.64%, 0.63%

LAB 48.32, 33.74, -62.13

 

CMYK 0 / 55 / 1 / 13

HEX #DD64DA

RGB 221 100 218

HSL 301.49, 0.64%, 0.63%

LAB 61.26, 62.45, -39.04

 

CMYK 0 / 64 / 2 / 7

HEX #EC55E8

RGB 236 85 232

HSL 301.59, 0.8%, 0.63%

LAB 61.79, 74.7, -45.9

 

CMYK 0 / 73 / 2 / 2

HEX #FB45F7

RGB 251 69 247

HSL 301.32, 0.96%, 0.63%

LAB 62.91, 85.66, -52.32

 

CMYK 0 / 55 / 1 / 13

HEX #DD64DA

RGB 221 100 218

HSL 301.49, 0.64%, 0.63%

LAB 61.26, 62.45, -39.04

 

CMYK 0 / 44 / 1 / 20

HEX #CD73CB

RGB 205 115 203

HSL 301.33, 0.47%, 0.63%

LAB 61.27, 48.06, -30.74

 

CMYK 0 / 32 / 1 / 25

HEX #BE82BD

RGB 190 130 189

HSL 301, 0.32%, 0.63%

LAB 62.16, 32.76, -21.6

 

CMYK 0 / 17 / 1 / 31

HEX #AF92AE

RGB 175 146 174

HSL 302.07, 0.15%, 0.63%

LAB 63.94, 15.84, -10.58

 

CMYK 1 / 0 / 1 / 37

HEX #9FA1A0

RGB 159 161 160

HSL 150, 0.01%, 0.63%

LAB 66.06, -0.9, 0.26

 

CMYK 29 / 55 / 0 / 13

HEX #9E64DD

RGB 158 100 221

HSL 268.76, 0.64%, 0.63%

LAB 53.6, 46.76, -53.35

 

CMYK 14 / 55 / 0 / 13

HEX #BE64DD

RGB 190 100 221

HSL 284.63, 0.64%, 0.63%

LAB 57.35, 54.89, -47.16

 

CMYK 0 / 55 / 1 / 13

HEX #DD64DB

RGB 221 100 219

HSL 300.99, 0.64%, 0.63%

LAB 61.31, 62.62, -39.53

 

CMYK 0 / 55 / 16 / 13

HEX #DD64BA

RGB 221 100 186

HSL 317.36, 0.64%, 0.63%

LAB 59.92, 57.32, -22.98

 

CMYK 0 / 55 / 30 / 13

HEX #DD649A

RGB 221 100 154

HSL 333.22, 0.64%, 0.63%

LAB 58.81, 52.9, -6.21

 

CMYK 0 / 78 / 2 / 24

HEX #C32ABF

RGB 195 42 191

HSL 301.57, 0.65%, 0.46%

LAB 48.28, 73.4, -44.33

 

CMYK 0 / 69 / 2 / 16

HEX #D542D1

RGB 213 66 209

HSL 301.63, 0.64%, 0.55%

LAB 54.71, 72.71, -44.34

 

CMYK 0 / 55 / 1 / 13

HEX #DD64DA

RGB 221 100 218

HSL 301.49, 0.64%, 0.63%

LAB 61.26, 62.45, -39.04

 

CMYK 0 / 41 / 1 / 11

HEX #E486E2

RGB 228 134 226

HSL 301.28, 0.64%, 0.71%

LAB 68.78, 49.33, -31.73

 

CMYK 0 / 29 / 0 / 8

HEX #EBA7EA

RGB 235 167 234

HSL 300.88, 0.63%, 0.79%

LAB 76.82, 35.69, -23.69

 

CMYK 0 / 54 / 1 / 13

HEX #DD65DA

RGB 221 101 218

HSL 301.5, 0.64%, 0.63%

LAB 61.43, 61.99, -38.77

 

CMYK 0 / 43 / 55 / 13

HEX #DD7E64

RGB 221 126 100

HSL 12.89, 0.64%, 0.63%

LAB 62.69, 34.21, 30.14

 

CMYK 55 / 0 / 21 / 13

HEX #64DDAE

RGB 100 221 174

HSL 156.69, 0.64%, 0.63%

LAB 80.45, -44.97, 12.92

 

CMYK 0 / 54 / 1 / 13

HEX #DD65DA

RGB 221 101 218

HSL 301.5, 0.64%, 0.63%

LAB 61.43, 61.99, -38.77

 

CMYK 1 / 0 / 55 / 13

HEX #DBDD64

RGB 219 221 100

HSL 60.99, 0.64%, 0.63%

LAB 85.85, -16.46, 58.07

 

CMYK 55 / 1 / 0 / 13

HEX #64DBDD

RGB 100 219 221

HSL 180.99, 0.64%, 0.63%

LAB 81.07, -32.67, -11.15

 

CMYK 0 / 54 / 1 / 13

HEX #DD65DA

RGB 221 101 218

HSL 301.5, 0.64%, 0.63%

LAB 61.43, 61.99, -38.77

 

CMYK 0 / 43 / 55 / 13

HEX #DD7E64

RGB 221 126 100

HSL 12.89, 0.64%, 0.63%

LAB 62.69, 34.21, 30.14

 

CMYK 55 / 0 / 54 / 13

HEX #64DD66

RGB 100 221 102

HSL 120.99, 0.64%, 0.63%

LAB 79.26, -57.38, 47.79

 

CMYK 55 / 12 / 0 / 13

HEX #64C2DD

RGB 100 194 221

HSL 193.39, 0.64%, 0.63%

LAB 73.88, -20.36, -21.98

 

CMYK 0 / 54 / 1 / 13

HEX #DD65DA

RGB 221 101 218

HSL 301.5, 0.64%, 0.63%

LAB 61.43, 61.99, -38.77

 

CMYK 0 / 27 / 55 / 13

HEX #DDA264

RGB 221 162 100

HSL 30.74, 0.64%, 0.63%

LAB 70.96, 14.97, 40.55

 

CMYK 55 / 0 / 54 / 13

HEX #64DD66

RGB 100 221 102

HSL 120.99, 0.64%, 0.63%

LAB 79.26, -57.38, 47.79

 

CMYK 55 / 29 / 0 / 13

HEX #649EDD

RGB 100 158 221

HSL 211.24, 0.64%, 0.63%

LAB 63.66, -0.92, -37.74

 

Description

Color code: HEX #DD65DA | qconv.com Color code: HEX #DD65DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 101 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 101 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 1 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 1% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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