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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD66B6 it is the complementary color #229949. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD66B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD66B6 shade: #E266B1, #F378C4, #FF8AD7, #FF9CEA and #FFAEFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD66B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD66B6 shade: #DD66B6, #CC54A3, #BB4290, #AA307D and #991E6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD66B6 shade: #DD64B5, #DD6494, #DD6474 and #DD6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD66B6 shade: #DD64B5, #DD64D6, #C364DD, #A264DD and #8264DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD66B6 shade matches the following richer shades: #DD64B5, #EC55BA and #FB45BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD66B6 shade: #DD64B5, #CD73B0, #BE82AA, #AF92A5 and #9FA1A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD66B6 shade: #C264DD, #DD64D6, #DD64B6, #DD6496 and #DD6476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD66B6 shade: #C32A91, #D542A5, #DD64B5, #E486C5 and #EBA7D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD66B6 shade: #DD66B6, #DDA264 and #64DDD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD66B6 shade: #DD66B6, #B6DD64 and #64B6DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD66B6 shade: #DD66B6, #DDA264, #64DD8A and #649EDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD66B6 shade: #DD66B6, #DDC664, #64DD8A and #647ADD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 18 / 13

HEX #DD66B6

RGB 221 102 182

HSL 319.66, 0.64%, 0.63%

LAB 60.12, 55.79, -20.39

 

Complementary color

CMYK 78 / 0 / 52 / 40

HEX #229949

RGB 34 153 73

HSL 139.66, 0.64%, 0.37%

LAB 55.69, -49.72, 32.88

 

CMYK 0 / 55 / 22 / 11

HEX #E266B1

RGB 226 102 177

HSL 323.71, 0.68%, 0.64%

LAB 60.65, 56.57, -16.65

 

CMYK 0 / 51 / 19 / 5

HEX #F378C4

RGB 243 120 196

HSL 322.93, 0.84%, 0.71%

LAB 66.88, 55.96, -17.76

 

CMYK 0 / 46 / 16 / 0

HEX #FF8AD7

RGB 255 138 215

HSL 320.51, 1%, 0.77%

LAB 72.46, 53.73, -19.73

 

CMYK 0 / 39 / 8 / 0

HEX #FF9CEA

RGB 255 156 234

HSL 312.73, 1%, 0.81%

LAB 76.67, 47.73, -23.73

 

CMYK 0 / 32 / 1 / 0

HEX #FFAEFD

RGB 255 174 253

HSL 301.48, 1%, 0.84%

LAB 81.08, 41.73, -27.24

 

CMYK 0 / 54 / 18 / 13

HEX #DD66B6

RGB 221 102 182

HSL 319.66, 0.64%, 0.63%

LAB 60.12, 55.79, -20.39

 

CMYK 0 / 59 / 20 / 20

HEX #CC54A3

RGB 204 84 163

HSL 320.5, 0.54%, 0.56%

LAB 53.84, 56.27, -19.2

 

CMYK 0 / 65 / 23 / 27

HEX #BB4290

RGB 187 66 144

HSL 321.32, 0.48%, 0.5%

LAB 47.59, 56.5, -17.72

 

CMYK 0 / 72 / 26 / 33

HEX #AA307D

RGB 170 48 125

HSL 322.13, 0.56%, 0.43%

LAB 41.44, 56.3, -15.82

 

CMYK 0 / 80 / 31 / 40

HEX #991E6A

RGB 153 30 106

HSL 322.93, 0.67%, 0.36%

LAB 35.48, 55.33, -13.3

 

CMYK 0 / 55 / 18 / 13

HEX #DD64B5

RGB 221 100 181

HSL 319.83, 0.64%, 0.63%

LAB 59.73, 56.58, -20.41

 

CMYK 0 / 55 / 33 / 13

HEX #DD6494

RGB 221 100 148

HSL 336.2, 0.64%, 0.63%

LAB 58.63, 52.16, -3

 

CMYK 0 / 55 / 48 / 13

HEX #DD6474

RGB 221 100 116

HSL 352.07, 0.64%, 0.63%

LAB 57.8, 48.72, 14.47

 

CMYK 0 / 55 / 55 / 13

HEX #DD6464

RGB 221 100 100

HSL 0, 0.64%, 0.63%

LAB 57.47, 47.34, 23.31

 

CMYK 0 / 55 / 18 / 13

HEX #DD64B5

RGB 221 100 181

HSL 319.83, 0.64%, 0.63%

LAB 59.73, 56.58, -20.41

 

CMYK 0 / 55 / 3 / 13

HEX #DD64D6

RGB 221 100 214

HSL 303.47, 0.64%, 0.63%

LAB 61.08, 61.77, -37.07

 

CMYK 12 / 55 / 0 / 13

HEX #C364DD

RGB 195 100 221

HSL 287.11, 0.64%, 0.63%

LAB 57.98, 56.18, -46.13

 

CMYK 27 / 55 / 0 / 13

HEX #A264DD

RGB 162 100 221

HSL 270.74, 0.64%, 0.63%

LAB 54.04, 47.75, -52.62

 

CMYK 41 / 55 / 0 / 13

HEX #8264DD

RGB 130 100 221

HSL 254.88, 0.64%, 0.63%

LAB 50.78, 40.08, -58.03

 

CMYK 0 / 55 / 18 / 13

HEX #DD64B5

RGB 221 100 181

HSL 319.83, 0.64%, 0.63%

LAB 59.73, 56.58, -20.41

 

CMYK 0 / 64 / 21 / 7

HEX #EC55BA

RGB 236 85 186

HSL 319.87, 0.8%, 0.63%

LAB 59.78, 67.94, -23.01

 

CMYK 0 / 73 / 24 / 2

HEX #FB45BF

RGB 251 69 191

HSL 319.78, 0.96%, 0.63%

LAB 60.36, 77.99, -24.76

 

CMYK 0 / 55 / 18 / 13

HEX #DD64B5

RGB 221 100 181

HSL 319.83, 0.64%, 0.63%

LAB 59.73, 56.58, -20.41

 

CMYK 0 / 44 / 14 / 20

HEX #CD73B0

RGB 205 115 176

HSL 319.33, 0.47%, 0.63%

LAB 60.23, 43.44, -16.98

 

CMYK 0 / 32 / 11 / 25

HEX #BE82AA

RGB 190 130 170

HSL 320, 0.32%, 0.63%

LAB 61.49, 29.32, -11.82

 

CMYK 0 / 17 / 6 / 31

HEX #AF92A5

RGB 175 146 165

HSL 320.69, 0.15%, 0.63%

LAB 63.66, 14.15, -5.91

 

CMYK 1 / 0 / 1 / 37

HEX #9FA1A0

RGB 159 161 160

HSL 150, 0.01%, 0.63%

LAB 66.06, -0.9, 0.26

 

CMYK 12 / 55 / 0 / 13

HEX #C264DD

RGB 194 100 221

HSL 286.61, 0.64%, 0.63%

LAB 57.85, 55.92, -46.34

 

CMYK 0 / 55 / 3 / 13

HEX #DD64D6

RGB 221 100 214

HSL 303.47, 0.64%, 0.63%

LAB 61.08, 61.77, -37.07

 

CMYK 0 / 55 / 18 / 13

HEX #DD64B6

RGB 221 100 182

HSL 319.34, 0.64%, 0.63%

LAB 59.77, 56.72, -20.92

 

CMYK 0 / 55 / 32 / 13

HEX #DD6496

RGB 221 100 150

HSL 335.21, 0.64%, 0.63%

LAB 58.68, 52.4, -4.07

 

CMYK 0 / 55 / 47 / 13

HEX #DD6476

RGB 221 100 118

HSL 351.07, 0.64%, 0.63%

LAB 57.84, 48.91, 13.37

 

CMYK 0 / 78 / 26 / 24

HEX #C32A91

RGB 195 42 145

HSL 319.61, 0.65%, 0.46%

LAB 46.05, 67.01, -20.57

 

CMYK 0 / 69 / 23 / 16

HEX #D542A5

RGB 213 66 165

HSL 319.59, 0.64%, 0.55%

LAB 52.68, 66.31, -22.01

 

CMYK 0 / 55 / 18 / 13

HEX #DD64B5

RGB 221 100 181

HSL 319.83, 0.64%, 0.63%

LAB 59.73, 56.58, -20.41

 

CMYK 0 / 41 / 14 / 11

HEX #E486C5

RGB 228 134 197

HSL 319.79, 0.64%, 0.71%

LAB 67.71, 44.43, -17.25

 

CMYK 0 / 29 / 9 / 8

HEX #EBA7D5

RGB 235 167 213

HSL 319.41, 0.63%, 0.79%

LAB 76.13, 32.01, -13.31

 

CMYK 0 / 54 / 18 / 13

HEX #DD66B6

RGB 221 102 182

HSL 319.66, 0.64%, 0.63%

LAB 60.12, 55.79, -20.39

 

CMYK 0 / 27 / 55 / 13

HEX #DDA264

RGB 221 162 100

HSL 30.74, 0.64%, 0.63%

LAB 70.96, 14.97, 40.55

 

CMYK 55 / 0 / 5 / 13

HEX #64DDD2

RGB 100 221 210

HSL 174.55, 0.64%, 0.63%

LAB 81.33, -36.46, -4.9

 

CMYK 0 / 54 / 18 / 13

HEX #DD66B6

RGB 221 102 182

HSL 319.66, 0.64%, 0.63%

LAB 60.12, 55.79, -20.39

 

CMYK 18 / 0 / 55 / 13

HEX #B6DD64

RGB 182 221 100

HSL 79.34, 0.64%, 0.63%

LAB 83.22, -31.03, 54.36

 

CMYK 55 / 18 / 0 / 13

HEX #64B6DD

RGB 100 182 221

HSL 199.34, 0.64%, 0.63%

LAB 70.45, -14.11, -27.23

 

CMYK 0 / 54 / 18 / 13

HEX #DD66B6

RGB 221 102 182

HSL 319.66, 0.64%, 0.63%

LAB 60.12, 55.79, -20.39

 

CMYK 0 / 27 / 55 / 13

HEX #DDA264

RGB 221 162 100

HSL 30.74, 0.64%, 0.63%

LAB 70.96, 14.97, 40.55

 

CMYK 55 / 0 / 38 / 13

HEX #64DD8A

RGB 100 221 138

HSL 138.84, 0.64%, 0.63%

LAB 79.76, -52, 30.73

 

CMYK 55 / 29 / 0 / 13

HEX #649EDD

RGB 100 158 221

HSL 211.24, 0.64%, 0.63%

LAB 63.66, -0.92, -37.74

 

CMYK 0 / 54 / 18 / 13

HEX #DD66B6

RGB 221 102 182

HSL 319.66, 0.64%, 0.63%

LAB 60.12, 55.79, -20.39

 

CMYK 0 / 10 / 55 / 13

HEX #DDC664

RGB 221 198 100

HSL 48.6, 0.64%, 0.63%

LAB 80, -4.03, 51.37

 

CMYK 55 / 0 / 38 / 13

HEX #64DD8A

RGB 100 221 138

HSL 138.84, 0.64%, 0.63%

LAB 79.76, -52, 30.73

 

CMYK 55 / 45 / 0 / 13

HEX #647ADD

RGB 100 122 221

HSL 229.09, 0.64%, 0.63%

LAB 53.87, 20.34, -53.21

 

Description

Color code: HEX #DD66B6 | qconv.com Color code: HEX #DD66B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 102 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 102 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 18 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 18% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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