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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD66EA it is the complementary color #229915. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD66EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD66EA shade: #E266E5, #F378F8, #FF8AFF, #FF9CFF and #FFAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD66EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD66EA shade: #DD66EA, #CC54D7, #BB42C4, #AA30B1 and #991E9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD66EA shade: #DD66EA, #EA66D3, #EA66B0, #EA668C and #EA6669

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD66EA shade: #DD66EA, #B966EA, #9666EA, #7266EA and #6666EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD66EA shade matches the following richer shades: #DD66EA and #E858F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD66EA shade: #DD66EA, #D174DC, #C682CE, #BB90C0 and #B09EB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD66EA shade: #9666EA, #B966EA, #DD66EA, #EA66D4 and #EA66B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD66EA shade: #CC1EDF, #D542E5, #DD66EA, #E58AEF and #EDAFF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD66EA shade: #DD66EA, #EA7366 and #66EAA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD66EA shade: #DD66EA, #EADD66 and #66EADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD66EA shade: #DD66EA, #EA7366, #73EA66 and #66DDEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD66EA shade: #DD66EA, #EA9B66, #73EA66 and #66B5EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 56 / 0 / 8

HEX #DD66EA

RGB 221 102 234

HSL 294.09, 0.76%, 0.66%

LAB 62.35, 64.34, -46.27

 

Complementary color

CMYK 78 / 0 / 86 / 40

HEX #229915

RGB 34 153 21

HSL 114.09, 0.76%, 0.34%

LAB 55.25, -55, 53.5

 

CMYK 1 / 55 / 0 / 10

HEX #E266E5

RGB 226 102 229

HSL 298.58, 0.71%, 0.65%

LAB 62.78, 64.73, -42.76

 

CMYK 2 / 52 / 0 / 3

HEX #F378F8

RGB 243 120 248

HSL 297.66, 0.9%, 0.72%

LAB 68.94, 64.26, -43.44

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 6 / 56 / 0 / 8

HEX #DD66EA

RGB 221 102 234

HSL 294.09, 0.76%, 0.66%

LAB 62.35, 64.34, -46.27

 

CMYK 5 / 61 / 0 / 16

HEX #CC54D7

RGB 204 84 215

HSL 294.96, 0.62%, 0.59%

LAB 56.17, 64.66, -45.52

 

CMYK 5 / 66 / 0 / 23

HEX #BB42C4

RGB 187 66 196

HSL 295.85, 0.52%, 0.51%

LAB 50.03, 64.67, -44.53

 

CMYK 4 / 73 / 0 / 31

HEX #AA30B1

RGB 170 48 177

HSL 296.74, 0.57%, 0.44%

LAB 43.99, 64.18, -43.2

 

CMYK 3 / 81 / 0 / 38

HEX #991E9E

RGB 153 30 158

HSL 297.66, 0.68%, 0.37%

LAB 38.14, 62.88, -41.35

 

CMYK 6 / 56 / 0 / 8

HEX #DD66EA

RGB 221 102 234

HSL 294.09, 0.76%, 0.66%

LAB 62.35, 64.34, -46.27

 

CMYK 0 / 56 / 10 / 8

HEX #EA66D3

RGB 234 102 211

HSL 310.45, 0.76%, 0.66%

LAB 63.09, 63.89, -32.11

 

CMYK 0 / 56 / 25 / 8

HEX #EA66B0

RGB 234 102 176

HSL 326.36, 0.76%, 0.66%

LAB 61.77, 58.84, -14.27

 

CMYK 0 / 56 / 40 / 8

HEX #EA668C

RGB 234 102 140

HSL 342.73, 0.76%, 0.66%

LAB 60.68, 54.54, 4.88

 

CMYK 0 / 56 / 55 / 8

HEX #EA6669

RGB 234 102 105

HSL 358.64, 0.76%, 0.66%

LAB 59.9, 51.34, 24.03

 

CMYK 6 / 56 / 0 / 8

HEX #DD66EA

RGB 221 102 234

HSL 294.09, 0.76%, 0.66%

LAB 62.35, 64.34, -46.27

 

CMYK 21 / 56 / 0 / 8

HEX #B966EA

RGB 185 102 234

HSL 277.73, 0.76%, 0.66%

LAB 57.81, 55.34, -53.76

 

CMYK 36 / 56 / 0 / 8

HEX #9666EA

RGB 150 102 234

HSL 261.82, 0.76%, 0.66%

LAB 53.95, 46.98, -60.15

 

CMYK 51 / 56 / 0 / 8

HEX #7266EA

RGB 114 102 234

HSL 245.45, 0.76%, 0.66%

LAB 50.71, 39.27, -65.54

 

CMYK 56 / 56 / 0 / 8

HEX #6666EA

RGB 102 102 234

HSL 240, 0.76%, 0.66%

LAB 49.82, 37, -67.02

 

CMYK 6 / 56 / 0 / 8

HEX #DD66EA

RGB 221 102 234

HSL 294.09, 0.76%, 0.66%

LAB 62.35, 64.34, -46.27

 

CMYK 6 / 65 / 0 / 3

HEX #E858F8

RGB 232 88 248

HSL 294, 0.92%, 0.66%

LAB 62.43, 75.3, -53.81

 

CMYK 6 / 56 / 0 / 8

HEX #DD66EA

RGB 221 102 234

HSL 294.09, 0.76%, 0.66%

LAB 62.35, 64.34, -46.27

 

CMYK 5 / 47 / 0 / 14

HEX #D174DC

RGB 209 116 220

HSL 293.65, 0.6%, 0.66%

LAB 62.69, 51.85, -38.04

 

CMYK 4 / 37 / 0 / 19

HEX #C682CE

RGB 198 130 206

HSL 293.68, 0.44%, 0.66%

LAB 63.69, 38.57, -28.74

 

CMYK 3 / 25 / 0 / 25

HEX #BB90C0

RGB 187 144 192

HSL 293.75, 0.28%, 0.66%

LAB 65.21, 24.58, -18.66

 

CMYK 1 / 11 / 0 / 30

HEX #B09EB2

RGB 176 158 178

HSL 294, 0.11%, 0.66%

LAB 67.2, 10.26, -7.95

 

CMYK 36 / 56 / 0 / 8

HEX #9666EA

RGB 150 102 234

HSL 261.82, 0.76%, 0.66%

LAB 53.95, 46.98, -60.15

 

CMYK 21 / 56 / 0 / 8

HEX #B966EA

RGB 185 102 234

HSL 277.73, 0.76%, 0.66%

LAB 57.81, 55.34, -53.76

 

CMYK 6 / 56 / 0 / 8

HEX #DD66EA

RGB 221 102 234

HSL 294.09, 0.76%, 0.66%

LAB 62.35, 64.34, -46.27

 

CMYK 0 / 56 / 9 / 8

HEX #EA66D4

RGB 234 102 212

HSL 310, 0.76%, 0.66%

LAB 63.13, 64.05, -32.61

 

CMYK 0 / 56 / 24 / 8

HEX #EA66B1

RGB 234 102 177

HSL 325.91, 0.76%, 0.66%

LAB 61.8, 58.97, -14.79

 

CMYK 9 / 87 / 0 / 13

HEX #CC1EDF

RGB 204 30 223

HSL 294.09, 0.76%, 0.5%

LAB 50.8, 82.63, -58.64

 

CMYK 7 / 71 / 0 / 10

HEX #D542E5

RGB 213 66 229

HSL 294.11, 0.76%, 0.58%

LAB 55.79, 75.99, -53.96

 

CMYK 6 / 56 / 0 / 8

HEX #DD66EA

RGB 221 102 234

HSL 294.09, 0.76%, 0.66%

LAB 62.35, 64.34, -46.27

 

CMYK 4 / 42 / 0 / 6

HEX #E58AEF

RGB 229 138 239

HSL 294.06, 0.76%, 0.74%

LAB 70.22, 49.95, -36.63

 

CMYK 3 / 28 / 0 / 4

HEX #EDAFF4

RGB 237 175 244

HSL 293.91, 0.76%, 0.82%

LAB 79.15, 33.92, -25.52

 

CMYK 6 / 56 / 0 / 8

HEX #DD66EA

RGB 221 102 234

HSL 294.09, 0.76%, 0.66%

LAB 62.35, 64.34, -46.27

 

CMYK 0 / 51 / 56 / 8

HEX #EA7366

RGB 234 115 102

HSL 5.91, 0.76%, 0.66%

LAB 62.26, 44.88, 28.83

 

CMYK 56 / 0 / 28 / 8

HEX #66EAA8

RGB 102 234 168

HSL 150, 0.76%, 0.66%

LAB 84.22, -51.25, 21.35

 

CMYK 6 / 56 / 0 / 8

HEX #DD66EA

RGB 221 102 234

HSL 294.09, 0.76%, 0.66%

LAB 62.35, 64.34, -46.27

 

CMYK 0 / 6 / 56 / 8

HEX #EADD66

RGB 234 221 102

HSL 54.09, 0.76%, 0.66%

LAB 87.08, -10.23, 58.89

 

CMYK 56 / 0 / 6 / 8

HEX #66EADD

RGB 102 234 221

HSL 174.09, 0.76%, 0.66%

LAB 85.45, -39.24, -4.64

 

CMYK 6 / 56 / 0 / 8

HEX #DD66EA

RGB 221 102 234

HSL 294.09, 0.76%, 0.66%

LAB 62.35, 64.34, -46.27

 

CMYK 0 / 51 / 56 / 8

HEX #EA7366

RGB 234 115 102

HSL 5.91, 0.76%, 0.66%

LAB 62.26, 44.88, 28.83

 

CMYK 51 / 0 / 56 / 8

HEX #73EA66

RGB 115 234 102

HSL 114.09, 0.76%, 0.66%

LAB 83.68, -58.45, 53.15

 

CMYK 56 / 6 / 0 / 8

HEX #66DDEA

RGB 102 221 234

HSL 185.91, 0.76%, 0.66%

LAB 82.1, -29.74, -16.51

 

CMYK 6 / 56 / 0 / 8

HEX #DD66EA

RGB 221 102 234

HSL 294.09, 0.76%, 0.66%

LAB 62.35, 64.34, -46.27

 

CMYK 0 / 34 / 56 / 8

HEX #EA9B66

RGB 234 155 102

HSL 24.09, 0.76%, 0.66%

LAB 70.8, 24.18, 39.63

 

CMYK 51 / 0 / 56 / 8

HEX #73EA66

RGB 115 234 102

HSL 114.09, 0.76%, 0.66%

LAB 83.68, -58.45, 53.15

 

CMYK 56 / 23 / 0 / 8

HEX #66B5EA

RGB 102 181 234

HSL 204.09, 0.76%, 0.66%

LAB 70.74, -9.28, -33.85

 

Description

Color code: HEX #DD66EA | qconv.com Color code: HEX #DD66EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 102 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 102 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 56 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 56% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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