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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD63B4 it is the complementary color #229C4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD63B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD63B4 shade: #E263AF, #F375C2, #FF87D5, #FF99E8 and #FFABFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD63B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD63B4 shade: #DD63B4, #CC51A1, #BB3F8E, #AA2D7B and #991B68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD63B4 shade: #DD64B4, #DD6493, #DD6473 and #DD6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD63B4 shade: #DD64B4, #DD64D5, #C464DD, #A364DD and #8364DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD63B4 shade matches the following richer shades: #DD64B4, #EC55B9 and #FB45BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD63B4 shade: #DD64B4, #CD73AF, #BE82AA, #AF92A5 and #9FA1A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD63B4 shade: #C464DD, #DD64D4, #DD64B4, #DD6494 and #DD6474

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD63B4 shade: #C32A90, #D542A4, #DD64B4, #E486C4 and #EBA7D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD63B4 shade: #DD63B4, #DDA464 and #64DDD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD63B4 shade: #DD63B4, #B4DD64 and #64B4DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD63B4 shade: #DD63B4, #DDA464, #64DD8C and #649CDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD63B4 shade: #DD63B4, #DDC864, #64DD8C and #6478DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 19 / 13

HEX #DD63B4

RGB 221 99 180

HSL 320.16, 0.64%, 0.63%

LAB 59.52, 56.89, -20.16

 

Complementary color

CMYK 78 / 0 / 52 / 39

HEX #229C4B

RGB 34 156 75

HSL 140.16, 0.64%, 0.37%

LAB 56.71, -50.49, 33.12

 

CMYK 0 / 56 / 23 / 11

HEX #E263AF

RGB 226 99 175

HSL 324.09, 0.69%, 0.64%

LAB 60.06, 57.67, -16.39

 

CMYK 0 / 52 / 20 / 5

HEX #F375C2

RGB 243 117 194

HSL 323.33, 0.84%, 0.71%

LAB 66.27, 57.09, -17.56

 

CMYK 0 / 47 / 16 / 0

HEX #FF87D5

RGB 255 135 213

HSL 321, 1%, 0.76%

LAB 71.82, 54.9, -19.59

 

CMYK 0 / 40 / 9 / 0

HEX #FF99E8

RGB 255 153 232

HSL 313.53, 1%, 0.8%

LAB 75.99, 48.92, -23.68

 

CMYK 0 / 33 / 2 / 0

HEX #FFABFB

RGB 255 171 251

HSL 302.86, 1%, 0.84%

LAB 80.38, 42.93, -27.25

 

CMYK 0 / 55 / 19 / 13

HEX #DD63B4

RGB 221 99 180

HSL 320.16, 0.64%, 0.63%

LAB 59.52, 56.89, -20.16

 

CMYK 0 / 60 / 21 / 20

HEX #CC51A1

RGB 204 81 161

HSL 320.98, 0.55%, 0.56%

LAB 53.27, 57.32, -18.89

 

CMYK 0 / 66 / 24 / 27

HEX #BB3F8E

RGB 187 63 142

HSL 321.77, 0.5%, 0.49%

LAB 47.07, 57.45, -17.32

 

CMYK 0 / 74 / 28 / 33

HEX #AA2D7B

RGB 170 45 123

HSL 322.56, 0.58%, 0.42%

LAB 40.98, 57.1, -15.28

 

CMYK 0 / 82 / 32 / 40

HEX #991B68

RGB 153 27 104

HSL 323.33, 0.7%, 0.35%

LAB 35.11, 55.92, -12.58

 

CMYK 0 / 55 / 19 / 13

HEX #DD64B4

RGB 221 100 180

HSL 320.33, 0.64%, 0.63%

LAB 59.69, 56.43, -19.89

 

CMYK 0 / 55 / 33 / 13

HEX #DD6493

RGB 221 100 147

HSL 336.69, 0.64%, 0.63%

LAB 58.6, 52.04, -2.46

 

CMYK 0 / 55 / 48 / 13

HEX #DD6473

RGB 221 100 115

HSL 352.56, 0.64%, 0.63%

LAB 57.77, 48.63, 15.02

 

CMYK 0 / 55 / 55 / 13

HEX #DD6464

RGB 221 100 100

HSL 0, 0.64%, 0.63%

LAB 57.47, 47.34, 23.31

 

CMYK 0 / 55 / 19 / 13

HEX #DD64B4

RGB 221 100 180

HSL 320.33, 0.64%, 0.63%

LAB 59.69, 56.43, -19.89

 

CMYK 0 / 55 / 4 / 13

HEX #DD64D5

RGB 221 100 213

HSL 303.97, 0.64%, 0.63%

LAB 61.04, 61.6, -36.57

 

CMYK 11 / 55 / 0 / 13

HEX #C464DD

RGB 196 100 221

HSL 287.6, 0.64%, 0.63%

LAB 58.1, 56.44, -45.92

 

CMYK 26 / 55 / 0 / 13

HEX #A364DD

RGB 163 100 221

HSL 271.24, 0.64%, 0.63%

LAB 54.16, 48, -52.44

 

CMYK 41 / 55 / 0 / 13

HEX #8364DD

RGB 131 100 221

HSL 255.37, 0.64%, 0.63%

LAB 50.87, 40.31, -57.87

 

CMYK 0 / 55 / 19 / 13

HEX #DD64B4

RGB 221 100 180

HSL 320.33, 0.64%, 0.63%

LAB 59.69, 56.43, -19.89

 

CMYK 0 / 64 / 22 / 7

HEX #EC55B9

RGB 236 85 185

HSL 320.26, 0.8%, 0.63%

LAB 59.74, 67.8, -22.49

 

CMYK 0 / 73 / 24 / 2

HEX #FB45BE

RGB 251 69 190

HSL 320.11, 0.96%, 0.63%

LAB 60.32, 77.87, -24.25

 

CMYK 0 / 55 / 19 / 13

HEX #DD64B4

RGB 221 100 180

HSL 320.33, 0.64%, 0.63%

LAB 59.69, 56.43, -19.89

 

CMYK 0 / 44 / 15 / 20

HEX #CD73AF

RGB 205 115 175

HSL 320, 0.47%, 0.63%

LAB 60.19, 43.28, -16.47

 

CMYK 0 / 32 / 11 / 25

HEX #BE82AA

RGB 190 130 170

HSL 320, 0.32%, 0.63%

LAB 61.49, 29.32, -11.82

 

CMYK 0 / 17 / 6 / 31

HEX #AF92A5

RGB 175 146 165

HSL 320.69, 0.15%, 0.63%

LAB 63.66, 14.15, -5.91

 

CMYK 1 / 0 / 1 / 37

HEX #9FA1A0

RGB 159 161 160

HSL 150, 0.01%, 0.63%

LAB 66.06, -0.9, 0.26

 

CMYK 11 / 55 / 0 / 13

HEX #C464DD

RGB 196 100 221

HSL 287.6, 0.64%, 0.63%

LAB 58.1, 56.44, -45.92

 

CMYK 0 / 55 / 4 / 13

HEX #DD64D4

RGB 221 100 212

HSL 304.46, 0.64%, 0.63%

LAB 60.99, 61.43, -36.08

 

CMYK 0 / 55 / 19 / 13

HEX #DD64B4

RGB 221 100 180

HSL 320.33, 0.64%, 0.63%

LAB 59.69, 56.43, -19.89

 

CMYK 0 / 55 / 33 / 13

HEX #DD6494

RGB 221 100 148

HSL 336.2, 0.64%, 0.63%

LAB 58.63, 52.16, -3

 

CMYK 0 / 55 / 48 / 13

HEX #DD6474

RGB 221 100 116

HSL 352.07, 0.64%, 0.63%

LAB 57.8, 48.72, 14.47

 

CMYK 0 / 78 / 26 / 24

HEX #C32A90

RGB 195 42 144

HSL 320, 0.65%, 0.46%

LAB 46, 66.88, -20.03

 

CMYK 0 / 69 / 23 / 16

HEX #D542A4

RGB 213 66 164

HSL 320, 0.64%, 0.55%

LAB 52.64, 66.18, -21.49

 

CMYK 0 / 55 / 19 / 13

HEX #DD64B4

RGB 221 100 180

HSL 320.33, 0.64%, 0.63%

LAB 59.69, 56.43, -19.89

 

CMYK 0 / 41 / 14 / 11

HEX #E486C4

RGB 228 134 196

HSL 320.43, 0.64%, 0.71%

LAB 67.67, 44.27, -16.74

 

CMYK 0 / 29 / 9 / 8

HEX #EBA7D5

RGB 235 167 213

HSL 319.41, 0.63%, 0.79%

LAB 76.13, 32.01, -13.31

 

CMYK 0 / 55 / 19 / 13

HEX #DD63B4

RGB 221 99 180

HSL 320.16, 0.64%, 0.63%

LAB 59.52, 56.89, -20.16

 

CMYK 0 / 26 / 55 / 13

HEX #DDA464

RGB 221 164 100

HSL 31.74, 0.64%, 0.63%

LAB 71.45, 13.9, 41.14

 

CMYK 55 / 0 / 4 / 13

HEX #64DDD4

RGB 100 221 212

HSL 175.54, 0.64%, 0.63%

LAB 81.39, -35.95, -5.88

 

CMYK 0 / 55 / 19 / 13

HEX #DD63B4

RGB 221 99 180

HSL 320.16, 0.64%, 0.63%

LAB 59.52, 56.89, -20.16

 

CMYK 19 / 0 / 55 / 13

HEX #B4DD64

RGB 180 221 100

HSL 80.33, 0.64%, 0.63%

LAB 83.09, -31.79, 54.18

 

CMYK 55 / 19 / 0 / 13

HEX #64B4DD

RGB 100 180 221

HSL 200.33, 0.64%, 0.63%

LAB 69.88, -13.04, -28.11

 

CMYK 0 / 55 / 19 / 13

HEX #DD63B4

RGB 221 99 180

HSL 320.16, 0.64%, 0.63%

LAB 59.52, 56.89, -20.16

 

CMYK 0 / 26 / 55 / 13

HEX #DDA464

RGB 221 164 100

HSL 31.74, 0.64%, 0.63%

LAB 71.45, 13.9, 41.14

 

CMYK 55 / 0 / 37 / 13

HEX #64DD8C

RGB 100 221 140

HSL 139.83, 0.64%, 0.63%

LAB 79.79, -51.66, 29.75

 

CMYK 55 / 29 / 0 / 13

HEX #649CDD

RGB 100 156 221

HSL 212.23, 0.64%, 0.63%

LAB 63.1, 0.22, -38.61

 

CMYK 0 / 55 / 19 / 13

HEX #DD63B4

RGB 221 99 180

HSL 320.16, 0.64%, 0.63%

LAB 59.52, 56.89, -20.16

 

CMYK 0 / 10 / 55 / 13

HEX #DDC864

RGB 221 200 100

HSL 49.59, 0.64%, 0.63%

LAB 80.52, -5.06, 51.98

 

CMYK 55 / 0 / 37 / 13

HEX #64DD8C

RGB 100 221 140

HSL 139.83, 0.64%, 0.63%

LAB 79.79, -51.66, 29.75

 

CMYK 55 / 46 / 0 / 13

HEX #6478DD

RGB 100 120 221

HSL 230.08, 0.64%, 0.63%

LAB 53.34, 21.56, -54.04

 

Description

Color code: HEX #DD63B4 | qconv.com Color code: HEX #DD63B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 99 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 99 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 19 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 19% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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