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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD7547 it is the complementary color #228AB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD7547. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD7547 shade: #E27542, #F38755, #FF9968, #FFAB7B and #FFBD8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD7547. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD7547 shade: #DD7547, #CC6334, #BB5121, #AA3F0E and #992D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD7547 shade: #DD7445, #DD4B45 and #DD4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD7547 shade: #DD7445, #DD9C45, #DDC545, #CBDD45 and #A2DD45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD7547 shade matches the following richer shades: #DD7445 and #EE6D33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD7547 shade: #DD7445, #CB7A57, #B98169, #A7887A and #968F8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD7547 shade: #DD4568, #DD4A45, #DD7345, #DD9B45 and #DDC345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD7547 shade: #AF4C20, #D25B26, #DD7445, #E38E68 and #E9A88B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD7547 shade: #DD7547, #91DD45 and #4554DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD7547 shade: #DD7547, #45DD73 and #7345DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD7547 shade: #DD7547, #91DD45, #45AFDD and #9145DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD7547 shade: #DD7547, #63DD45, #45AFDD and #BE45DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 68 / 13

HEX #DD7547

RGB 221 117 71

HSL 18.4, 0.69%, 0.57%

LAB 60.38, 36.89, 42.97

 

Complementary color

CMYK 82 / 25 / 0 / 28

HEX #228AB8

RGB 34 138 184

HSL 198.4, 0.69%, 0.43%

LAB 54, -12.5, -32.17

 

CMYK 0 / 48 / 71 / 11

HEX #E27542

RGB 226 117 66

HSL 19.13, 0.73%, 0.57%

LAB 61.03, 38.58, 46.45

 

CMYK 0 / 44 / 65 / 5

HEX #F38755

RGB 243 135 85

HSL 18.99, 0.87%, 0.64%

LAB 67.31, 37.05, 44.52

 

CMYK 0 / 40 / 59 / 0

HEX #FF9968

RGB 255 153 104

HSL 19.47, 1%, 0.7%

LAB 72.92, 33.71, 41.77

 

CMYK 0 / 33 / 52 / 0

HEX #FFAB7B

RGB 255 171 123

HSL 21.82, 1%, 0.74%

LAB 77.17, 25.83, 37.18

 

CMYK 0 / 26 / 44 / 0

HEX #FFBD8E

RGB 255 189 142

HSL 24.96, 1%, 0.78%

LAB 81.62, 18.18, 33.02

 

CMYK 0 / 47 / 68 / 13

HEX #DD7547

RGB 221 117 71

HSL 18.4, 0.69%, 0.57%

LAB 60.38, 36.89, 42.97

 

CMYK 0 / 51 / 75 / 20

HEX #CC6334

RGB 204 99 52

HSL 18.55, 0.6%, 0.5%

LAB 54.04, 38.49, 45

 

CMYK 0 / 57 / 82 / 27

HEX #BB5121

RGB 187 81 33

HSL 18.7, 0.7%, 0.43%

LAB 47.7, 40.18, 46.94

 

CMYK 0 / 63 / 92 / 33

HEX #AA3F0E

RGB 170 63 14

HSL 18.85, 0.85%, 0.36%

LAB 41.43, 41.9, 48.2

 

CMYK 0 / 71 / 100 / 40

HEX #992D00

RGB 153 45 0

HSL 17.65, 1%, 0.3%

LAB 35.3, 43.41, 47.59

 

CMYK 0 / 48 / 69 / 13

HEX #DD7445

RGB 221 116 69

HSL 18.55, 0.69%, 0.57%

LAB 60.15, 37.29, 43.75

 

CMYK 0 / 66 / 69 / 13

HEX #DD4B45

RGB 221 75 69

HSL 2.37, 0.69%, 0.57%

LAB 52.77, 56.46, 35.18

 

CMYK 0 / 69 / 69 / 13

HEX #DD4545

RGB 221 69 69

HSL 0, 0.69%, 0.57%

LAB 51.9, 58.81, 34.15

 

CMYK 0 / 48 / 69 / 13

HEX #DD7445

RGB 221 116 69

HSL 18.55, 0.69%, 0.57%

LAB 60.15, 37.29, 43.75

 

CMYK 0 / 29 / 69 / 13

HEX #DD9C45

RGB 221 156 69

HSL 34.34, 0.69%, 0.57%

LAB 69.17, 16.08, 53.65

 

CMYK 0 / 11 / 69 / 13

HEX #DDC545

RGB 221 197 69

HSL 50.53, 0.69%, 0.57%

LAB 79.46, -5.55, 64.35

 

CMYK 8 / 0 / 69 / 13

HEX #CBDD45

RGB 203 221 69

HSL 67.11, 0.69%, 0.57%

LAB 84.4, -24.98, 68.84

 

CMYK 27 / 0 / 69 / 13

HEX #A2DD45

RGB 162 221 69

HSL 83.29, 0.69%, 0.57%

LAB 81.74, -40.98, 65.29

 

CMYK 0 / 48 / 69 / 13

HEX #DD7445

RGB 221 116 69

HSL 18.55, 0.69%, 0.57%

LAB 60.15, 37.29, 43.75

 

CMYK 0 / 54 / 79 / 7

HEX #EE6D33

RGB 238 109 51

HSL 18.61, 0.85%, 0.57%

LAB 61.09, 46.5, 54.28

 

CMYK 0 / 48 / 69 / 13

HEX #DD7445

RGB 221 116 69

HSL 18.55, 0.69%, 0.57%

LAB 60.15, 37.29, 43.75

 

CMYK 0 / 40 / 57 / 20

HEX #CB7A57

RGB 203 122 87

HSL 18.1, 0.53%, 0.57%

LAB 59.25, 28.14, 32.46

 

CMYK 0 / 30 / 43 / 27

HEX #B98169

RGB 185 129 105

HSL 18, 0.36%, 0.57%

LAB 59.01, 18.66, 21.67

 

CMYK 0 / 19 / 27 / 35

HEX #A7887A

RGB 167 136 122

HSL 18.67, 0.2%, 0.57%

LAB 59.19, 9.62, 11.95

 

CMYK 0 / 5 / 7 / 41

HEX #968F8C

RGB 150 143 140

HSL 18, 0.05%, 0.57%

LAB 59.91, 2.03, 2.51

 

CMYK 0 / 69 / 53 / 13

HEX #DD4568

RGB 221 69 104

HSL 346.18, 0.69%, 0.57%

LAB 52.54, 61.05, 14.28

 

CMYK 0 / 67 / 69 / 13

HEX #DD4A45

RGB 221 74 69

HSL 1.97, 0.69%, 0.57%

LAB 52.62, 56.86, 35

 

CMYK 0 / 48 / 69 / 13

HEX #DD7345

RGB 221 115 69

HSL 18.16, 0.69%, 0.57%

LAB 59.95, 37.81, 43.51

 

CMYK 0 / 30 / 69 / 13

HEX #DD9B45

RGB 221 155 69

HSL 33.95, 0.69%, 0.57%

LAB 68.93, 16.62, 53.39

 

CMYK 0 / 12 / 69 / 13

HEX #DDC345

RGB 221 195 69

HSL 49.74, 0.69%, 0.57%

LAB 78.94, -4.52, 63.83

 

CMYK 0 / 57 / 82 / 31

HEX #AF4C20

RGB 175 76 32

HSL 18.46, 0.69%, 0.41%

LAB 44.78, 37.98, 43.98

 

CMYK 0 / 57 / 82 / 18

HEX #D25B26

RGB 210 91 38

HSL 18.49, 0.69%, 0.49%

LAB 53.3, 44.23, 51.2

 

CMYK 0 / 48 / 69 / 13

HEX #DD7445

RGB 221 116 69

HSL 18.55, 0.69%, 0.57%

LAB 60.15, 37.29, 43.75

 

CMYK 0 / 37 / 54 / 11

HEX #E38E68

RGB 227 142 104

HSL 18.54, 0.69%, 0.65%

LAB 67.03, 28.45, 33.67

 

CMYK 0 / 28 / 40 / 9

HEX #E9A88B

RGB 233 168 139

HSL 18.51, 0.68%, 0.73%

LAB 74.31, 20.36, 24.45

 

CMYK 0 / 47 / 68 / 13

HEX #DD7547

RGB 221 117 71

HSL 18.4, 0.69%, 0.57%

LAB 60.38, 36.89, 42.97

 

CMYK 34 / 0 / 69 / 13

HEX #91DD45

RGB 145 221 69

HSL 90, 0.69%, 0.57%

LAB 80.83, -47.07, 64.06

 

CMYK 69 / 62 / 0 / 13

HEX #4554DD

RGB 69 84 221

HSL 234.08, 0.69%, 0.57%

LAB 42.5, 38.52, -71.67

 

CMYK 0 / 47 / 68 / 13

HEX #DD7547

RGB 221 117 71

HSL 18.4, 0.69%, 0.57%

LAB 60.38, 36.89, 42.97

 

CMYK 69 / 0 / 48 / 13

HEX #45DD73

RGB 69 221 115

HSL 138.16, 0.69%, 0.57%

LAB 78.59, -62.04, 40.57

 

CMYK 48 / 69 / 0 / 13

HEX #7345DD

RGB 115 69 221

HSL 258.16, 0.69%, 0.57%

LAB 42.95, 54.07, -70.79

 

CMYK 0 / 47 / 68 / 13

HEX #DD7547

RGB 221 117 71

HSL 18.4, 0.69%, 0.57%

LAB 60.38, 36.89, 42.97

 

CMYK 34 / 0 / 69 / 13

HEX #91DD45

RGB 145 221 69

HSL 90, 0.69%, 0.57%

LAB 80.83, -47.07, 64.06

 

CMYK 69 / 21 / 0 / 13

HEX #45AFDD

RGB 69 175 221

HSL 198.16, 0.69%, 0.57%

LAB 67.39, -15.86, -32.03

 

CMYK 34 / 69 / 0 / 13

HEX #9145DD

RGB 145 69 221

HSL 270, 0.69%, 0.57%

LAB 46.31, 59.54, -65.17

 

CMYK 0 / 47 / 68 / 13

HEX #DD7547

RGB 221 117 71

HSL 18.4, 0.69%, 0.57%

LAB 60.38, 36.89, 42.97

 

CMYK 55 / 0 / 69 / 13

HEX #63DD45

RGB 99 221 69

HSL 108.16, 0.69%, 0.57%

LAB 78.92, -61.04, 61.49

 

CMYK 69 / 21 / 0 / 13

HEX #45AFDD

RGB 69 175 221

HSL 198.16, 0.69%, 0.57%

LAB 67.39, -15.86, -32.03

 

CMYK 14 / 69 / 0 / 13

HEX #BE45DD

RGB 190 69 221

HSL 287.76, 0.69%, 0.57%

LAB 52.31, 68.69, -55.19

 

Description

Color code: HEX #DD7547 | qconv.com Color code: HEX #DD7547 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 117 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 117 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 68 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 68% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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