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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD794A it is the complementary color #2286B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD794A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD794A shade: #E27945, #F38B58, #FF9D6B, #FFAF7E and #FFC191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD794A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD794A shade: #DD794A, #CC6737, #BB5524, #AA4311 and #993100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD794A shade: #DC794B, #DC524B and #DC4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD794A shade: #DC794B, #DCA04B, #DCC84B, #C9DC4B and #A2DC4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD794A shade matches the following richer shades: #DC794B and #EE7339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD794A shade: #DC794B, #CB7F5C, #BA866D, #A88C7F and #979290

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD794A shade: #DC4B6A, #DC524B, #DC794B, #DCA04B and #DCC64B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD794A shade: #B35022, #D56028, #DC794B, #E3936D and #E9AD90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD794A shade: #DD794A, #91DC4B and #4B57DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD794A shade: #DD794A, #4BDC79 and #794BDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD794A shade: #DD794A, #91DC4B, #4BAEDC and #964BDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD794A shade: #DD794A, #65DC4B, #4BAEDC and #C24BDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 67 / 13

HEX #DD794A

RGB 221 121 74

HSL 19.18, 0.68%, 0.58%

LAB 61.26, 34.99, 42.42

 

Complementary color

CMYK 81 / 26 / 0 / 29

HEX #2286B5

RGB 34 134 181

HSL 199.18, 0.68%, 0.42%

LAB 52.65, -11.32, -32.57

 

CMYK 0 / 46 / 69 / 11

HEX #E27945

RGB 226 121 69

HSL 19.87, 0.73%, 0.58%

LAB 61.89, 36.69, 45.89

 

CMYK 0 / 43 / 64 / 5

HEX #F38B58

RGB 243 139 88

HSL 19.74, 0.87%, 0.65%

LAB 68.19, 35.18, 44

 

CMYK 0 / 38 / 58 / 0

HEX #FF9D6B

RGB 255 157 107

HSL 20.27, 1%, 0.71%

LAB 73.83, 31.86, 41.33

 

CMYK 0 / 31 / 51 / 0

HEX #FFAF7E

RGB 255 175 126

HSL 22.79, 1%, 0.75%

LAB 78.13, 24, 36.84

 

CMYK 0 / 24 / 43 / 0

HEX #FFC191

RGB 255 193 145

HSL 26.18, 1%, 0.78%

LAB 82.62, 16.39, 32.77

 

CMYK 0 / 45 / 67 / 13

HEX #DD794A

RGB 221 121 74

HSL 19.18, 0.68%, 0.58%

LAB 61.26, 34.99, 42.42

 

CMYK 0 / 50 / 73 / 20

HEX #CC6737

RGB 204 103 55

HSL 19.33, 0.59%, 0.51%

LAB 54.88, 36.58, 44.39

 

CMYK 0 / 55 / 81 / 27

HEX #BB5524

RGB 187 85 36

HSL 19.47, 0.68%, 0.44%

LAB 48.5, 38.29, 46.31

 

CMYK 0 / 61 / 90 / 33

HEX #AA4311

RGB 170 67 17

HSL 19.61, 0.82%, 0.37%

LAB 42.16, 40.06, 47.7

 

CMYK 0 / 68 / 100 / 40

HEX #993100

RGB 153 49 0

HSL 19.22, 1%, 0.3%

LAB 35.92, 41.72, 47.91

 

CMYK 0 / 45 / 66 / 14

HEX #DC794B

RGB 220 121 75

HSL 19.03, 0.67%, 0.58%

LAB 61.13, 34.65, 41.72

 

CMYK 0 / 63 / 66 / 14

HEX #DC524B

RGB 220 82 75

HSL 2.9, 0.67%, 0.58%

LAB 53.77, 53.52, 32.93

 

CMYK 0 / 66 / 66 / 14

HEX #DC4B4B

RGB 220 75 75

HSL 0, 0.67%, 0.58%

LAB 52.68, 56.45, 31.59

 

CMYK 0 / 45 / 66 / 14

HEX #DC794B

RGB 220 121 75

HSL 19.03, 0.67%, 0.58%

LAB 61.13, 34.65, 41.72

 

CMYK 0 / 27 / 66 / 14

HEX #DCA04B

RGB 220 160 75

HSL 35.17, 0.67%, 0.58%

LAB 70.08, 13.85, 51.84

 

CMYK 0 / 9 / 66 / 14

HEX #DCC84B

RGB 220 200 75

HSL 51.72, 0.67%, 0.58%

LAB 80.2, -7.18, 62.67

 

CMYK 9 / 0 / 66 / 14

HEX #C9DC4B

RGB 201 220 75

HSL 67.86, 0.67%, 0.58%

LAB 84.02, -24.97, 66.16

 

CMYK 26 / 0 / 66 / 14

HEX #A2DC4B

RGB 162 220 75

HSL 84, 0.67%, 0.58%

LAB 81.5, -40.13, 62.74

 

CMYK 0 / 45 / 66 / 14

HEX #DC794B

RGB 220 121 75

HSL 19.03, 0.67%, 0.58%

LAB 61.13, 34.65, 41.72

 

CMYK 0 / 52 / 76 / 7

HEX #EE7339

RGB 238 115 57

HSL 19.23, 0.84%, 0.58%

LAB 62.28, 43.8, 52.69

 

CMYK 0 / 45 / 66 / 14

HEX #DC794B

RGB 220 121 75

HSL 19.03, 0.67%, 0.58%

LAB 61.13, 34.65, 41.72

 

CMYK 0 / 37 / 55 / 20

HEX #CB7F5C

RGB 203 127 92

HSL 18.92, 0.52%, 0.58%

LAB 60.47, 25.85, 31.25

 

CMYK 0 / 28 / 41 / 27

HEX #BA866D

RGB 186 134 109

HSL 19.48, 0.36%, 0.58%

LAB 60.42, 16.74, 21.34

 

CMYK 0 / 17 / 24 / 34

HEX #A88C7F

RGB 168 140 127

HSL 19.02, 0.19%, 0.58%

LAB 60.44, 8.51, 10.89

 

CMYK 0 / 3 / 5 / 41

HEX #979290

RGB 151 146 144

HSL 17.14, 0.03%, 0.58%

LAB 60.91, 1.46, 1.7

 

CMYK 0 / 66 / 52 / 14

HEX #DC4B6A

RGB 220 75 106

HSL 347.17, 0.67%, 0.58%

LAB 53.26, 58.57, 14.06

 

CMYK 0 / 63 / 66 / 14

HEX #DC524B

RGB 220 82 75

HSL 2.9, 0.67%, 0.58%

LAB 53.77, 53.52, 32.93

 

CMYK 0 / 45 / 66 / 14

HEX #DC794B

RGB 220 121 75

HSL 19.03, 0.67%, 0.58%

LAB 61.13, 34.65, 41.72

 

CMYK 0 / 27 / 66 / 14

HEX #DCA04B

RGB 220 160 75

HSL 35.17, 0.67%, 0.58%

LAB 70.08, 13.85, 51.84

 

CMYK 0 / 10 / 66 / 14

HEX #DCC64B

RGB 220 198 75

HSL 50.9, 0.67%, 0.58%

LAB 79.68, -6.16, 62.13

 

CMYK 0 / 55 / 81 / 30

HEX #B35022

RGB 179 80 34

HSL 19.03, 0.68%, 0.42%

LAB 46.23, 37.6, 44.64

 

CMYK 0 / 55 / 81 / 16

HEX #D56028

RGB 213 96 40

HSL 19.42, 0.68%, 0.5%

LAB 54.73, 43.01, 51.81

 

CMYK 0 / 45 / 66 / 14

HEX #DC794B

RGB 220 121 75

HSL 19.03, 0.67%, 0.58%

LAB 61.13, 34.65, 41.72

 

CMYK 0 / 35 / 52 / 11

HEX #E3936D

RGB 227 147 109

HSL 19.32, 0.68%, 0.66%

LAB 68.24, 26.21, 32.52

 

CMYK 0 / 26 / 38 / 9

HEX #E9AD90

RGB 233 173 144

HSL 19.55, 0.67%, 0.74%

LAB 75.59, 18.26, 23.49

 

CMYK 0 / 45 / 67 / 13

HEX #DD794A

RGB 221 121 74

HSL 19.18, 0.68%, 0.58%

LAB 61.26, 34.99, 42.42

 

CMYK 34 / 0 / 66 / 14

HEX #91DC4B

RGB 145 220 75

HSL 91.03, 0.67%, 0.58%

LAB 80.58, -46.21, 61.5

 

CMYK 66 / 60 / 0 / 14

HEX #4B57DC

RGB 75 87 220

HSL 235.03, 0.67%, 0.58%

LAB 43.48, 37.15, -69.49

 

CMYK 0 / 45 / 67 / 13

HEX #DD794A

RGB 221 121 74

HSL 19.18, 0.68%, 0.58%

LAB 61.26, 34.99, 42.42

 

CMYK 66 / 0 / 45 / 14

HEX #4BDC79

RGB 75 220 121

HSL 139.03, 0.67%, 0.58%

LAB 78.5, -59.68, 37.53

 

CMYK 45 / 66 / 0 / 14

HEX #794BDC

RGB 121 75 220

HSL 259.03, 0.67%, 0.58%

LAB 44.61, 51.76, -67.48

 

CMYK 0 / 45 / 67 / 13

HEX #DD794A

RGB 221 121 74

HSL 19.18, 0.68%, 0.58%

LAB 61.26, 34.99, 42.42

 

CMYK 34 / 0 / 66 / 14

HEX #91DC4B

RGB 145 220 75

HSL 91.03, 0.67%, 0.58%

LAB 80.58, -46.21, 61.5

 

CMYK 66 / 21 / 0 / 14

HEX #4BAEDC

RGB 75 174 220

HSL 199.03, 0.67%, 0.58%

LAB 67.23, -14.73, -31.71

 

CMYK 32 / 66 / 0 / 14

HEX #964BDC

RGB 150 75 220

HSL 271.03, 0.67%, 0.58%

LAB 47.86, 57.49, -62.06

 

CMYK 0 / 45 / 67 / 13

HEX #DD794A

RGB 221 121 74

HSL 19.18, 0.68%, 0.58%

LAB 61.26, 34.99, 42.42

 

CMYK 54 / 0 / 66 / 14

HEX #65DC4B

RGB 101 220 75

HSL 109.24, 0.67%, 0.58%

LAB 78.73, -59.65, 58.97

 

CMYK 66 / 21 / 0 / 14

HEX #4BAEDC

RGB 75 174 220

HSL 199.03, 0.67%, 0.58%

LAB 67.23, -14.73, -31.71

 

CMYK 12 / 66 / 0 / 14

HEX #C24BDC

RGB 194 75 220

HSL 289.24, 0.67%, 0.58%

LAB 53.67, 67, -52.41

 

Description

Color code: HEX #DD794A | qconv.com Color code: HEX #DD794A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 121 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 121 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 67 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 67% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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