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Color name
HEX #DD7C69

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD7C69 it is the complementary color #228396. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD7C69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD7C69 shade: #E27C64, #F38E77, #FFA08A, #FFB29D and #FFC4B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD7C69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD7C69 shade: #DD7C69, #CC6A56, #BB5843, #AA4630 and #99341D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD7C69 shade: #DD7C69 and #DD6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD7C69 shade: #DD7C69, #DD9B69, #DDBA69, #DDD969 and #C0DD69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD7C69 shade matches the following richer shades: #DD7C69, #EB725A and #FA684B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD7C69 shade: #DD7C69, #CE8678, #BF9087, #B09A95 and #A1A4A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD7C69 shade: #DD6995, #DD6976, #DD7A69, #DD9969 and #DDB869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD7C69 shade: #C6462D, #D55E47, #DD7C69, #E4998A and #ECB7AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD7C69 shade: #DD7C69, #B4DD69 and #6986DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD7C69 shade: #DD7C69, #69DD7A and #7A69DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD7C69 shade: #DD7C69, #B4DD69, #69CBDD and #9169DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD7C69 shade: #DD7C69, #91DD69, #69CBDD and #B469DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 52 / 13

HEX #DD7C69

RGB 221 124 105

HSL 9.83, 0.63%, 0.64%

LAB 62.34, 35.67, 26.91

 

Complementary color

CMYK 77 / 13 / 0 / 41

HEX #228396

RGB 34 131 150

HSL 189.83, 0.63%, 0.36%

LAB 50.42, -20.49, -18.07

 

CMYK 0 / 45 / 56 / 11

HEX #E27C64

RGB 226 124 100

HSL 11.43, 0.68%, 0.64%

LAB 62.93, 37.18, 30.58

 

CMYK 0 / 42 / 51 / 5

HEX #F38E77

RGB 243 142 119

HSL 11.13, 0.84%, 0.71%

LAB 69.28, 35.95, 28.81

 

CMYK 0 / 37 / 46 / 0

HEX #FFA08A

RGB 255 160 138

HSL 11.28, 1%, 0.77%

LAB 74.97, 32.94, 26.31

 

CMYK 0 / 30 / 38 / 0

HEX #FFB29D

RGB 255 178 157

HSL 12.86, 1%, 0.81%

LAB 79.35, 25.53, 22.01

 

CMYK 0 / 23 / 31 / 0

HEX #FFC4B0

RGB 255 196 176

HSL 15.19, 1%, 0.85%

LAB 83.9, 18.37, 18.17

 

CMYK 0 / 44 / 52 / 13

HEX #DD7C69

RGB 221 124 105

HSL 9.83, 0.63%, 0.64%

LAB 62.34, 35.67, 26.91

 

CMYK 0 / 48 / 58 / 20

HEX #CC6A56

RGB 204 106 86

HSL 10.17, 0.54%, 0.57%

LAB 55.9, 36.94, 28.81

 

CMYK 0 / 53 / 64 / 27

HEX #BB5843

RGB 187 88 67

HSL 10.5, 0.47%, 0.5%

LAB 49.43, 38.3, 30.99

 

CMYK 0 / 59 / 72 / 33

HEX #AA4630

RGB 170 70 48

HSL 10.82, 0.56%, 0.43%

LAB 42.97, 39.7, 33.49

 

CMYK 0 / 66 / 81 / 40

HEX #99341D

RGB 153 52 29

HSL 11.13, 0.68%, 0.36%

LAB 36.59, 41.03, 36.26

 

CMYK 0 / 44 / 52 / 13

HEX #DD7C69

RGB 221 124 105

HSL 9.83, 0.63%, 0.64%

LAB 62.34, 35.67, 26.91

 

CMYK 0 / 52 / 52 / 13

HEX #DD6969

RGB 221 105 105

HSL 0, 0.63%, 0.64%

LAB 58.5, 45.32, 21.81

 

CMYK 0 / 44 / 52 / 13

HEX #DD7C69

RGB 221 124 105

HSL 9.83, 0.63%, 0.64%

LAB 62.34, 35.67, 26.91

 

CMYK 0 / 30 / 52 / 13

HEX #DD9B69

RGB 221 155 105

HSL 25.86, 0.63%, 0.64%

LAB 69.35, 19.16, 35.93

 

CMYK 0 / 16 / 52 / 13

HEX #DDBA69

RGB 221 186 105

HSL 41.9, 0.63%, 0.64%

LAB 76.99, 2.63, 45.37

 

CMYK 0 / 2 / 52 / 13

HEX #DDD969

RGB 221 217 105

HSL 57.93, 0.63%, 0.64%

LAB 85.01, -13.27, 54.87

 

CMYK 13 / 0 / 52 / 13

HEX #C0DD69

RGB 192 221 105

HSL 75, 0.63%, 0.64%

LAB 83.93, -26.73, 53.08

 

CMYK 0 / 44 / 52 / 13

HEX #DD7C69

RGB 221 124 105

HSL 9.83, 0.63%, 0.64%

LAB 62.34, 35.67, 26.91

 

CMYK 0 / 51 / 62 / 8

HEX #EB725A

RGB 235 114 90

HSL 9.93, 0.78%, 0.64%

LAB 62.03, 44.89, 35.23

 

CMYK 0 / 58 / 70 / 2

HEX #FA684B

RGB 250 104 75

HSL 9.94, 0.95%, 0.64%

LAB 62.28, 54.13, 44.19

 

CMYK 0 / 44 / 52 / 13

HEX #DD7C69

RGB 221 124 105

HSL 9.83, 0.63%, 0.64%

LAB 62.34, 35.67, 26.91

 

CMYK 0 / 35 / 42 / 19

HEX #CE8678

RGB 206 134 120

HSL 9.77, 0.47%, 0.64%

LAB 62.95, 25.99, 18.97

 

CMYK 0 / 25 / 29 / 25

HEX #BF9087

RGB 191 144 135

HSL 9.64, 0.3%, 0.64%

LAB 63.98, 16.48, 11.68

 

CMYK 0 / 13 / 15 / 31

HEX #B09A95

RGB 176 154 149

HSL 11.11, 0.15%, 0.64%

LAB 65.37, 7.27, 5.6

 

CMYK 2 / 0 / 0 / 36

HEX #A1A4A4

RGB 161 164 164

HSL 180, 0.02%, 0.64%

LAB 67.13, -1.06, -0.38

 

CMYK 0 / 52 / 33 / 13

HEX #DD6995

RGB 221 105 149

HSL 337.24, 0.63%, 0.64%

LAB 59.57, 49.89, -2.19

 

CMYK 0 / 52 / 47 / 13

HEX #DD6976

RGB 221 105 118

HSL 353.28, 0.63%, 0.64%

LAB 58.77, 46.5, 14.67

 

CMYK 0 / 45 / 52 / 13

HEX #DD7A69

RGB 221 122 105

HSL 8.79, 0.63%, 0.64%

LAB 61.92, 36.72, 26.35

 

CMYK 0 / 31 / 52 / 13

HEX #DD9969

RGB 221 153 105

HSL 24.83, 0.63%, 0.64%

LAB 68.88, 20.23, 35.33

 

CMYK 0 / 17 / 52 / 13

HEX #DDB869

RGB 221 184 105

HSL 40.86, 0.63%, 0.64%

LAB 76.48, 3.68, 44.75

 

CMYK 0 / 65 / 77 / 22

HEX #C6462D

RGB 198 70 45

HSL 9.8, 0.63%, 0.48%

LAB 47.72, 49.72, 41.68

 

CMYK 0 / 56 / 67 / 16

HEX #D55E47

RGB 213 94 71

HSL 9.72, 0.63%, 0.56%

LAB 54.66, 45.34, 36

 

CMYK 0 / 44 / 52 / 13

HEX #DD7C69

RGB 221 124 105

HSL 9.83, 0.63%, 0.64%

LAB 62.34, 35.67, 26.91

 

CMYK 0 / 33 / 39 / 11

HEX #E4998A

RGB 228 153 138

HSL 10, 0.63%, 0.72%

LAB 70.25, 26.32, 19.37

 

CMYK 0 / 22 / 27 / 7

HEX #ECB7AC

RGB 236 183 172

HSL 10.31, 0.63%, 0.8%

LAB 78.86, 17.59, 12.96

 

CMYK 0 / 44 / 52 / 13

HEX #DD7C69

RGB 221 124 105

HSL 9.83, 0.63%, 0.64%

LAB 62.34, 35.67, 26.91

 

CMYK 19 / 0 / 52 / 13

HEX #B4DD69

RGB 180 221 105

HSL 81.21, 0.63%, 0.64%

LAB 83.14, -31.32, 51.95

 

CMYK 52 / 39 / 0 / 13

HEX #6986DD

RGB 105 134 221

HSL 225, 0.63%, 0.64%

LAB 57.34, 14.18, -47.66

 

CMYK 0 / 44 / 52 / 13

HEX #DD7C69

RGB 221 124 105

HSL 9.83, 0.63%, 0.64%

LAB 62.34, 35.67, 26.91

 

CMYK 52 / 0 / 45 / 13

HEX #69DD7A

RGB 105 221 122

HSL 128.79, 0.63%, 0.64%

LAB 79.68, -53.38, 38.72

 

CMYK 45 / 52 / 0 / 13

HEX #7A69DD

RGB 122 105 221

HSL 248.79, 0.63%, 0.64%

LAB 51.22, 35.36, -57.36

 

CMYK 0 / 44 / 52 / 13

HEX #DD7C69

RGB 221 124 105

HSL 9.83, 0.63%, 0.64%

LAB 62.34, 35.67, 26.91

 

CMYK 19 / 0 / 52 / 13

HEX #B4DD69

RGB 180 221 105

HSL 81.21, 0.63%, 0.64%

LAB 83.14, -31.32, 51.95

 

CMYK 52 / 8 / 0 / 13

HEX #69CBDD

RGB 105 203 221

HSL 189.31, 0.63%, 0.64%

LAB 76.64, -23.89, -17.78

 

CMYK 34 / 52 / 0 / 13

HEX #9169DD

RGB 145 105 221

HSL 260.69, 0.63%, 0.64%

LAB 53.32, 40.79, -53.87

 

CMYK 0 / 44 / 52 / 13

HEX #DD7C69

RGB 221 124 105

HSL 9.83, 0.63%, 0.64%

LAB 62.34, 35.67, 26.91

 

CMYK 34 / 0 / 52 / 13

HEX #91DD69

RGB 145 221 105

HSL 99.31, 0.63%, 0.64%

LAB 81.16, -43.82, 49.11

 

CMYK 52 / 8 / 0 / 13

HEX #69CBDD

RGB 105 203 221

HSL 189.31, 0.63%, 0.64%

LAB 76.64, -23.89, -17.78

 

CMYK 19 / 52 / 0 / 13

HEX #B469DD

RGB 180 105 221

HSL 278.79, 0.63%, 0.64%

LAB 57.1, 49.74, -47.63

 

Description

Color code: HEX #DD7C69 | qconv.com Color code: HEX #DD7C69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 124 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 124 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 52 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 52% 13% C M Y K

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Provide designers and agencies with accurate color values.

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