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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD8DB4 it is the complementary color #22724B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD8DB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD8DB4 shade: #E28DAF, #F39FC2, #FFB1D5, #FFC3E8 and #FFD5FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD8DB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD8DB4 shade: #DD8DB4, #CC7BA1, #BB698E, #AA577B and #994568

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD8DB4 shade: #DC8DB4, #DC8D9E and #DC8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD8DB4 shade: #DC8DB4, #DC8DC9, #DA8DDC, #C58DDC and #AF8DDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD8DB4 shade matches the following richer shades: #DC8DB4, #E881B3 and #F475B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD8DB4 shade: #DC8DB4, #D199B4, #C5A5B4, #B9B1B4 and #ADBCB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD8DB4 shade: #DA8DDC, #DC8DCA, #DC8DB5, #DC8D9F and #DC8F8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD8DB4 shade: #CA4D8A, #D36D9F, #DC8DB4, #E6ACC8 and #EFCCDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD8DB4 shade: #DD8DB4, #DCC58D and #8DD4DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD8DB4 shade: #DD8DB4, #B5DC8D and #8DB5DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD8DB4 shade: #DD8DB4, #DCC58D, #8DDCB5 and #8DA5DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD8DB4 shade: #DD8DB4, #DCDC8D, #8DDCB5 and #8D8DDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 19 / 13

HEX #DD8DB4

RGB 221 141 180

HSL 330.75, 0.54%, 0.71%

LAB 67.81, 35.76, -7.66

 

Complementary color

CMYK 70 / 0 / 34 / 55

HEX #22724B

RGB 34 114 75

HSL 150.75, 0.54%, 0.29%

LAB 42.59, -33.89, 14.79

 

CMYK 0 / 38 / 23 / 11

HEX #E28DAF

RGB 226 141 175

HSL 336, 0.59%, 0.72%

LAB 68.25, 36.75, -4.14

 

CMYK 0 / 35 / 20 / 5

HEX #F39FC2

RGB 243 159 194

HSL 335, 0.78%, 0.79%

LAB 74.66, 35.96, -5

 

CMYK 0 / 31 / 16 / 0

HEX #FFB1D5

RGB 255 177 213

HSL 332.31, 1%, 0.85%

LAB 80.46, 33.52, -6.64

 

CMYK 0 / 24 / 9 / 0

HEX #FFC3E8

RGB 255 195 232

HSL 323, 1%, 0.88%

LAB 85.06, 27.11, -10.02

 

CMYK 0 / 16 / 2 / 0

HEX #FFD5FB

RGB 255 213 251

HSL 305.71, 1%, 0.92%

LAB 89.77, 20.93, -13.04

 

CMYK 0 / 36 / 19 / 13

HEX #DD8DB4

RGB 221 141 180

HSL 330.75, 0.54%, 0.71%

LAB 67.81, 35.76, -7.66

 

CMYK 0 / 40 / 21 / 20

HEX #CC7BA1

RGB 204 123 161

HSL 331.85, 0.44%, 0.64%

LAB 61.29, 36.55, -6.82

 

CMYK 0 / 44 / 24 / 27

HEX #BB698E

RGB 187 105 142

HSL 332.93, 0.38%, 0.57%

LAB 54.68, 37.39, -5.85

 

CMYK 0 / 49 / 28 / 33

HEX #AA577B

RGB 170 87 123

HSL 333.98, 0.33%, 0.5%

LAB 48, 38.24, -4.73

 

CMYK 0 / 55 / 32 / 40

HEX #994568

RGB 153 69 104

HSL 335, 0.38%, 0.44%

LAB 41.26, 39.06, -3.37

 

CMYK 0 / 36 / 18 / 14

HEX #DC8DB4

RGB 220 141 180

HSL 330.38, 0.53%, 0.71%

LAB 67.7, 35.41, -7.85

 

CMYK 0 / 36 / 28 / 14

HEX #DC8D9E

RGB 220 141 158

HSL 347.09, 0.53%, 0.71%

LAB 67.08, 32.22, 3.6

 

CMYK 0 / 36 / 36 / 14

HEX #DC8D8D

RGB 220 141 141

HSL 0, 0.53%, 0.71%

LAB 66.66, 30.03, 12.57

 

CMYK 0 / 36 / 18 / 14

HEX #DC8DB4

RGB 220 141 180

HSL 330.38, 0.53%, 0.71%

LAB 67.7, 35.41, -7.85

 

CMYK 0 / 36 / 9 / 14

HEX #DC8DC9

RGB 220 141 201

HSL 314.43, 0.53%, 0.71%

LAB 68.37, 38.82, -18.56

 

CMYK 1 / 36 / 0 / 14

HEX #DA8DDC

RGB 218 141 220

HSL 298.48, 0.53%, 0.71%

LAB 68.84, 41.56, -28.41

 

CMYK 10 / 36 / 0 / 14

HEX #C58DDC

RGB 197 141 220

HSL 282.53, 0.53%, 0.71%

LAB 66.59, 35.07, -32.08

 

CMYK 20 / 36 / 0 / 14

HEX #AF8DDC

RGB 175 141 220

HSL 265.82, 0.53%, 0.71%

LAB 64.43, 28.4, -35.6

 

CMYK 0 / 36 / 18 / 14

HEX #DC8DB4

RGB 220 141 180

HSL 330.38, 0.53%, 0.71%

LAB 67.7, 35.41, -7.85

 

CMYK 0 / 44 / 23 / 9

HEX #E881B3

RGB 232 129 179

HSL 330.87, 0.69%, 0.71%

LAB 66.6, 45.59, -8.75

 

CMYK 0 / 52 / 27 / 4

HEX #F475B3

RGB 244 117 179

HSL 330.71, 0.85%, 0.71%

LAB 65.91, 55.36, -9.61

 

CMYK 0 / 36 / 18 / 14

HEX #DC8DB4

RGB 220 141 180

HSL 330.38, 0.53%, 0.71%

LAB 67.7, 35.41, -7.85

 

CMYK 0 / 27 / 14 / 18

HEX #D199B4

RGB 209 153 180

HSL 331.07, 0.38%, 0.71%

LAB 69.21, 25.07, -5.74

 

CMYK 0 / 16 / 9 / 23

HEX #C5A5B4

RGB 197 165 180

HSL 331.88, 0.22%, 0.71%

LAB 70.92, 14.22, -3.34

 

CMYK 0 / 4 / 3 / 27

HEX #B9B1B4

RGB 185 177 180

HSL 337.5, 0.05%, 0.71%

LAB 72.93, 3.39, -0.52

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 1 / 36 / 0 / 14

HEX #DA8DDC

RGB 218 141 220

HSL 298.48, 0.53%, 0.71%

LAB 68.84, 41.56, -28.41

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCA

RGB 220 141 202

HSL 313.67, 0.53%, 0.71%

LAB 68.41, 38.99, -19.07

 

CMYK 0 / 36 / 18 / 14

HEX #DC8DB5

RGB 220 141 181

HSL 329.62, 0.53%, 0.71%

LAB 67.73, 35.56, -8.36

 

CMYK 0 / 36 / 28 / 14

HEX #DC8D9F

RGB 220 141 159

HSL 346.33, 0.53%, 0.71%

LAB 67.1, 32.35, 3.08

 

CMYK 0 / 35 / 36 / 14

HEX #DC8F8D

RGB 220 143 141

HSL 1.52, 0.53%, 0.71%

LAB 67.11, 28.96, 13.2

 

CMYK 0 / 62 / 32 / 21

HEX #CA4D8A

RGB 202 77 138

HSL 330.72, 0.54%, 0.55%

LAB 51.5, 55.45, -8

 

CMYK 0 / 48 / 25 / 17

HEX #D36D9F

RGB 211 109 159

HSL 330.59, 0.54%, 0.63%

LAB 59.24, 45.93, -8.61

 

CMYK 0 / 36 / 18 / 14

HEX #DC8DB4

RGB 220 141 180

HSL 330.38, 0.53%, 0.71%

LAB 67.7, 35.41, -7.85

 

CMYK 0 / 25 / 13 / 10

HEX #E6ACC8

RGB 230 172 200

HSL 331.03, 0.54%, 0.79%

LAB 76.37, 25.47, -5.92

 

CMYK 0 / 15 / 8 / 6

HEX #EFCCDD

RGB 239 204 221

HSL 330.86, 0.52%, 0.87%

LAB 85.38, 15.06, -3.84

 

CMYK 0 / 36 / 19 / 13

HEX #DD8DB4

RGB 221 141 180

HSL 330.75, 0.54%, 0.71%

LAB 67.81, 35.76, -7.66

 

CMYK 0 / 10 / 36 / 14

HEX #DCC58D

RGB 220 197 141

HSL 42.53, 0.53%, 0.71%

LAB 80.22, 0.11, 31.07

 

CMYK 36 / 4 / 0 / 14

HEX #8DD4DC

RGB 141 212 220

HSL 186.08, 0.53%, 0.71%

LAB 80.69, -20.14, -11

 

CMYK 0 / 36 / 19 / 13

HEX #DD8DB4

RGB 221 141 180

HSL 330.75, 0.54%, 0.71%

LAB 67.81, 35.76, -7.66

 

CMYK 18 / 0 / 36 / 14

HEX #B5DC8D

RGB 181 220 141

HSL 89.62, 0.53%, 0.71%

LAB 83.41, -26.32, 34.73

 

CMYK 36 / 18 / 0 / 14

HEX #8DB5DC

RGB 141 181 220

HSL 209.62, 0.53%, 0.71%

LAB 72.15, -3.92, -23.9

 

CMYK 0 / 36 / 19 / 13

HEX #DD8DB4

RGB 221 141 180

HSL 330.75, 0.54%, 0.71%

LAB 67.81, 35.76, -7.66

 

CMYK 0 / 10 / 36 / 14

HEX #DCC58D

RGB 220 197 141

HSL 42.53, 0.53%, 0.71%

LAB 80.22, 0.11, 31.07

 

CMYK 36 / 0 / 18 / 14

HEX #8DDCB5

RGB 141 220 181

HSL 150.38, 0.53%, 0.71%

LAB 81.94, -32.69, 11.57

 

CMYK 36 / 25 / 0 / 14

HEX #8DA5DC

RGB 141 165 220

HSL 221.77, 0.53%, 0.71%

LAB 67.83, 4.93, -30.53

 

CMYK 0 / 36 / 19 / 13

HEX #DD8DB4

RGB 221 141 180

HSL 330.75, 0.54%, 0.71%

LAB 67.81, 35.76, -7.66

 

CMYK 0 / 0 / 36 / 14

HEX #DCDC8D

RGB 220 220 141

HSL 60, 0.53%, 0.71%

LAB 86.17, -11.66, 38.85

 

CMYK 36 / 0 / 18 / 14

HEX #8DDCB5

RGB 141 220 181

HSL 150.38, 0.53%, 0.71%

LAB 81.94, -32.69, 11.57

 

CMYK 36 / 36 / 0 / 14

HEX #8D8DDC

RGB 141 141 220

HSL 240, 0.53%, 0.71%

LAB 61.55, 18.66, -40.31

 

Description

Color code: HEX #DD8DB4 | qconv.com Color code: HEX #DD8DB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 141 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 141 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 19 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 19% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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