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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD8F50 it is the complementary color #2270AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD8F50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD8F50 shade: #E28F4B, #F3A15E, #FFB371, #FFC584 and #FFD797

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD8F50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD8F50 shade: #DD8F50, #CC7D3D, #BB6B2A, #AA5917 and #994704

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD8F50 shade: #DC8F50, #DC6950 and #DC5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD8F50 shade: #DC8F50, #DCB450, #DCDA50, #B8DC50 and #92DC50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD8F50 shade matches the following richer shades: #DC8F50, #ED8D3F and #FE8B2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD8F50 shade: #DC8F50, #CB9061, #BA9272, #A99483 and #989694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD8F50 shade: #DC505E, #DC6750, #DC8D50, #DCB250 and #DCD750

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD8F50 shade: #B66524, #D5782D, #DC8F50, #E3A572 and #EABB95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD8F50 shade: #DD8F50, #83DC50 and #5550DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD8F50 shade: #DD8F50, #50DC8D and #8D50DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD8F50 shade: #DD8F50, #83DC50, #509FDC and #A950DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD8F50 shade: #DD8F50, #59DC50, #509FDC and #D350DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 64 / 13

HEX #DD8F50

RGB 221 143 80

HSL 26.81, 0.67%, 0.59%

LAB 66.21, 23.71, 45.07

 

Complementary color

CMYK 81 / 36 / 0 / 31

HEX #2270AF

RGB 34 112 175

HSL 206.81, 0.67%, 0.41%

LAB 45.67, -0.55, -40.08

 

CMYK 0 / 37 / 67 / 11

HEX #E28F4B

RGB 226 143 75

HSL 27.02, 0.72%, 0.59%

LAB 66.76, 25.47, 48.35

 

CMYK 0 / 34 / 61 / 5

HEX #F3A15E

RGB 243 161 94

HSL 26.98, 0.86%, 0.66%

LAB 73.12, 24.07, 46.78

 

CMYK 0 / 30 / 56 / 0

HEX #FFB371

RGB 255 179 113

HSL 27.89, 1%, 0.72%

LAB 78.86, 20.83, 44.45

 

CMYK 0 / 23 / 48 / 0

HEX #FFC584

RGB 255 197 132

HSL 31.71, 1%, 0.76%

LAB 83.37, 13.04, 40.44

 

CMYK 0 / 16 / 41 / 0

HEX #FFD797

RGB 255 215 151

HSL 36.92, 1%, 0.8%

LAB 88.01, 5.6, 36.76

 

CMYK 0 / 35 / 64 / 13

HEX #DD8F50

RGB 221 143 80

HSL 26.81, 0.67%, 0.59%

LAB 66.21, 23.71, 45.07

 

CMYK 0 / 39 / 70 / 20

HEX #CC7D3D

RGB 204 125 61

HSL 26.85, 0.58%, 0.52%

LAB 59.75, 25.21, 46.67

 

CMYK 0 / 43 / 78 / 27

HEX #BB6B2A

RGB 187 107 42

HSL 26.9, 0.63%, 0.45%

LAB 53.22, 26.92, 48.14

 

CMYK 0 / 48 / 86 / 33

HEX #AA5917

RGB 170 89 23

HSL 26.94, 0.76%, 0.38%

LAB 46.65, 28.86, 49.11

 

CMYK 0 / 54 / 97 / 40

HEX #994704

RGB 153 71 4

HSL 26.98, 0.95%, 0.31%

LAB 40.06, 31.01, 48.91

 

CMYK 0 / 35 / 64 / 14

HEX #DC8F50

RGB 220 143 80

HSL 27, 0.67%, 0.59%

LAB 66.09, 23.3, 44.9

 

CMYK 0 / 52 / 64 / 14

HEX #DC6950

RGB 220 105 80

HSL 10.71, 0.67%, 0.59%

LAB 57.94, 43.11, 35.22

 

CMYK 0 / 64 / 64 / 14

HEX #DC5050

RGB 220 80 80

HSL 0, 0.67%, 0.59%

LAB 53.53, 54.66, 29.75

 

CMYK 0 / 35 / 64 / 14

HEX #DC8F50

RGB 220 143 80

HSL 27, 0.67%, 0.59%

LAB 66.09, 23.3, 44.9

 

CMYK 0 / 18 / 64 / 14

HEX #DCB450

RGB 220 180 80

HSL 42.86, 0.67%, 0.59%

LAB 75.1, 3.51, 55.06

 

CMYK 0 / 1 / 64 / 14

HEX #DCDA50

RGB 220 218 80

HSL 59.14, 0.67%, 0.59%

LAB 84.96, -15.94, 65.62

 

CMYK 16 / 0 / 64 / 14

HEX #B8DC50

RGB 184 220 80

HSL 75.43, 0.67%, 0.59%

LAB 82.89, -31.4, 62.63

 

CMYK 34 / 0 / 64 / 14

HEX #92DC50

RGB 146 220 80

HSL 91.71, 0.67%, 0.59%

LAB 80.67, -45.47, 59.59

 

CMYK 0 / 35 / 64 / 14

HEX #DC8F50

RGB 220 143 80

HSL 27, 0.67%, 0.59%

LAB 66.09, 23.3, 44.9

 

CMYK 0 / 41 / 73 / 7

HEX #ED8D3F

RGB 237 141 63

HSL 26.9, 0.83%, 0.59%

LAB 67.59, 30.41, 55.3

 

CMYK 0 / 45 / 82 / 0

HEX #FE8B2E

RGB 254 139 46

HSL 26.83, 0.99%, 0.59%

LAB 69.28, 37.65, 64.73

 

CMYK 0 / 35 / 64 / 14

HEX #DC8F50

RGB 220 143 80

HSL 27, 0.67%, 0.59%

LAB 66.09, 23.3, 44.9

 

CMYK 0 / 29 / 52 / 20

HEX #CB9061

RGB 203 144 97

HSL 26.6, 0.5%, 0.59%

LAB 64.57, 17.01, 33.73

 

CMYK 0 / 22 / 39 / 27

HEX #BA9272

RGB 186 146 114

HSL 26.67, 0.34%, 0.59%

LAB 63.52, 10.67, 22.72

 

CMYK 0 / 12 / 22 / 34

HEX #A99483

RGB 169 148 131

HSL 26.84, 0.18%, 0.59%

LAB 62.72, 5.04, 11.86

 

CMYK 0 / 1 / 3 / 40

HEX #989694

RGB 152 150 148

HSL 30, 0.02%, 0.59%

LAB 62.19, 0.35, 1.3

 

CMYK 0 / 64 / 57 / 14

HEX #DC505E

RGB 220 80 94

HSL 354, 0.67%, 0.59%

LAB 53.77, 55.59, 21.87

 

CMYK 0 / 53 / 64 / 14

HEX #DC6750

RGB 220 103 80

HSL 9.86, 0.67%, 0.59%

LAB 57.55, 44.09, 34.75

 

CMYK 0 / 36 / 64 / 14

HEX #DC8D50

RGB 220 141 80

HSL 26.14, 0.67%, 0.59%

LAB 65.63, 24.37, 44.37

 

CMYK 0 / 19 / 64 / 14

HEX #DCB250

RGB 220 178 80

HSL 42, 0.67%, 0.59%

LAB 74.59, 4.57, 54.51

 

CMYK 0 / 2 / 64 / 14

HEX #DCD750

RGB 220 215 80

HSL 57.86, 0.67%, 0.59%

LAB 84.17, -14.45, 64.79

 

CMYK 0 / 45 / 80 / 29

HEX #B66524

RGB 182 101 36

HSL 26.71, 0.67%, 0.43%

LAB 51.13, 27.83, 48.54

 

CMYK 0 / 44 / 79 / 16

HEX #D5782D

RGB 213 120 45

HSL 26.79, 0.67%, 0.51%

LAB 59.68, 30.91, 54.3

 

CMYK 0 / 35 / 64 / 14

HEX #DC8F50

RGB 220 143 80

HSL 27, 0.67%, 0.59%

LAB 66.09, 23.3, 44.9

 

CMYK 0 / 27 / 50 / 11

HEX #E3A572

RGB 227 165 114

HSL 27.08, 0.67%, 0.67%

LAB 72.53, 17.04, 35.35

 

CMYK 0 / 20 / 36 / 8

HEX #EABB95

RGB 234 187 149

HSL 26.82, 0.67%, 0.75%

LAB 79.16, 11.8, 25.67

 

CMYK 0 / 35 / 64 / 13

HEX #DD8F50

RGB 221 143 80

HSL 26.81, 0.67%, 0.59%

LAB 66.21, 23.71, 45.07

 

CMYK 40 / 0 / 64 / 14

HEX #83DC50

RGB 131 220 80

HSL 98.14, 0.67%, 0.59%

LAB 79.95, -50.47, 58.6

 

CMYK 61 / 64 / 0 / 14

HEX #5550DC

RGB 85 80 220

HSL 242.14, 0.67%, 0.59%

LAB 42.51, 42.84, -71.03

 

CMYK 0 / 35 / 64 / 13

HEX #DD8F50

RGB 221 143 80

HSL 26.81, 0.67%, 0.59%

LAB 66.21, 23.71, 45.07

 

CMYK 64 / 0 / 36 / 14

HEX #50DC8D

RGB 80 220 141

HSL 146.14, 0.67%, 0.59%

LAB 78.93, -55.28, 27.99

 

CMYK 36 / 64 / 0 / 14

HEX #8D50DC

RGB 141 80 220

HSL 266.14, 0.67%, 0.59%

LAB 47.71, 53.14, -62.35

 

CMYK 0 / 35 / 64 / 13

HEX #DD8F50

RGB 221 143 80

HSL 26.81, 0.67%, 0.59%

LAB 66.21, 23.71, 45.07

 

CMYK 40 / 0 / 64 / 14

HEX #83DC50

RGB 131 220 80

HSL 98.14, 0.67%, 0.59%

LAB 79.95, -50.47, 58.6

 

CMYK 64 / 28 / 0 / 14

HEX #509FDC

RGB 80 159 220

HSL 206.14, 0.67%, 0.59%

LAB 63.07, -5.66, -38.17

 

CMYK 23 / 64 / 0 / 14

HEX #A950DC

RGB 169 80 220

HSL 278.14, 0.67%, 0.59%

LAB 51.08, 59.23, -56.75

 

CMYK 0 / 35 / 64 / 13

HEX #DD8F50

RGB 221 143 80

HSL 26.81, 0.67%, 0.59%

LAB 66.21, 23.71, 45.07

 

CMYK 60 / 0 / 64 / 14

HEX #59DC50

RGB 89 220 80

HSL 116.14, 0.67%, 0.59%

LAB 78.4, -62.12, 56.45

 

CMYK 64 / 28 / 0 / 14

HEX #509FDC

RGB 80 159 220

HSL 206.14, 0.67%, 0.59%

LAB 63.07, -5.66, -38.17

 

CMYK 4 / 64 / 0 / 14

HEX #D350DC

RGB 211 80 220

HSL 296.14, 0.67%, 0.59%

LAB 56.83, 68.85, -47.23

 

Description

Color code: HEX #DD8F50 | qconv.com Color code: HEX #DD8F50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 143 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 143 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 64 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 64% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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